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Student Artwork Guide

The Grassy Beach

Name Class Date

June Redfern, The Grassy Beach (1995), The National Trust For Scotland. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
June Redfern topimpressionists.com/en/artists/june-redfern/
Artist’s dates
1951 –
Painted
1995
Original size
44 x 60 cm
Held at
The National Trust For Scotland topimpressionists.com/en/museums/the-national-trust-for-scotland-maybole/

In context

The Grassy Beach — June Redfern

How big is it?

The original measures 44 × 60 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 44. 1 of the 4 dated works by this artist in our catalogue came earlier.

▲ this work, 1995 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/june-redfern-the-grassy-beach-AR2CYC-en/

Colours

Measured from the image

    Main colour

    Driftwood #a47f4f

    Catalogued palette

    • #A47F4F
    • #7C4F1D
    • #0F565D
    • #587C5E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by June Redfern over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by June Redfern

    1. 1 From Two Paths, 1994 100.0%
    2. — The Grassy Beach, 1995 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 11 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    The Grassy Beach — June Redfern

    The Grassy Beach is a captivating oil painting by June Redfern, measuring 44 x 60 cm, created in 1995. This beautiful piece is part of the collection at The National Trust For Scotland in Maybole, United Kingdom. The painting depicts a peaceful scene of a woman sitting on the beach with her back turned to the viewer, embracing a child in her arms.

    Artistic Style and Technique

    The artist's use of oil as the primary medium adds depth and richness to the painting. The colors used are vivid and calming, with the blue sky above the woman and child being particularly striking. The overall atmosphere of the painting is serene and tranquil, reflecting the beauty of nature and the bond between mother and child. Key Features of the painting include:

    The use of warm colors to create a sense of comfort and tranquility

    The depiction of a peaceful beach scene, emphasizing the connection between humans and nature

    The artist's attention to detail in capturing the textures and expressions of the subjects

    Artist and Museum Background

    June Redfern is a talented artist whose work is showcased at The National Trust For Scotland. This museum is dedicated to preserving and promoting Scotland's natural and cultural heritage. Other notable artists featured at the museum include David Mcclure, known for his painting Salmon Bothy, Dunbeath, and Cosmo Alexander, who created the portrait John, 7th Earl of Galloway. For more information on these artworks, visit /art/list/?Filter=AQSL33-David-Mcclure-Salmon-Bothy-Dunbeath and /art/list/?Filter=AQV28F-Cosmo-Alexander-John-7th-Earl-of-Galloway.

    The Grassy Beach by June Redfern is a stunning example of oil painting, showcasing the artist's skill in capturing serene and intimate moments. To discover more about this painting and others like it, explore /art/list/?Filter=AR2CYC-June-Redfern-The-Grassy-Beach.

    Artist and museum

    Artist

    June Redfern

    June Redfern: A Landscape of Emotion

    Born in Fife, Scotland, in 1951, June Redfern’s artistic journey is one deeply rooted in both traditional academic training and a fiercely expressive, almost visceral approach to landscape painting. Her early years at Edinburgh College of Art provided her with a solid foundation – an understanding of perspective, anatomy, and the technical mastery required for oil and watercolour. However, it was a deliberate rejection of rigid formalism that truly defined her artistic voice, leading her to explore the emotional resonance of place and subject matter rather than simply replicating visual reality.

    Redfern’s work is immediately recognizable by its scale – often monumental canvases that invite viewers into the heart of the scene. This ambition isn't merely about size; it’s a reflection of her desire to capture atmosphere, mood, and the intangible qualities of a landscape. Her early paintings frequently featured female figures, rendered with a striking intensity and vulnerability, suggesting a personal connection to themes of identity, memory, and the human condition. These figures weren’t simply portraits but embodiments of emotional states – longing, contemplation, and perhaps even a touch of melancholy.

    The Influence of Expressionism

    While her academic training provided a crucial starting point, Redfern's artistic development was profoundly shaped by the burgeoning movement of expressionism. Artists like Van Gogh, Gauguin, and particularly the German Expressionists – Kirchner, Heckel, Nolde – offered a model for conveying subjective experience through colour and form. Redfern embraced this approach wholeheartedly, utilizing bold, often clashing colours to evoke specific emotions and sensations. Her palette isn’t descriptive; it's deliberately charged with symbolic meaning, reflecting the inner landscape of her subjects.

    The influence is particularly evident in her later work, where she abandons more representational forms for a looser, more gestural style. She employs thick impasto – building up layers of paint to create texture and depth – and allows colour to bleed and mingle, creating a sense of movement and dynamism. This technique isn’t simply decorative; it's integral to her exploration of atmosphere and the fleeting nature of perception.

    A Shift Towards Landscape

    As Redfern’s career progressed, her focus gradually shifted towards landscape painting. However, this wasn’t a departure from her previous concerns but rather an evolution – a way of translating her emotional vocabulary onto a broader canvas. She began to explore the wilder, more remote corners of Scotland, capturing the rugged beauty of its coastline, moorlands, and forests. These landscapes aren't idyllic vistas; they are imbued with a sense of solitude, mystery, and even foreboding.

    Her approach is deeply observational, yet profoundly subjective. She’s not simply recording what she sees but interpreting it through the lens of her own emotional experience. The light in her paintings isn't neutral; it’s often dramatic and theatrical, casting long shadows and highlighting textures with a palpable intensity. Her use of colour becomes even more expressive, conveying mood and atmosphere with remarkable subtlety.

    Recognition and Legacy

    June Redfern’s work has been exhibited extensively throughout the UK and Europe, garnering critical acclaim for its emotional power and technical skill. She has held solo exhibitions at prestigious galleries such as The Royal Academy, Deson Herstein Fine Art in Chicago, and The Bohun Gallery in Henley-On-Thames. Her paintings are also included in several important public collections, including the National Galleries of Scotland.

    Beyond her artistic achievements, Redfern’s career represents a significant contribution to contemporary landscape painting. She demonstrated that landscape could be more than just a pretty picture; it could be a vehicle for exploring complex emotions and ideas. Her bold use of colour, expressive brushwork, and willingness to embrace subjective experience have inspired generations of artists. Her legacy lies not only in the beauty of her paintings but also in their profound emotional resonance – a testament to the power of art to connect us to ourselves and to the world around us.

    Museum

    The National Trust For Scotland

    On show in Maybole, United Kingdom

    A Living Narrative Etched in Stone and Landscape

    To step into the care of

    The National Trust for Scotland

    is to embark on a journey through a landscape where history is not merely recorded in books, but etched into the very stone and soil of the nation. More than a mere repository of artifacts, this institution serves as a dedicated custodian of the Scottish spirit, protecting an expansive tapestry that includes over 100 properties and 75,000 hectares of land. From the imposing silhouettes of medieval castles clinging to rugged coastlines to the serene beauty of meticulously crafted gardens nestled within rolling glens, each site offers an immersive journey through centuries of resilience and artistic expression. It is a sanctuary where the past remains a vibrant, breathing presence, safeguarding a nation’s identity against the relentless march of time.

    The architectural splendor within this portfolio is perhaps most eloquently embodied in

    Culzean Castle

    . Perched dramatically upon the cliffs overlooking the Firth of Claude, this masterpiece stands as a testament to the genius of

    Robert Adam

    . Here, classical influences blend seamlessly with innovative design, creating a residence that once rivaled the grandest estates in Europe. The symmetrical façade, crowned by towering turrets, commands the eye, while the interior reveals a world of exquisite detail. The

    Oval Staircase

    stands as a breathtaking feat of engineering and artistry, serving as the castle’s dramatic heart and leading visitors through opulent state rooms adorned with original furnishings and fine artwork. This architectural dialogue between structure and nature is further realized in the surrounding gardens, where Italianate terraces give way to wild coastal woodlands.

    A Curated Chronicle of Heritage and Artistry

    For the collector and lover of fine art, the collections held within these historic estates offer a visual chronicle of power, patronage, and the Enlightenment era. Within the walls of these grand houses, one finds a curated selection of portraits by masters such as

    Sir Joshua Reynolds

    and

    Allan Ramsay

    , capturing the very essence of Scottish nobility with profound psychological depth. The collection extends into the intimate realms of daily life, where every object tells a story of a bygone era:

    Handwoven textiles

    that whisper tales of craftsmanship and tradition.

    Intricately carved furniture

    reflecting the elegance of the landed gentry.

    Antique farming tools

    that honor the enduring connection between the people and the land.

    What truly distinguishes

    The National Trust for Scotland

    is its role as a vibrant, living force in the community. It is not a static monument to the past, but an active participant in the present through ongoing exhibitions focusing on

    Scottish Art History

    and

    Landscape Preservation

    . By fostering collaborations with local schools and organizations, the Trust ensures that the preservation of heritage is a shared responsibility. This holistic approach—combining rigorous scholarship with community engagement—transforms these historic sites into more than just destinations; they become invitations to connect with the enduring, soulful essence of Scotland.

    Where to read more

    Find this online

    QR code linking to the download page for The Grassy Beach

    topimpressionists.com/en/art/download/june-redfern-the-grassy-beach-AR2CYC-en/

    Cite this artwork

    MLA
    Redfern, June. The Grassy Beach. 1995, The National Trust For Scotland. https://topimpressionists.com/en/art/june-redfern-the-grassy-beach-AR2CYC-en/
    APA
    Redfern, June (1995). The Grassy Beach [Painting]. The National Trust For Scotland. https://topimpressionists.com/en/art/june-redfern-the-grassy-beach-AR2CYC-en/
    Chicago
    June Redfern. The Grassy Beach. 1995. The National Trust For Scotland. https://topimpressionists.com/en/art/june-redfern-the-grassy-beach-AR2CYC-en/
    Harvard
    Redfern, June (1995) The Grassy Beach. The National Trust For Scotland. Available at: https://topimpressionists.com/en/art/june-redfern-the-grassy-beach-AR2CYC-en/

    Look closely

    The Grassy Beach — June Redfern

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Composition of People, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. June Redfern was about 44 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "The Grassy Beach" by June Redfern a light or a dark artwork?

    "The Grassy Beach" is balanced overall, and its luminance is soft shadow.

    Does "The Grassy Beach" by June Redfern use strong contrasts or soft harmonies?

    The color composition of "The Grassy Beach" by June Redfern combines a serene contrast with a discordant palette harmony.

    Is there a slideshow for "The Grassy Beach" by June Redfern?

    The diaporama of "The Grassy Beach" can be watched on the artwork's Diaporama page.