Paper

Student Artwork Guide

Le goûter

Name Class Date

Lucien Simon, Le goûter (1906). Public domain.

The facts

Artist
Lucien Simon topimpressionists.com/en/artists/lucien-simon/
Artist’s dates
1861 – 1945
Painted
1906
Original size
143 x 162 cm

In context

Le goûter — Lucien Simon

How big is it?

The original measures 143 × 162 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Shaded: the lifetime of Lucien Simon (1861–1945) ▲ this work, 1906

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/lucien-simon-le-gouter-AQSPNP-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a59b8d

    Catalogued palette

    • #A59B8D
    • #D4CFC7
    • #3A2F22
    • #746C5F
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Lucien Simon

    A Somber Elegance: The Dark Impressionist Vision

    Lucien Joseph Simon was far more than a chronicler of the French landscape; he was a master of the atmospheric shadows that define the Breton soul. While the broader Impressionist movement often chased the fleeting, sun-drenched brilliance of light, Simon sought a deeper, more resonant truth within the muted tones of the earth and sea. As a prominent member of the Bande Noire, alongside artists like Charles Cottet and Dauchez, he rejected the garish brightness of his contemporaries in favor of a palette that embraced melancholy and mystery. His work captures the heavy, salt-laden air of the coast and the quiet, stoic resilience of rural life, turning simple scenes into profound meditations on existence.

    Academic Foundations and the Mastery of Form

    The technical brilliance of Simon’s oeuvre was rooted in a rigorous academic lineage. After his formative years at the Lycée Louis-le-Grand, he honed his skills under the watchful eye of Jules Didier before entering the prestigious Académie Julian between 1880 and 1883. This disciplined education provided him with the structural command necessary to execute complex compositions with both precision and emotion. He possessed a unique ability to utilize subtle tonal shifts to define the textures of fabric, the warmth of skin, and the weight of an atmosphere. In masterpieces such as Famille bigoudène en deuil, one sees this mastery at its peak, where the somber elegance of mourning attire and the shared sorrow of a family are rendered with a palpable, haunting realism.

    A Legacy of Instruction and Enduring Influence

    Simon’s contribution to the art world extended well beyond his personal canvases; he was a pivotal figure in the cultivation of future generations. In 1902, he co-founded the Académie de la Grande Chaumière with Alice Dannenberg, establishing a vital sanctuary for artistic exploration and growth. His role as an educator at the École nationale des beaux-arts further solidified his importance within the French academic tradition. Even in his final years, Simon continued to explore themes of profound connection and domestic peace, as seen in the evocative Intimité of 1944. His life’s work remains a testament to the power of "Dark Impressionism," leaving behind a legacy that finds enduring beauty within the quiet, shadowed corners of the human experience.

    Where to read more

    • The artist Lucien Simon topimpressionists.com/en/artists/lucien-simon/
    • Similar works More works to compare topimpressionists.com/en/art/similar/lucien-simon-le-gouter-AQSPNP-en/

    Find this online

    QR code linking to the download page for Le goûter

    topimpressionists.com/en/art/download/lucien-simon-le-gouter-AQSPNP-en/

    Cite this artwork

    MLA
    Simon, Lucien. Le goûter. 1906, https://topimpressionists.com/en/art/lucien-simon-le-gouter-AQSPNP-en/
    APA
    Simon, Lucien (1906). Le goûter [Painting]. https://topimpressionists.com/en/art/lucien-simon-le-gouter-AQSPNP-en/
    Chicago
    Lucien Simon. Le goûter. 1906. https://topimpressionists.com/en/art/lucien-simon-le-gouter-AQSPNP-en/
    Harvard
    Simon, Lucien (1906) Le goûter. Available at: https://topimpressionists.com/en/art/lucien-simon-le-gouter-AQSPNP-en/

    Look closely

    Le goûter — Lucien Simon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Famille bigoudène en deuil (1910), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Lucien Simon was about 45 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.