Paper

Student Artwork Guide

Abstract with Holes

Name Class Date

John Banting, Abstract with Holes (1937), Darlington Library. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
John Banting topimpressionists.com/en/artists/john-banting/
Painted
1937
Original size
44 x 56 cm
Movement
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.
Held at
Darlington Library topimpressionists.com/en/museums/darlington-library-darlington/

In context

Abstract with Holes — John Banting

How big is it?

The original measures 44 × 56 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1930

▲ this work, 1937 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/john-banting-abstract-with-holes-AS7V6R-en/

Colours

Measured from the image

    Main colour

    Putty #d4be9c

    Catalogued palette

    • #D4BE9C
    • #DADEDC
    • #382727
    • #C35A43

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by John Banting over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by John Banting

    1. 1 Humphrey Spender, 1934 33.3%
    2. 2 Edward Burra, 1930 33.3%
    3. 3 Goat Man and Guitar 33.3%
    4. Abstract with Holes, 1937 this painting 0.0%

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 10 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    John Banting

    John Banting: The Unassuming Surrealist of Bloomsbury

    John Banting (1902-1972) remains a curiously compelling figure in the history of British art, often described as “the only true English Surrealist painter” by Anthony Powell. He wasn’t a flamboyant provocateur or a central member of the core group associated with André Breton; instead, he was a quietly observant artist who absorbed and subtly transmuted the currents of surrealism, vorticism, and Bloomsbury aesthetics into his distinctive body of work – primarily book jackets, decorative panels, and evocative paintings. His life story is one of understated resilience, marked by periods of struggle, intellectual curiosity, and a deep engagement with political and social issues.

    Born in Chelsea, London, to a farming family, Banting’s early years were shaped by the rhythms of rural life and a somewhat isolated childhood. He was a shy and introspective boy, finding solace in nature and developing a keen eye for detail. This quiet observation would later become a defining characteristic of his artistic practice. His formal education was patchy – he struggled with spelling and found traditional schooling uninspiring – but he possessed an innate desire to learn and explore. Influenced by the vorticist movement, which sought to connect art directly with industrial experience, Banting began experimenting with abstraction and geometric forms in the early 1920s.

    Early Artistic Training: He attended evening classes at Vincent Square Art School under Bernard Meninsky, a respected figure in London’s artistic circles. This provided him with foundational skills but it was his time in Paris that truly ignited his surrealist sensibilities.

    Bloomsbury Connections: Banting's association with the Bloomsbury Group – Virginia Woolf, E.M. Forster, and others – exposed him to a vibrant intellectual environment where ideas about art, literature, and society were constantly debated. While not an active participant in their inner circles, he benefited from their influence and shared concerns.

    Book Jacket Design: Banting gained early recognition through his striking book jacket designs for Leonard and Virginia Woolf’s Hogarth Press. These weren't mere advertisements; they were miniature works of art that captured the essence of the books within, often employing surreal imagery and evocative typography.

    The Surrealist Turn and Political Engagement

    Following his time in Paris, Banting embraced the principles of Surrealism, incorporating dreamlike imagery, illogical juxtapositions, and a fascination with the subconscious into his work. His paintings from the early 1930s – works like “Explosion,” “Snake in The Grass,” and “Triplets” – are characterized by their unsettling beauty and symbolic richness. These pieces often feature fragmented figures, distorted perspectives, and unexpected combinations of objects, reflecting the core tenets of Surrealism.

    However, Banting’s artistic practice was inextricably linked to his political beliefs. He became increasingly involved in left-wing politics during the 1930s, influenced by the rise of fascism in Europe and a growing awareness of social injustice. His engagement with Nancy Cunard, a radical anti-fascist activist and writer, further deepened his commitment to leftist causes. He travelled to Harlem in 1932, documenting racial tensions and contributing to her Negro anthology, demonstrating a genuine concern for civil rights.

    Spanish Civil War: Banting’s most dramatic political involvement occurred during the Spanish Civil War. He attempted to join the International Brigades fighting against Franco's forces, highlighting his willingness to put himself at risk for ideological convictions.

    Ministry of Information: During World War II, he worked as an art director for the Ministry of Information’s Strand Films unit, creating propaganda posters and designing sets for wartime films.

    Left-Wing Publications: He contributed to Our Time, a left-wing monthly magazine, and co-edited Salvo for Russia, an anthology of poetry and essays supporting the Soviet Union.

    Style and Technique

    Banting’s artistic style is difficult to categorize neatly. While undeniably influenced by Surrealism, his work also draws on elements of vorticism, Cubism, and decorative arts. His paintings are often characterized by a meticulous attention to detail, a subtle use of color, and a preference for muted tones. He frequently employed collage techniques, incorporating found objects and fragments of text into his compositions.

    His book jacket designs were particularly notable for their innovative approach to typography and illustration. Banting skillfully combined images and words to create visually arresting packages that effectively communicated the essence of the books they adorned. His work demonstrated a remarkable ability to balance aesthetic appeal with conceptual rigor.

    Legacy and Recognition

    Despite his significant contributions to British Surrealism, Banting remained largely outside the mainstream art world during his lifetime. He struggled financially and faced periods of obscurity. However, in recent decades, there has been a growing appreciation for his work, fueled by scholarly research and retrospective exhibitions. His book jacket designs are now recognized as masterpieces of graphic design, and his paintings are valued for their haunting beauty and symbolic depth.

    John Banting’s legacy is that of an unsung hero of British Surrealism – a quietly determined artist who used his art to explore the complexities of human experience and challenge prevailing social norms. His work continues to resonate with audiences today, offering a glimpse into a fascinating period of artistic experimentation and political engagement.

    Museum

    Darlington Library

    On show in Darlington, United Kingdom

    A Tapestry of Industry and Art: Unveiling Darlington Library

    Nestled within the heart of County Durham, Darlington Library stands as a remarkably singular institution – a vibrant confluence of public library services, an engaging art gallery, and a meticulously curated local studies center. More than simply a repository for books, it’s a living testament to Darlington's rich industrial heritage and its enduring commitment to cultural preservation. The building itself, a Grade II listed Victorian structure, whispers tales of the town’s pivotal role in the rise of railways, while within its walls, an impressive collection of art, historical documents, and local treasures awaits discovery. The library’s unique integration of these elements creates a dynamic space where visitors can trace the evolution of a community, appreciate artistic expression across generations, and connect with their local roots.

    At the heart of Darlington Library lies its remarkable focus on railway history – a legacy inextricably linked to the town's identity. The ‘Whistle Stop’ exhibition is a must-see, offering a captivating journey through the lives and innovations that shaped this vital industry. Here, meticulously preserved artifacts—from original blueprints and locomotive components to passenger tickets and personal accounts—paint a vivid picture of Darlington’s role as a crucial hub in the burgeoning railway network. Beyond the locomotives themselves, the exhibition delves into the social impact of the railways, showcasing how they transformed travel, trade, and daily life for generations. Alongside this industrial narrative, the library boasts an impressive collection of portraits, many capturing notable figures from local history – industrialists, politicians, artists, and everyday citizens who shaped Darlington’s character. These paintings offer intimate glimpses into the personalities and aspirations of a bygone era.

    The Artistic Legacy of Frances Darlington

    A particularly noteworthy aspect of Darlington Library's art collection is its celebration of Frances Darlington (1865-1947), a prominent local artist whose work has been largely overlooked for far too long. Darlington, her birthplace, provided the inspiration for many of her pieces, which often depicted the rolling landscapes and charming villages of County Durham. Her sculptures, particularly those adorning public spaces within the library itself, are characterized by their elegant lines and a subtle grace that reflects the artistic sensibilities of the late Victorian and early Edwardian periods. Furthermore, Darlington’s decorative panels – intricate mosaics and painted murals – add a unique dimension to the library's interior design, transforming ordinary walls into captivating works of art. These pieces offer a rare opportunity to witness the creative spirit of a local talent whose contributions deserve greater recognition.

    A Building Steeped in History

    Darlington Library’s architectural significance is as compelling as its artistic holdings. Constructed during the Victorian era, the building stands as a proud symbol of Darlington's growth and prosperity. Its design reflects the prevailing aesthetic trends of the time – ornate detailing, soaring ceilings, and generous windows that flood the interior with natural light. The library has served as a vital community resource for over a century, adapting to changing needs while retaining its historical integrity. The careful preservation of the building’s original features—including intricate plasterwork, mahogany paneling, and stained-glass windows—provides a tangible connection to Darlington's past. A visit to the library is therefore not just an exploration of art and history; it’s also a journey through time.

    Beyond the Books: Local Studies and Community Engagement

    What truly distinguishes Darlington Library from other institutions is its seamless integration of diverse functions. The local studies center provides invaluable resources for researchers, genealogists, and anyone interested in tracing their family history or delving into the region’s past. Extensive archives, maps, photographs, and oral histories offer a rich tapestry of information about County Durham and its surrounding areas. Moreover, Darlington Library actively fosters community engagement through a range of programs and events—lectures, workshops, exhibitions, and children's activities—that cater to diverse interests and age groups. It’s a place where people can learn, connect, and celebrate their shared heritage.

    A Unique Destination

    Darlington Library is more than just a building filled with books; it’s a vibrant center for learning, discovery, and community life. Its unique combination of library services, an art gallery showcasing local talent, and a comprehensive local studies center makes it a truly exceptional destination. Whether you're a railway enthusiast, an art lover, a history buff, or simply seeking a welcoming space to explore and connect with your community, Darlington Library offers something for everyone. A visit is guaranteed to be both enlightening and inspiring.

    Where to read more

    Find this online

    QR code linking to the download page for Abstract with Holes

    topimpressionists.com/en/art/download/john-banting-abstract-with-holes-AS7V6R-en/

    Cite this artwork

    MLA
    Banting, John. Abstract with Holes. 1937, Darlington Library. https://topimpressionists.com/en/art/john-banting-abstract-with-holes-AS7V6R-en/
    APA
    Banting, John (1937). Abstract with Holes [Painting]. Darlington Library. https://topimpressionists.com/en/art/john-banting-abstract-with-holes-AS7V6R-en/
    Chicago
    John Banting. Abstract with Holes. 1937. Darlington Library. https://topimpressionists.com/en/art/john-banting-abstract-with-holes-AS7V6R-en/
    Harvard
    Banting, John (1937) Abstract with Holes. Darlington Library. Available at: https://topimpressionists.com/en/art/john-banting-abstract-with-holes-AS7V6R-en/

    Look closely

    Abstract with Holes — John Banting

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract composition, dynamic forms, bold colors. Do you agree? What would you add, or take away?
    4. Look back at Card Players (1937), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Surrealism: Dream logic painted with waking precision: impossible things shown as if they were ordinary. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is there a slideshow for "Abstract with Holes" by John Banting?

    The diaporama of "Abstract with Holes" can be watched on the artwork's Diaporama page.

    What are the dimensions of the original "Abstract with Holes" by John Banting?

    The original "Abstract with Holes" by John Banting measures 44 x 56 cm.

    Can the image of "Abstract with Holes" by John Banting be freely reproduced?

    Regarding copyright, "Abstract with Holes" is still protected by copyright.

    What is the luminance of "Abstract with Holes" by John Banting?

    The luminance recorded for "Abstract with Holes" by John Banting is luminous.

    When was "Abstract with Holes" created, and to which movement does it belong?

    "Abstract with Holes" was made in 1937, within the Surrealism movement.

    Where can I see a preview of "Abstract with Holes"?

    To preview a reproduction of "Abstract with Holes" by John Banting, open the artwork's Preview page.

    How can I get a print of "Abstract with Holes" by John Banting?

    "Abstract with Holes" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on this page, in the size of your choice.

    Can I see an X-ray view of "Abstract with Holes" by John Banting?

    The X-Ray page of "Abstract with Holes" by John Banting is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.