Paper

Student Artwork Guide

Take Off

Name Class Date

Kim Ji-Won, Take Off (2007), Korean Art Museum Association. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Kim Ji-Won topimpressionists.com/en/artists/kim-ji-won/
Artist’s dates
1992 –
Painted
2007
Original size
228 x 182 cm
Held at
Korean Art Museum Association topimpressionists.com/en/museums/korean-art-museum-association-seoul/

In context

Take Off — Kim Ji-Won

How big is it?

The original measures 228 × 182 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1990
  2. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 15. 1 of the 3 dated works by this artist in our catalogue came earlier.

▲ this work, 2007 every dated painting, decade by decade

Compare with

  • Mendrami, 2006 topimpressionists.com/en/art/kim-ji-won-mendrami-D9298Y-en/
  • Take Off, 2007 topimpressionists.com/en/art/kim-ji-won-take-off-D42KTG-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/kim-ji-won-take-off-D928YZ-en/

Colours

Measured from the image

    Main colour

    Driftwood #baa450

    Catalogued palette

    • #BAA450
    • #9AA58B
    • #687046
    • #D3D0B8

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Kim Ji-Won over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Kim Ji-Won

    1. 1 Take Off, 2007 100.0%
    2. — Take Off, 2007 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 3 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Kim Ji-Won

    Born in Seoul, South Korea

    The Radiant Evolution of Kim Ji-won

    In the luminous tapestry of South Korean entertainment, few figures possess the evocative presence and transformative grace of Kim Ji-won. Born on October 19, 1992, in the Geumcheon District of Seoul, her journey is not merely one of professional ascent, but a profound narrative of artistic metamorphosis. Before she became a household name synonymous with emotional depth, Ji-won was a student of the multifaceted disciplines of performance. Her early years were marked by a rigorous period of training under Lion Media Entertainment, where she immersed herself in the rhythmic complexities of dance, the melodic precision of piano, and the soulful nuances of vocal performance. This foundational period, which included a formative chapter living in Chicago, Illinois, instilled in her a global perspective and a versatile toolkit that would later allow her to inhabit characters with unparalleled authenticity.

    The early stages of her career were characterized by a charming, almost ethereal presence in the commercial landscape. Often remembered fondly as the "Lollipop Girl"* following her debut in an LG Cyon advertisement alongside BIGBANG, she possessed a magnetic quality that bridged the gap between idol-like charisma and dramatic potential. Her initial forays into film and television, such as the romance omnibus Romantic Heaven and the sitcom High Kick: Revenge of the Short Legged, served as the preliminary sketches of her talent. During this era, she was a performer in motion, blending her musical training with a burgeoning ability to convey the subtle shifts of human emotion through a single glance or a quiet gesture.

    A Masterclass in Character and Complexity

    As Ji-won transitioned from a promising newcomer to a leading lady, her work began to reflect a sophisticated command over the dramatic spectrum. The year 2013 marked a pivotal moment with her role as Rachel Yoo in the high-society drama The Heirs. In this performance, she navigated the turbulent waters of ambition and familial isolation, proving that she could handle characters defined by their internal conflicts. However, it was the global phenomenon Descendants of the Sun in 2016 that truly solidified her status as a cinematic force. As the military doctor Yoon Myung-joo, she displayed a radiant strength and a compelling vulnerability that captured hearts across continents, earning her the Best Supporting Actress award at the APAN Star Awards.

    What distinguishes Ji-won’s filmography is the deliberate avoidance of the superficial. She has consistently sought roles that demand psychological depth and emotional resilience. Her performances in Fight For My Way and My Liberation Notes showcase a different facet of her artistry—one rooted in the raw, unvarnished realities of everyday life. In these works, she moves away from the grandiosity of historical or high-stakes drama to explore the quiet ache of longing, the struggle for identity, and the beauty found in mundane connections. This ability to pivot between the epic and the intimate is the hallmark of a true artist, making her work feel less like a performance and more like a shared human experience.

    Legacy and the Art of Emotional Resonance

    The historical significance of Kim Ji-won lies in her role as a bridge between different eras and genres of Korean storytelling. Whether she is navigating the fantastical landscapes of Arthdal Chronicles or the modern, poignant complexities of Queen of Tears, she remains a constant anchor of emotional truth. Her career serves as a testament to the power of disciplined preparation meeting innate talent. As she continues to evolve, her body of work stands as a rich archive of contemporary Korean emotion, characterized by:

    Versatility of Form: The seamless transition from musical training and commercial presence to profound dramatic acting.

    Emotional Authenticity: A rare ability to portray characters that resonate with both global audiences and the intimate nuances of local culture.

    Narrative Depth: A consistent dedication to roles that challenge the boundaries of traditional romantic leads, favoring complexity over cliché.

    Ultimately, Kim Ji-won is more than an actress; she is a storyteller whose medium is the human heart. Her journey from a young trainee in Seoul to an international icon reflects the broader cultural ascent of the Korean wave, driven by a commitment to excellence and an enduring passion for the transformative power of art.

    Museum

    Korean Art Museum Association

    On show in Seoul, South Korea

    A Living Tapestry of Korean Heritage

    In the vibrant heart of Seoul, the

    Korean Art Museum Association (KAMA)

    serves much more than a mere repository for artifacts; it is a profound testament to the enduring spirit of South Korea’s artistic legacy. Acting as a dynamic bridge between the ancient and the contemporary, KAMA orchestrates a vast network of over one hundred diverse museums, ranging from grand public institutions to the most intimate private collections. To step into the world of KAMA is to embark on a journey through time, where the whispers of the past meet the bold, experimental voices of the present. The association does not simply collect art; it nurtures a living discourse, ensuring that the cultural heartbeat of the nation resonates with both domestic enthusiasts and global connoisseurs alike.

    The collection curated under the KAMA umbrella is a breathtaking mosaic of Korean identity, showcasing a mastery of form that has evolved over millennia. Visitors may find themselves mesmerized by the spiritual gravity of monumental Buddhist sculptures, which evoke a sense of deep, meditative contemplation. In contrast, the delicate elegance of Joseon porcelain offers a study in refined simplicity and unparalleled craftsmanship, embodying the aesthetic values of purity and natural grace. This vast spectrum—from the primal petroglyphs of the Stone Age to the sophisticated calligraphy and vibrant contemporary paintings—allows art lovers and collectors to witness the continuous thread of Korean creativity as it adapts, survives, and flourishes through various dynasties and modern transformations.

    Innovation and Global Connection

    What truly distinguishes KAMA is its visionary approach to accessibility and architectural harmony. Recognizing that the environment in which art is viewed is essential to its impact, many museums within the association’s network are architectural marvels themselves. These structures often integrate traditional Korean design principles, utilizing courtyards and natural materials to create a seamless dialogue between the built environment and the surrounding landscape. This philosophy of

    architectural harmony

    fosters a serene atmosphere that invites visitors to slow down and truly inhabit the space.

    Beyond the physical walls, KAMA has pioneered the use of innovative online exhibitions, breaking down geographical barriers to bring Korea’s precious treasures to global audiences through digital landscapes that are as visually stunning as the physical masterpieces they represent. For the art professional and the interior designer alike, KAMA represents a vital source of inspiration and scholarly depth. The association is deeply committed to the future of the industry, actively supporting the career development of curators and artists through dedicated projects and resource programs. By fostering collaboration between emerging talents and established institutions, KAMA ensures that the Korean art scene remains a fertile ground for innovation.

    Where to read more

    Find this online

    QR code linking to the download page for Take Off

    topimpressionists.com/en/art/download/kim-ji-won-take-off-D928YZ-en/

    Cite this artwork

    MLA
    Ji-Won, Kim. Take Off. 2007, Korean Art Museum Association. https://topimpressionists.com/en/art/kim-ji-won-take-off-D928YZ-en/
    APA
    Ji-Won, Kim (2007). Take Off [Painting]. Korean Art Museum Association. https://topimpressionists.com/en/art/kim-ji-won-take-off-D928YZ-en/
    Chicago
    Kim Ji-Won. Take Off. 2007. Korean Art Museum Association. https://topimpressionists.com/en/art/kim-ji-won-take-off-D928YZ-en/
    Harvard
    Ji-Won, Kim (2007) Take Off. Korean Art Museum Association. Available at: https://topimpressionists.com/en/art/kim-ji-won-take-off-D928YZ-en/

    Look closely

    Take Off — Kim Ji-Won

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Mendrami (2006), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Kim Ji-Won was about 15 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What are the reproduction rights of "Take Off" at the Korean Art Museum Association?

    "Take Off" by Kim Ji-Won, held at the Korean Art Museum Association, is still protected by copyright. This status determines whether reproductions of the image may be made.

    What are the format and size of "Take Off"?

    "Take Off" by Kim Ji-Won is a portrait composition measuring 228 x 182 cm in the original.

    What size is "Take Off" by Kim Ji-Won in real life?

    The original "Take Off" by Kim Ji-Won measures 228 x 182 cm.