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Student Artwork Guide

Figure in a Cornfield

Name Class Date

John Houston, Figure in a Cornfield. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
John Houston topimpressionists.com/en/artists/john-houston/
Artist’s dates
1930 – 2008
Original size
23 x 23 cm

In context

Figure in a Cornfield — John Houston

How big is it?

The original measures 23 × 23 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 78 at death.

Shaded: the lifetime of John Houston (1930–2008) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Sunset over a Lake topimpressionists.com/en/art/john-houston-sunset-over-a-lake-AQUFRL-en/
  • Bass Rock, Dusk topimpressionists.com/en/art/john-houston-bass-rock-dusk-AQUFRU-en/
  • Poppies and Roses topimpressionists.com/en/art/john-houston-poppies-and-roses-AQUFRA-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/john-houston-figure-in-a-cornfield-AQUFRE-en/

Colours

Measured from the image

    Main colour

    Gray #848661

    Catalogued palette

    • #848661
    • #B7994D
    • #1A384C
    • #C3B782

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Gray
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by John Houston over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 83.3%
    2. 2 United States of America 16.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by John Houston

    1. 1 Sunset over a Lake 16.7%
    2. 2 Sunset and Bass Rock 16.7%
    3. 3 Towards the Bass Rock 16.7%
    4. 4 Bay after the Storm 16.7%
    5. 5 Flowers in a Vase 16.7%
    6. 6 Storm over the Bass 16.7%
    7. — Figure in a Cornfield this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 17 works by this artist, of which 6 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    John Houston

    The Soul Behind the Canvas: The Life and Legacy of John Houston

    In the grand tapestry of twentieth-century British art, few names evoke such a profound sense of psychological depth and classical elegance as John Houston. Born on April 1, 1930, in the coastal town of Buckhaven, Scotland, Houston’s journey from a young boy in Fife to a celebrated figure in the world of portraiture is a testament to a life dedicated to the pursuit of truth through paint. While his early years were shaped by the rugged landscapes of his Scottish upbringing, his artistic spirit was forged in the prestigious studios of London and Edinburgh. Before he became a master of the brush, Houston’s physical prowess led him to a brief career as a semi-professional footballer with Dundee United, an athletic chapter that ended abruptly due to a knee injury in 1951. This unexpected turn of fate redirected his energy from the pitch to the easel, setting the stage for a transformative career in fine art.

    Houston’s formal education at the Edinburgh College of Art provided the technical foundation upon which he would build his illustrious reputation. He was not merely a student of technique but a scholar of the human condition. His early influences were deeply rooted in the classical traditions, and he possessed a rare ability to marry the meticulous precision of the Old Masters with a modern, expressive sensibility. As a teacher at the Edinburgh College of Art between 1955 and 1989, he also helped shape the next generation of artists, fostering an environment where technical mastery and emotional honesty could coexist. His involvement in the contemporary art scene was equally significant; in the late 1950s, he co-founded and exhibited at the 57 Gallery, one of Edinburgh's pioneering artist-run spaces, demonstrating his commitment to the evolution of the artistic community.

    A Mastery of Light, Color, and Character

    The work of John Houston is characterized by an extraordinary ability to transcend mere representation. While he was widely celebrated for his exquisite portraits of aristocratic women, his true achievement lay in his capacity to capture the inner life of his subjects. To look upon a Houston portrait is to encounter a person, not just a likeness. He utilized innovative glazing techniques to achieve a luminous color palette and an atmospheric depth that seemed to breathe within the frame. This mastery allowed him to navigate the delicate balance between the regal dignity of his subjects and their palpable, human vulnerabilities.

    Beyond the intimate confines of portraiture, Houston’s repertoire expanded into breathtaking landscapes and evocative still lifes. His approach to nature was often marked by an expressionist flair, where bold and expressive brushstrokes breathed energy and movement into the canvas. Consider his notable works:

    Sunset over a Lake: A stunning display of atmospheric intensity, where deep red and purple hues dance across a dark background, creating a sense of profound tranquility and natural drama.

    Towards the Bass Rock: A piece that showcases his ability to capture the rugged, majestic essence of the Scottish coastline.

    Still Life Subjects: His delicate explorations of flowers and vases, which revealed a sensitive eye for texture, light, and the fleeting beauty of the organic world.

    Historical Significance and Enduring Influence

    The historical significance of John Houston resides in his role as a bridge between eras. In an age where much of the art world was moving toward abstraction, Houston remained a steadfast guardian of the figurative tradition, proving that the human face and the natural landscape still possessed an inexhaustible well of narrative power. His portraits, such as the widely acclaimed depiction of Queen Alexandra of Denmark, serve as enduring windows into the social and emotional complexities of his time. Through these works, he captured the essence of an era, documenting the grace and the underlying tensions of the British upper class with unparalleled sensitivity.

    By the time of his passing in Edinburgh on September 27, 2008, Houston had left behind a prolific legacy consisting of hundreds of works that continue to resonate in private collections and public institutions across Europe and America. He remains a singular figure—an artist who could command the grandeur of a royal portrait while simultaneously whispering the quiet truths of a sunset or a single wilting petal. His life’s work stands as a monumental achievement in the preservation of beauty, character, and the eternal human spirit.

    Where to read more

    • The artist John Houston topimpressionists.com/en/artists/john-houston/
    • Similar works More works to compare topimpressionists.com/en/art/similar/john-houston-figure-in-a-cornfield-AQUFRE-en/

    Find this online

    QR code linking to the download page for Figure in a Cornfield

    topimpressionists.com/en/art/download/john-houston-figure-in-a-cornfield-AQUFRE-en/

    Cite this artwork

    MLA
    Houston, John. Figure in a Cornfield. n.d., https://topimpressionists.com/en/art/john-houston-figure-in-a-cornfield-AQUFRE-en/
    APA
    Houston, John (n.d.). Figure in a Cornfield [Painting]. https://topimpressionists.com/en/art/john-houston-figure-in-a-cornfield-AQUFRE-en/
    Chicago
    John Houston. Figure in a Cornfield. n.d. https://topimpressionists.com/en/art/john-houston-figure-in-a-cornfield-AQUFRE-en/
    Harvard
    Houston, John (n.d.) Figure in a Cornfield. Available at: https://topimpressionists.com/en/art/john-houston-figure-in-a-cornfield-AQUFRE-en/

    Look closely

    Figure in a Cornfield — John Houston

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Sunset over a Lake, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What color saturation does "Figure in a Cornfield" by John Houston have?

    The colors of "Figure in a Cornfield" by John Houston have a clear color presence saturation. Saturation describes how vivid or muted the colors are.

    How does "Figure in a Cornfield" balance light and dark?

    "Figure in a Cornfield" is brilliant overall, and its luminance is bright balance.

    How is "Figure in a Cornfield" by John Houston proportioned, and how big is it?

    "Figure in a Cornfield" by John Houston is a square composition measuring 23 x 23 cm in the original.