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Student Artwork Guide

Wolves Attacking Sheep

Name Class Date

Jean-Baptiste Oudry, Wolves Attacking Sheep. Public domain.

The facts

Artist
Jean-Baptiste Oudry topimpressionists.com/en/artists/jean-baptiste-oudry/
Artist’s dates
1686 – 1755
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.

In context

Wolves Attacking Sheep — Jean-Baptiste Oudry

When might this have been painted?

  1. 1680
  2. 1690
  3. 1700
  4. 1710
  5. 1720
  6. 1730
  7. 1740
  8. 1750

Shaded: the lifetime of Jean-Baptiste Oudry (1686–1755)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/jean-baptiste-oudry-wolves-attacking-sheep-8LJ6MA-en/

Colours

Measured from the image

    Main colour

    Celadon #b0bece

    Catalogued palette

    • #B0BECE
    • #183040
    • #79848F
    • #164E6D
    Main colour name
    Celadon
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Jean-Baptiste Oudry

    Born in Paris, France

    Jean-Baptiste Oudry: A Life in Art

    Early Life and Training

    Born: March 17, 1686, in Paris, France.

    Oudry came from an artistic family; his father, Jacques Oudry, was a painter and art dealer. His mother, Nicole Papillon, was related to the engraver Jean-Baptiste-Michel Papillon.

    He began his training at the Académie de Saint-Luc, studying under Nicolas de Largillière from 1707 to 1712. This foundational period shaped his early skills in portraiture and observation.

    He quickly progressed, becoming an assistant professor at the Académie de Saint-Luc in 1714 and a full professor by 1717.

    Artistic Development and Style

    Initially focused on portraiture, Oudry gradually expanded his repertoire to include still lifes, particularly of fruits and animals, as well as religious subjects.

    His style evolved towards the Rococo, characterized by elegance, naturalism, and a playful depiction of aristocratic life and leisure.

    Oudry’s meticulous attention to detail and his ability to capture the textures and characteristics of animals became hallmarks of his work.

    He demonstrated mastery in both painting and design, seamlessly transitioning between canvas and tapestry creation.

    Major Achievements and Notable Works

    The Pastoral Amusements (Les Amusements Champêtres): A series of tapestries designed for the Royal Beauvais Tapestry Manufactory, showcasing idyllic scenes of rural life and hunting.

    Louis XV Hunting a Deer in the Forest of Saint-Germain (1730): This painting solidified Oudry’s reputation as the official painter of the royal hunt. It exemplifies his skill in depicting both the grandeur of the hunt and the natural environment.

    Royal Hunts of Louis XV (Chasses Royales Gobelins): A series of tapestry designs for the Gobelins Manufactory, further establishing Oudry’s prominence as a tapestry designer.

    Numerous portraits of dead game commissioned by King Louis XV, demonstrating his expertise in animal anatomy and still life composition.

    Influences and Legacy

    Influenced By: Nicolas de Largillière played a crucial role in Oudry’s early artistic development, providing foundational training in portraiture and technique.

    Oudry's work influenced subsequent generations of animal painters and tapestry designers. His naturalistic style and attention to detail set a new standard for depicting wildlife.

    He contributed significantly to the decorative arts of the French court, creating luxurious tapestries that adorned royal residences.

    Historical Significance

    Oudry’s work provides valuable insights into 18th-century aristocratic life and the importance of hunting as a pastime for the French nobility.

    His tapestries are considered masterpieces of French decorative art, showcasing the technical skill and artistic creativity of the period.

    He was appointed to prestigious positions within the Académie Royale de Peinture et de Sculpture, demonstrating his recognition as a leading artist of his time.

    Died: April 30, 1755, leaving behind a legacy of exquisite paintings and tapestries that continue to be admired today.

    Where to read more

    • The artist Jean-Baptiste Oudry topimpressionists.com/en/artists/jean-baptiste-oudry/
    • Similar works More works to compare topimpressionists.com/en/art/similar/jean-baptiste-oudry-wolves-attacking-sheep-8LJ6MA-en/

    Find this online

    QR code linking to the download page for Wolves Attacking Sheep

    topimpressionists.com/en/art/download/jean-baptiste-oudry-wolves-attacking-sheep-8LJ6MA-en/

    Cite this artwork

    MLA
    Oudry, Jean-Baptiste. Wolves Attacking Sheep. n.d., https://topimpressionists.com/en/art/jean-baptiste-oudry-wolves-attacking-sheep-8LJ6MA-en/
    APA
    Oudry, Jean-Baptiste (n.d.). Wolves Attacking Sheep [Painting]. https://topimpressionists.com/en/art/jean-baptiste-oudry-wolves-attacking-sheep-8LJ6MA-en/
    Chicago
    Jean-Baptiste Oudry. Wolves Attacking Sheep. n.d. https://topimpressionists.com/en/art/jean-baptiste-oudry-wolves-attacking-sheep-8LJ6MA-en/
    Harvard
    Oudry, Jean-Baptiste (n.d.) Wolves Attacking Sheep. Available at: https://topimpressionists.com/en/art/jean-baptiste-oudry-wolves-attacking-sheep-8LJ6MA-en/

    Look closely

    Wolves Attacking Sheep — Jean-Baptiste Oudry

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: animals. Do you agree? What would you add, or take away?
    4. Look back at Henri Camille, Chevalier de Beringhen (1722), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.