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Student Artwork Guide

St. Simon

Name Class Date

Jusepe de Ribera, St. Simon (1630), Prado Museum. Public domain.

The facts

Artist
Jusepe de Ribera topimpressionists.com/en/artists/jusepe-de-ribera/
Artist’s dates
1591 – 1652
Painted
1630
Medium
Oil On Canvas
Original size
107 x 91 cm
Movement
Tenebrism
Period
Early Modern
Held at
Prado Museum topimpressionists.com/en/museums/prado-museum-madrid/
Artistic style
Baroque Realism
Notable elements or techniques
Detailed facial features, dramatic lighting
Subject or theme
Man in red robe holding a book

In context

St. Simon — Jusepe de Ribera

How big is it?

The original measures 107 × 91 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1590
  2. 1600
  3. 1610
  4. 1620
  5. 1630
  6. 1640
  7. 1650

Shaded: the lifetime of Jusepe de Ribera (1591–1652) ▲ this work, 1630

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/jusepe-de-ribera-st-simon-D2T6JC-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #302322

    Catalogued palette

    • #302322
    • #8B5041
    • #D5AB84
    • #582C28
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Jusepe de Ribera

    Born in Xativa, Spain

    A Life Forged in Shadow and Light

    Jusepe de Ribera, known to many as Lo Spagnoletto – “the Little Spaniard” – was a towering figure of the Baroque era, an artist whose canvases pulsed with dramatic intensity and unflinching realism. Born in Xàtiva, Spain, in 1591, his journey took him far from his Valencian origins, ultimately establishing him as one of the most significant painters in 17th-century Naples, a city then under Spanish rule. Ribera’s life was not merely a chronicle of artistic development; it was a narrative woven with hardship, ambition, and an unwavering commitment to portraying the human condition in all its raw complexity. While early biographical details remain shrouded in some mystery, we know he arrived in Italy around 1607, initially settling in Rome before gravitating towards Naples in 1616 – a city that would become both his artistic home and the crucible for his unique style. His marriage to Caterina Azzolino, daughter of a local painter, further cemented his ties to the Neapolitan art world, allowing him to flourish within its vibrant, yet often turbulent, atmosphere.

    The Embrace of Tenebrism and Realist Vision

    Ribera’s artistic formation was profoundly shaped by the prevailing currents of Italian painting. The influence of Caravaggio is undeniable; Ribera absorbed the master's revolutionary use of tenebrism – that dramatic interplay of light and shadow – to create scenes charged with emotional power. However, he didn’t simply imitate. He synthesized this technique with elements gleaned from other masters like Guido Reni, incorporating a classical sensibility into his compositions while retaining the visceral impact of Caravaggio's realism. This fusion resulted in a style uniquely his own: one characterized by stark contrasts, intensely focused figures, and an almost brutal honesty in depicting human suffering and spiritual ecstasy. His early works, such as the Martyrdom of Saint Bartholomew, exemplify this approach – a harrowing depiction of pain rendered with unflinching detail. He didn’t shy away from portraying the physical realities of martyrdom, the contorted bodies, the strained muscles, the very texture of skin and bone. This commitment to realism extended beyond religious subjects; his portraits of beggars and common folk, often depicted as philosophers or saints, were groundbreaking in their time, elevating the marginalized to a level of dignity and importance rarely seen in art before.

    A Career Across Genres and Evolving Styles

    Ribera’s artistic output was remarkably diverse. While he is perhaps best known for his religious paintings – scenes of martyrdom, depictions of saints, and dramatic biblical narratives – he also excelled in portraiture, still life, and even landscape painting. His Saint Jerome and the Angel, for instance, showcases a softer, more contemplative side to his artistry, while still retaining the characteristic dramatic lighting that defines his work. Throughout his career, Ribera’s style underwent subtle but significant evolutions. His earlier paintings are marked by an almost austere realism and a stark use of tenebrism. As he matured, particularly after establishing himself firmly in Naples, his palette became richer, his compositions more complex, and his lighting somewhat softened. However, the core elements of his Baroque aesthetic – the emotional intensity, the dramatic narratives, and the unwavering commitment to portraying human experience with honesty – remained constant. He was a master craftsman, capable of rendering textures with astonishing precision, from the rough fabric of a beggar’s cloak to the smooth skin of a youthful saint.

    Legacy and Lasting Influence

    Jusepe de Ribera's impact on the art world extended far beyond his Neapolitan workshop. He became a pivotal figure in Spanish Baroque painting, alongside masters like Velázquez, Zurbarán, and Murillo. His innovative use of tenebrism and his unflinching realism influenced generations of artists throughout Europe. His work resonated with those seeking to break away from the idealized forms of Renaissance art and embrace a more visceral, emotionally charged style. Even later artists drew inspiration from his dramatic compositions and powerful depictions of human suffering. Today, Ribera’s paintings are housed in prestigious museums around the world – the Museo del Prado in Madrid, the National Gallery of Art in Washington D.C., and numerous institutions across Europe – ensuring that his legacy continues to inspire and captivate audiences centuries after his death in 1652. He stands as a testament to the power of art to confront difficult truths, explore the depths of human emotion, and illuminate the enduring spirit of faith and resilience.

    A Master’s Enduring Appeal

    The continued fascination with Ribera's work lies in its ability to transcend time and cultural boundaries. His paintings are not merely historical artifacts; they are powerful statements about the human condition – about suffering, faith, hope, and despair. His unflinching realism forces us to confront uncomfortable truths, while his dramatic compositions and masterful use of light and shadow create an atmosphere of intense emotional resonance. Lo Spagnoletto, as he was affectionately known, left behind a body of work that is both profoundly moving and intellectually stimulating – a legacy that ensures his place among the greatest masters of the Baroque era. His paintings are not simply to be admired; they are to be experienced—felt in the depths of one’s being.

    Museum

    Prado Museum

    On show in Madrid, Spain

    A Royal Legacy: Unveiling the Soul of Spain at the Prado

    Step into the Museo Nacional del Prado, and you are not merely entering a museum; you are stepping back in time, immersing yourself within the very heart of Spanish identity. This magnificent palace-turned-art haven, nestled in the vibrant capital city of Madrid, stands as a testament to centuries of royal patronage, artistic innovation, and an unwavering celebration of Spain’s unique visual voice. More than just a repository of masterpieces, the Prado is a living tapestry woven with threads of history, ambition, and the enduring spirit of its creators—a place where brushstrokes whisper tales of conquest, faith, passion, and profound human experience. The story begins in the late 18th century, when King Charles III, recognizing Spain’s artistic potential, commissioned architect Juan de Villanueva to transform a grand palace into a royal collection. This was a deliberate act of national pride, a conscious effort to define and showcase Spain’s distinctive cultural identity on the European stage.

    The building itself is an integral part of the Prado experience. Designed by Villanueva in a neoclassical style, it stands as a deliberate counterpoint to the exuberant Baroque palaces that characterized Madrid’s skyline. The symmetrical façade, with its imposing Doric columns and subtle ornamentation, reflects the Enlightenment ideals of order, reason, and harmony. As visitors move through the museum, they are guided through a chronological journey through Spanish art history, culminating in the grand Salón del Reino—a vast hall originally intended for royal audiences. This room, now housing works by Goya and other masters, offers a breathtaking view of the palace’s interior and provides a sense of the museum's historical significance, reminding every observer that they are walking through a space once graced by monarchs.

    Masterpieces of Light, Shadow, and Human Emotion

    The Prado's collection is dominated by its extraordinary holdings of Spanish art, yet it transcends national borders to offer an astonishing array of works spanning diverse periods and styles. Begin your journey with Diego Velázquez’s

    Las Meninas

    (The Maunt of Honour), arguably the museum’s most celebrated work. More than a portrait, it is an intricate exploration of perception, illusion, and the act of seeing itself—a masterful manipulation of light and shadow, or

    chiaroscuro

    , that blurs the boundaries between observer and observed. Velázquez's subtle meta-commentary on the creative process, with himself depicted within the painting, adds layers of complexity and intrigue, prompting endless debate about its meaning and technique.

    Following the trail of Spanish genius, one encounters the monumental contributions of Francisco Goya. His early works explore themes of desire and identity with exquisite sensitivity, but his later paintings reveal a much darker side of the human condition. Works such as

    Saturn Devouring His Son

    and

    The Third of May 1808

    powerfully depict war, suffering, and political injustice, forcing us to confront uncomfortable truths about humanity through unflinching honesty and social critique. This emotional intensity is echoed in the works of El Greco, whose elongated figures and dramatic use of color infuse religious scenes with an otherworldly intensity, transporting viewers to realms beyond the earthly.

    A Universal Dialogue of European Art

    Beyond its Spanish titans, the Prado boasts a remarkable collection of European art amassed over centuries through royal acquisitions and generous donations. Treasures from across the continent find their home within these walls, creating a profound dialogue between artistic traditions. You will encounter the delicate beauty of Titian, the grace of Raphael, the dynamism of Rubens, and the surreal nightmares of Bosch. This breadth makes the Prado not merely a Spanish museum, but a celebration of European artistic achievement as a whole. For the art lover or the interior designer seeking inspiration, the collection offers an inexhaustible source of aesthetic wonder, from the Rococo charm of Luis Paret y Alcázar’s

    Zebra

    to the dramatic Renaissance narratives found in the details of Botticelli.

    Today, the Museo Nacional del Prado remains a dynamic institution. It is not a static repository but a living entity that engages with contemporary audiences through regular temporary exhibitions and digital innovations. Whether through virtual tours or interactive exhibits, the museum extends its reach far beyond Madrid’s walls. It continues to serve as a vital cultural landmark where the soul of Spain is vividly brought to life, inviting collectors and dreamers alike to witness the enduring power of the human imagination.

    Where to read more

    Find this online

    QR code linking to the download page for St. Simon

    topimpressionists.com/en/art/download/jusepe-de-ribera-st-simon-D2T6JC-en/

    Cite this artwork

    MLA
    Ribera, Jusepe de. St. Simon. 1630, Prado Museum. https://topimpressionists.com/en/art/jusepe-de-ribera-st-simon-D2T6JC-en/
    APA
    Ribera, Jusepe de (1630). St. Simon [Painting]. Prado Museum. https://topimpressionists.com/en/art/jusepe-de-ribera-st-simon-D2T6JC-en/
    Chicago
    Jusepe de Ribera. St. Simon. 1630. Prado Museum. https://topimpressionists.com/en/art/jusepe-de-ribera-st-simon-D2T6JC-en/
    Harvard
    Ribera, Jusepe de (1630) St. Simon. Prado Museum. Available at: https://topimpressionists.com/en/art/jusepe-de-ribera-st-simon-D2T6JC-en/

    Look closely

    St. Simon — Jusepe de Ribera

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: christianity, saints, apostle. Do you agree? What would you add, or take away?
    4. Look back at St. Jerome penitente (1652), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Jusepe de Ribera was about 39 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    St. Simon — Jusepe de Ribera

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the title of the artwork being described?

      • A The Calling of St. Matthew
      • B St. Simon
      • C Portrait of a Saint
    2. 2. Which artist is credited with painting 'St. Simon'?

      • A Caravaggio
      • B Diego Velázquez
      • C Jusepe de Ribera
    3. 3. The painting style is characteristic of which major art movement?

      • A Renaissance
      • B Baroque
      • C Neoclassicism
    4. 4. According to the description, what color is the robe worn by the man in the painting?

      • A Blue
      • B Red
      • C Brown
    5. 5. What element contributes to the depth and focus on the main subject in the artwork?

      • A A highly detailed background
      • B A blurry background
      • C No discernible background

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3A · 4A · 5A