Paper

Student Artwork Guide

This England

Name Class Date

John Anthony Park, This England. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
John Anthony Park topimpressionists.com/en/artists/john-anthony-park/
Artist’s dates
1880 – 1962
Original size
64 x 77 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

This England — John Anthony Park

How big is it?

The original measures 64 × 77 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 82 at death.

Shaded: the lifetime of John Anthony Park (1880–1962) every dated painting, decade by decade

First works: up to 1931 Main working years: 1931–1938 Late works: from 1938

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/john-anthony-park-this-england-AQVAYD-en/

Colours

Measured from the image

    Main colour

    Sap Green #777543

    Catalogued palette

    • #777543
    • #9D9762
    • #C6BD84
    • #524C23

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Sap Green
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by John Anthony Park over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 Australia 28.6%200 visits
    2. 2 China 28.6%200 visits
    3. 3 United Kingdom 28.6%200 visits
    4. 4 Portugal 14.3%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by John Anthony Park

    1. 1 Heart of Exmoor 28.6%200 visits
    2. 2 Spring on the Stour 14.3%100 visits
    3. 3 Spring in Mallorca, 1934 14.3%100 visits
    4. 4 St Ives Harbour 14.3%100 visits
    5. 5 A Peaceful Haven 14.3%100 visits
    6. 6 Snow Falls on Exmoor, 1939 14.3%100 visits
    7. — This England this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 26 works by this artist, of which 6 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    John Anthony Park

    John Anthony Park: A Cornish Master of Light and Landscape

    Born in Preston, Lancashire, in 1878, John Anthony Park’s artistic journey began far from the rugged coastlines that would ultimately define his most celebrated work. Initially employed in a cotton mill, Park’s innate talent for observation and representation led him to pursue painting as a vocation, initially studying under Julius Olsson and Algernon Talmage, absorbing the principles of Impressionism and early Modernism. A pivotal move to Paris in 1905 provided further refinement at the Académie Colarossi, under Auguste Joseph Delecluse, exposing him to French artistic techniques and broadening his palette. This period marked a crucial shift towards capturing fleeting moments of light and atmosphere – a hallmark that would become inextricably linked with his name.

    Park’s early career saw him exhibiting at the Royal Academy in 1905, showcasing works like “Summer Evening,” “Low Tide,” and “The Bay Cloudy Day.” These pieces demonstrated an emerging ability to translate the vibrant hues of the Cornish landscape onto canvas. However, it was his relocation to St Ives, Cornwall, around 1927, that truly ignited his artistic fire. The town’s dramatic light, its bustling harbour, and the surrounding coastline provided a constant source of inspiration – a palette of blues, greens, and golds waiting to be rendered with bold brushstrokes and an intuitive understanding of colour.

    The Cornish Vision: Light, Colour, and Coastal Scenes

    Park’s style in St Ives evolved into a distinctive brand of Impressionism, deeply rooted in the local environment. He wasn't merely depicting scenes; he was capturing the feeling of Cornwall – its ever-changing light, the salty tang of the air, and the rhythmic movement of the sea. His paintings are characterized by loose, expressive brushwork, vibrant colour palettes, and a focus on atmospheric effects. Unlike many landscape artists who sought to create photographic realism, Park prioritized conveying an emotional response to his subject matter.

    His most famous subjects were the harbour scenes – the boats bobbing in the water, the fishermen unloading their catch, the quaint cottages nestled amongst the hills. These weren’t idealized depictions; they were honest portrayals of everyday life, imbued with a sense of warmth and tranquility. He frequently depicted the iconic St Ives Harbour, immortalizing its beauty through countless paintings, each capturing a slightly different mood or moment in time. Works like “St Ives Harbour (to commemorate the visit of HMS Howe to St Ives, July 1947)” exemplify this skill, showcasing his ability to capture both the grandeur and intimacy of the scene.

    Influences and Artistic Development

    Park’s artistic development was shaped by a confluence of influences. The Impressionist movement, with its emphasis on capturing fleeting moments and using colour to convey emotion, undoubtedly played a significant role. He also drew inspiration from the Cornish landscape itself – the dramatic light, the rugged coastline, and the vibrant local culture. Furthermore, his time in Paris exposed him to French techniques and perspectives, while his later years were marked by a growing interest in tonal painting, evident in works like “Monday Morning,” where he employed subtle gradations of colour to create a sense of depth and atmosphere.

    It’s important to note that Park's style evolved over time. Early works demonstrate a more academic approach, while later paintings reflect a greater freedom and spontaneity. This evolution is reflected in his increasing use of bold colours and expressive brushwork, culminating in the luminous and evocative landscapes that define his legacy.

    Legacy and Recognition

    John Anthony Park’s work gained recognition throughout his career, with exhibitions held both in Britain and abroad. He became a founding member of the St Ives Society of Artists, contributing to the flourishing artistic community that thrived in Cornwall during the early 20th century. His paintings are now highly sought after by collectors worldwide, appreciated for their beauty, technical skill, and evocative portrayal of the Cornish landscape.

    Beyond his artistic achievements, Park’s legacy extends to his contribution to the St Ives art scene. He helped establish the town as a center for artistic innovation and inspired generations of artists to capture its unique charm on canvas. His work continues to resonate with viewers today, offering a glimpse into a bygone era and reminding us of the enduring power of landscape painting.

    Further Exploration

    To delve deeper into John Anthony Park’s life and work, consider exploring these resources:

    WahooArt: John Anthony Park – Offers detailed artist biographies, artwork images, and auction records.

    AskART: John Anthony Park – Provides a comprehensive overview of the artist’s life, career, and artistic style.

    Haynes Fine Art: John Anthony Park - Offers information about his work for sale.

    Where to read more

    Find this online

    QR code linking to the download page for This England

    topimpressionists.com/en/art/download/john-anthony-park-this-england-AQVAYD-en/

    Cite this artwork

    MLA
    Park, John Anthony. This England. n.d., https://topimpressionists.com/en/art/john-anthony-park-this-england-AQVAYD-en/
    APA
    Park, John Anthony (n.d.). This England [Painting]. https://topimpressionists.com/en/art/john-anthony-park-this-england-AQVAYD-en/
    Chicago
    John Anthony Park. This England. n.d. https://topimpressionists.com/en/art/john-anthony-park-this-england-AQVAYD-en/
    Harvard
    Park, John Anthony (n.d.) This England. Available at: https://topimpressionists.com/en/art/john-anthony-park-this-england-AQVAYD-en/

    Look closely

    This England — John Anthony Park

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: landscape, river, trees. Do you agree? What would you add, or take away?
    4. Look back at Heart of Exmoor, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How strong is the contrast in "This England" by John Anthony Park?

    "This England" by John Anthony Park shows a gentle contrast between its light and dark areas.

    How light is "This England" overall?

    In terms of perceived brightness, "This England" by John Anthony Park is bright.

    What underlying hue runs through "This England" by John Anthony Park?

    A green to violet spectrum hue runs through "This England" by John Anthony Park.