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Student Artwork Guide

A man with Thora

Name Class Date

Marc Chagall, A man with Thora (1975). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Marc Chagall topimpressionists.com/en/artists/marc-chagall/
Artist’s dates
1887 – 1985
Painted
1975
Medium
Lithograph Drawn in grease on stone and printed on the principle that grease and water refuse to mix.
Original size
76 x 53 cm
Period
Modern
Artistic style
Primitivism
Influences
Folklore
Notable elements or techniques
Flying figures; Whimsical animals
Subject or theme
Religious painting

In context

A man with Thora — Marc Chagall

How big is it?

The original measures 76 × 53 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 98 at death.

Painted when the artist was 88. The artist lived to 98. 756 of the 878 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Marc Chagall (1887–1985) ▲ this work, 1975 every dated painting, decade by decade

First works: up to 1930 Main working years: 1930–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/marc-chagall-a-man-with-thora-8XYH2G-en/

Colours

Measured from the image

    Main colour

    Putty #e6e0cd

    Catalogued palette

    • #E6E0CD
    • #5B564E
    • #26201E
    • #A09C8E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Marc Chagall over the last twelve months — 64 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 38.4%
    2. 2 Germany 5.1%
    3. 3 United States of America 5.1%
    4. 4 France 4.5%
    5. 5 Netherlands 3.3%
    6. 6 Spain 3.0%
    7. 7 Poland 2.8%
    8. 8 Australia 2.3%
    9. 9 South Korea 2.2%
    10. 10 Italy 2.1%
    11. · 54 other countries 31.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Marc Chagall

    1. 1 I and the Village, 1911 9.6%
    2. 2 The Birthday, 1915 9.2%
    3. 3 Over the town, 1918 4.6%
    4. 4 The Green Violinist, 1924 3.6%
    5. 5 The Concert, 1957 1.6%
    6. 6 Adam and Eve expelled from Paradise, 1961 1.3%
    7. 7 The Fall of Icarus, 1975 1.1%
    8. 8 Midsummer Night's Dream, 1939 1.1%
    9. 9 Liberation, 1952 0.9%
    10. 10 The Lovers, 1929 0.9%
    11. 11 The return of the prodigal son, 1975 0.8%
    12. 12 Abraham and three Angels, 1966 0.8%
    13. 13 The Praying Jew (Rabbi of Vitebsk), 1914 0.8%
    14. 14 Dans mon pays 0.8%
    15. 15 Red Roofs, 1954 0.7%
    16. 16 The Betrothed and Eiffel Tower, 1913 0.7%
    17. 17 Easter, 1968 0.6%
    18. 18 The blue fiddler, 1947 0.6%
    19. 19 Compositional Study for ‘To Russia, to the Asses and Others’, 1912 0.6%
    20. — A man with Thora, 1975 this painting 0.0%

    Together these works take 40.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 906 works by this artist, of which 540 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    A man with Thora — Marc Chagall

    A Visionary Encounter

    The lithograph "A Man with Thora," created by Marc Chagall in 1975, stands as a testament to the artist's enduring fascination with biblical narratives and his signature blend of naïve art principles. More than just an image, it embodies a profound meditation on faith, memory, and the transformative power of dreams—elements that consistently characterize Chagall’s oeuvre throughout his prolific career. The artwork resides within Vitebsk, Belarus, reflecting Chagall's formative years and establishing a visual dialogue with the town's cultural heritage.

    Chagall’s approach to painting distinguishes itself from academic realism; he embraced “naïve art,” or Primitivism, prioritizing expressive color and simplified forms over meticulous detail. This stylistic choice aligns perfectly with the lithograph medium—a technique known for its ability to capture tonal variations and produce striking visual effects. The artist skillfully employs hatching and cross-hatching to build up texture and depth, conveying a sense of palpable atmosphere. The deliberate absence of shading contributes to the artwork’s ethereal quality, mirroring Chagall's desire to transcend representational accuracy in favor of emotional resonance.

    “A Man with Thora” is replete with symbolic elements that resonate deeply within Chagall’s artistic lexicon. The central figure—a man holding a book—represents wisdom and knowledge, harkening back to biblical references to Solomon's reign and the pursuit of spiritual enlightenment. Surrounding him are stylized horses, frequently appearing in Chagall’s paintings as emblems of freedom and movement—a visual metaphor for overcoming obstacles and embracing new horizons. The inclusion of a clock symbolizes time’s relentless passage and serves as a poignant reminder of mortality, themes that permeate much of Chagall's work.

    Ultimately, “A Man with Thora” succeeds in conveying an overwhelming sense of serenity and wonder. The artist’s masterful use of color—particularly blues and yellows—creates a luminous landscape that evokes the tranquility of memory and invites viewers into Chagall's imaginative realm. The artwork transcends mere depiction; it aspires to capture the essence of human experience—the yearning for connection, the apprehension of loss, and the unwavering belief in beauty—themes that continue to captivate audiences worldwide. It’s a piece designed not just to be seen but felt—a visual embodiment of Chagall's lifelong pursuit of artistic truth.

    Artwork Description

    Visual Composition

    The image is a black and white lithograph of a man holding a book while standing next to a woman who appears to be wearing a dress. The man has a long beard and is wearing a hat. There are two horses in the scene, one on the left side and another on the right side. A car can also be seen in the background, along with a clock hanging on the wall.

    Technical Details

    The artwork features the following characteristics:

    Medium: Lithograph

    Date: 1975

    Size: 76 x 53 cm

    Artist and museum

    Artist

    Marc Chagall

    Born in Liovana, Belarus

    A Life Painted in Dreams: The World of Marc Chagall

    Marc Chagall, born Moishe Shagal in 1887 in the small Belarussian town of Liozna near Vitebsk, wasn’t merely a painter; he was a poet of color, a weaver of dreams, and a chronicler of memory. His life, spanning nearly a century, mirrored the tumultuous currents of the 20th century, yet his art remained steadfastly rooted in a deeply personal vision—one infused with the folklore of his Hasidic Jewish upbringing and an unwavering belief in the power of imagination. Vitebsk itself was more than just a birthplace; it became the emotional core of his artistic universe, a recurring motif populated by flying figures, whimsical animals, and the vibrant hues of remembered landscapes. The town’s unique blend of cultures—Russian Orthodox churches alongside bustling Jewish marketplaces—forged an aesthetic sensibility that would defy easy categorization throughout his long career. Though he sought formal training first with a local sign painter and later in St. Petersburg under Léon Bakst, and then in Paris at the Académie de la Grande Chaumière, Chagall never fully embraced any single artistic movement. He absorbed elements of Cubism, Symbolism, and Fauvism, but always filtered them through his own intensely personal lens, creating a style that was uniquely, unmistakably Chagall.

    Forging a Unique Visual Language

    Chagall’s early works already hinted at the distinctive language he would develop. Paintings like I and the Village (1911) are not simply depictions of place; they are explorations of identity, memory, and the relationship between the individual and community. The village isn't rendered realistically but as a fragmented collection of recollections, imbued with symbolic meaning. This ability to transmute personal experience into universal themes became a hallmark of his art. His palette was bold and expressive, often employing vibrant, non-naturalistic colors to convey emotion rather than literal representation. Figures float and dance across the canvas, defying gravity and logic, creating a dreamlike atmosphere that invites viewers into his inner world. This stylistic approach wasn’t accidental; it stemmed from a desire to move beyond mere imitation of reality and capture the essence of feeling, the weight of memory, and the power of folklore. The Russian Revolution brought Chagall back to Vitebsk, where he became involved in cultural initiatives, establishing an art school that briefly flourished before succumbing to the restrictions imposed by the new regime. This period was marked by both creative energy and political disillusionment, a tension that would continue to shape his artistic trajectory.

    A Life Between Worlds: Paris, New York, and Beyond

    Eventually, Chagall left Russia for good, settling in France in 1923. This marked the beginning of a period of international recognition and prolific creativity. Works like Over Vitebsk (1920-1922) demonstrate his continued engagement with his childhood memories, while paintings inspired by biblical stories—such as Jacob’s Dream—reveal a growing interest in religious themes. The outbreak of World War II forced him to flee occupied France for the United States, where he spent seven years in New York City. This period was marked by profound emotional upheaval and artistic experimentation. He found solace in his art, creating powerful works that reflected the anxieties and uncertainties of the time. White Crucifixion (1938), a haunting depiction of suffering and persecution, stands as a testament to this era. After the war, Chagall returned to France, where he continued to paint and create until his death in 1985 at the age of 97.

    Legacy and Enduring Influence

    In his later years, Marc Chagall received numerous prestigious commissions, including the ceiling of the Paris Opera (1964), a breathtaking explosion of color and form that celebrated musical masterpieces, and stunning stained glass windows for the Hadassah Hebrew University Medical Center synagogue in Jerusalem. These large-scale projects allowed him to translate his artistic vision into architectural spaces, creating immersive environments that continue to inspire awe and wonder. Chagall’s influence on subsequent generations of artists is undeniable. His lyrical quality, emotional depth, and imaginative power resonated with Surrealists and other movements that embraced fantasy and symbolism. He bridged the gap between European modernism and Jewish cultural identity, becoming known as “the quintessential Jewish artist of the twentieth century.” His ability to synthesize personal experience, folklore, and universal themes continues to resonate with audiences worldwide. His work reminds us of the power of art to transcend boundaries, to connect us to our shared humanity, and to illuminate the beauty and mystery of life.

    A Lasting Impression

    Marc Chagall’s legacy extends beyond his paintings and stained glass; it resides in the enduring power of his vision—a vision that celebrates love, memory, and the boundless possibilities of the human imagination. He left behind a body of work that is both deeply personal and universally accessible, inviting viewers to lose themselves in a world painted with dreams and illuminated by hope. The Musée Marc Chagall in Nice stands as a testament to his enduring influence, housing an extensive collection of his works and offering visitors a glimpse into the heart and soul of this extraordinary artist. His art continues to inspire, challenge, and move us, ensuring that his vibrant and imaginative spirit will live on for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for A man with Thora

    topimpressionists.com/en/art/download/marc-chagall-a-man-with-thora-8XYH2G-en/

    Cite this artwork

    MLA
    Chagall, Marc. A man with Thora. 1975, https://topimpressionists.com/en/art/marc-chagall-a-man-with-thora-8XYH2G-en/
    APA
    Chagall, Marc (1975). A man with Thora [Painting]. https://topimpressionists.com/en/art/marc-chagall-a-man-with-thora-8XYH2G-en/
    Chicago
    Marc Chagall. A man with Thora. 1975. https://topimpressionists.com/en/art/marc-chagall-a-man-with-thora-8XYH2G-en/
    Harvard
    Chagall, Marc (1975) A man with Thora. Available at: https://topimpressionists.com/en/art/marc-chagall-a-man-with-thora-8XYH2G-en/

    Look closely

    A man with Thora — Marc Chagall

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: biblical figures, folklore, landscape. Do you agree? What would you add, or take away?
    4. Look back at I and the Village (1911), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Marc Chagall was about 88 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    A man with Thora — Marc Chagall

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. In which year was the lithograph 'A Man with Thora' created?

      • A 1975
      • B 1985
      • C 1923
    2. 2. Which artistic style is associated with Marc Chagall's approach in this artwork?

      • A Academic Realism
      • B Naïve Art
      • C Impressionism
    3. 3. Where is the location of the town that reflects Chagall's formative years mentioned in the text?

      • A Paris, France
      • B Saint-Paul-de-Vence, France
      • C Vitebsk, Belarus
    4. 4. What technique does the artist use to build up texture and depth in this lithograph?

      • A Oil blending
      • B Hatching and cross-hatching
      • C Pointillism
    5. 5. Which of these elements can be seen in the background of the scene?

      • A A clock
      • B A mountain range
      • C A cathedral

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3C · 4B · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What kind of piece is "A man with Thora"?

    "A man with Thora" by Marc Chagall is classified as wall art. The category describes the kind of artwork the original is.

    What is "A man with Thora" about?

    The subjects of "A man with Thora" are biblical figures, folklore, landscape, dreamlike, symbolism, jewish tradition, surrealism.

    Where does "A man with Thora" by Marc Chagall sit in art history?

    The art-historical classification of "A man with Thora" by Marc Chagall is Primitivism Naïve Art, in the Modern period.