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Student Artwork Guide

Self Portrait

Name Class Date

Marc Nattier, Self Portrait. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Marc Nattier topimpressionists.com/en/artists/marc-nattier/
Artist’s dates
1685 – 1766
Movement
Rococo Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls.

In context

Self Portrait — Marc Nattier

When might this have been painted?

  1. 1680
  2. 1690
  3. 1700
  4. 1710
  5. 1720
  6. 1730
  7. 1740
  8. 1750
  9. 1760

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 81 at death.

Shaded: the lifetime of Marc Nattier (1685–1766) every dated painting, decade by decade

First works: up to 1741 Main working years: 1741–1750 Late works: from 1750

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/marc-nattier-self-portrait-8LJ6WZ-en/

Colours

Measured from the image

    Main colour

    Gray #978978

    Catalogued palette

    • #978978
    • #F3EBDE
    • #CEC1AF
    • #AA9A87

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Monochrome The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Marc Nattier over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 78.4%
    2. 2 United States of America 9.8%
    3. 3 Hong Kong 3.9%
    4. 4 Singapore 3.9%
    5. 5 Australia 2.0%
    6. 6 Italy 2.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Marc Nattier

    1. 1 Portrait of Catherine I, 1717 11.1%
    2. 2 'Mademoiselle de Clermont ''en Sultane''', 1733 7.4%
    3. 3 Francis Greville, Baron Brooke, later 1st Earl of Warwick, 1741 5.6%
    4. 4 Madame Le Fèvre de Caumartin as Hebe, 1753 3.7%
    5. 5 Mademoiselle de Clermont 'en sultane', 1733 3.7%
    6. 6 Joseph Bonnier de la Mosson, 1745 3.7%
    7. 7 Portrait of a Young Woman, 1750 3.7%
    8. 8 Venus chastising Cupid; and Venus and Cupid 3.7%
    9. 9 A horseman holding a sword 3.7%
    10. 10 Self Portrait this painting 3.7%
    11. 11 Portrait of Madame Maria Zeffirina, 1751 1.9%
    12. 12 Madame Bouret as Diana, 1745 1.9%
    13. 13 Portrait of Louis XV of France, 1745 1.9%
    14. 14 Madame Victoire, 1748 1.9%
    15. 15 Madame Marsollier and her Daughter, 1749 1.9%
    16. 16 The Duchesse de Chaulnes Represented as Hebe, 1744 1.9%
    17. 17 Jeanne Antoinette Poisson, Marquise de Pompadour, as Diana the Huntress, 1746 1.9%
    18. 18 Comtesse de Tillières, 1750 1.9%
    19. 19 Untitled (AQQHGJ), 1744 1.9%
    20. 20 Madame Henriette, 1754 1.9%

    Together these works take 69.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 134 works by this artist, of which 37 were looked at at least once. This painting ranks 10 of them, with 3.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Marc Nattier

    Born in Paris, France

    A Brushstroke of Elegance: The Life and Art of Jean-Marc Nattier

    Born into a family steeped in artistic tradition, Jean-Marc Nattier emerged as one of the most celebrated portraitists of 18th-century France. His father, Marc Nattier, was an established portrait painter, while his mother, Marie Courtois, excelled as a miniaturist – a lineage that provided young Jean-Marc with a solid foundation in the fundamentals of artistic expression. Born in Paris on March 17, 1685, Nattier’s early training involved not only direct instruction from his father but also diligent copying of masterpieces at the Luxembourg Gallery. This practice honed his skills in capturing likenesses and understanding compositional principles, laying the groundwork for a career that would define the Rococo aesthetic. Interestingly, despite being offered the prestigious opportunity to study at the French Academy in Rome, Nattier chose to remain in Paris, believing he could best cultivate his unique style independently. This decision proved pivotal, allowing him to forge a path distinct from the more conventional academic traditions of the time.

    The Painter of Aristocratic Dreams

    Nattier’s name became synonymous with the elegance and refinement of King Louis XV's court. He quickly rose to prominence as the preferred portraitist for the ladies of Versailles, capturing their beauty and status with a distinctive flair. However, Nattier didn’t simply paint portraits; he crafted illusions, transforming his sitters into goddesses and mythological figures. This innovative approach – reviving the allegorical portrait – was a hallmark of his style. A lady might be depicted as Diana, goddess of the hunt, or Hebe, cupbearer to the gods, adorned in flowing classical drapery and set within evocative landscapes. These weren’t mere exercises in costume; they were carefully constructed representations that imbued the subject with an air of sophistication, grace, and timeless beauty. His masterful use of light played a crucial role in these compositions, creating depth and dimensionality, drawing the viewer into the scene, and enhancing the ethereal quality of his subjects. Nattier’s attention to detail was meticulous, from the delicate rendering of fabrics to the subtle expressions on his sitters' faces. Notable works like Madame Le Fèvre de Caumartin as Hebe, now housed in the National Gallery of Art, exemplify this approach – a stunning fusion of realism and fantasy that captivated contemporary audiences and continues to enchant viewers today. Other celebrated pieces include Marie Adelaide of France as Diana and The Artist Surrounded by His Family.

    Influences and Artistic Development

    Nattier’s artistic journey was shaped by a confluence of influences. His father provided the initial spark, instilling in him a love for portraiture. Further guidance came from his uncle, Jean Jouvenet, a respected history painter who broadened his understanding of composition and narrative. However, it was the opportunity to study the works of Peter Paul Rubens at the Luxembourg Palace that proved particularly transformative. The Baroque master’s dynamic compositions, rich colors, and sensual depictions of the human form left an indelible mark on Nattier's style. He absorbed Rubens’ energy and exuberance, adapting them to his own refined aesthetic. This blend of influences culminated in a unique artistic voice that positioned Nattier as a key figure in the burgeoning Rococo movement – a style characterized by its elegance, grace, playful themes, and emphasis on ornamentation. His innovative techniques, particularly his ability to seamlessly integrate realism with mythological allegory, set him apart from his contemporaries and inspired generations of artists who followed.

    Legacy and Historical Significance

    Jean-Marc Nattier’s impact extends far beyond the exquisite portraits he created. As the official portrait painter to Louis XV, he played a vital role in shaping the image of the French aristocracy during a period of immense cultural and political change. His paintings offer invaluable insights into the fashion, customs, and social dynamics of 18th-century France. He didn’t just record appearances; he captured an era – its aspirations, its values, and its aesthetic sensibilities. The revival of allegorical portraits under Nattier's hand was a significant artistic achievement, demonstrating his ability to breathe new life into established genres. His works are now treasured possessions of prestigious museums worldwide, including the Louvre, The Wallace Collection, and the Alte Pinakothek, testament to his enduring legacy. He died in Paris on November 7, 1766, leaving behind a body of work that continues to inspire awe and admiration. Nattier’s paintings remain powerful reminders of an age defined by elegance, refinement, and the pursuit of beauty – a brushstroke of elegance frozen in time.

    Exploring Nattier's World Further

    Notable Works: The Artist Surrounded by His Family (1730), Marie Lečinska (Dijon Museum), Magdalen (Louvre), Comtesse de Tillières and Mademoiselle de Clermont en Sultane (The Wallace Collection), Madame Le Fèvre de Caumartin as Hebe (National Gallery of Art), The Lovers (Alte Pinakothek Museum, Munich).

    Key Characteristics: Rococo style, allegorical portraits, mythological attire, masterful use of light and shadow, attention to detail.

    Further Research: Explore resources like Wikipedia (https://en.wikipedia.org/wiki/Jean-Marc_Nattier) and Britannica (https://www.britannica.com/biography/Jean-Marc-Nattier) for more in-depth information.

    Where to read more

    • The artist Marc Nattier topimpressionists.com/en/artists/marc-nattier/
    • Similar works More works to compare topimpressionists.com/en/art/similar/marc-nattier-self-portrait-8LJ6WZ-en/

    Find this online

    QR code linking to the download page for Self Portrait

    topimpressionists.com/en/art/download/marc-nattier-self-portrait-8LJ6WZ-en/

    Cite this artwork

    MLA
    Nattier, Marc. Self Portrait. n.d., https://topimpressionists.com/en/art/marc-nattier-self-portrait-8LJ6WZ-en/
    APA
    Nattier, Marc (n.d.). Self Portrait [Painting]. https://topimpressionists.com/en/art/marc-nattier-self-portrait-8LJ6WZ-en/
    Chicago
    Marc Nattier. Self Portrait. n.d. https://topimpressionists.com/en/art/marc-nattier-self-portrait-8LJ6WZ-en/
    Harvard
    Nattier, Marc (n.d.) Self Portrait. Available at: https://topimpressionists.com/en/art/marc-nattier-self-portrait-8LJ6WZ-en/

    Look closely

    Self Portrait — Marc Nattier

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portraits. Do you agree? What would you add, or take away?
    5. Look back at Portrait of Louis XV of France (1745), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What colors dominate "Self Portrait" by Marc Nattier?

    "Self Portrait" is defined by a monochrome palette led by gray (#978978).

    What style does "Self Portrait" belong to?

    "Self Portrait" is a work of Rococo. The movement indicates the artistic tradition the work is part of.

    What is the luminance of "Self Portrait" by Marc Nattier?

    The luminance recorded for "Self Portrait" by Marc Nattier is bright balance.