Paper

Student Artwork Guide

Neck-pulling

Name Class Date

Katsushika Hokusai, Neck-pulling. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Katsushika Hokusai topimpressionists.com/en/artists/katsushika-hokusai/
Artist’s dates
1760 – 1849
Artistic style
Oriental Art Piece
Notable elements or techniques
Asian writing; Birds; Clock
Subject or theme
Scene of Pulling

In context

Neck-pulling — Katsushika Hokusai

When might this have been painted?

  1. 1760
  2. 1770
  3. 1780
  4. 1790
  5. 1800
  6. 1810
  7. 1820
  8. 1830
  9. 1840

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 89 at death.

Shaded: the lifetime of Katsushika Hokusai (1760–1849) every dated painting, decade by decade

First works: up to 1819 Main working years: 1819–1834 Late works: from 1834

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/katsushika-hokusai-neck-pulling-9EDGJG-en/

Colours

Measured from the image

    Main colour

    Putty #d7c9b5

    Catalogued palette

    • #D7C9B5
    • #6A4A42
    • #BAA993
    • #957F6E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Katsushika Hokusai over the last twelve months — 51 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 57.0%
    2. 2 United States of America 10.9%
    3. 3 Hong Kong 10.3%
    4. 4 Singapore 9.6%
    5. 5 France 2.3%
    6. 6 Italy 1.1%
    7. 7 Romania 1.0%
    8. 8 Spain 1.0%
    9. 9 Brazil 0.8%
    10. 10 Germany 0.5%
    11. · 41 other countries 5.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Katsushika Hokusai

    1. 1 The Great Wave off Kanagawa, 1831 5.4%
    2. 2 Fuji, Mountains in clear Weather (Red Fuji), 1831 1.2%
    3. 3 Roben Waterfalls from the series Waterfalls of Various Provinces, 1832 0.8%
    4. 4 Inside the Courtyard of the Toeizan Temple at Ueno, 1786 0.8%
    5. 5 Cranes On Snowladen Pine 0.7%
    6. 6 Carp in Water, 1832 0.7%
    7. 7 Title Name(Japanese): 富嶽三十六景 江都駿河町三井見世略図 0.7%
    8. 8 A Complete Set Of The Erotic Series 0.7%
    9. 9 Title (Japanese): 冨嶽三十六景 神奈川沖浪裏, 1831 0.5%
    10. 10 Femenine wave 0.5%
    11. 11 Flowering Cherry Trees Along The Yoshino River 0.5%
    12. 12 End O F The Year Market At Asakusa Temple 0.5%
    13. 13 Red Shōki, the Demon Queller, 1846 0.5%
    14. 14 Dragon 0.5%
    15. 15 Fuji Concluded In One Stroke 0.5%
    16. 16 Ono waterfall at Kisokaido 0.4%
    17. 17 The Amida Waterfall In The Depths Of The Kiso Mountains 0.4%
    18. 18 Wooden Horse, 1822 0.4%
    19. 19 Kinoe no komatsu, 1814 0.4%
    20. 163 Neck-pulling this painting 0.2%

    Together these works take 16.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 2023 works by this artist, of which 905 were looked at at least once. This painting ranks 163 of them, with 0.2% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Neck-pulling — Katsushika Hokusai

    A Symphony in Ink: Decoding Katsushika Hokusai’s *Neck-Pulling*

    The artwork titled *Neck-Pulling*, attributed to the legendary Edo-period master Katsushika Hokusai, transcends mere visual representation; it embodies a profound exploration of human interaction and subtle emotional tension. Created sometime between 1830 and 1849 – during Hokusai’s prolific output following his groundbreaking Thirty Six Views of Mount Fuji series – this piece exemplifies the artist's masterful command of Prussian blue pigment, a revolutionary color introduced to Japan from Europe during this era, marking a pivotal moment in artistic innovation.

    Subject Matter: The composition depicts two figures engaged in a dynamic struggle—one attempting to pull the neck of another. While seemingly simple in its depiction, the gesture carries significant weight, hinting at power dynamics and unspoken desires.

    Style: Hokusai’s style is characterized by a distinctive blend of realism and stylized abstraction. The figures are rendered with meticulous detail, capturing anatomical accuracy, yet their postures and expressions convey an emotional intensity that surpasses mere observation. This duality reflects the artist's ability to distill complex human experience into evocative visual symbols.

    The technique employed is quintessential Ukiyo-e – woodblock printing—a process perfected by Hokusai and his workshop. Layers of ink are applied to wooden blocks meticulously carved with intricate designs, transferring pigment onto paper through pressure. This method allowed for mass production while maintaining exceptional artistic quality, democratizing access to art and shaping the aesthetic sensibilities of Victorian Japan. The Prussian blue pigment itself was a daring choice, reflecting Hokusai’s openness to Western influences and signaling a desire to push creative boundaries. Its vibrant hue contrasts sharply with the muted tones of the surrounding landscape, drawing attention to the central conflict and amplifying its emotional impact.

    Historical Context: Japan Under Pressure

    *Neck-Pulling* emerged during a period of considerable upheaval in Japan—the Bakumatsu era (1853–1867)—a time marked by increasing pressure from Western powers eager to establish trade relations and influence Japanese politics. This confrontation fueled anxieties about national identity and spurred artists like Hokusai to grapple with themes of vulnerability and resilience. The inclusion of birds – specifically cranes, symbols of longevity and good fortune – subtly underscores this narrative of perseverance amidst adversity. Their placement near the top left corner serves as a visual reminder that even in moments of struggle, hope persists.

    Symbolism: Tension and Desire

    Beyond its formal elements, *Neck-Pulling* is laden with symbolic meaning. The act of pulling represents exertion of control, dominance, and perhaps an attempt to impose one’s will upon another. However, the vulnerability expressed by the figure being pulled speaks volumes about unspoken desires and anxieties—a recognition that power imbalances can be fraught with emotional complexities. The clock on the upper right side adds another layer of interpretation, symbolizing time passing relentlessly and highlighting the urgency of the situation. It serves as a visual cue to contemplate the consequences of actions and the fleeting nature of human experience.

    Emotional Impact: Capturing Human Vulnerability

    Ultimately, *Neck-Pulling* succeeds in conveying a palpable sense of emotional tension—a captivating portrayal of human vulnerability confronted by formidable force. Hokusai’s masterful use of Prussian blue and his nuanced depiction of posture and expression resonate deeply with viewers, prompting contemplation on themes of power, desire, and the enduring spirit of resilience. It stands as a testament to Hokusai's artistic genius and his ability to transform simple visual elements into profound statements about the human condition—a timeless masterpiece that continues to inspire awe and admiration centuries after its creation.

    Artist and museum

    Artist

    Katsushika Hokusai

    Born in Tokyo, Japan

    A Life Etched in Ink: The World of Katsushika Hokusai

    Katsushika Hokusai, a name synonymous with Japanese art and the iconic image of *The Great Wave off Kanagawa*, was far more than just a printmaker. Born in Edo (modern-day Tokyo) around 1760, his life was a restless pursuit of artistic mastery, a constant evolution marked by shifting names and an insatiable curiosity. From humble beginnings as the son of a mirror maker, Hokusai’s early inclination towards art wasn't immediately encouraged; yet, he relentlessly honed his skills, reportedly beginning to draw at the age of six. This dedication would define a career spanning nearly nine decades, leaving behind a legacy that continues to resonate with audiences worldwide. His father, Nakajima Ise, though not an artist himself, recognized and perhaps fostered this nascent talent, laying the groundwork for a journey that would transform Japanese visual culture. Hokusai’s early life wasn't one of privilege, but rather a steady climb fueled by ambition and a deep-seated passion to capture the essence of the world around him.

    From Apprenticeship to Innovation: The Blossoming of a Style

    Hokusai’s formal artistic training began at twelve when he entered the studio of Katsukawa Shunshō, a leading master of ukiyo-e – “pictures of the floating world.” This genre, popular during the Edo period, depicted scenes from everyday life: actors, courtesans, landscapes, and glimpses into the vibrant urban culture. Under Shunshō’s guidance, Hokusai mastered the techniques of woodblock printing, a demanding process requiring precision and artistry. However, he wasn't content to simply replicate his teacher’s style. Even in his early work, a restless spirit was evident, a desire to push boundaries and explore new avenues of expression. He experimented with different subjects, from book illustrations to single-sheet prints, constantly refining his skills and developing a unique visual language. This period also saw the first of many name changes – a common practice among ukiyo-e artists signifying periods of artistic reinvention or affiliation with different schools. He initially focused on illustrating books, which provided him with steady work and allowed him to develop his compositional skills. But it was his move towards single-sheet prints that truly unleashed his creative potential.

    Mount Fuji and the Floating World: Defining Masterpieces

    Hokusai’s artistic output was astonishingly prolific; thousands of woodblock prints, paintings, and illustrated books bear his signature. While he explored a wide range of subjects, it was his series Thirty-six Views of Mount Fuji (circa 1831) that cemented his fame. This collection, featuring the now-iconic *The Great Wave off Kanagawa*, wasn’t merely a depiction of a landscape; it was a masterful exploration of perspective, composition, and the power of nature. The wave itself, a towering force about to crash down on tiny boats, embodies both the beauty and the terror of the sea. Beyond Fuji, works like Fireworks at Ryōgoku Bridge (1790) demonstrated his ability to capture dynamic scenes of daily life with remarkable energy and detail. His Hokusai Manga – a collection of sketches and studies encompassing people, animals, landscapes, and fantastical creatures – was groundbreaking in its scope and influence, foreshadowing the development of modern manga as an art form. These works weren’t isolated achievements; they were milestones in a continuous artistic journey, each building upon the last to create a body of work that is both deeply rooted in Japanese tradition and remarkably innovative.

    A Legacy Beyond Borders: Hokusai's Enduring Influence

    Hokusai’s impact extended far beyond Japan. In the late 19th century, as Japan opened its doors to the West, ukiyo-e prints flooded European markets, sparking a phenomenon known as Japonisme. Artists like Claude Monet, Edgar Degas, and Vincent van Gogh were captivated by Hokusai’s bold compositions, vibrant colors, and unconventional perspectives. Van Gogh, in particular, was deeply influenced by The Great Wave, even recreating it in his own paintings. Hokusai's influence wasn't limited to Impressionism; it permeated various modern art movements, shaping the way artists approached composition, color, and subject matter. His emphasis on capturing fleeting moments, his dynamic use of line, and his ability to find beauty in everyday life resonated with a generation of artists seeking new forms of expression. Even today, Hokusai’s work continues to inspire and challenge artists around the world, solidifying his place as one of the most important figures in art history. He continued painting until his death in 1849 at the age of 89, leaving behind a vast body of work that remains a testament to his unwavering dedication and artistic genius.

    The Old Man Mad About Painting

    Hokusai’s life was one of constant reinvention, marked by numerous name changes – over thirty throughout his career – each reflecting a new phase in his artistic development. He often referred to himself as “Gakyō Rōjin,” or "Old Man Crazy to Paint," a fitting title for an artist who remained passionately devoted to his craft well into his eighties. This relentless pursuit of perfection, coupled with his innovative spirit and profound understanding of both Japanese tradition and the wider world, cemented Hokusai’s legacy as a true master of ukiyo-e and a pivotal figure in the history of art. His work continues to captivate audiences, reminding us of the power of art to transcend cultural boundaries and connect us to something larger than ourselves.

    Major Influences: Ukiyo-e traditions, Chinese landscape painting, everyday life in Edo.

    Key Characteristics: Bold lines, vibrant colors, dynamic compositions, keen observation of nature.

    Where to read more

    Find this online

    QR code linking to the download page for Neck-pulling

    topimpressionists.com/en/art/download/katsushika-hokusai-neck-pulling-9EDGJG-en/

    Cite this artwork

    MLA
    Hokusai, Katsushika. Neck-pulling. n.d., https://topimpressionists.com/en/art/katsushika-hokusai-neck-pulling-9EDGJG-en/
    APA
    Hokusai, Katsushika (n.d.). Neck-pulling [Painting]. https://topimpressionists.com/en/art/katsushika-hokusai-neck-pulling-9EDGJG-en/
    Chicago
    Katsushika Hokusai. Neck-pulling. n.d. https://topimpressionists.com/en/art/katsushika-hokusai-neck-pulling-9EDGJG-en/
    Harvard
    Hokusai, Katsushika (n.d.) Neck-pulling. Available at: https://topimpressionists.com/en/art/katsushika-hokusai-neck-pulling-9EDGJG-en/

    Look closely

    Neck-pulling — Katsushika Hokusai

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: wave, ocean, landscape. Do you agree? What would you add, or take away?
    4. Look back at The Great Wave off Kanagawa (1831), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of Katsushika Hokusai: japanese tradition, wave symbolism, nature observation. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Neck-pulling — Katsushika Hokusai

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the prominent subject depicted in Neck-pulling?

      • A A serene landscape featuring mountains and waterfalls.
      • B B A dramatic depiction of a colossal wave crashing against rocky shores.
      • C C An intimate portrait capturing a moment of human connection.
    2. 2. The painting incorporates symbolic elements like birds. What is the likely significance of these birds?

      • A A They represent prosperity and good fortune.
      • B B They symbolize tranquility and harmony with nature.
      • C C They serve as decorative accents to enhance the visual appeal.
    3. 3. What artistic technique is predominantly used in Neck-pulling?

      • A A Fresco painting, known for its vibrant colors and durability.
      • B B Watercolor blending, creating delicate washes of pigment.
      • C C Woodblock printing (Ukiyo-e), characterized by precise lines and tonal variations.
    4. 4. Considering Hokusai's broader artistic output, what is The Great Wave off Kanagawa famous for?

      • A A Its groundbreaking use of perspective to create a realistic illusion.
      • B B Its pioneering exploration of abstract expressionism.
      • C C Its status as one of Japan’s most recognizable and influential artworks.
    5. 5. What cultural context does Neck-pulling reflect?

      • A A The Renaissance revival in Europe.
      • B B The Victorian era's fascination with exotic landscapes.
      • C C The Edo period’s preoccupation with natural beauty and artistic innovation.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2A · 3C · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What explains the copyright situation of "Neck-pulling" by Katsushika Hokusai?

    "Neck-pulling" by Katsushika Hokusai is in the public domain - its copyright has expired. Copyright terms are measured from the artist's death, and Katsushika Hokusai died in 1849.

    Where can I buy a print of "Neck-pulling" by Katsushika Hokusai?

    "Neck-pulling" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on its Fine Art Print page, in the size of your choice.

    At what size is "Neck-pulling" recommended to be printed?

    The recommended print size for "Neck-pulling" by Katsushika Hokusai is large.