Paper

Student Artwork Guide

Rising Green

Name Class Date

Lee Krasner, Rising Green (1972), Metropolitan Museum of Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Lee Krasner topimpressionists.com/en/artists/lee-krasner/
Artist’s dates
1908 – 1984
Painted
1972
Original size
209 x 176 cm
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Held at
Metropolitan Museum of Art topimpressionists.com/en/museums/metropolitan-museum-of-art-new-york/
Artistic style
Geometric abstraction
Influences
Matisse
Notable elements
Vertical lines, stark white
Subject or theme
Nature-based imagery

In context

Rising Green — Lee Krasner

How big is it?

The original measures 209 × 176 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 76 at death.

Painted when the artist was 64. The artist lived to 76. 9 of the 11 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Lee Krasner (1908–1984) ▲ this work, 1972 every dated painting, decade by decade

First works: up to 1934 Main working years: 1934–1971 Late works: from 1971

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/lee-krasner-rising-green-D2ZUKD-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #183f3c

    Catalogued palette

    • #183F3C
    • #A5B3A7
    • #79636B
    • #F5F0E0

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Lee Krasner over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 Australia 53.8%700 visits
    2. 2 United States of America 15.4%200 visits
    3. 3 China 7.7%100 visits
    4. 4 Spain 7.7%100 visits
    5. 5 France 7.7%100 visits
    6. 6 Russia 7.7%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 9 most looked-at works by Lee Krasner

    1. 1 Desert Moon, 1955 © Pollock-Krasner Foundation 47.4%900 visits
    2. 2 Painting Portrait in Green in her studio, Springs, 1969 21.1%400 visits
    3. 3 Palingenesis, 1971 5.3%100 visits
    4. 4 Self-Portrait, c. 1928 © Pollock-Krasner Foundation 5.3%100 visits
    5. 5 Installation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London featuring Palingenesis, 1971 5.3%100 visits
    6. 6 Siren, 1966 © Pollock-Krasner Foundation 5.3%100 visits
    7. 7 Lee Krasner c.1938 © Pollock-Krasner Foundation 5.3%100 visits
    8. 8 Untitled, 1949 5.3%100 visits
    9. — Rising Green, 1972 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 29 works by this artist, of which 8 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Rising Green — Lee Krasner

    A Verdant Echo: Lee Krasner’s ‘Rising Green’

    Lee Krasner's “Rising Green,” painted in 1972, isn’t merely a depiction of nature; it’s an embodiment of its vital force. This monumental work, measuring a commanding 209 x 176 cm, stands as a testament to Krasner’s evolving Abstract Expressionist style and her persistent fascination with the natural world. Created in a spacious barn previously occupied by her late husband, Jackson Pollock – a space imbued with the legacy of his groundbreaking techniques – “Rising Green” feels both deeply personal and powerfully resonant. The painting immediately draws the eye with its stark contrast: a vast expanse of pristine white serves as the backdrop for a dynamic collection of verdant shapes that seem to surge upwards, suggesting an unstoppable growth or emergence. It’s a visual declaration of life pushing through constraint, a potent metaphor for resilience and renewal.

    Formal Elements & Technique

    The composition is strikingly asymmetrical, avoiding any sense of static equilibrium. Bold, elongated forms dominate the canvas, recalling the elegant arabesques found in Henri Matisse’s late collages – a deliberate nod to Krasner's admiration for the French master. The technique employed is remarkably reductive; flat color application, reminiscent of screen printing or similar methods, minimizes detail and emphasizes the interplay of shape and space. This simplification isn’t an absence of feeling, however, but rather a focused distillation of essence. The smooth texture achieved through this method contributes to the painting's immediate impact, creating a surface that feels both tactile and luminous. The deliberate lack of traditional perspective—depth is built through layering and overlapping—further enhances the sense of movement and dynamism, pulling the viewer into the heart of the composition.

    Roots in Nature & Symbolism

    While abstract at first glance, “Rising Green” is undeniably rooted in nature. The leaflike forms, repeated and varied throughout the canvas, evoke powerful vegetation – reeds, grasses, or perhaps even a stylized representation of burgeoning plant life. This connection to the natural world isn’t simply decorative; it speaks to Krasner's lifelong interest in depicting organic forms and her desire to capture the energy and vitality of the landscape. The stark white ground can be interpreted as representing both emptiness and potential – a blank slate upon which these verdant shapes assert their presence, symbolizing growth emerging from stillness. The painting’s overall mood is one of hopeful expansion, suggesting an unstoppable force of life.

    Context & Legacy

    Created in 1972, “Rising Green” represents a pivotal moment in Krasner's career. Following the death of her husband, Jackson Pollock, she began to explore new avenues for expression, moving beyond the shadow of his fame and establishing herself as a significant figure in her own right. This work demonstrates her continued experimentation with abstract forms while retaining a deep connection to nature – a theme that would recur throughout her oeuvre. It’s a powerful example of Krasner's ability to translate complex emotions and ideas into visually arresting compositions, solidifying her place as a pioneering voice within the Abstract Expressionist movement. A reproduction of “Rising Green” offers a captivating glimpse into the mind of this extraordinary artist, bringing her vibrant vision to any space.

    Artist and museum

    Artist

    Lee Krasner

    Born in Brooklyn, United States of America

    A Force of Nature: The Life and Legacy of Lee Krasner

    Born Lena Krassner on October 27, 1908, in the vibrant streets of Brooklyn, New York, the woman who would become Lee Krasner emerged as a transformative force within the landscape of American modernism. Her journey was never merely one of following established paths, but rather of carving out new, visceral territories through paint and movement. From her early days at Washington Irving High School for Girls, where a focused course in visual arts first ignited her creative spirit, to her rigorous training at Cooper Union’s Women's Art School, Krasner possessed a foundational discipline that would later serve as the bedrock for her most radical experiments. Her education was marked by a relentless pursuit of mastery, eventually leading her to the National Academy of Design between 1928 and 1932, where she studied under the legendary Hans Hofmann. It was through Hofmann’s guidance that Krasner began to internalize the principles of spontaneity and expressive gesture, elements that would become the heartbeat of her mature style.

    The trajectory of Krasner's career is inextricably linked to the seismic shifts of the mid-2ണ്ട century art world, a period defined by the rise of Abstract Expressionism. While history often attempts to frame her through the lens of her marriage to Jackson Pollock, such a narrow view obscures the profound individual brilliance she maintained throughout her life. Her relationship with Pollock placed her at the very epicenter of the New York School, yet Krasner consistently resisted being relegated to a secondary role. Instead, she utilized the era's intense energy to push the boundaries of abstraction, integrating influences from European Modernism—specifically the structural complexities of Cubism and the psychological depths of Surrealism—into a uniquely American vernacular. Her work became a dialogue between control and chaos, where the structured logic of her early training met the unbridled emotion of the post-war era.

    The Language of Gesture and Color

    To stand before a Krasner canvas is to witness a rhythmic dance of medium and motion. Her technique is famously characterized by a gestural approach, where rapid, energetic brushstrokes and layered textures create a sense of living, breathing composition. She did not merely paint subjects; she painted the very act of creation itself. In works such as Combat, one can observe a vibrant, almost floral abstraction that utilizes layered printmaking techniques to achieve a profound depth of color. Her palette was often bold and unapologetic, capable of shifting from the somber, brooding tones of her more introspective periods to the explosive, luminous hues found in her later, more celebratory works like Another Storm.

    The evolution of her style can be seen as a continuous cycle of destruction and rebirth. Krasner was known for her "collage" method, where she would often take elements of her previous, discarded paintings and reincorporate them into new compositions. This process allowed her to physically grapple with her own artistic history, recycling the past to fuel the future. This cyclical nature of her work mirrors the organic rhythms of life, making her art feel deeply connected to the natural world even in its most abstract forms. Her ability to balance dynamic compositions with a sense of underlying structural integrity remains one of her greatest technical achievements.

    A Lasting Impression on Modern Art

    The historical significance of Lee Krasner extends far beyond the canvases she left behind; she was a pioneer who helped redefine the possibilities of abstraction. As a woman navigating the male-dominated art scene of the 20th century, her resilience and refusal to be overshadowed by her contemporaries made her a symbol of artistic autonomy. Her contributions helped cement New York City as the global capital of modern art, providing a bridge between the structured traditions of the early century and the raw, emotive power of the post-war avant-garde.

    Today, Krasner is celebrated not just as a figure of a specific movement, but as an artist whose work possesses a timeless, universal resonance. Her legacy is defined by several key pillars:

    Mastery of Abstraction: Her ability to synthesize Cubist structure with Surrealist spontaneity created a new visual language for the American era.

    Technical Innovation: Through her use of gestural painting and collage-like reincorporation of older works, she expanded the physical boundaries of the medium.

    Artistic Autonomy: She successfully navigated the complexities of her personal life and fame to establish a distinct, recognizable aesthetic that stands independent of any biographical shadow.

    Enduring Influence: Her work continues to inspire generations of painters to explore the intersection of emotion, movement, and color.

    Lee Krasner remains a titan of 20th-century art, an artist whose life was as much a masterpiece of endurance and evolution as the paintings that now reside in the world's most prestigious museums.

    Museum

    Metropolitan Museum of Art

    On show in new york, United States of America

    A Legacy in Stone and Light

    The Fifth Avenue facade of the Metropolitan Museum of Art beckons visitors into a realm where ancient civilizations resonate alongside modern innovations. The primary building, a magnificent embodiment of Beaux-Arts style completed between 1902 and 1914, exudes an air of classical grandeur. Colossal columns frame the entrance, inviting people into soaring galleries bathed in natural light. This monumental structure was deliberately designed as a homage to European palaces, creating a space that feels both imposing and welcoming. Beyond the main site, The Cloisters offers an intimate serenity in Fort Tryon Park, transporting visitors to medieval Europe through reconstructed chapende and gardens.

    The architecture tells a story of expansion and change. While the current Fifth Avenue location is synonymous with the institution, the museum briefly resided in the Douglas Mansion estate on West 14th Street. The original structure, designed by Calvert Vaux and Jacob Wrey Mould, featured a red-brick facade that remains partially visible today within the Robert Lehman Wing. This glimpse of the past provides a connection to an era when the surrounding area was far from the gilded mansions of the Upper East Side.

    Treasures Across Five Millennia

    Within these halls, one feels the weight of centuries. The collection spans 5,000 years of human creativity, housing over two million art objects. Visitors encounter the imposing Assyrian reliefs, depicting scenes of royal power and divine ritual carved into stone. Greek sculptures embody idealized form and proportion, including the Parthenon Marbles. The museum also holds significant works from diverse cultures:

    Chinese ceramics and intricate Japanese screens.

    African, Oceanic, and American art collections.

    The Cesnola Collection, comprising approximately 35,000 Cypriot art objects.

    A blue-glazed lotus-decorated hippopotamus statuette from Egypt, ca. 1961–1878 B.C.

    The transition from realism to modernism is visible in works like Édouard Manet’s

    Boating

    , which captures leisure on the Seine through its use of light and color. The psychological depth of Rembrandt's 1660 self-portrait offers a study in chiaroscuro, using dramatic shadow to reveal introspection. In the modern galleries, the scale of Jackson Pollock’s

    Autumn Rhythm (Number 30)

    commands attention, with its eight-foot-tall canvas and seventeen-foot length displaying a web of drips.

    Modernity and the Living City

    The museum continues to engage with the present through contemporary artists and large-scale events. Pablo Picasso’s portrait of

    Gertrude Stein

    prefigures his evolution into Cubism, capturing the essence of the American expat community in Paris. Vincent Van Gogh’s

    Self-Portrait with a Straw Hat

    remains a focal point, where intense eyes are encircled by controlled brushstrokes. The institution also recognizes contemporary figures such as Wangechi Mutu, whose humanoid sculptures occupy niches on the museum's facade.

    Beyond the permanent galleries, the museum serves as a center for social and cultural gatherings. The annual Met Gala, held on the first Monday in May, brings fashion designers and celebrities to Manhattan for an evening of glamour. On other nights, programs like

    Date Night at the Met

    occur every Friday and Saturday, ensuring the halls remain a vital part of New York life. Through conservation laboratories and digital initiatives, the museum safeguards its vast holdings for future generations.

    Where to read more

    Find this online

    QR code linking to the download page for Rising Green

    topimpressionists.com/en/art/download/lee-krasner-rising-green-D2ZUKD-en/

    Cite this artwork

    MLA
    Krasner, Lee. Rising Green. 1972, Metropolitan Museum of Art. https://topimpressionists.com/en/art/lee-krasner-rising-green-D2ZUKD-en/
    APA
    Krasner, Lee (1972). Rising Green [Painting]. Metropolitan Museum of Art. https://topimpressionists.com/en/art/lee-krasner-rising-green-D2ZUKD-en/
    Chicago
    Lee Krasner. Rising Green. 1972. Metropolitan Museum of Art. https://topimpressionists.com/en/art/lee-krasner-rising-green-D2ZUKD-en/
    Harvard
    Krasner, Lee (1972) Rising Green. Metropolitan Museum of Art. Available at: https://topimpressionists.com/en/art/lee-krasner-rising-green-D2ZUKD-en/

    Look closely

    Rising Green — Lee Krasner

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract forms, vertical lines, green color palette. Do you agree? What would you add, or take away?
    4. Look back at Untitled (1949), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Rising Green — Lee Krasner

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary artistic movement associated with Lee Krasner’s ‘Rising Green’?

      • A Cubism
      • B Abstract Expressionism
      • C Impressionism
    2. 2. The stark white background in ‘Rising Green’ primarily serves to:

      • A Provide a realistic depiction of the landscape.
      • B Assert its own role in the composition and create contrast.
      • C Serve as a neutral backdrop for the green forms.
    3. 3. The elongated, arabesque forms in ‘Rising Green’ are reminiscent of the work of:

      • A Jackson Pollock
      • B Henri Matisse
      • C Mark Rothko
    4. 4. In what year was Lee Krasner's ‘Rising Green’ created?

      • A 1956
      • B 1972
      • C 1945
    5. 5. The painting was created in a barn previously used by Jackson Pollock. What does this suggest about Krasner’s artistic relationship with her late husband?

      • A It suggests she was trying to emulate his style.
      • B It highlights the shared space and influence within their creative partnership.
      • C It indicates a deliberate attempt to distance herself from his legacy.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3B · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What orientation does "Rising Green" by Lee Krasner have?

    The format of "Rising Green" is portrait. This is useful when planning where a reproduction will be placed.

    Where does "Rising Green" fall in Lee Krasner's career?

    "Rising Green" belongs to the Mature Period of Lee Krasner's career. This classification relates the work to the artist's development.

    Can I see "Rising Green" by Lee Krasner on my own wall before buying?

    "Rising Green" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.