Student Artwork Guide
Copyright This work is in the public domain. Lilla Cabot Perry died in 1932; copyright lasts 70 years after the artist’s death, so it ended in 2002.
In context
Roses — Lilla Cabot Perry
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 84 at death.
Shaded: the lifetime of Lilla Cabot Perry (1848–1932) every dated painting, decade by decade
First works: up to 1896 Main working years: 1896–1910 Late works: from 1910
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: topimpressionists.com/en/art/similar/lilla-cabot-perry-roses-8LJA3R-en/
Measured from the image
Main colour
Espresso #463624
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 72.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 104 works by this artist, of which 29 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Boston, United States of America
Born: January 13, 1848, Boston, Massachusetts
Family Background: Daughter of Dr. Samuel Cabot III and Hannah Lowell Jackson Cabot, prominent figures in Boston society.
Early Education: Studied literature, language, poetry, and music; informal sketching sessions with friends.
European Travels (1867): Exposure to European art during travels with her parents.
Formal Training Begins (1884): Studied painting with Alfred Quinton Collins.
Impressionist Influence: Further training at Grez-sur-Loing, France, under Robert vonnoh, adopting the en plein air style.
Mentorship and Connections: Friendship with Camille Pissarro and exposure to Old Masters through Bernard Berenson.
Style Characteristics: Bold colors, free-form brushstrokes, influenced by Impressionism.
Key Influences: Claude Monet, Camille Pissarro, Japanese art aesthetics.
Notable Paintings:
The Red Hat: Exemplifies her use of bold colors and free-form brushstrokes.
Portrait of an Infant (Margaret Perry): Showcases ability to capture everyday beauty.
Dans un Bateau (In a Boat): A captivating portrait demonstrating Impressionistic vibrancy.
Thomas Sergeant Perry Reading a Newspaper: A realistic depiction of domestic life.
Portrait of a Young Girl with an Orange: Combines Japanese influence and rich textures.
Lady in an Evening Dress: Demonstrates grace and elegance through soft lighting.
The Cellist: A realist painting capturing contemplation and serenity.
In a Japanese Garden: An exquisite landscape showcasing serene beauty.
Portrait of Lilla Cabot Perry: A self-portrait reflecting dignity and wisdom.
Early Work: "The Beginner" represents her first work under formal guidance.
Impressionistic Examples: “Silhouette,” “Lingering Rain,” “Moon and Eventide” showcase unique style through color and light.
Early Focus: Initially focused on portraiture, reflecting her family's social standing.
Shift to Impressionism: Exposure to European artists and landscapes led to adopting an Impressionistic approach.
Japanese Influence: Incorporated Japanese aesthetics into compositions, evident in works like "Portrait of a Young Girl with an Orange."
Evolution of Technique: Moved from more traditional portraiture towards looser brushwork and capturing fleeting moments.
Later Works: Continued to explore landscapes and portraits, refining her Impressionistic style throughout her career.
Pioneer of American Impressionism: Recognized as one of the early pioneers of American Impressionism.
Exhibitions: Her work was exhibited in various museums and galleries, gaining recognition within the art world.
Museum Holdings: Paintings are featured in prominent collections including the Toledo Museum of Art and Wadsworth Atheneum Museum of Art.
Influence on Subsequent Artists: Contributed to the development of American Impressionism and influenced later generations of artists.
Lasting Impact: Her unique style and contributions continue to be celebrated by art enthusiasts worldwide, solidifying her place in American art history.
Representation of a Changing Era: Perry's work reflects the transition from traditional academic painting to modern Impressionism in America.
Female Artist in a Male-Dominated Field: Successfully navigated and contributed to a male-dominated art world, paving the way for future female artists.
Cultural Exchange: Her exposure to European and Japanese art demonstrated the growing cultural exchange of the late 19th century.
Documenting American Life: Through her portraits and landscapes, Perry captured aspects of American life during a period of significant social and economic change.
topimpressionists.com/en/art/download/lilla-cabot-perry-roses-8LJA3R-en/
Look closely
Roses — Lilla Cabot Perry
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
"Roses" by Lilla Cabot Perry is recorded as deep_shadow, with a soft shadow luminance.
"Roses" is available as a high-resolution digital image download, purchased directly on its Digital Image page.
The contrast level of "Roses" by Lilla Cabot Perry is statement.