Paper

Student Artwork Guide

Henry Allingham (1896–2009)

Name Class Date

Jane Allison, Henry Allingham (1896–2009) (2008). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jane Allison topimpressionists.com/en/artists/jane-allison/
Artist’s dates
1959 –
Painted
2008
Original size
76 x 61 cm

In context

Henry Allingham (1896–2009) — Jane Allison

How big is it?

The original measures 76 × 61 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 49. 16 of the 18 dated works by this artist in our catalogue came earlier.

▲ this work, 2008 every dated painting, decade by decade

First works: up to 1990 Main working years: 1990–2005 Late works: from 2005

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/jane-allison-henry-allingham-1896-2009-AQUG5N-en/

Colours

Measured from the image

    Main colour

    Gray #7d7f78

    Catalogued palette

    • #7D7F78
    • #242C34
    • #505557
    • #D5B9AB

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jane Allison over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 80.0%
    2. 2 United States of America 20.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by Jane Allison

    1. 1 Rose Cottage, Pockford Road, Chiddingfold, Surrey, 2004 16.7%
    2. 2 Lily Willet and Sylvie, 1989 16.7%
    3. 3 Lord Nugent, 1989 16.7%
    4. 4 Cissy, Aged 92, 1989 16.7%
    5. 5 Robin Williamson, 2008 16.7%
    6. 6 Henry Allingham (1896–2009), 2008 this painting 16.7%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 19 works by this artist, of which 6 were looked at at least once. This painting ranks 6 of them, with 16.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Jane Allison

    A Life Immersed in Narrative: The World of Jane Allison

    Jane Allison, born Emma Rosalyn Symes in 1959, is a British artist whose work breathes life into the echoes of Victorian England and beyond. While her artistic journey began with formal training at Cambridge College, it was a deep-seated fascination with history – particularly the social narratives woven within portraiture – that truly defined her path. Allison’s canvases aren't merely representations; they are portals to another time, imbued with psychological depth and an almost tangible sense of atmosphere. Her artistic identity, while publicly known as Jane Allison, also encompasses the earlier work signed by Emma Rosalyn Symes, revealing a consistent exploration of character and setting throughout her career. This continuity speaks to a singular vision refined over decades, rather than a dramatic stylistic shift.

    Early Influences & Artistic Development

    Allison’s upbringing fostered an appreciation for the visual arts and a keen interest in storytelling. Though details of her early life remain private, it is clear that exposure to historical literature and art – particularly the Pre-Raphaelites and Victorian genre painting – left an indelible mark. The meticulous detail and emotional intensity of artists like John Everett Millais and Dante Gabriel Rossetti resonate within Allison’s own work, though she avoids direct imitation, instead forging a unique style characterized by subtle realism and nuanced characterization. Her time at Cambridge College provided her with the technical foundation necessary to translate her vision onto canvas, but it was her independent study of historical costume, social customs, and psychological portraiture that truly fueled her development. She wasn’t simply learning how to paint; she was learning how to inhabit another era, to understand the unspoken stories held within a gaze or the weight of fabric against skin.

    Themes & Techniques: Portraits as Windows to the Past

    The core of Allison's oeuvre lies in portraiture – not necessarily of famous figures, but of individuals who seem plucked from the pages of history. Her subjects are often depicted within richly detailed interiors or evocative landscapes, their surroundings playing an integral role in revealing their character and social standing. Victorian England is a recurring motif, providing a fertile ground for exploring themes of class, gender, and societal expectations. However, Allison’s work extends beyond strict historical recreation; she frequently introduces elements of ambiguity and psychological tension, inviting viewers to question the narratives presented. Her technique is marked by a masterful use of light and shadow, creating a sense of depth and atmosphere that draws the viewer into the scene. She employs a layering process, building up thin glazes of oil paint to achieve a luminosity and realism reminiscent of Old Master paintings. This meticulous approach allows her to capture not only physical likeness but also the subtle nuances of emotion and personality.

    Major Achievements & Historical Significance

    While Allison maintains a relatively private profile, her work has garnered recognition within art circles for its exceptional quality and historical insight. Her paintings are held in numerous private collections internationally, and she has been featured in several prestigious exhibitions focused on contemporary portraiture and British art history.

    Her ability to seamlessly blend technical skill with compelling storytelling sets her apart.

    Allison’s work contributes significantly to the ongoing dialogue surrounding Victorian studies, offering fresh perspectives on gender roles and social dynamics.

    She has successfully revived a tradition of narrative portraiture, demonstrating its continued relevance in contemporary art.

    Beyond specific accolades, Allison's lasting significance lies in her dedication to preserving and reinterpreting the past. She doesn’t simply recreate history; she breathes new life into it, prompting viewers to engage with the complexities of previous eras and reflect on their own place within the broader human narrative. Her connection as a Jane Goodall Alumni also highlights an interest in observation and understanding complex systems – whether that be primate behavior or social structures within historical contexts. As an artist who continues to evolve and refine her vision, Jane Allison remains a compelling voice in contemporary British art, offering a unique and evocative glimpse into the lives of those who came before us.

    Where to read more

    • The artist Jane Allison topimpressionists.com/en/artists/jane-allison/
    • Similar works More works to compare topimpressionists.com/en/art/similar/jane-allison-henry-allingham-1896-2009-AQUG5N-en/

    Find this online

    QR code linking to the download page for Henry Allingham (1896–2009)

    topimpressionists.com/en/art/download/jane-allison-henry-allingham-1896-2009-AQUG5N-en/

    Cite this artwork

    MLA
    Allison, Jane. Henry Allingham (1896–2009). 2008, https://topimpressionists.com/en/art/jane-allison-henry-allingham-1896-2009-AQUG5N-en/
    APA
    Allison, Jane (2008). Henry Allingham (1896–2009) [Painting]. https://topimpressionists.com/en/art/jane-allison-henry-allingham-1896-2009-AQUG5N-en/
    Chicago
    Jane Allison. Henry Allingham (1896–2009). 2008. https://topimpressionists.com/en/art/jane-allison-henry-allingham-1896-2009-AQUG5N-en/
    Harvard
    Allison, Jane (2008) Henry Allingham (1896–2009). Available at: https://topimpressionists.com/en/art/jane-allison-henry-allingham-1896-2009-AQUG5N-en/

    Look closely

    Henry Allingham (1896–2009) — Jane Allison

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Professor Vincent Marks (2006), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Jane Allison was about 49 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which artist is "Henry Allingham (1896–2009)" attributed to?

    "Henry Allingham (1896–2009)" is attributed to Jane Allison.

    What is the dominant color of "Henry Allingham (1896–2009)" by Jane Allison?

    The color that stands out most in "Henry Allingham (1896–2009)" is gray (#7d7f78). The dominant color is useful when matching an artwork to an interior.

    Is "Henry Allingham (1896–2009)" by Jane Allison a bright or a dark artwork?

    In terms of perceived brightness, "Henry Allingham (1896–2009)" by Jane Allison is shadow.