Paper
Name Class Date

Jorge Nicholson Moore Barradas, Untitled (DD2CQL) (1933), National Theatre and Dance Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jorge Nicholson Moore Barradas topimpressionists.com/en/artists/jorge-nicholson-moore-barradas/
Artist’s dates
1894 – 1971
Painted
1933
Held at
National Theatre and Dance Museum topimpressionists.com/en/museums/national-theatre-and-dance-museum-lisbon/

In context

Untitled (DD2CQL) — Jorge Nicholson Moore Barradas

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 77 at death.

Painted when the artist was 39. The artist lived to 77. 2 of the 3 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Jorge Nicholson Moore Barradas (1894–1971) ▲ this work, 1933 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/jorge-nicholson-moore-barradas-untitled-dd2cql-DD2CQL-en/

Colours

Measured from the image

    Main colour

    Putty #e3d4b7

    Catalogued palette

    • #E3D4B7
    • #5F5A52
    • #BDAA93
    • #8C8373

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jorge Nicholson Moore Barradas over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Jorge Nicholson Moore Barradas

    1. 1 Various: Future Tramp Super Tramp, Witch Doctor, River 50.0%
    2. 2 Untitled (DD2CQL), 1933 this painting 50.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 4 works by this artist, of which 2 were looked at at least once. This painting ranks 2 of them, with 50.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Jorge Nicholson Moore Barradas

    Born in Lisbon, Portugal

    early life and career

    jorge nicholson moore barradas, a renowned portuguese artist, was born in lisbon in 1894 and passed away in 1971. his artistic career, which spanned over five decades, was marked by his contributions to the modernist movement in portugal.

    artistic contributions

    barradas began his artistic journey in the 1910s, focusing on drawing humor and publicity. as a painter, ceramist, illustrator, and caricaturist, he played a pivotal role in shaping the country's modernist landscape. his work not only reflected the spirit of innovation but also influenced future generations of artists.

    notable works and achievements

    * tropical landscape - são tomé, a notable painting by barradas, is part of the collection at the national museum of contemporary art - museu do chiado (lisboa, portugal). he received several awards for his work, including the columbano in 1939 and the sebastião de almeida in 1944. in the 1940s, barradas dedicated himself to ceramics and azulejos, becoming a leading figure in the renovation of these areas in portugal.

    legacy and impact

    barradas' legacy extends beyond his own work. he was part of the second generation of modernist artists in portugal, participating in the first attempts to renew art in the country. his influence can be seen in various aspects of portuguese art, from ceramics to illustration.

    view more works by jorge nicholson moore barradas at AllPaintingsStore.com

    explore the national museum of contemporary art - museu do chiado (lisboa, portugal) collection at AllPaintingsStore.com

    discover more about portuguese modernism and its key figures at wikipedia

    key dates: born: 1894, lisbon, portugal died: 1971, lisbon, portugal * notable awards: columbano (1939), sebastião de almeida (1944)

    Museum

    National Theatre and Dance Museum

    On show in Lisbon, Portugal

    A Window into Portugal’s Dramatic Past: The National Theatre and Dance Museum

    Nestled within the opulent Monteiro-Mor Palace in Lisbon, the National Theatre and Dance Museum is more than just a repository of artifacts; it's a vibrant portal to centuries of Portuguese performance. This remarkable institution breathes life into the nation’s theatrical and dance heritage, offering visitors an immersive journey through elaborate costumes, evocative stage sets, and meticulously preserved documents that whisper tales of passion, tradition, and artistic evolution. The palace itself, a stunning example of Neoclassical architecture, provides a breathtaking backdrop – its grand halls echoing with the ghosts of performances past, creating an atmosphere of both reverence and delight.

    The museum’s core strength lies in its astonishing collection of over 300,000 costumes. These aren't simply garments; they are meticulously researched embodiments of each era, reflecting not only fashion trends but also social customs and political climates. From the flamboyant silks of the Baroque period to the more restrained elegance of the Romantic era, and then into the vibrant colors and theatrical styles of the 20th century, the collection charts a remarkable evolution in theatrical design. Beyond the costumes themselves, the museum boasts an impressive array of historical props and stage sets – miniature castles, elaborate thrones, fantastical landscapes – each piece meticulously recreated to transport viewers back to the heart of a bygone production. These tangible remnants offer a powerful connection to the creative process and the vision of Portuguese theatre directors and designers.

    Unlocking the Archives: A Treasure Trove of Performance History

    Delving deeper than mere visual displays, the National Theatre and Dance Museum’s archives are truly exceptional. Here, amidst carefully cataloged scripts, scores, photographs, programs, and even original stage designs, lies a wealth of information about Portuguese theatrical history. Researchers, artists, and enthusiasts alike can spend hours poring over these documents, uncovering forgotten productions, identifying influential figures, and gaining a nuanced understanding of the cultural context surrounding each performance. The museum’s specialized library complements this research with an extensive collection of books, periodicals, and scholarly articles dedicated to performing arts – a vital resource for anyone seeking to explore the subject in greater depth.

    The Palace as Context: A Historical Setting

    The choice of location within the Monteiro-Mor Palace is profoundly significant. This historic residence, originally built for the wealthy Portuguese merchant José Bastos da Gama, adds an unparalleled layer of richness and context to the museum’s exhibits. The palace itself reflects a fascinating blend of architectural styles – elements of Neoclassicism intertwine with Baroque flourishes, mirroring the diverse artistic influences that shaped Portugal's cultural landscape. Walking through the museum’s halls is akin to stepping back in time, experiencing not just the history of theatre and dance but also the evolution of Portuguese architecture and design.

    Beyond the Exhibits: Special Events and Ongoing Research

    The National Theatre and Dance Museum isn't a static institution; it actively engages with the contemporary arts scene through a series of special exhibitions, workshops, and educational programs. These events often showcase lesser-known aspects of Portuguese theatrical history or explore connections between traditional performance forms and modern artistic practices. Furthermore, the museum’s ongoing research initiatives ensure that its collection continues to grow and evolve, adding new insights into Portugal's rich performing arts heritage. The museum also hosts temporary exhibitions focusing on specific artists, companies, or genres, offering fresh perspectives on established traditions.

    A Unique Cultural Destination: Lisbon’s Living Legacy

    What truly distinguishes the National Theatre and Dance Museum is its ability to seamlessly blend historical preservation with vibrant cultural engagement. It's a place where visitors can not only admire exquisite costumes and intricate stage sets but also connect with the passionate stories behind them. Combined with its stunning location within the Monteiro-Mor Palace, and its commitment to research and education, this museum offers a rare opportunity to explore the evolution of theatre and dance traditions in Portugal – a truly unique cultural destination for art lovers, collectors, and anyone seeking a deeper understanding of Portuguese heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled (DD2CQL)

    topimpressionists.com/en/art/download/jorge-nicholson-moore-barradas-untitled-dd2cql-DD2CQL-en/

    Cite this artwork

    MLA
    Barradas, Jorge Nicholson Moore. Untitled (DD2CQL). 1933, National Theatre and Dance Museum. https://topimpressionists.com/en/art/jorge-nicholson-moore-barradas-untitled-dd2cql-DD2CQL-en/
    APA
    Barradas, Jorge Nicholson Moore (1933). Untitled (DD2CQL) [Painting]. National Theatre and Dance Museum. https://topimpressionists.com/en/art/jorge-nicholson-moore-barradas-untitled-dd2cql-DD2CQL-en/
    Chicago
    Jorge Nicholson Moore Barradas. Untitled (DD2CQL). 1933. National Theatre and Dance Museum. https://topimpressionists.com/en/art/jorge-nicholson-moore-barradas-untitled-dd2cql-DD2CQL-en/
    Harvard
    Barradas, Jorge Nicholson Moore (1933) Untitled (DD2CQL). National Theatre and Dance Museum. Available at: https://topimpressionists.com/en/art/jorge-nicholson-moore-barradas-untitled-dd2cql-DD2CQL-en/

    Look closely

    Untitled (DD2CQL) — Jorge Nicholson Moore Barradas

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Tropical landscape - São Tomé (1931), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Jorge Nicholson Moore Barradas was about 39 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I buy a digital image of "Untitled (DD2CQL)" by Jorge Nicholson Moore Barradas?

    A digital image of "Untitled (DD2CQL)" by Jorge Nicholson Moore Barradas can be purchased on its Digital Image page: a high-resolution digital image download.

    Is "Untitled (DD2CQL)" by Jorge Nicholson Moore Barradas a portrait, landscape or square composition?

    The format of "Untitled (DD2CQL)" is landscape. This is useful when planning where a reproduction will be placed.

    Where can I download "Untitled (DD2CQL)" by Jorge Nicholson Moore Barradas?

    "Untitled (DD2CQL)" by Jorge Nicholson Moore Barradas can be downloaded from the artwork's Download page, as a high-resolution digital image download.