Paper

Student Artwork Guide

In the night

Name Class Date

Marc Chagall, In the night (1943). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Marc Chagall topimpressionists.com/en/artists/marc-chagall/
Artist’s dates
1887 – 1985
Painted
1943
Medium
Oil On Canvas
Movement
Naive Art Work by artists without formal training, flat and direct, valued for exactly that freshness.
Period
Modern
Artistic style
Symbolic Expressionism
Influences
Cubism, Surrealism
Notable elements or techniques
Dreamlike Composition; Visible Brushstrokes
Subject or theme
Romantic Embrace; Nocturne

In context

In the night — Marc Chagall

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 98 at death.

Painted when the artist was 56. The artist lived to 98. 286 of the 878 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Marc Chagall (1887–1985) ▲ this work, 1943 every dated painting, decade by decade

First works: up to 1930 Main working years: 1930–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/marc-chagall-in-the-night-8XYH4L-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1c1a21

    Catalogued palette

    • #1C1A21
    • #B2B4B7
    • #3E3C3E
    • #787F82

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Marc Chagall over the last twelve months — 64 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 38.4%
    2. 2 Germany 5.1%
    3. 3 United States of America 5.1%
    4. 4 France 4.5%
    5. 5 Netherlands 3.3%
    6. 6 Spain 3.0%
    7. 7 Poland 2.8%
    8. 8 Australia 2.3%
    9. 9 South Korea 2.2%
    10. 10 Italy 2.1%
    11. · 54 other countries 31.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Marc Chagall

    1. 1 I and the Village, 1911 10.3%
    2. 2 The Birthday, 1915 8.8%
    3. 3 Over the town, 1918 4.5%
    4. 4 The Green Violinist, 1924 3.3%
    5. 5 Adam and Eve expelled from Paradise, 1961 1.3%
    6. 6 The Concert, 1957 1.3%
    7. 7 The Fall of Icarus, 1975 1.1%
    8. 8 Midsummer Night's Dream, 1939 1.1%
    9. 9 Liberation, 1952 1.0%
    10. 10 Dans mon pays 0.9%
    11. 11 Paris through the Window, 1913 0.8%
    12. 12 The return of the prodigal son, 1975 0.8%
    13. 13 The Praying Jew (Rabbi of Vitebsk), 1914 0.8%
    14. 14 Abraham and three Angels, 1966 0.7%
    15. 15 The Lovers, 1929 0.7%
    16. 16 Moses with the Burning Bush, 1966 0.7%
    17. 17 Red Roofs, 1954 0.6%
    18. 18 Song of Songs III (8), 1960 0.6%
    19. 19 Birthday, Moma NY, 1915 0.6%
    20. 247 In the night, 1943 this painting 0.1%

    Together these works take 40.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 906 works by this artist, of which 568 were looked at at least once. This painting ranks 247 of them, with 0.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    In the night — Marc Chagall

    A Nocturnal Embrace in Monochrome

    In the quietude of 1943, amidst a world gripped by the shadows of global conflict, Marc Chagall captured a moment of profound intimacy that transcends time. In the night is not merely a depiction of a snowy village; it is a poetic fragment of a dream, rendered with the soulful simplicity of the Naive Art movement. The painting invites the viewer into a monochromatic sanctuary where the biting cold of a winter night is neutralized by the warmth of human connection. As we gaze upon the scene, we find ourselves standing in the soft snow alongside a couple lost in an embrace, illuminated by the singular, guiding glow of a street lamp. This stark, black and white composition strips away the distractions of color to reveal the raw, emotional skeleton of the moment, making it a captivating centerpiece for any collection that values depth and narrative tenderness.

    The artistry of Chagall in this piece exemplifies the charm of Primitivism, where the lack of formal, rigid perspective serves to heighten the emotional truth of the subject. The composition is masterfully centered around the light source, which acts as both a physical beacon and a symbolic heart for the work. Buildings rendered in simplified, geometric shapes line the background, their forms softened by the nocturnal atmosphere and the dusting of snow. A delicate crescent moon hangs in the upper corner, watching over the silent village like a celestial witness. This flattened perspective creates a sense of closeness, as if the viewer is not an outsider looking in, but a quiet participant in this private, frozen moment of peace.

    Symbolism and the Language of Light

    Beyond its visual beauty, In the night functions as a profound meditation on hope and resilience. The street lamp, standing tall and bright against the dark sky, serves as a powerful symbol of guidance and clarity amidst the surrounding darkness—a metaphor that would have resonated deeply during the era of its creation. The embrace of the two figures represents the enduring strength of love and the human need for connection even in the most desolate environments. There is a certain magic in how Chagall uses light to sculpt the scene; the way the glow touches the snow and the silhouettes of the lovers creates a dramatic contrast that breathes life into the stillness.

    For the discerning collector or interior designer, this artwork offers a unique versatility. Its muted palette of blacks, whites, and subtle greys allows it to integrate seamlessly into modern, minimalist, or classic decor, providing a sophisticated focal point that does not overwhelm a room but rather invites contemplation. The visible, textured brushstrokes—particularly in the suggestion of the snow—add a tactile quality that celebrates the handmade essence of oil on canvas. To possess a reproduction of this masterpiece is to bring a piece of Chagall’s legendary dreamscape into one's own space, offering a permanent window into a world where love remains unextinguished by the night.

    Artist and museum

    Artist

    Marc Chagall

    Born in Liovana, Belarus

    A Life Painted in Dreams: The World of Marc Chagall

    Marc Chagall, born Moishe Shagal in 1887 in the small Belarussian town of Liozna near Vitebsk, wasn’t merely a painter; he was a poet of color, a weaver of dreams, and a chronicler of memory. His life, spanning nearly a century, mirrored the tumultuous currents of the 20th century, yet his art remained steadfastly rooted in a deeply personal vision—one infused with the folklore of his Hasidic Jewish upbringing and an unwavering belief in the power of imagination. Vitebsk itself was more than just a birthplace; it became the emotional core of his artistic universe, a recurring motif populated by flying figures, whimsical animals, and the vibrant hues of remembered landscapes. The town’s unique blend of cultures—Russian Orthodox churches alongside bustling Jewish marketplaces—forged an aesthetic sensibility that would defy easy categorization throughout his long career. Though he sought formal training first with a local sign painter and later in St. Petersburg under Léon Bakst, and then in Paris at the Académie de la Grande Chaumière, Chagall never fully embraced any single artistic movement. He absorbed elements of Cubism, Symbolism, and Fauvism, but always filtered them through his own intensely personal lens, creating a style that was uniquely, unmistakably Chagall.

    Forging a Unique Visual Language

    Chagall’s early works already hinted at the distinctive language he would develop. Paintings like I and the Village (1911) are not simply depictions of place; they are explorations of identity, memory, and the relationship between the individual and community. The village isn't rendered realistically but as a fragmented collection of recollections, imbued with symbolic meaning. This ability to transmute personal experience into universal themes became a hallmark of his art. His palette was bold and expressive, often employing vibrant, non-naturalistic colors to convey emotion rather than literal representation. Figures float and dance across the canvas, defying gravity and logic, creating a dreamlike atmosphere that invites viewers into his inner world. This stylistic approach wasn’t accidental; it stemmed from a desire to move beyond mere imitation of reality and capture the essence of feeling, the weight of memory, and the power of folklore. The Russian Revolution brought Chagall back to Vitebsk, where he became involved in cultural initiatives, establishing an art school that briefly flourished before succumbing to the restrictions imposed by the new regime. This period was marked by both creative energy and political disillusionment, a tension that would continue to shape his artistic trajectory.

    A Life Between Worlds: Paris, New York, and Beyond

    Eventually, Chagall left Russia for good, settling in France in 1923. This marked the beginning of a period of international recognition and prolific creativity. Works like Over Vitebsk (1920-1922) demonstrate his continued engagement with his childhood memories, while paintings inspired by biblical stories—such as Jacob’s Dream—reveal a growing interest in religious themes. The outbreak of World War II forced him to flee occupied France for the United States, where he spent seven years in New York City. This period was marked by profound emotional upheaval and artistic experimentation. He found solace in his art, creating powerful works that reflected the anxieties and uncertainties of the time. White Crucifixion (1938), a haunting depiction of suffering and persecution, stands as a testament to this era. After the war, Chagall returned to France, where he continued to paint and create until his death in 1985 at the age of 97.

    Legacy and Enduring Influence

    In his later years, Marc Chagall received numerous prestigious commissions, including the ceiling of the Paris Opera (1964), a breathtaking explosion of color and form that celebrated musical masterpieces, and stunning stained glass windows for the Hadassah Hebrew University Medical Center synagogue in Jerusalem. These large-scale projects allowed him to translate his artistic vision into architectural spaces, creating immersive environments that continue to inspire awe and wonder. Chagall’s influence on subsequent generations of artists is undeniable. His lyrical quality, emotional depth, and imaginative power resonated with Surrealists and other movements that embraced fantasy and symbolism. He bridged the gap between European modernism and Jewish cultural identity, becoming known as “the quintessential Jewish artist of the twentieth century.” His ability to synthesize personal experience, folklore, and universal themes continues to resonate with audiences worldwide. His work reminds us of the power of art to transcend boundaries, to connect us to our shared humanity, and to illuminate the beauty and mystery of life.

    A Lasting Impression

    Marc Chagall’s legacy extends beyond his paintings and stained glass; it resides in the enduring power of his vision—a vision that celebrates love, memory, and the boundless possibilities of the human imagination. He left behind a body of work that is both deeply personal and universally accessible, inviting viewers to lose themselves in a world painted with dreams and illuminated by hope. The Musée Marc Chagall in Nice stands as a testament to his enduring influence, housing an extensive collection of his works and offering visitors a glimpse into the heart and soul of this extraordinary artist. His art continues to inspire, challenge, and move us, ensuring that his vibrant and imaginative spirit will live on for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for In the night

    topimpressionists.com/en/art/download/marc-chagall-in-the-night-8XYH4L-en/

    Cite this artwork

    MLA
    Chagall, Marc. In the night. 1943, https://topimpressionists.com/en/art/marc-chagall-in-the-night-8XYH4L-en/
    APA
    Chagall, Marc (1943). In the night [Painting]. https://topimpressionists.com/en/art/marc-chagall-in-the-night-8XYH4L-en/
    Chicago
    Marc Chagall. In the night. 1943. https://topimpressionists.com/en/art/marc-chagall-in-the-night-8XYH4L-en/
    Harvard
    Chagall, Marc (1943) In the night. Available at: https://topimpressionists.com/en/art/marc-chagall-in-the-night-8XYH4L-en/

    Look closely

    In the night — Marc Chagall

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: love, romance, nighttime. Do you agree? What would you add, or take away?
    5. Look back at I and the Village (1911), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    In the night — Marc Chagall

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Marc Chagall’s ‘In the Night’ primarily associated with?

      • A Cubism
      • B Impressionism
      • C Naive Art
    2. 2. The painting depicts a scene featuring two figures embracing under what type of illumination?

      • A Sunset glow
      • B Artificial street light
      • C Moonlight
    3. 3. What is characteristic of Chagall’s style as exemplified in ‘In the Night’?

      • A Detailed realism
      • B Emphasis on perspective
      • C Simplified forms and emotional expression
    4. 4. The painting utilizes a predominantly black and white color palette. What effect does this contribute to?

      • A Increased vibrancy
      • B Enhanced depth perception
      • C A sense of drama and contrast
    5. 5. What symbolic element is represented by the crescent moon in ‘In the Night’?

      • A Represents wealth
      • B Symbolizes femininity
      • C Suggests mystery and introspection

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3C · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Where should a reproduction of "In the night" by Marc Chagall be hung?

    The square format of "In the night" by Marc Chagall is recommended for a living room. Format and space together guide the placement of a reproduction.

    What is the dominant hue of "In the night" by Marc Chagall?

    A green to violet spectrum hue runs through "In the night" by Marc Chagall.

    What type of artwork is "In the night" by Marc Chagall?

    In the catalog, "In the night" by Marc Chagall is filed as wall art. The category helps find similar works.