Paper

Student Artwork Guide

The Patchwork Quilt

Name Class Date

Lance Calkin, The Patchwork Quilt (1887), Nottingham Castle Museum And Art Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Lance Calkin topimpressionists.com/en/artists/lance-calkin/
Artist’s dates
1859 – 1936
Painted
1887
Original size
86 x 61 cm
Held at
Nottingham Castle Museum And Art Gallery topimpressionists.com/en/museums/nottingham-castle-museum-and-art-gallery-nottingham/

In context

The Patchwork Quilt — Lance Calkin

How big is it?

The original measures 86 × 61 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 77 at death.

Painted when the artist was 28. The artist lived to 77. 3 of the 25 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Lance Calkin (1859–1936) ▲ this work, 1887 every dated painting, decade by decade

First works: up to 1888 Main working years: 1888–1909 Late works: from 1909

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/lance-calkin-the-patchwork-quilt-AQTTXA-en/

Colours

Measured from the image

    Main colour

    Putty #cabea9

    Catalogued palette

    • #CABEA9
    • #3F3424
    • #756149
    • #9D8E77

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Lance Calkin over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 70.0%
    2. 2 United Kingdom 30.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 9 most looked-at works by Lance Calkin

    1. 1 David Powell (1840–1897), Governor of the Bank of England (1892–1895), 1892 30.0%
    2. 2 Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886), 1888 10.0%
    3. 3 Second Lieutenant Percy Orde Powlett, 4th Battalion, 1915 10.0%
    4. 4 Alderman John Barber, JP, Sheriff of Nottingham (1846), Mayor of Nottingham (1867–1869), 1888 10.0%
    5. 5 John Feeney, 1906 10.0%
    6. 6 John Hughlings Jackson (1835–1911), 1894 10.0%
    7. 7 Emma Franks Oates 10.0%
    8. 8 Emma Francis Oates 10.0%
    9. — The Patchwork Quilt, 1887 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 38 works by this artist, of which 8 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Lance Calkin

    The Quiet Dignity of a Victorian Master

    In the golden, twilight era of the nineteenth century, few artists captured the somber elegance and social gravity of British life as intimately as Lance Calkin. Born in London in 1859, Calkin was a product of both musical heritage and rigorous academic discipline. As the son of a musician, he likely developed an early sensitivity to rhythm and harmony—qualities that would later manifest in the balanced compositions and tonal precision of his oil paintings. His formal journey through the prestigious Slade School of Fine Art and the Royal Academy Schools provided him with a formidable foundation in classical principles, instilling a lifelong devotion to anatomical accuracy and the subtle interplay of light and shadow.

    By 1895, Calkin had firmly established his professional presence by joining the Royal Institute of Painters in Oil Colours. This period marked his emergence as a significant voice within the British art community, a time when portraiture served not merely as a record of likeness but as a profound statement of character and social standing. His work was never characterized by the loud or the flamboyant; instead, he mastered the art of the understated. Through a meticulous application of paint, Calk in sought to reveal the inner essence of his subjects, using minute shifts in expression and posture to convey a sense of moral seriousness and quiet dignity that resonated with the Victorian ideals of his era.

    A Legacy Captured in Oil and Ink

    The breadth of Calkin’s oeuvre is a testament to his versatility as a chronicler of his time. While he is most celebrated for his portraits, his repertoire extends into historical scenes and poignant social commentaries that capture the tension of a changing world. His ability to navigate between the formal rigidity of high-society portraiture and the raw emotion of historical events allowed him to document the Victorian zeitgeist with unparalleled depth.

    Among his most notable contributions to the art historical record are works that highlight his technical mastery and thematic range:

    The Portrait of Arthur Wellesley Peel, First Viscount Peel: A definitive example of Calkin’s ability to utilize tonal gradation to bestow a sense of nobility and permanence upon his subjects.

    Reverend E. F. Witts (1884–1886): In this depiction of the Rector of Upper Slaughter, Calkin demonstrates a profound capacity for spiritual solemnity, using light to evoke a sense of divine grace.

    John Feeney: A 1906 masterpiece that showcases his skill in capturing the weight of industrial-era prominence through realistic textures and a commanding presence.

    The Patchwork Quilt (1887): An exploration of domesticity and texture that reveals his ability to find beauty in the intricate details of everyday life.

    Boer War: Wounded Soldiers Awaiting Medical Help: A departure from formal portraiture, this watercolor demonstrates his capacity for empathy and his ability to document the harrowing realities of conflict with a delicate yet powerful hand.

    Historical Significance and Enduring Influence

    Lance Calkin’s significance lies in his role as a visual historian. He did not merely paint faces; he painted the soul of an empire at its peak and during its transition into modernity. His work serves as a bridge between the rigid traditions of the Royal Academy and the burgeoning realism that would come to define much of late nineteenth-century art. By eschewing dramatic artifice in favor of truthful representation, he provided a window into the psychological landscape of the Victorian gentleman, the clergyman, and the common soldier alike.

    Though his career spanned the turn of the century, the enduring power of his paintings lies in their timelessness. The meticulous detail with which he rendered fabric, skin, and light ensures that his subjects remain vibrant and present to the modern viewer. Today, as we look back upon the works of Calkin, we find more than just historical artifacts; we find a profound meditation on human dignity, captured through the steady, masterful hand of an artist who understood that the greatest truths are often found in the quietest moments.

    Museum

    Nottingham Castle Museum And Art Gallery

    On show in Nottingham, United Kingdom

    Nottingham Castle Museum And Art Gallery

    Nestled dramatically atop Castle Rock, overlooking the city of Nottingham, stands a monument that is as much a repository of history and legend as it is a vibrant art gallery. Nottingham Castle isn’t simply a building; it's a palimpsest, layered with centuries of stories – from its Norman origins as a formidable fortress to its evolution into a magnificent Ducal Palace, and finally, its transformation into a publicly accessible museum celebrating both artistic achievement and local heritage.

    Originally constructed in 1068 by William the Conqueror as a wooden motte-and-bailey castle, it was later rebuilt in stone during the reign of Henry II, becoming a strategically vital stronghold. The 17th century saw the rise of the Ducal Palace under William Cavendish, 1st Duke of Newcastle, a lavish residence that reflected his power and status.

    However, this opulent palace suffered a devastating fire in 1831 during civic unrest, only to be painstakingly reconstructed in the 1870s – a pivotal moment that gifted Nottingham with one of Britain’s first publicly-owned art museums outside of London. This commitment to accessibility remains at the heart of the Castle's identity.

    A Tapestry of Artistic Treasures

    Within its walls, Nottingham Castle Museum & Art Gallery houses a diverse and compelling collection that spans from medieval masterpieces to contemporary works. The gallery is thoughtfully organized around thematic sections designed to spark contemplation and connection.

    “Faces” invites intimate encounters with portraiture, while “Scenic Landscapes” transports viewers to idyllic vistas. “Myth, Power and Beauty” delves into the realm of classical narratives and allegorical representations, offering a glimpse into the artistic preoccupations of past eras.

    But it is perhaps in its specialized collections that Nottingham Castle truly shines. The museum boasts an exceptional array of Netherlandish art, providing a fascinating window into 16th and 17th-century life.

    Exploring the Collection Highlights

    Visitors can immerse themselves in lively tavern scenes by Pieter Jacob Horemans and Egbert van Heemskerck the Elder, or observe the convivial gatherings depicted in ‘merry company’ paintings by Anthonie Palamedesz and attributed works by Pieter Codde. The stillness of Barend Van der Meer's still life paintings offers a moment of quiet contemplation.

    Religious scenes like Jan Breughel’s “Rest on the Flight into Egypt” (with attribution to Master of the Antwerp Adoration) evoke spiritual devotion. Landscape enthusiasts will appreciate works by Jan Siberechts and Jan Wijnants, capturing the beauty of the English countryside with remarkable detail.

    And for those drawn to classical themes, Adriaen van der Werff’s “Venus and Cupid” offers a vision of mythological grace.

    Beyond Canvas and Stone: A Legacy of Lace & Legend

    Nottingham Castle's unique character extends beyond its artistic holdings. The museum holds a special place in the history of Nottingham’s famed lace-making industry, an integral part of the city’s identity.

    The initial inspiration for much of the art collection stemmed from designs within this intricate craft, highlighting the close relationship between artistry and industrial innovation. This connection is celebrated in the dedicated Nottingham Lace Gallery, showcasing the evolution of this delicate and complex textile tradition.

    Of course, no discussion of Nottingham Castle would be complete without acknowledging its enduring association with Robin Hood. The legendary outlaw’s exploits are woven into the fabric of the city's folklore, and the castle serves as a powerful backdrop to many tales of his daring adventures.

    Notable Exhibitions & Architectural Significance

    Recent exhibitions have explored themes of identity and resilience, reflecting Nottingham’s rich cultural heritage. The Castle’s soaring stone walls and grand courtyards stand as testament to its architectural grandeur—a masterpiece of Stuart Restoration design that continues to inspire awe.

    A Destination for Art Enthusiasts & Historians Alike

    Nottingham Castle Museum & Art Gallery is more than just a destination; it’s an experience – a journey through time, art, and legend. It's a place where history comes alive, creativity flourishes, and the spirit of Nottingham endures.

    Additional Research

    Nottingham Castle Museum And Art Gallery: https://www.nottinghamcastle.org.uk/

    Nottingham: https://en.wikipedia.org/wiki/Nottingham

    Nottingham Castle: https://en.wikipedia.org/wiki/Nottingham_Castle

    Nottingham Castle | Art UK: https://artuk.org/visit/venues/nottingham-castle-7902

    Nottingham Goose Fair: https://en.wikipedia.org/wiki/Nottingham_Goose_Fair

    Where to read more

    Find this online

    QR code linking to the download page for The Patchwork Quilt

    topimpressionists.com/en/art/download/lance-calkin-the-patchwork-quilt-AQTTXA-en/

    Cite this artwork

    MLA
    Calkin, Lance. The Patchwork Quilt. 1887, Nottingham Castle Museum And Art Gallery. https://topimpressionists.com/en/art/lance-calkin-the-patchwork-quilt-AQTTXA-en/
    APA
    Calkin, Lance (1887). The Patchwork Quilt [Painting]. Nottingham Castle Museum And Art Gallery. https://topimpressionists.com/en/art/lance-calkin-the-patchwork-quilt-AQTTXA-en/
    Chicago
    Lance Calkin. The Patchwork Quilt. 1887. Nottingham Castle Museum And Art Gallery. https://topimpressionists.com/en/art/lance-calkin-the-patchwork-quilt-AQTTXA-en/
    Harvard
    Calkin, Lance (1887) The Patchwork Quilt. Nottingham Castle Museum And Art Gallery. Available at: https://topimpressionists.com/en/art/lance-calkin-the-patchwork-quilt-AQTTXA-en/

    Look closely

    The Patchwork Quilt — Lance Calkin

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Sir John Tenniel (1820–1914) (1902), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Lance Calkin was about 28 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How harmonious are the colors of "The Patchwork Quilt" by Lance Calkin?

    The colors of "The Patchwork Quilt" by Lance Calkin show a strong color unity harmony. Harmony describes how the colors relate to each other.

    Where can I find artworks similar to "The Patchwork Quilt" by Lance Calkin?

    The Similars page of "The Patchwork Quilt" by Lance Calkin presents related artworks.

    Where do the visitors of "The Patchwork Quilt" by Lance Calkin come from?

    The Stats page of "The Patchwork Quilt" by Lance Calkin presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.