Student Artwork Guide
Copyright This work is in the public domain. Kenyon Cox died in 1919; copyright lasts 70 years after the artist’s death, so it ended in 1989.
In context
Fields — Kenyon Cox
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 63 at death.
Painted when the artist was 29. The artist lived to 63. 12 of the 66 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of Kenyon Cox (1856–1919) ▲ this work, 1885 every dated painting, decade by decade
First works: up to 1888 Main working years: 1888–1910 Late works: from 1910
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: topimpressionists.com/en/art/similar/kenyon-cox-fields-AQRBUC-en/
Measured from the image
Main colour
Driftwood #ab8767
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 72.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 67 works by this artist, of which 30 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
About this artwork
Fields — Kenyon Cox
The painting Fields by Kenyon Cox is a beautiful landscape that showcases the artist's ability to capture the serene and peaceful atmosphere of the natural world. Created in 1885, this oil on panel painting is a stunning example of American Academic Classical art. The Chrysler Museum of Art in the United States is proud to have this piece in its collection.
Kenyon Cox was an American artist who studied at the Pennsylvania Academy of the Fine Arts and later in Paris with the famed French artist, Gérôme, at the Ecole des Beaux-Arts. His experiences and training are reflected in his work, which often features classical and Renaissance influences. The painting Fields is a testament to his skill in capturing the beauty of the natural world.
The painting Fields depicts a serene landscape with a field, trees, and a cloudy sky. The sun appears to be setting behind the clouds, casting a warm glow over the entire scene. The use of oil on panel allows for a level of detail and texture that brings the painting to life. The brushstrokes are bold and expressive, adding to the overall sense of movement and energy in the piece.
The painting measures 15 x 18 inches, making it an intimate and personal work.
The Chrysler Museum of Art has a rich collection of American art, including works by Kenyon Cox.
AllPaintingsStore.com offers high-quality, handmade oil painting reproductions of Fields and other works by Kenyon Cox.
Visit https://en.AllPaintingsStore.com/@/Kenyon-Cox to explore more artworks by Kenyon Cox and order a reproduction of your favorite piece. Learn more about the artist and his work on Wikipedia: https://en.wikipedia.org/wiki/Kenyon_Cox
The painting Fields by Kenyon Cox is a beautiful example of American Academic Classical art, showcasing the artist's skill in capturing the serene and peaceful atmosphere of the natural world. With its stunning use of color and composition, this piece is a must-see for anyone interested in art and nature.
Artist and museum
Born: October 27, 1856, in Warren, Ohio.
Parents: Jacob Dolson Cox and Helen Finney Cox.
Kenyon Cox initially studied at the Art Academy of Cincinnati (formerly the McMicken School of Art). However, he quickly recognized the limited artistic opportunities available in the city.
Following a visit to the Centennial Exposition in Philadelphia, he decided to pursue further education at the Pennsylvania Academy of Fine Arts, hoping it would lead to studies in Europe.
In 1877, Cox moved to Paris, joining a wave of American artists seeking artistic inspiration. He believed Paris was experiencing a “second renaissance” in art.
Influential Teachers: Carolus-Duran, Jean-Léon Gérôme, and Alexandre Cabanel at the École des Beaux-Arts.
He initially studied under Carolus-Duran but became frustrated with what he perceived as a “vulgarity” in Duran’s style.
Travels throughout France and Italy exposed him to the works of Renaissance masters, profoundly shaping his artistic vision.
In 1882, Cox returned to New York City, where he established himself as a painter and illustrator.
Illustration Work: He became well-known for his magazine illustrations, which reached a wider audience than his paintings.
Art Criticism: Cox also wrote unsigned art criticisms for the New York Evening Post, supplementing his income.
His artistic style leaned towards realism, with a focus on landscapes, portraits, and genre studies. He was known for idealized nudes and traditional treatments of classical themes.
Art Students League of New York: Cox became a highly influential instructor at the Art Students League, shaping generations of artists. He designed the League’s logo featuring the motto “Nulla Dies Sine Linea” (No Day Without a Line).
Elected an Associate Academician of the National Academy of Design in 1900 and a full Academician in 1903.
Founding Member: He was one of the founders and secretary of the National Free Arts League.
Leadership Roles: Served as president of the National Society of Mural Painters from 1915 to 1919, and held memberships in various prestigious art organizations.
Cox’s work represented a commitment to classical ideals at a time when modern art movements were emerging. He advocated for careful drawing, modulated color, and the use of allegory and symbolism.
His writings, such as “Two Ways of Painting,” articulated his views on figurative art versus abstract or representational styles.
Legacy: Though not a radical innovator, Kenyon Cox played a crucial role in maintaining traditional artistic standards and educating aspiring artists. His influence extended through his teaching and his contributions to the American art establishment.
Death: March 17, 1919.
topimpressionists.com/en/art/download/kenyon-cox-fields-AQRBUC-en/
Look closely
Fields — Kenyon Cox
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
The dominant color of "Fields" by Kenyon Cox is driftwood (#ab8767).
The copyright status of "Fields" - in the public domain - its copyright has expired - follows from the artist's death in 1919.
"Fields" dates from 1885. The date places the work within Kenyon Cox's career and its era.