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Student Artwork Guide

Notre Dame de Paris

Name Class Date

Jules Lessore, Notre Dame de Paris. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jules Lessore topimpressionists.com/en/artists/jules-lessore/
Artist’s dates
1849 – 1892
Original size
31 x 40 cm

In context

Notre Dame de Paris — Jules Lessore

How big is it?

The original measures 31 × 40 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 43 at death.

Shaded: the lifetime of Jules Lessore (1849–1892) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Yarrow and Ragwort topimpressionists.com/en/art/jules-lessore-yarrow-and-ragwort-AR2FE8-en/
  • Self Portrait topimpressionists.com/en/art/jules-lessore-self-portrait-AR2FE4-en/
  • Cattle Market topimpressionists.com/en/art/jules-lessore-cattle-market-AR2FDY-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/jules-lessore-notre-dame-de-paris-AR2FE6-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #c5b078

    Catalogued palette

    • #C5B078
    • #3B3424
    • #625639
    • #928256

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jules Lessore over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Jules Lessore

    1. 1 Yarrow and Ragwort 100.0%
    2. — Notre Dame de Paris this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 8 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Jules Lessore

    A Legacy of Light and Line: The Life of Jules Lessore

    Born in the vibrant artistic atmosphere of Paris in 1849, Jules Frederick Lessore carried within him a profound heritage of craftsmanship that would eventually blossom into a distinctive voice in British landscape painting. His lineage was one deeply rooted in the aesthetic traditions of Europe; he was the grandson of Émile Lessore, the celebrated ceramic artist whose work for Wedgwood Pottery helped define an era of decorative excellence. This early immersion in a world where art and utility met instilled in Jules a reverence for texture, form, and the subtle storytelling found in the natural world. Though his roots were French, his journey led him to England in 1871, where he would become a vital, though often understated, echo of the burgeoning Bloomsbury and Camden Town movements.

    His formal education at the Slade School of Fine Art served as the crucible for his technical mastery. Under the watchful eyes of academic giants such as Frederic Leighton and Joseph Hooker, Lessore learned to navigate the rigorous demands of classical composition while simultaneously nurturing a burgeoning fascination with the ephemeral qualities of light. This period of intense study allowed him to bridge the gap between strict academic convention and a more modern, atmospheric approach to the canvas. As his career progressed, he moved away from rigid structures toward a style that embraced the soft, tonal harmonies characteristic of Impressionism, yet he never lost the structural integrity inherited from his classical training.

    The Poetics of the British Landscape

    Lessore’s oeuvre is perhaps most celebrated for its ability to capture the quiet, contemplative soul of the British countryside. His travels across Europe provided him with a diverse palette of scenery, but it was the rolling hills and pastoral rhythms of England that truly resonated with his artistic spirit. He possessed a rare ability to blend the burgeoning influences of Symbolism with the light-drenched techniques of the Impressionists, creating works that felt both grounded in reality and elevated by mood. His canvases often feature:

    Atmospheric Perspective: A masterful use of depth and haze to evoke the damp, shifting air of the English landscape.

    Tonal Harmony: A sophisticated palette that prioritized subtle shifts in color over jarring contrasts, creating a sense of serenity.

    Everyday Narratives: Rural scenes populated by figures engaged in the timeless rhythms of agricultural life, such as farmers tending to their fields.

    In works like "Cattle Market," one can observe his skill in using loose, expressive brushstrokes to convey the bustling energy of a rural gathering, while in more intimate botanical studies like "Yarrow and Ragwort," he demonstrates an almost scientific devotion to the delicate textures of nature. There is a pervasive sense of quietude in his work—a stillness that invites the viewer into a state of introspection, mirroring the intellectual curiosity that would later define the Bloomsbury Circle.

    A Family Tapestry of Artistic Innovation

    The significance of Jules Lessore extends far beyond his individual canvases; he was a central figure in a family dynasty that helped shape the trajectory of early 20th-century British art. His influence is most tangibly felt through his daughter, Thérèse Lessore, an accomplished artist in her own right and a founding member of the London Group. Through Thérèse, Jules’s connection to the Camden Town Group and the wider Bloomsbury aesthetic was solidified, linking his late-Victorian sensibilities to the modernism of the Edwardian era. This familial connection ensured that his dedication to exploring psychological depth and aesthetic innovation continued to resonate through subsequent generations.

    Though his life was tragically short, ending in 1892, Jules Lessore left behind a legacy of profound atmospheric beauty. He remains a pivotal figure for those studying the transition from the academic traditions of the 19th century to the more experimental, emotive landscapes of the early 20th century. His work stands as a testament to a period of great artistic flux, capturing a world caught between the structured elegance of the past and the vibrant, uncertain light of a new era.

    Where to read more

    • The artist Jules Lessore topimpressionists.com/en/artists/jules-lessore/
    • Similar works More works to compare topimpressionists.com/en/art/similar/jules-lessore-notre-dame-de-paris-AR2FE6-en/

    Find this online

    QR code linking to the download page for Notre Dame de Paris

    topimpressionists.com/en/art/download/jules-lessore-notre-dame-de-paris-AR2FE6-en/

    Cite this artwork

    MLA
    Lessore, Jules. Notre Dame de Paris. n.d., https://topimpressionists.com/en/art/jules-lessore-notre-dame-de-paris-AR2FE6-en/
    APA
    Lessore, Jules (n.d.). Notre Dame de Paris [Painting]. https://topimpressionists.com/en/art/jules-lessore-notre-dame-de-paris-AR2FE6-en/
    Chicago
    Jules Lessore. Notre Dame de Paris. n.d. https://topimpressionists.com/en/art/jules-lessore-notre-dame-de-paris-AR2FE6-en/
    Harvard
    Lessore, Jules (n.d.) Notre Dame de Paris. Available at: https://topimpressionists.com/en/art/jules-lessore-notre-dame-de-paris-AR2FE6-en/

    Look closely

    Notre Dame de Paris — Jules Lessore

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Yarrow and Ragwort, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How can I get a digital file of "Notre Dame de Paris" by Jules Lessore?

    A digital image of "Notre Dame de Paris" by Jules Lessore can be purchased on its Digital Image page: a high-resolution digital image download.

    Are the colors of "Notre Dame de Paris" by Jules Lessore vivid or muted?

    The colors of "Notre Dame de Paris" by Jules Lessore show a balanced soft saturation with a balanced intensity.

    What aliases or alternate names does Jules Lessore have?

    Other names recorded for Jules Lessore, creator of "Notre Dame de Paris", include Jules Frederick Lessore.