Paper

Student Artwork Guide

Microraptor

Name Class Date

Jane Kim, Microraptor (2015), Cornell Lab of Ornithology. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Jane Kim topimpressionists.com/en/artists/jane-kim/
Artist’s dates
1981 – ?
Painted
2015
Held at
Cornell Lab of Ornithology topimpressionists.com/en/museums/cornell-lab-of-ornithology-ithaca/

In context

Microraptor — Jane Kim

When was this painted?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 34. 0 of the 55 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Jane Kim (1981–?) ▲ this work, 2015

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/jane-kim-microraptor-DD2KEH-en/

Colours

Measured from the image

    Main colour

    White #edeee9

    Catalogued palette

    • #EDEEE9
    • #F4F5F0
    • #B2B3B1
    • #D6D7D2
    Palette
    Monochrome The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jane Kim over the last twelve months — 2 countries in all.

    The ten leading countries

    1. 1 China 85.7%
    2. 2 United States of America 14.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 15 most looked-at works by Jane Kim

    1. 1 South America mural detail, 2015 12.5%
    2. 2 Shoebill, 2015 6.2%
    3. 3 Gray-crowned Babbler, 2015 6.2%
    4. 4 Oilbird, 2015 6.2%
    5. 5 Magpie Goose, 2015 6.2%
    6. 6 American Oystercatcher, 2015 6.2%
    7. 7 Pale-winged Trumpeter, 2015 6.2%
    8. 8 Black Caiman, 2015 6.2%
    9. 9 Oriental Darter, 2015 6.2%
    10. 10 Europe and Eurasia mural detail, 2015 6.2%
    11. 11 Gastornis, 2015 6.2%
    12. 12 Africa and Madagascar mural detail, 2015 6.2%
    13. 13 Pelagornis, 2015 6.2%
    14. 14 Microraptor, 2015 this painting 6.2%
    15. 15 Tiktaalik, 2015 6.2%

    Together these works take 99.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 55 works by this artist, of which 15 were looked at at least once. This painting ranks 14 of them, with 6.2% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Jane Kim

    Born in United States of America

    The Art of Advocacy: The Visionary World of Jane Kim

    Jane Kim stands at the intersection of fine art and scientific precision, a painter and science illustrator whose work serves as a vibrant bridge between humanity and the natural world. Born in 1981 and raised in Mount Prospect, Illinois, Kim’s artistic journey is deeply rooted in an intimate observation of life. Her practice, often executed through her Ink Dwell studio, transcends mere decoration; it is a form of visual advocacy designed to promote the protection and celebration of our planet's diverse ecosystems. By blending the meticulous detail of scientific illustration with the grand scale of public murals, she transforms urban landscapes into immersive educational experiences.

    Kim’s formal training provided the technical foundation for her unique aesthetic. She earned her B.F.A. in printmaking from the Rhode Island School of Design in 2003, a period that likely honed her appreciation for texture and layered composition. Seeking to deepen the connection between art and ecology, she later attended California State University, Monterey Bay, where she studied scientific illustration, graduating in 2010. This dual expertise allows her to capture the iridescent qualities of plumage and the delicate anatomy of flora with an accuracy that honors the biological reality of her subjects while maintaining a profound emotional resonance.

    A Symphony of Scale and Species

    The true impact of Kim’s work is perhaps most felt in her large-scale murals, which turn city walls into windows onto vanishing habitats. Her projects are often much more than aesthetic endeavors; they are ecological narratives. One of her most ambitious undertakings was the Migrating Mural, a series of six works spanning 120 miles along California’s Highway 395, featuring the Sierra Nevada bighorn sheep. Such works demonstrate her ability to use public space to foster a sense of shared stewardship for local wildlife.

    Her mastery of detail is equally evident in her more concentrated works, such as the monumental Wall of Birds at Cornell University's Lab of Ornithology. Completed in 2015, this massive piece depicts 243 modern bird families, rendered at life size and superimposed upon a map of the earth. In pieces like South Island Wren or Jocotoco Antpitta, Kim invites viewers into a meditative state, using a layered painting technique that builds richness through visible brushstrokes and a vibrant palette. Through these works, she captures the fragility of endangered species, turning every stroke of paint into a plea for conservation.

    Legacy and Ecological Connection

    Beyond the technical execution, Kim’s significance lies in her ability to weave social and historical narratives into the natural landscape. Her Flora From Fauna series in Redwood City, California, serves as a poignant example, commemorating the lost chrysanthemum industry of the 1920s and the history of Japanese immigrants in the region. This ability to intertwate human history with ecological study defines her contribution to contemporary art.

    Whether through her residency at the de Young Museum or her presence on corporate campuses, Kim continues to push the boundaries of where art can live and what it can achieve. Her work remains a testament to the power of observation, reminding us that by truly seeing the intricate beauty of a single bird or a hidden flower, we might find the inspiration necessary to protect the entire tapestry of life.

    Museum

    Cornell Lab of Ornithology

    On show in Ithaca, United States of America

    A Sanctuary of Wings and Wonder: Exploring the Cornell Lab of Ornithology

    Nestled in the rolling hills of Ithaca, New York, the Cornell Lab of Ornithology transcends the typical definition of a research institution; it is a vibrant testament to our enduring connection with the avian world. Founded in 1915 by Arthur A. Allen – a visionary who championed the formal study of birds – the Lab has blossomed into a global hub for ornithological science, conservation, and citizen engagement. From its humble beginnings within Cornell University's entomology department to its current state-of-the-art facilities at Sapsucker Woods Sanctuary, the story of the Cornell Lab is one of passionate dedication and groundbreaking discovery. It’s a place where scientific rigor dances with public enthusiasm, fostering a unique environment that invites everyone to look up and listen. The very essence of the Lab lies in its ability to transform casual birdwatchers into invaluable scientific contributors, pioneering a spirit of collective observation that has revolutionized our understanding of avian life.

    The Power of Collective Observation: eBird and Beyond

    At the heart of this institution beats a commitment to harnessing the power of shared knowledge. Unlike traditional research environments, the Cornell Lab actively invites participation from bird enthusiasts of all levels. This pioneering spirit is most vividly embodied in eBird, an online database that has fundamentally altered our understanding of bird distribution and migration patterns. Imagine a real-time map, constantly updated by thousands of observers, revealing the intricate movements of feathered travelers across continents! It’s a breathtaking visualization of interconnectedness, demonstrating how individual observations coalesce into a comprehensive picture of avian life on Earth. Complementing this digital marvel is All About Birds, an award-winning website offering exhaustive profiles of North American species – a treasure trove of identification tips, life history details, and captivating sound recordings. These resources aren’t merely informative; they foster a deeper appreciation for the beauty and complexity of avian existence, igniting curiosity and inspiring conservation efforts.

    Architectural Harmony with Nature

    The physical manifestation of this dedication is the Imogene Powers Johnson Center for Birds and Biodiversity, opened in 2003, and recently enhanced by a multimillion-dollar redesign completed in June 2024. The Visitor Center isn’t simply a place to view exhibits; it's an immersive experience designed to connect visitors with the natural world. The architecture itself reflects this ethos, seamlessly blending into the surrounding Sapsucker Woods Sanctuary – a 300-acre preserve boasting over five miles of winding trails and home to more than 230 bird species. Walking these paths, one can truly understand why Arthur Allen chose this location, initially captivated by a breeding pair of yellow-bellied sapsuckers that gave the sanctuary its name. The redesigned Visitor Center offers interactive exhibits that bring avian ecology to life, making it accessible and engaging for all ages. It’s a space where visitors don't just learn about birds; they feel connected to them.

    A Legacy Built on Citizen Science

    What truly distinguishes the Cornell Lab is its unwavering belief in the power of citizen science. This isn’t simply about collecting data; it's about fostering a community of passionate observers who are actively involved in shaping our understanding of the natural world. Beyond eBird, projects like NestWatch and Celebrate Urban Birds empower individuals to contribute meaningfully to conservation efforts. The Lab also offers captivating “Bird Cams,” providing intimate glimpses into the hidden lives of nesting birds – a window into the delicate dramas unfolding within avian families. This commitment extends beyond observation; the Cornell Lab actively integrates research, education, and conservation, addressing the multifaceted challenges facing bird populations in a rapidly changing world. It’s a holistic approach that recognizes the interconnectedness of all living things and the importance of collective action.

    More Than a Museum: A Beacon of Hope

    The Cornell Lab of Ornithology is more than just a museum or a research facility; it's a beacon of hope for avian biodiversity. It’s a place where scientific rigor meets public engagement, where curiosity is nurtured, and where the simple act of observing a bird can contribute to a greater understanding – and ultimately, protection – of our planet’s precious natural heritage. It stands as a powerful reminder that we all have a role to play in safeguarding the future of these magnificent creatures and the ecosystems they inhabit. The Lab's enduring legacy is not just in its scientific discoveries, but in its ability to inspire a sense of wonder and responsibility in generations to come.

    Where to read more

    • The artist Jane Kim topimpressionists.com/en/artists/jane-kim/
    • The museum Cornell Lab of Ornithology topimpressionists.com/en/museums/cornell-lab-of-ornithology-ithaca/
    • Similar works More works to compare topimpressionists.com/en/art/similar/jane-kim-microraptor-DD2KEH-en/

    Find this online

    QR code linking to the download page for Microraptor

    topimpressionists.com/en/art/download/jane-kim-microraptor-DD2KEH-en/

    Cite this artwork

    MLA
    Kim, Jane. Microraptor. 2015, Cornell Lab of Ornithology. https://topimpressionists.com/en/art/jane-kim-microraptor-DD2KEH-en/
    APA
    Kim, Jane (2015). Microraptor [Painting]. Cornell Lab of Ornithology. https://topimpressionists.com/en/art/jane-kim-microraptor-DD2KEH-en/
    Chicago
    Jane Kim. Microraptor. 2015. Cornell Lab of Ornithology. https://topimpressionists.com/en/art/jane-kim-microraptor-DD2KEH-en/
    Harvard
    Kim, Jane (2015) Microraptor. Cornell Lab of Ornithology. Available at: https://topimpressionists.com/en/art/jane-kim-microraptor-DD2KEH-en/

    Look closely

    Microraptor — Jane Kim

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Great Hornbill (2015), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Jane Kim was about 34 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How do the colors of "Microraptor" relate to each other?

    "Microraptor" by Jane Kim displays a unified palette color harmony.

    What was Jane Kim's age when "Microraptor" was created?

    When "Microraptor" was created in 2015, Jane Kim - born in 1981 - was 34 years old.

    Are the colors of "Microraptor" by Jane Kim vivid or muted?

    "Microraptor" by Jane Kim is recorded with a muted saturation and a monochromatic intensity.

    In what year was "Microraptor" by Jane Kim created?

    "Microraptor" dates from 2015. The date places the work within Jane Kim's career and its era.

    Which artist is "Microraptor" attributed to?

    The artist behind "Microraptor" is Jane Kim. The work is catalogued under Jane Kim's name.

    Does "Microraptor" show strong light-dark contrasts?

    The light-dark contrast of "Microraptor" is recorded as serene. Contrast describes how strongly light and dark areas differ.

    Who made "Microraptor", and when?

    "Microraptor" was created by Jane Kim in 2015.