Paper

Student Artwork Guide

Maternidade

Name Class Date

Lasar Segall, Maternidade, Museu Lasar Segall. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Lasar Segall topimpressionists.com/en/artists/lasar-segall/
Artist’s dates
1891 – 1957
Medium
Oil On Canvas
Original size
5 x 44 cm
Period
Renaissance
Held at
Museu Lasar Segall topimpressionists.com/en/museums/museu-lasar-segall-sao-paulo/
Artistic style
Cubist influences
Influences
African art, Expressionism
Notable elements
Symbolic motherhood
Subject or theme
Maternity & Protection

In context

Maternidade — Lasar Segall

How big is it?

The original measures 5 × 44 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 66 at death.

Shaded: the lifetime of Lasar Segall (1891–1957) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/lasar-segall-maternidade-D4NKX8-en/

Colours

Measured from the image

    Main colour

    White #ebecea

    Catalogued palette

    • #EBECEA
    • #3C3A34
    • #D9DAD5
    • #6A6863

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Lasar Segall over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Lasar Segall

    1. 1 Head of mulata, 1927 50.0%
    2. 2 Maternidade this painting 50.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 5 works by this artist, of which 2 were looked at at least once. This painting ranks 2 of them, with 50.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Maternidade — Lasar Segall

    Lasar Segall’s “Maternidade”: A Symphony of Vulnerability

    “Maternidade” (Motherhood), painted in 1935 by the Lithuanian-Brazilian artist Lasar Segall, is more than a simple depiction of a woman and child; it's a profoundly moving exploration of human connection, displacement, and the enduring strength of familial bonds. Executed in oil on canvas, this work exemplifies Segall’s distinctive style – a potent blend of Expressionism, Cubism, and deeply personal symbolism rooted in his own experiences as a refugee and artist navigating profound social upheaval.

    The composition itself is strikingly direct. A woman, rendered with a deliberate solidity yet imbued with an undeniable fragility, cradles her infant son within her arms. The child’s face remains largely obscured, adding to the sense of mystery and emphasizing the protective embrace of the mother. Segall's masterful use of color – earthy browns, muted greens, and touches of ochre – contributes significantly to the painting’s somber yet comforting atmosphere. These colors evoke a sense of groundedness, reflecting the primal connection between mother and child, while simultaneously hinting at the hardships endured by those displaced from their homes.

    A Reflection of Displacement and Resilience

    Segall's life story is inextricably linked to the artwork. Fleeing persecution in Lithuania during the early 20th century, he eventually settled in Brazil, carrying with him a deep sense of loss and a commitment to portraying the human condition with unflinching honesty. “Maternidade” can be interpreted as a powerful meditation on this experience – a testament to the resilience of the human spirit and the enduring need for connection amidst chaos. The painting’s raw emotion speaks directly to the universal themes of motherhood, protection, and the profound bond between generations.

    The influence of Cubism is evident in Segall's fragmented forms and multiple perspectives, subtly suggesting the fractured nature of identity and experience often associated with displacement. However, unlike some Cubist works focused on intellectual abstraction, Segall’s use of this technique serves to heighten the emotional impact of the scene, intensifying the viewer’s sense of empathy for the figures within.

    Symbolism and Emotional Resonance

    Beyond its formal elements, “Maternidade” is rich in symbolic meaning. The woman's posture – protective, enveloping, almost sculptural – suggests a fortress against the world, while her gaze conveys both tenderness and a quiet determination. The child’s presence represents not just future generations but also the continuation of life itself, a symbol of hope amidst adversity. The painting’s title itself underscores its central theme: the fundamental role of motherhood as a source of strength, security, and enduring love.

    Segall's ability to capture such profound emotional depth through seemingly simple imagery is a testament to his artistic genius. “Maternidade” remains a powerful and timeless work – a poignant reminder of our shared humanity and the importance of cherishing those closest to us.

    Artist and museum

    Artist

    Lasar Segall

    Born in Vilnius, Lithuania

    A Life Forged in Displacement: The Journey of Lasar Segall

    Lasar Segall’s life was a testament to the power of art born from displacement and suffering, a narrative etched onto canvas with raw emotion and innovative technique. Born on July 21, 1891, in Vilnius, Lithuania—then part of the Russian Empire—Segall inherited a profound connection to his Jewish heritage through his father, a Torah scribe. This early immersion in tradition would become a recurring undercurrent throughout his artistic explorations, even as he navigated a world increasingly defined by upheaval and change. His formative years were steeped in the anxieties of a society grappling with political unrest and religious persecution, themes that would later dominate his work. The seeds of an artist acutely sensitive to human vulnerability were sown early, nurtured by a childhood shadowed by uncertainty.

    From Berlin to Brazil: A Blossoming Artistic Voice

    At fifteen, Segall embarked on a journey that would irrevocably shape his artistic trajectory, moving to Berlin in 1906 to study at the Königliche Akademie der Künste. This immersion into the vibrant German art scene proved pivotal, exposing him to new ideas and techniques while simultaneously solidifying his commitment to self-expression. He continued his studies in Dresden, becoming a “Meisterschüler” at the Kunstakademie, where he began developing a distinctive style characterized by troubled figures inhabiting claustrophobic spaces, their features often exaggerated to convey profound emotional distress. These early works were not merely representations of form; they were visceral expressions of alienation and suffering, influenced by African tribal art and foreshadowing the Expressionist movement that would soon claim him as one of its own. Segall’s involvement with the Dresden Secession Gruppe in 1919, alongside artists like Otto Dix and Conrad Felixmüller, marked a significant step toward artistic independence and a rejection of conventional norms. However, the turbulence of post-war Europe fueled his desire for a new beginning. In 1923, he made the momentous decision to relocate to São Paulo, Brazil, joining siblings who had already established themselves in the country. This move proved transformative, not only offering him refuge but also exposing him to a culture brimming with vibrant colors, diverse influences, and a unique energy that would infuse his art with new life.

    Brazilian Rhythms and Modernist Visions

    Brazil became more than just a haven for Segall; it was a catalyst for artistic reinvention. He quickly embraced the country’s multifaceted identity, drawing inspiration from its bustling cities, lush landscapes, and diverse population. The red-light districts of Rio de Janeiro, the lives of plantation workers, and the vibrant energy of the favelas all found their way onto his canvases. His participation in the pivotal Semana de Arte Moderna (Modern Art Week) in 1922 solidified his position as a leading figure in the Brazilian modernist movement, challenging traditional artistic conventions and paving the way for a new era of creative expression. While retaining elements of Expressionism, Segall’s style evolved towards a more Cubist-influenced approach, reflecting the dynamic forms and bold colors of Brazilian life. He became a Brazilian citizen, fully immersing himself in the cultural landscape while continuing to explore universal themes of human suffering, displacement, and identity.

    A Legacy of Empathy and Social Commentary

    The mature phase of Segall’s career was marked by a deepening exploration of portraiture, landscapes imbued with social commentary, and a continued commitment to portraying the marginalized and oppressed. His portraits, such as “Portrait of Lucy” (1937) and “Lucy with Flower” (1942), are particularly poignant, capturing not just physical likeness but also the inner lives and emotional complexities of his subjects. These works demonstrate an extraordinary ability to convey empathy and understanding through expressive brushwork and a keen sensitivity to human emotion. His landscapes often served as vehicles for social critique, reflecting on the realities of poverty, inequality, and injustice in Brazil. Throughout his life, Segall remained deeply connected to his Jewish heritage and experiences as an immigrant, themes that consistently resurfaced in his art. He died on August 2, 1957, leaving behind a rich artistic legacy that continues to resonate with audiences today. The Museu Lasar Segall in São Paulo, housed in his former residence and studio, stands as a testament to his enduring influence and provides invaluable insight into the life and work of this remarkable artist—a pivotal figure who bridged European traditions with Brazilian realities, leaving an indelible mark on the landscape of modern art. His work remains a powerful reminder of the importance of empathy, social consciousness, and artistic integrity.

    Museum

    Museu Lasar Segall

    On show in Sao Paulo, Brazil

    A Sanctuary of Emotion: Exploring the World of Lasar Segall

    Nestled in the vibrant Vila Mariana neighborhood of São Paulo, Brazil, the Museu Lasar Segall isn’t merely a museum; it's an immersive experience. Stepping through its unassuming doorway is akin to entering the artist’s very soul – a preserved environment that breathes with the echoes of his creative process and profound emotional landscape. Founded by Segall’s widow, Jenny Klabin Segall, in 1967, this intimate space offers an unparalleled opportunity to connect with one of Brazil's most significant figures in Modern Art, a man who bridged European artistic traditions with uniquely Brazilian sensibilities.

    The museum’s core lies in its remarkable collection of Expressionist paintings. Segall, deeply influenced by the tumultuous events of his life – including exile from Lithuania and experiences during World War I – channeled his observations of human suffering, war, persecution, and the quiet dignity of everyday life onto canvas. These aren't simply depictions; they are raw, visceral explorations of the human condition, rendered with a masterful command of color and form. Beyond the paintings, visitors can delve into Segall’s sculptural works and intricate drawings, revealing the breadth of his artistic talent and the evolution of his style. The preserved studio itself – complete with his tools, sketches, and personal belongings – is a particularly poignant space, offering a rare glimpse behind the scenes of an artist at work.

    A House Built for Creation: Architecture and Atmosphere

    What truly sets the Museu Lasar Segall apart is its unique setting. It’s housed within Segall's former home and studio, a modest yet thoughtfully designed structure that prioritized space and light – essential elements for an artist’s creative process. The architecture deliberately avoids grandeur, instead fostering a sense of intimacy and quiet contemplation. The building, designed by the Russian-born architect Gregori Warchavchik in 1932, reflects Segall's pragmatic approach to artmaking; it’s a space built for creation, not for display. This deliberate choice transforms a visit into something profoundly personal, allowing visitors to feel as though they are stepping back in time and witnessing the artist’s world firsthand.

    Thematic Resonance: Social Justice and Brazilian Modernism

    Segall's art is inextricably linked to themes of social justice. His work frequently grappled with the realities of war, persecution, poverty, and displacement – subjects that resonated deeply with his own experiences and shaped his artistic vision. His depictions of marginalized communities, particularly Jewish immigrants in Brazil, are both poignant and powerful, offering a critical perspective on Brazilian society during the early 20th century. The museum serves as an important center for understanding Brazilian Modernism, showcasing how Segall’s work contributed to the movement's exploration of identity, social issues, and artistic innovation. His influence can be seen in the works of subsequent generations of Brazilian artists.

    A Legacy Preserved: Special Exhibitions and Ongoing Engagement

    The Museu Lasar Segall continues to evolve through carefully curated exhibitions that delve deeper into specific aspects of Segall’s life and work. Regularly, the museum hosts events such as artist talks, workshops, film screenings, and literary readings – fostering a vibrant community around Segall's legacy. The museum also maintains a substantial library dedicated to performing arts and photography, further enriching its role as a cultural hub. For those seeking a truly immersive experience, consider exploring related works by artists like Henri Matisse (as seen in “Torse de plâtre et bouquet Huile sur Toile Sao Paulo, Museu de Arte”) or delving into the photographic legacy of Fernando Siqueira Lima (“Fotografia Museu Judaico de São Paulo”), offering complementary perspectives on Brazilian culture and artistic expression. The museum’s website (

    https://museu.ms/museum/details/6483

    ) provides detailed information about current exhibitions and events, making it a vital resource for art enthusiasts.

    Where to read more

    Find this online

    QR code linking to the download page for Maternidade

    topimpressionists.com/en/art/download/lasar-segall-maternidade-D4NKX8-en/

    Cite this artwork

    MLA
    Segall, Lasar. Maternidade. n.d., Museu Lasar Segall. https://topimpressionists.com/en/art/lasar-segall-maternidade-D4NKX8-en/
    APA
    Segall, Lasar (n.d.). Maternidade [Painting]. Museu Lasar Segall. https://topimpressionists.com/en/art/lasar-segall-maternidade-D4NKX8-en/
    Chicago
    Lasar Segall. Maternidade. n.d. Museu Lasar Segall. https://topimpressionists.com/en/art/lasar-segall-maternidade-D4NKX8-en/
    Harvard
    Segall, Lasar (n.d.) Maternidade. Museu Lasar Segall. Available at: https://topimpressionists.com/en/art/lasar-segall-maternidade-D4NKX8-en/

    Look closely

    Maternidade — Lasar Segall

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: motherhood, lithuanian art, segall figure. Do you agree? What would you add, or take away?
    4. Look back at Head of mulata (1927), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of Lasar Segall: expressionism, displacement, jewish heritage. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Maternidade — Lasar Segall

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. The sculpture ‘Maternidade’ by Lasar Segall primarily depicts:

      • A A depiction of a religious ceremony.
      • B A poignant representation of motherhood and familial connection.
      • C An abstract study of geometric forms.
    2. 2. Lasar Segall’s work ‘Maternidade’ was created in which year?

      • A 1923
      • B 1935
      • C 1957
    3. 3. The materials used in creating ‘Maternidade’ are most likely:

      • A Oil on canvas
      • B Bronze
      • C Wood and clay
    4. 4. According to the provided information, what did Geraldo Ferraz describe about the sculpture?

      • A A purely abstract composition.
      • B A synthesis of ideas relating to motherhood and its symbolic representation.
      • C A technical study of human anatomy.
    5. 5. Lasar Segall’s life was significantly shaped by:

      • A His success as a wealthy businessman.
      • B His experiences with displacement and suffering, reflecting his Jewish heritage.
      • C His dedication to purely abstract artistic principles.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3B · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What use is suggested for "Maternidade" by Lasar Segall?

    A reproduction of "Maternidade" by Lasar Segall is recommended for statement. This suggestion follows from the work's subject, mood and colors.

    What level of contrast does "Maternidade" by Lasar Segall show?

    The light-dark contrast of "Maternidade" is recorded as statement. Contrast describes how strongly light and dark areas differ.

    What placement suits the format of "Maternidade" by Lasar Segall?

    The portrait format of "Maternidade" by Lasar Segall is recommended for a living room. Format and space together guide the placement of a reproduction.