Paper

Student Artwork Guide

Samuel Blodget

Name Class Date

John Trumbull, Samuel Blodget (1784). Public domain.

The facts

Artist
John Trumbull topimpressionists.com/en/artists/john-trumbull/
Artist’s dates
1756 – 1843
Painted
1784
Original size
92 x 71 cm
Movement
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.

In context

Samuel Blodget — John Trumbull

How big is it?

The original measures 92 × 71 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820
  9. 1830
  10. 1840

Shaded: the lifetime of John Trumbull (1756–1843) ▲ this work, 1784

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/john-trumbull-samuel-blodget-ARA8US-en/

Colours

Measured from the image

    Main colour

    Sap Green #726142

    Catalogued palette

    • #726142
    • #DBDBD6
    • #AC986E
    • #393223
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Sap Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    John Trumbull

    Born in Lebanon, United Kingdom

    A Life Etched in Revolution: The World of John Trumbull

    John Trumbull, a name synonymous with the visual narrative of America’s birth, was more than just a painter; he was a witness, a soldier, and a chronicler of a nation forging its identity. Born in Lebanon, Connecticut, in 1756, into a family steeped in patriotic fervor – his father, Jonathan Trumbull, served as governor throughout the Revolutionary War – young John’s destiny seemed intertwined with the unfolding drama of independence. A childhood accident tragically cost him the use of one eye, yet this perceived limitation may have paradoxically sharpened his observational skills, contributing to the meticulous detail that would become a hallmark of his artistic style. His early education at Harvard College further cultivated a mind primed for both intellectual rigor and creative expression. Even before fully embracing his calling as an artist, Trumbull’s life was already imbued with a sense of duty and service, sketching fortifications during the Siege of Boston – a foreshadowing of his future role in immortalizing the Revolution on canvas.

    From Battlefield to Brushstroke: Artistic Formation and Influences

    The path to becoming “the Painter of the Revolution” wasn’t immediate. Financial constraints initially led Trumbull down various avenues, but the pull towards art proved irresistible. In 1780, he embarked on a journey to London, seeking tutelage under the esteemed Benjamin West, an American expatriate who had achieved prominence as a history painter. West recognized Trumbull’s potential and encouraged him to focus on scenes from the War of Independence, suggesting smaller-scale works and miniature portraits – a practical approach that allowed Trumbull to hone his skills while establishing a clientele. Over the course of his career, he produced approximately 250 miniatures, demonstrating remarkable versatility and precision. However, West’s influence extended beyond technique; he instilled in Trumbull an appreciation for classical history painting, inspiring him to imbue his work with dramatic composition and allegorical depth. This fusion of historical accuracy and artistic grandeur would define Trumbull's mature style. The experience wasn't without hardship; a brief but alarming arrest on suspicion of espionage – retaliation for the execution of Major André – forced a temporary retreat from British society, yet ultimately solidified his commitment to portraying the American cause.

    Immortalizing Independence: Masterpieces and Historical Significance

    Trumbull’s most enduring legacy lies in his monumental historical paintings, particularly those that now grace the Capitol Rotunda. The Declaration of Independence, perhaps his most iconic work, is a carefully constructed tableau depicting the momentous occasion with remarkable fidelity. It's not merely a record of who was present but an attempt to capture the gravity and solemnity of the event. Famously, this painting found its way onto the reverse of the two-dollar bill, cementing its place in American iconography. Other significant works include The Surrender of Cornwallis at Yorktown, The Surrender of General Burgoyne, and George Washington before the Battle of Trenton. These paintings weren’t simply artistic endeavors; they were acts of national commemoration, designed to inspire patriotism and solidify a shared historical narrative. Trumbull meticulously researched each scene, consulting with veterans and studying contemporary accounts to ensure accuracy. His preparatory sketches, like the Study for Surrender of Cornwallis at Yorktown, reveal his painstaking planning process and dedication to detail. In an era devoid of photographic documentation, Trumbull’s paintings served as invaluable visual records, shaping public understanding of the Revolution and its key figures.

    A Lasting Legacy: Collections and Enduring Influence

    John Trumbull's contributions extend beyond his celebrated canvases. He was a staunch advocate for the arts in America, serving as president of the American Academy of Fine Arts from 1816 to 1835, tirelessly working to foster a vibrant artistic community within the young nation. His paintings are now held in prestigious institutions across the country, including Yale University Art Gallery, the Smithsonian American Art Museum, and the Virginia Museum of Fine Arts, ensuring their accessibility for generations to come. The prominent display of his works within the United States Capitol serves as a lasting tribute to his dedication to both art and history.

    His paintings continue to inspire artists and historians alike.

    They offer invaluable insights into the aesthetics and ideals of the early American republic.

    Trumbull’s commitment to historical accuracy set a precedent for future generations of American historical painters.

    John Trumbull passed away in 1843, leaving behind a body of work that continues to resonate with power and significance. He remains, unequivocally, “the Painter of the Revolution,” an artist who not only captured history but helped create it – shaping the visual memory of a nation’s birth and securing his place as a pivotal figure in American art.

    Where to read more

    Find this online

    QR code linking to the download page for Samuel Blodget

    topimpressionists.com/en/art/download/john-trumbull-samuel-blodget-ARA8US-en/

    Cite this artwork

    MLA
    Trumbull, John. Samuel Blodget. 1784, https://topimpressionists.com/en/art/john-trumbull-samuel-blodget-ARA8US-en/
    APA
    Trumbull, John (1784). Samuel Blodget [Painting]. https://topimpressionists.com/en/art/john-trumbull-samuel-blodget-ARA8US-en/
    Chicago
    John Trumbull. Samuel Blodget. 1784. https://topimpressionists.com/en/art/john-trumbull-samuel-blodget-ARA8US-en/
    Harvard
    Trumbull, John (1784) Samuel Blodget. Available at: https://topimpressionists.com/en/art/john-trumbull-samuel-blodget-ARA8US-en/

    Look closely

    Samuel Blodget — John Trumbull

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, wealth, status. Do you agree? What would you add, or take away?
    5. Look back at Alexander Hamilton (1804), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.