Paper

Student Artwork Guide

Mowing

Name Class Date

Laureano Barrau, Mowing. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Laureano Barrau topimpressionists.com/en/artists/laureano-barrau/
Artist’s dates
1863 – 1957
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Mowing — Laureano Barrau

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940
  10. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 94 at death.

Shaded: the lifetime of Laureano Barrau (1863–1957) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/laureano-barrau-mowing-9CWDBP-en/

Colours

Measured from the image

    Main colour

    Putty #f1e3c9

    Catalogued palette

    • #F1E3C9
    • #5C2C1D
    • #E4BB70
    • #CD8B3C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Laureano Barrau over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 57.1%
    2. 2 Spain 28.6%
    3. 3 Bulgaria 14.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Laureano Barrau

    1. 1 The Red Parasol 28.6%
    2. 2 Mowing this painting 28.6%
    3. 3 La Rendició De Girona 28.6%
    4. 4 Maternidad 14.3%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 12 works by this artist, of which 4 were looked at at least once. This painting ranks 2 of them, with 28.6% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Laureano Barrau

    Born in Barcelona, Spain

    The Radiant Soul of Spanish Impressionism

    Laureano Barrau Buñol stands as a luminous figure in the history of Spanish Impressionism, an artist whose brush possessed the rare ability to capture not just the light of the Mediterranean, but the very soul of the landscapes he inhabited. Born in Barcelona in 1863, Barrau’s artistic journey was one of profound movement and cultural immersion. His early years were rooted in the classical traditions of his homeland, beginning with studies under Antonio Caba in Barcelona before moving to Madrid. It was in the Spanish capital that he first encountered the weight and majesty of the old masters, absorbing the stylistic nuances of legends like Velázquez and Zurbarán. This rigorous foundation in anatomical precision and tonal depth would later serve as the structural skeleton upon which he draped his more fluid, impressionistic visions.

    The trajectory of Barrau’s life changed irrevocably when, at the age of twenty, he ventured to Paris. This relocation proved to be the most decisive chapter of his development. Enrolling at the prestigious Académie des Beaux-Arts, he came under the tutelage of Jean-Léon Gérôme, a master of academic precision. While this training instilled in him a disciplined hand, the vibrant, revolutionary atmosphere of Paris simultaneously beckoned him toward a new way of seeing. The city’s intellectual ferment allowed him to bridge the gap between classical rigor and the burgeoning Impressionist movement. His talent was soon recognized on a grand scale; winning the Prix de Rome in Barcelona granted him the invaluable opportunity to spend three years studying the great Italian Renaissance masters, an experience that infused his work with a timeless, classical grace even as he embraced modern light.

    A Mastery of Light and Atmosphere

    As Barrau matured, his work transitioned from the structured academicism of his youth toward a breathtaking celebration of atmosphere and color. By the age of twenty-eight, he had achieved significant professional prestige, becoming a member of the Société Nationale des Beaux-Arts in Paris. His presence at the annual Paris Salon was marked by critical acclaim; notably, the critic Paul Adam once remarked that Barrau’s canvases captured the truth of strong sunlight so effectively that they seemed to illuminate the entire gallery. This ability to embody radiance became his signature. Whether depicting the gentle movement of a stream or the sun-drenched fields of rural Spain, his technique utilized loose, expressive brushstrokes and a warm palette to evoke the sensory experience of heat, wind, and light.

    His repertoire was remarkably diverse, ranging from intimate portraits to sweeping landscapes. As a portraitist, he was highly sought after by European nobility and intellectuals, capturing the likenesses of figures such as the Comte and Comtesse de Lastours with a sophisticated touch. Yet, it was in his landscapes that his heart truly resided. His works often captured:

    The nostalgic, golden hues of Spanish harvests, as seen in masterpieces like Mowing.

    The shimmering, sensual charm of coastal scenes, exemplified by the evocative After The Swim.

    The vibrant, rhythmic life of the Mediterranean, where light and shadow dance across the canvas.

    The Ibiza Years and Eternal Legacy

    Perhaps the most transformative period of Barrau’s life began at age forty-seven, when he and his wife, Berta Vallier, moved to the picturesque island of Ibiza. Settling in the town of Santa Eulària del Río, Barrau found himself in a landscape that felt like a revelation. The unique light, the distinct customs, and the rugged beauty of the Balearic Islands became the primary muses for what many consider his finest work. In Ibiza, the Impressionist spirit reached its zenith; his paintings became more deeply intertwined with the local essence, capturing the island's tranquil beauty with an almost spiritual sensitivity.

    Throughout his long life, which spanned until 1957, Barrau’s influence radiated far beyond the borders of Spain. His paintings earned medals in major European cities and found homes in prestigious museums across the globe, from Paris and Brussels to Buenos Aires, Montevideo, and Rio de Janeiro. He remains a pivotal figure for those studying the evolution of Spanish art, representing a perfect synthesis of classical training and Impressionist innovation. Today, his legacy lives on through canvases that continue to breathe with the warmth of the sun and the enduring peace of the Mediterranean coast, reminding us of a time when paint could truly capture the radiance of existence.

    Where to read more

    Find this online

    QR code linking to the download page for Mowing

    topimpressionists.com/en/art/download/laureano-barrau-mowing-9CWDBP-en/

    Cite this artwork

    MLA
    Barrau, Laureano. Mowing. n.d., https://topimpressionists.com/en/art/laureano-barrau-mowing-9CWDBP-en/
    APA
    Barrau, Laureano (n.d.). Mowing [Painting]. https://topimpressionists.com/en/art/laureano-barrau-mowing-9CWDBP-en/
    Chicago
    Laureano Barrau. Mowing. n.d. https://topimpressionists.com/en/art/laureano-barrau-mowing-9CWDBP-en/
    Harvard
    Barrau, Laureano (n.d.) Mowing. Available at: https://topimpressionists.com/en/art/laureano-barrau-mowing-9CWDBP-en/

    Look closely

    Mowing — Laureano Barrau

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 4 — do you agree?)
    4. Our catalogue files this work under: rural spain, harvest time, agricultural labor. Do you agree? What would you add, or take away?
    5. Look back at La Rendició De Girona -, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I find statistics about "Mowing" by Laureano Barrau?

    A Stats page exists for "Mowing". It charts the monthly visits of the artwork and of the artist's other works, with country and language breakdowns.

    Is "Mowing" by Laureano Barrau a light or a dark artwork?

    "Mowing" by Laureano Barrau is recorded as brilliant, with a bright balance luminance.

    How do I preview a reproduction of "Mowing" by Laureano Barrau?

    A preview of "Mowing" by Laureano Barrau is available on the artwork's Preview page.