Paper

Student Artwork Guide

Keep on Praying

Name Class Date

Kagiso Patrick Mautloa, Keep on Praying (1996), University of Pretoria Museums. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Kagiso Patrick Mautloa topimpressionists.com/en/artists/kagiso-patrick-mautloa/
Artist’s dates
1952 –
Painted
1996
Medium
Oil On Canvas
Original size
85 x 65 cm
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Period
Contemporary
Held at
University of Pretoria Museums topimpressionists.com/en/museums/university-of-pretoria-museums-tshwane/
Artistic style
Abstract expressionist
Notable elements or techniques
Thick impasto, gestural brushstrokes
Subject or theme
Prayer, struggle, and South African history

In context

Keep on Praying — Kagiso Patrick Mautloa

How big is it?

The original measures 85 × 65 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 44. 0 of the 1 dated works by this artist in our catalogue came earlier.

▲ this work, 1996 every dated painting, decade by decade

Colours

Measured from the image

    Main colour

    Espresso #3f2c25

    Catalogued palette

    • #3F2C25
    • #BB956F
    • #E0D0BF
    • #905731

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Keep on Praying — Kagiso Patrick Mautloa

    A Soul in Prayer Amidst the Shadows of History

    In the evocative depths of Kagiso Patrick Mautloa’s 1996 masterpiece, Keep on Praying, one finds a profound intersection of personal spirituality and national struggle. This abstract expressionist work serves as a visceral window into the heart of South Africa during one of its most transformative eras. Through a masterful use of gestural brushwork and a somber, layered palette, Maut-loa captures the essence of a man on his knees, seeking solace before a Christian cross. The painting does not merely depict a scene; it breathes the heavy atmosphere of the early 1990s, a period marked by both the hope of democratic transition and the harrowing chaos that followed the unbanning of political parties. It is an invitation to witness a moment of quiet, desperate faith amidst a landscape of profound social upheaval.

    The technique employed in this piece is nothing short of hypnotic, utilizing thick impasto applications that lend the canvas a sculptural, tactile quality. Mautloa’s hand moves with a spontaneous energy, creating thick, varied lines that seem to vibrate against the darker recesses of the composition. The artist utilizes a palette dominated by earthy browns and deep blacks, which provide a haunting backdrop for the sudden, striking interventions of red and yellow. These splashes of color are not merely decorative; they are the lifeblood of the painting. The interplay between light and shadow creates an internal luminosity, as if the very essence of hope is struggling to emerge from the surrounding gloom.

    Symbolism and the Language of Color

    To gaze upon Keep on Praying is to decode a complex language of symbolism designed to resonate with the collective memory of a nation. The composition is anchored by the presence of a cross-like shape, yet it is surrounded by an unsettling fluidity of form. Mautloa utilizes white lines as a protective barrier, acting as a symbolic shield against a burgeoning pool of red. This crimson element carries a dual weight: the darker, more muted tones represent the historical trauma and "old blood" of the apartheid era, while the brighter, more vivid reds signify the "new blood" of a changing generation. It is a visual dialogue between the scars of the past and the uncertain vitality of the future.

    For the discerning collector or interior designer, this artwork offers much more than aesthetic beauty; it provides a profound emotional anchor for any space. The painting’s unbalanced composition and fragmented shapes evoke a sense of introspection and resilience, making it a powerful statement piece for those who appreciate art that challenges the intellect and stirs the spirit. Whether placed in a quiet study or a grand gallery, Keep on Praying commands attention through its raw honesty and its ability to transform a physical space into a sanctuary for contemplation. It remains a timeless testament to the endurance of the human spirit in the face of overwhelming darkness.

    Artist and museum

    Artist

    Kagiso Patrick Mautloa

    Born in Ventersdorp, South Africa

    Kagiso Patrick Mautloa: A Johannesburg Soul Painted

    Born in Ventersdorp, South Africa, in 1952, Kagiso Patrick “Pat” Mautloa’s artistic journey is inextricably linked to the tumultuous history and vibrant spirit of his nation. His early life, rooted in Western Transvaal, provided a foundation for an artist deeply attuned to the complexities of identity, heritage, and urban experience – themes that would dominate his oeuvre for decades. Moving to Soweto as a young boy, Mautloa’s exposure to the social and political realities of apartheid profoundly shaped his perspective, fueling a desire to capture the essence of South African life through diverse media.

    Mautloa's formal artistic education began in earnest during his high school years at Morris Isaacson High School. Recognizing his burgeoning talent, he enrolled in art classes at the Jubilee Art Centre and Mofolo Park Arts Centre, absorbing techniques and developing a foundational understanding of visual language. This early training was further enriched by a bursary awarded to him in 1970, allowing him to pursue studies at Rorke’s Drift Art and Craft Centre, where he honed his skills under the guidance of Dan Rakgoathe. Crucially, Mautloa's artistic development wasn't confined to formal institutions; he actively participated in community art initiatives like FUBA (Federated Union of Black Artists Arts Centre), immersing himself in a dynamic environment that fostered experimentation and collaboration.

    The 1980s marked a pivotal period for Mautloa, witnessing the birth of the Thupelo Workshops – a groundbreaking initiative founded by him alongside David Koloane and Bill Ainslie. Situated in Cape Town, this residency provided a crucial space for artists to engage with contemporary issues and explore new creative avenues. The workshops were supported by organizations like Triangle Network and FUNDA, reflecting a commitment to fostering artistic growth within the broader South African context. This period also saw Mautloa’s involvement in significant exhibitions, including those at Grassroots Gallery and various Thupelo Workshop events, solidifying his position as an emerging voice in the national art scene.

    Mautloa's artistic style is characterized by a remarkable versatility, seamlessly blending figurative and abstract approaches. He masterfully employs traditional media such as oil and acrylic paint alongside unconventional materials – found objects, collage, and assemblage – to create layered and textured works that resonate with the gritty realities of urban life. His pieces often evoke the textures and materiality of Johannesburg’s streets, referencing elements like corrugated iron, discarded metal, and the vibrant energy of informal settlements. A recurring motif is the exploration of human experience within these environments, capturing moments of resilience, struggle, and quiet dignity.

    Throughout his career, Mautloa has been recognized with numerous accolades, including the Vita Art Award in 1991 and a residency at Nirox Arts in 2008. His work is held in prestigious collections across South Africa, including those of Iziko South African National Gallery, Johannesburg Art Gallery, and Sasol Corporate Collection. His influence extends beyond his own creations; he has mentored emerging artists and contributed to the vitality of artistic communities through initiatives like the Bag Factory Artists’ Studios. Mautloa's commitment to fostering creativity and dialogue is a testament to his enduring legacy as a significant figure in contemporary South African art.

    The Language of Johannesburg

    Mautloa’s work is deeply rooted in the landscape of Johannesburg, a city that has served as both a source of inspiration and a subject of intense scrutiny. He doesn't simply depict the cityscape; he attempts to translate its essence – its contradictions, its beauty, and its inherent struggles – into visual form. His use of found objects—rusted metal sheets, discarded signage, fragments of urban debris—is not merely decorative; it’s a deliberate strategy for engaging with the city’s history and materiality. These elements become symbolic representations of resilience, memory, and the ongoing negotiation between past and present.

    The color palettes employed by Mautloa are equally evocative, often utilizing earthy tones – ochres, browns, and grays—to reflect the dust and grit of Johannesburg’s streets. However, he frequently introduces bursts of vibrant color—deep blues, fiery reds, and electric yellows—to represent moments of joy, resistance, or spiritual awakening. These contrasting hues create a dynamic tension that mirrors the complexities of life in South Africa.

    Themes of Identity and Heritage

    Central to Mautloa’s artistic vision is an exploration of identity and heritage – concepts inextricably linked in the context of post-apartheid South Africa. His work grapples with questions of belonging, displacement, and the negotiation of cultural narratives. The incorporation of personal memories and familial stories into his paintings serves as a means of reclaiming agency and asserting a sense of continuity amidst profound social change.

    Furthermore, Mautloa’s art often engages with the legacy of apartheid, subtly referencing its impact on individuals and communities. While he avoids overt political statements, his work invites viewers to contemplate the enduring effects of systemic injustice and the ongoing struggle for equality. The use of fragmented imagery and symbolic motifs—such as masks and portraits—suggests a desire to confront difficult truths and honor those who have suffered under oppression.

    Notable Achievements and Recognition

    Kagiso Patrick Mautloa’s career has been marked by consistent recognition for his artistic contributions. He was awarded the Vita Art Award in 1991, a prestigious accolade that acknowledged his talent and potential. His work has been featured in numerous exhibitions across South Africa and internationally, including those at Goodman Gallery, Nirox Arts, and various international art fairs.

    Mautloa’s commitment to fostering artistic communities is evident through his involvement with the Bag Factory Artists' Studios, where he serves as a board member. He has also participated in artist residencies, providing opportunities for creative exchange and professional development. His work continues to be exhibited and collected by prestigious institutions, solidifying his place as one of South Africa’s most respected contemporary artists.

    Legacy and Continuing Influence

    Kagiso Patrick Mautloa's artistic legacy extends far beyond the canvases he has created. He is a vital voice in contemporary South African art, embodying resilience, creativity, and a deep connection to his cultural heritage. His work serves as a powerful reminder of the complexities of the nation’s past and present, inviting viewers to engage with profound questions about identity, memory, and social justice.

    Museum

    University of Pretoria Museums

    On show in Tshwane, South Africa

    A Tapestry of Pretoria’s Heritage

    Nestled within the vibrant, purple-hued embrace of the Jacaranda City, the

    University of Pretoria Museums

    stand as a profound testament to South Africa's intellectual and artistic soul. More than mere repositories for silent artifacts, these institutions function as living chronicles, weaving together a complex narrative of a nation’s journey through time. To step into these halls is to embark on an immersive voyage where academic rigor meets the evocative power of storytelling, illuminating a multifaceted past that ranges from ancient indigenous traditions to the transformative echoes of the liberation struggle. The museum serves as a vital bridge between the preservation of heritage and the pulse of contemporary artistic appreciation, offering a sanctuary for those who seek to understand the deep-seated cultural currents that shape South African identity.

    The architectural landscape of the campus itself provides a majestic stage for this collection, dominated by the venerable

    Old Arts Building

    and the

    Merensky Building

    . The Old Arts Building is a true architectural marvel, a landmark that breathes with the elegance of various eras, from the sweeping grandeur of Victorian design to the streamlined sophistication of Art Deco. Within its soaring ceilings and ornate structural details, one finds a curated dialogue between European influences and African aesthetics. This sense of structural innovation extends into the museum's unique holdings, most notably through the remarkable assemblage featuring works by

    Jean Prouvé

    . The visionary French architect’s influence brings a touch of modern functionalism to the collection, where his philosophy of prioritizing aesthetic beauty alongside structural engineering resonates powerfully against the backdrop of historical South African narratives.

    Treasures of Gold and Global Dialogue

    The true heart of the museum lies in its ability to curate moments of profound historical significance through diverse visual media. Collectors and art enthusiasts will find themselves captivated by the meticulous archives that offer unparalleled access to the figures and pivotal movements that have defined the country. A singular highlight that commands reverence is the

    Golden Rhinoceros of Mapungubwe

    , a medieval masterpiece of wood overlaid with thin sheets of gold. This delicate yet powerful artifact, discovered by archaeologists from the university, serves as a shimmering symbol of the ancient Kingdom of Mapungubwe and the sophisticated artistry of pre-colonial South Africa.

    Such treasures are complemented by recent exhibitions that have brought groundbreaking international perspectives to the local context, fostering a global dialogue through collaborations with world-class curators. What distinguishes the University of Pretoria Museums is their holistic commitment to the lifecycle of art and history. It is not merely a place for observation, but a center for active scholarly research where advanced analytical techniques are employed to reconstruct lost artistic traditions. For the interior designer or the passionate art lover, the museum offers an endless wellspring of inspiration, blending the textures of historical struggle with the elegance of architectural innovation. By integrating educational programs and postgraduate studies into its very framework, the institution ensures that the stories held within its walls continue to evolve, inspiring new generations of creators to find beauty in the enduring power of heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Keep on Praying

    topimpressionists.com/en/art/download/kagiso-patrick-mautloa-keep-on-praying-D735BF-en/

    Cite this artwork

    MLA
    Mautloa, Kagiso Patrick. Keep on Praying. 1996, University of Pretoria Museums. https://topimpressionists.com/en/art/kagiso-patrick-mautloa-keep-on-praying-D735BF-en/
    APA
    Mautloa, Kagiso Patrick (1996). Keep on Praying [Painting]. University of Pretoria Museums. https://topimpressionists.com/en/art/kagiso-patrick-mautloa-keep-on-praying-D735BF-en/
    Chicago
    Kagiso Patrick Mautloa. Keep on Praying. 1996. University of Pretoria Museums. https://topimpressionists.com/en/art/kagiso-patrick-mautloa-keep-on-praying-D735BF-en/
    Harvard
    Mautloa, Kagiso Patrick (1996) Keep on Praying. University of Pretoria Museums. Available at: https://topimpressionists.com/en/art/kagiso-patrick-mautloa-keep-on-praying-D735BF-en/

    Look closely

    Keep on Praying — Kagiso Patrick Mautloa

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: prayer, south africa, conflict. Do you agree? What would you add, or take away?
    4. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?
    5. Kagiso Patrick Mautloa was about 44 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where is the portrait format of "Keep on Praying" recommended to be displayed?

    The portrait format of "Keep on Praying" by Kagiso Patrick Mautloa is recommended for a living room. Format and space together guide the placement of a reproduction.

    At what size is "Keep on Praying" suggested for a living room?

    In a living room, "Keep on Praying" is suggested at a medium print size.

    How was "Keep on Praying" made, and how big is it?

    The medium of "Keep on Praying" by Kagiso Patrick Mautloa is oil on canvas, and its recorded dimensions are 85 x 65 cm.