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Student Artwork Guide

Conundrum Triptych (right panel)

Name Class Date

Lizzie Rowe, Conundrum Triptych (right panel) (1991), Middlesbrough Institute of Modern Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Lizzie Rowe topimpressionists.com/en/artists/lizzie-rowe/
Artist’s dates
1955 –
Painted
1991
Original size
129 x 62 cm
Held at
Middlesbrough Institute of Modern Art topimpressionists.com/en/museums/middlesbrough-institute-of-modern-art-middlesbrough/

In context

Conundrum Triptych (right panel) — Lizzie Rowe

How big is it?

The original measures 129 × 62 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 36. 1 of the 5 dated works by this artist in our catalogue came earlier.

▲ this work, 1991 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/lizzie-rowe-conundrum-triptych-right-panel-ARALQW-en/

Colours

Measured from the image

    Main colour

    Espresso #503731

    Catalogued palette

    • #503731
    • #DBDCE2
    • #939EB3
    • #7D6969

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Lizzie Rowe over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 United Kingdom 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Lizzie Rowe

    1. 1 Conundrum Triptych (centre panel), 1991 33.3%
    2. 2 Dysphoria, 1990 33.3%
    3. 3 Professor Jane Taylor, 2007 33.3%
    4. — Conundrum Triptych (right panel), 1991 this painting 0.0%

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 6 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Lizzie Rowe

    A Life Unveiled: The Art of Lizzie Rowe

    Lizzie Rowe, a name resonating within the contemporary art landscape, particularly in the North East of England, represents far more than just an artist; she embodies a journey of self-discovery rendered onto canvas with unflinching honesty and remarkable skill. Born Stephen Rowe in Portsmouth in 1955, her life was one of profound transformation, a narrative woven into the very fabric of her evocative portraits and figurative works. While initially navigating a conventional path – marriage, fatherhood, and a career as an art lecturer – a burgeoning awareness of gender fluidity began to surface, ultimately leading to a high-profile sex change in 1996, documented with sensitivity by Channel 4. This wasn’t merely a personal shift; it became the core subject matter of her artistic exploration, challenging societal norms and inviting viewers into an intimate space of identity and emotion.

    Early Influences & Artistic Development

    Rowe's early aptitude for art was evident from childhood, with anecdotes shared by her brother Ben recalling precocious doodles brimming with talent. Despite initial reservations from her father regarding the practicality of a career in fine art, she pursued studies at Reading University, initially in philosophy before swiftly transitioning to the Fine Art program. This period laid the foundation for her technical prowess and conceptual approach. The 1980s saw Rowe establish herself within the Newcastle Polytechnic as a senior lecturer, simultaneously building a reputation through regional exhibitions. However, it was the late 1980s that marked a pivotal turning point – the courageous decision to embrace her true identity and embark on a path of transition. This personal revolution wasn’t isolated from her art; rather, it became inextricably linked, fueling a new wave of creative expression. Her work began to delve into the domestic routines and rituals surrounding gender, exploring themes of femininity, sexuality, and self-perception with an increasingly bold and nuanced perspective.

    Themes & Techniques: A Portrait of Transformation

    Rowe’s artistic style is characterized by its realism, yet it transcends mere representation. She possessed a remarkable ability to capture not just the physical likeness of her subjects but also their inner lives – their vulnerabilities, strengths, and complexities. Her paintings often feature iconic items of clothing—frocks, underwear—imbued with personality and demanding attention. These weren’t simply depictions of garments; they became symbols representing the rituals of dressing, challenging conventional notions of femininity and exploring the performative aspects of gender. The series The Unironed Frock & Other Stories exemplifies this approach, presenting enchanting studies that invite viewers to contemplate the relationship between identity and appearance. Her technique involved detailed brushwork and a keen eye for observation, resulting in works that are both aesthetically pleasing and emotionally resonant. She wasn’t afraid to confront difficult subjects, often portraying her own journey with unflinching honesty, creating pieces that were at times challenging but always deeply personal.

    Recognition & Legacy

    Throughout her career, Lizzie Rowe garnered significant recognition within the art world. Her work was exhibited regionally, nationally, and internationally, finding its way into numerous public collections including the Laing Art Gallery in Newcastle. Commissions poured in, testament to her growing reputation and artistic skill. However, perhaps her most enduring legacy lies not just in the quantity of her work but in its profound impact on viewers. A recent exhibition at Sunderland’s Abject Gallery, organized by her brother Ben following her unexpected death in December 2023, served as a powerful tribute to her talent and life. The show, featuring over 100 paintings, charted her transition from male to female with stunning clarity and emotional depth. The event highlighted the importance of Rowe’s work in challenging societal norms and fostering dialogue around gender identity. Her art continues to resonate today, inspiring artists and viewers alike to embrace authenticity and explore the complexities of the human experience.

    Historical Significance & Enduring Impact

    Lizzie Rowe's contribution extends beyond the realm of aesthetics; she was a pioneer who fearlessly explored themes that were often marginalized or taboo during her time. Her work played a crucial role in shaping conversations around gender identity, paving the way for greater acceptance and understanding. She wasn’t simply documenting her own journey; she was challenging viewers to confront their preconceived notions about gender, sexuality, and self-expression. Her art served as a powerful form of social commentary, prompting reflection on societal expectations and the fluidity of identity. The recent rediscovery of her work, coupled with exhibitions like the one at Abject Gallery, underscores its enduring relevance in contemporary society. Rowe’s legacy is one of courage, authenticity, and artistic innovation—a testament to the transformative power of art and the importance of embracing one's true self.

    Museum

    Middlesbrough Institute of Modern Art

    On show in Middlesbrough, United Kingdom

    A Sanctuary of Modernity in the Heart of Teesside

    Nestled within the industrial landscape of Middlesbrough, the

    Middlesbrough Institute of Modern Art

    , affectionately known as MIMA, stands as a luminous beacon of creativity and cultural resilience. It is not merely a gallery but a profound dialogue between the region's storied past and its vibrant, forward-looking identity. The museum serves as a vital sanctuary where the raw energy of contemporary art meets the thoughtful contemplation of historical context. For the discerning collector or the lover of fine aesthetics, MIBMA offers an immersive experience that transcends the traditional boundaries of a museum, acting instead as a living, breathing organism of artistic expression that breathes life into the urban fabric of the United Kingdom.

    The architecture of the institute itself is a masterclass in the seamless integration of heritage and modernity. As visitors step through its doors, they are greeted by a space that feels both grounded in history and unburdened by it. The museum’s design facilitates a rhythmic movement through light-filled galleries, where the interplay of shadow and illumination creates an ever-changing canvas for the works on display. This architectural fluidity is essential to the MIMA experience, providing a neutral yet evocative backdrop that allows the textures, colors, and scales of the artworks to command absolute attention. For interior designers seeking inspiration, the museum’s spatial harmony offers a profound lesson in how structure can elevate the emotional resonance of art.

    A Curated Journey Through Contemporary Voices

    The collection at MIMA is a curated journey through the complexities of the modern era, characterized by its bold commitment to contemporary voices and diverse perspectives. The highlights of the permanent holdings and rotating exhibitions often challenge the viewer to reconsider their place in a globalized world. The museum’s selection is nothing short of breathtaking, ranging from large-scale installations that redefine the perception of space to intimate, delicate works on paper that whisper of profound human emotion.

    Within its walls, one might encounter works such as:

    Across Low Moor

    by Peter Joyce, an acrylic on paper piece from 1994 that utilizes a bold red background and symbolic objects like chairs and a clock to invite deep interpretation.

    Odalisque

    by Brian Robb, a stunning 1949 oil on canvas that captures the viewer with its vibrant color scheme of reds, yellows, greens, and blues.

    Diverse works from internationally recognized artists that showcase the museum's commitment to the avant-garde.

    What truly distinguishes MIMA from its global counterparts is its unique ability to foster community through the lens of the contemporary. The museum’s exhibition program is renowned for its bravery, often tackling pressing social themes and presenting works that provoke deep, necessary conversations. Whether it is exploring the nuances of identity, the impact of technology, or the beauty of the natural world through an abstract lens, MIMA remains a cornerstone of artistic excellence, ensuring that the spirit of modern art continues to flourish and inspire generations of dreamers and creators.

    Where to read more

    Find this online

    QR code linking to the download page for Conundrum Triptych (right panel)

    topimpressionists.com/en/art/download/lizzie-rowe-conundrum-triptych-right-panel-ARALQW-en/

    Cite this artwork

    MLA
    Rowe, Lizzie. Conundrum Triptych (right panel). 1991, Middlesbrough Institute of Modern Art. https://topimpressionists.com/en/art/lizzie-rowe-conundrum-triptych-right-panel-ARALQW-en/
    APA
    Rowe, Lizzie (1991). Conundrum Triptych (right panel) [Painting]. Middlesbrough Institute of Modern Art. https://topimpressionists.com/en/art/lizzie-rowe-conundrum-triptych-right-panel-ARALQW-en/
    Chicago
    Lizzie Rowe. Conundrum Triptych (right panel). 1991. Middlesbrough Institute of Modern Art. https://topimpressionists.com/en/art/lizzie-rowe-conundrum-triptych-right-panel-ARALQW-en/
    Harvard
    Rowe, Lizzie (1991) Conundrum Triptych (right panel). Middlesbrough Institute of Modern Art. Available at: https://topimpressionists.com/en/art/lizzie-rowe-conundrum-triptych-right-panel-ARALQW-en/

    Look closely

    Conundrum Triptych (right panel) — Lizzie Rowe

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Professor Sir Frederick Halliday, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Lizzie Rowe was about 36 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What color harmony does "Conundrum Triptych (right panel)" by Lizzie Rowe display?

    "Conundrum Triptych (right panel)" by Lizzie Rowe displays a balanced harmony color harmony.

    How light is "Conundrum Triptych (right panel)" overall?

    Overall, "Conundrum Triptych (right panel)" is recorded as balanced. Perceived brightness describes how light or dark the work appears.

    Is "Conundrum Triptych (right panel)" by Lizzie Rowe a portrait, landscape or square composition?

    The format of "Conundrum Triptych (right panel)" is tall. This is useful when planning where a reproduction will be placed.