Paper
Name Class Date

Johan Barthold Jongkind, Binneshaven, Rotterdam. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Johan Barthold Jongkind topimpressionists.com/en/artists/johan-barthold-jongkind/
Artist’s dates
1819 – 1891
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Binneshaven, Rotterdam — Johan Barthold Jongkind

When might this have been painted?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 72 at death.

Shaded: the lifetime of Johan Barthold Jongkind (1819–1891) every dated painting, decade by decade

First works: up to 1864 Main working years: 1864–1871 Late works: from 1871

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • PAYSAGE topimpressionists.com/en/art/johan-barthold-jongkind-paysage-AQZJM4-en/
  • NOTRE DAME DE PARIS topimpressionists.com/en/art/johan-barthold-jongkind-notre-dame-de-paris-AQZJLY-en/
  • Moonlight on the Canal topimpressionists.com/en/art/johan-barthold-jongkind-moonlight-on-the-canal-D4BNZ7-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/johan-barthold-jongkind-binneshaven-rotterdam-8LJ73H-en/

Colours

Measured from the image

    Main colour

    Putty #cab8a3

    Catalogued palette

    • #CAB8A3
    • #1B1526
    • #937E6E
    • #49383D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Johan Barthold Jongkind over the last twelve months — 8 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 77.5%9,300 visits
    2. 2 United States of America 8.3%1,000 visits
    3. 3 France 5.0%600 visits
    4. 4 Argentina 2.5%300 visits
    5. 5 Hong Kong 2.5%300 visits
    6. 6 Singapore 2.5%300 visits
    7. 7 Brazil 0.8%100 visits
    8. 8 Israel 0.8%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Johan Barthold Jongkind

    1. 1 Moonlight 2.3%300 visits
    2. 2 Moonlight on the Canal 2.3%300 visits
    3. 3 Moonlight over a Canal, Dordrecht, 1876 2.3%300 visits
    4. 4 ENTREE DU PORT HONFLEUR 2.3%300 visits
    5. 5 LE CANAL 2.3%300 visits
    6. 6 Notre Dame de Paris Seen from the Pont de L-Archeveche 2.3%300 visits
    7. 7 entrance to the port of honfleur, 1864 2.3%300 visits
    8. 8 Honfleur the Railroad Dock 2.3%300 visits
    9. 9 A cart and two subsidiary studies carts drawn by horses 2.3%300 visits
    10. 10 Rue Notre Dame, Paris, 1866 1.5%200 visits
    11. 11 Canal in the Moonlight, 1868 1.5%200 visits
    12. 12 The Seine at Bas-Meudon 1.5%200 visits
    13. 13 Rue De Village, Hollande 1.5%200 visits
    14. 14 Canal intérieur de la ville de Dordrecht 1.5%200 visits
    15. 15 A Sailboat Moored on the Bank of a Stream 1.5%200 visits
    16. 16 The Port of Rotterdam 1 1.5%200 visits
    17. 17 Inside the port in Rotterdam, the effect of moon 1.5%200 visits
    18. 18 The Seaside Cottage 1.5%200 visits
    19. 19 Sortie du port Honfleur Sun 1.5%200 visits
    20. — Binneshaven, Rotterdam this painting 0.0%0 visits

    Together these works take 35.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 265 works by this artist, of which 99 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Johan Barthold Jongkind

    Born in Lattrop-boekel, Netherlands

    A Forerunner of Light: The Life and Art of Johan Barthold Jongkind

    Johan Barthold Jongkind, a name perhaps less immediately recognizable than those of Monet or Renoir, occupies a pivotal position in the story of Impressionism. Born on June 3, 1819, in Lattrop, a small town in the Netherlands, Jongkind’s artistic journey was one marked by both profound talent and personal struggle. His early life unfolded amidst the tranquil landscapes of Overijssel province, a region that would deeply inform his lifelong fascination with water, light, and atmosphere. Though initially employed as a clerk, his inherent artistic inclinations led him to The Hague in 1837, where he began formal training under Andreas Schelfhout, a respected landscape painter steeped in the Dutch tradition. This foundation proved crucial, instilling in Jongkind a meticulous observation of nature and a mastery of technique that would later be infused with a distinctly modern sensibility. It was a period of learning the fundamentals, but also one of burgeoning ambition, prompting him to seek further artistic development in the vibrant heart of Paris.

    Parisian Encounters and Artistic Development

    The move to Paris in 1846 proved transformative. Jongkind entered the studios of Eugène Isabey and François-Édouard Picot, immersing himself in the French art scene. He quickly gained recognition, exhibiting at the Salon as early as 1848, earning praise from influential critics like Charles Baudelaire and Émile Zola. These were years of promise, yet shadowed by a growing internal turmoil. Jongkind battled with bouts of depression and alcoholism, challenges that would intermittently disrupt his career and personal life. Despite these struggles, he continued to paint prolifically, focusing on scenes of the Seine River, the bustling Parisian streets, and the atmospheric nuances of the surrounding countryside. His work during this period reveals a unique blend of Dutch realism and emerging French Romanticism, characterized by vigorous brushwork and a keen sensitivity to light effects. He wasn’t merely depicting landscapes; he was capturing their fleeting moods, their ephemeral beauty. This ability to convey atmosphere would become his signature style and a key influence on the artists who followed.

    A Mentor to Monet: The Seeds of Impressionism

    Jongkind's return to the Netherlands in 1855 was temporary. He eventually settled back in Paris in 1861, where his artistic path intersected with that of a young Claude Monet. This encounter proved profoundly significant for both artists. Jongkind became a mentor to Monet, sharing his knowledge of plein air painting – working outdoors directly from nature – and encouraging him to embrace a more spontaneous and expressive approach. Monet himself credited Jongkind with providing the “definitive education” of his eye, recognizing in the older artist’s work a freedom and sensitivity that resonated deeply with his own artistic aspirations. Jongkind's influence can be seen in Monet’s early landscapes, particularly those depicting scenes along the Seine, where the emphasis on light, atmosphere, and fleeting impressions is strikingly similar. He wasn’t simply teaching technique; he was imparting a philosophy of seeing, a way of capturing the essence of a moment in time.

    Legacy and Lasting Influence

    Though Jongkind never fully achieved the widespread fame enjoyed by some of his contemporaries, his contribution to the development of Impressionism is undeniable. His paintings, often characterized by their loose brushwork, dramatic skies, and evocative use of color, paved the way for a new approach to landscape painting. He demonstrated that capturing the subjective experience of light and atmosphere was as important as accurately representing physical reality. His work can be found in prominent museums such as the Van Gogh Museum in Amsterdam and the Musée d'Orsay in Paris, testaments to his enduring artistic merit.

    Notable Works: *Moonlight on the Canal*, numerous paintings of the Seine near Notre-Dame Cathedral.

    Influence: A key influence on Claude Monet and a forerunner of Impressionism.

    Final Years: Jongkind passed away on February 9, 1891, in Saint-Égrève, France, leaving behind a legacy that continues to inspire artists and art enthusiasts today.

    Jongkind’s story is a poignant reminder that artistic innovation often arises from unexpected sources. He was not a revolutionary in the same way as Monet or Renoir, but his quiet dedication to capturing the beauty of the natural world, combined with his willingness to experiment with new techniques, laid crucial groundwork for the Impressionist movement and secured his place as a vital figure in 19th-century art history. His paintings remain powerful evocations of time and place, inviting viewers to experience the world through the eyes of an artist who truly understood the transformative power of light.

    Where to read more

    • The artist Johan Barthold Jongkind topimpressionists.com/en/artists/johan-barthold-jongkind/
    • Similar works More works to compare topimpressionists.com/en/art/similar/johan-barthold-jongkind-binneshaven-rotterdam-8LJ73H-en/

    Find this online

    QR code linking to the download page for Binneshaven, Rotterdam

    topimpressionists.com/en/art/download/johan-barthold-jongkind-binneshaven-rotterdam-8LJ73H-en/

    Cite this artwork

    MLA
    Jongkind, Johan Barthold. Binneshaven, Rotterdam. n.d., https://topimpressionists.com/en/art/johan-barthold-jongkind-binneshaven-rotterdam-8LJ73H-en/
    APA
    Jongkind, Johan Barthold (n.d.). Binneshaven, Rotterdam [Painting]. https://topimpressionists.com/en/art/johan-barthold-jongkind-binneshaven-rotterdam-8LJ73H-en/
    Chicago
    Johan Barthold Jongkind. Binneshaven, Rotterdam. n.d. https://topimpressionists.com/en/art/johan-barthold-jongkind-binneshaven-rotterdam-8LJ73H-en/
    Harvard
    Jongkind, Johan Barthold (n.d.) Binneshaven, Rotterdam. Available at: https://topimpressionists.com/en/art/johan-barthold-jongkind-binneshaven-rotterdam-8LJ73H-en/

    Look closely

    Binneshaven, Rotterdam — Johan Barthold Jongkind

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Look back at PAYSAGE, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What orientation does "Binneshaven, Rotterdam" by Johan Barthold Jongkind have?

    "Binneshaven, Rotterdam" by Johan Barthold Jongkind has a landscape format. The format describes the proportions of the composition.

    Is "Binneshaven, Rotterdam" by Johan Barthold Jongkind in the public domain, and why?

    The copyright status of "Binneshaven, Rotterdam" - in the public domain - its copyright has expired - follows from the artist's death in 1891.

    How do contrast and harmony combine in "Binneshaven, Rotterdam"?

    The color composition of "Binneshaven, Rotterdam" by Johan Barthold Jongkind combines a statement contrast with a softly mixed palette harmony.