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Student Artwork Guide

Reclining Nude

Name Class Date

Narashige Koide, Reclining Nude (1931), Artizon Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Narashige Koide topimpressionists.com/en/artists/narashige-koide/
Artist’s dates
1887 – 1931
Painted
1931
Original size
729 x 500 cm
Held at
Artizon Museum topimpressionists.com/en/museums/artizon-museum-tokyo/

In context

Reclining Nude — Narashige Koide

How big is it?

The original measures 729 × 500 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 44 at death.

Painted when the artist was 44. The artist lived to 44. 4 of the 5 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Narashige Koide (1887–1931) ▲ this work, 1931 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/narashige-koide-reclining-nude-D4BBU7-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #151e1b

    Catalogued palette

    • #151E1B
    • #7C6858
    • #B39C85
    • #504139

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Narashige Koide over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 Romania 80.0%
    2. 2 China 20.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Narashige Koide

    1. 1 Portrait of Mrs. N, 1918 60.0%
    2. 2 Vegetables on the Table, 1927 40.0%
    3. — Reclining Nude, 1931 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 6 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Narashige Koide

    Born in Japan

    A Pioneer of Modern Japanese Painting: The Life and Art of Narashige Koide

    Narashige Koide, born in Osaka in 1887, emerged as a pivotal figure in the evolution of early 20th-century Japanese art. His brief but intensely productive career bridged the traditions of Nihonga – traditional Japanese painting – with the burgeoning influence of Western artistic styles, particularly in portraiture and the daring exploration of the nude form. Koide’s story is one of a restless innovator, constantly seeking to define a uniquely Japanese modernism, grappling with both aesthetic heritage and the allure of European avant-garde movements.

    From his youth, an inclination towards art was evident, leading him to study Nihonga during his elementary and middle school years. However, Koide harbored a deep fascination with Western painting techniques, a desire that initially led to rejection from the Western Arts department of the Tokyo School of Fine Art in 1907. Accepted into the Nihonga program instead, he continued to pursue oil painting independently, recognizing its potential for expressing modern sensibilities. This duality – a grounding in Japanese artistic principles coupled with an ambition to master Western methods – would become a defining characteristic of his oeuvre.

    The Rise of Hanshinkan Modernism and Early Success

    After graduating from the Tokyo School of Fine Art in 1914, Koide returned to Osaka, immersing himself in the artistic ferment of the Kansai region. This period saw the emergence of what would become known as Hanshinkan Modernism – a movement characterized by its embrace of Western styles while retaining a distinctly Japanese aesthetic sensibility. Koide quickly became a leading voice within this burgeoning scene. His breakthrough came with “N’s Family” (1919), a yōga-style portrait that garnered significant attention and ultimately won the prestigious Chōgyū Prize at the Sixth Nikakai Exhibition. This work, now recognized as an Important Cultural Property of Japan, showcased Koide's ability to synthesize Western compositional techniques with Japanese themes and emotional depth.

    The success of “N’s Family” propelled Koide into the spotlight, securing commissions and allowing him further artistic exploration. His subsequent works, such as "Boy with a Lamp" (1923), displayed a growing mastery of light and shadow, influenced by Impressionism and Post-Impressionism, yet imbued with a uniquely Japanese sensitivity to form and atmosphere. He wasn’t merely imitating Western styles; he was adapting them, filtering them through his own cultural lens.

    Experimentation and the Pursuit of Form

    Koide's artistic curiosity extended beyond traditional painting mediums. He experimented with various techniques, including painting on glass, demonstrating a willingness to push boundaries and challenge conventional norms. A trip to France from 1921-1922 further broadened his horizons, exposing him to the latest developments in European art. Upon his return, he established an atelier in Osaka in 1924, fostering a creative environment that attracted other artists and contributed to the vibrant artistic community of the region.

    However, it was in his later years, particularly after moving to Ashiya in 1926, that Koide truly distinguished himself. He became renowned for his depictions of the female nude – a subject considered daringly modern for its time in Japan. Paintings like “Nude with White Cloth” (1929) and “Nude on a Bed” (1930) were not simply exercises in anatomical study; they were explorations of form, light, and emotion, imbued with a subtle sensuality that set them apart from their Western counterparts. He earned the nickname "Rafu no Narashige" – Narashige of the Nudes – reflecting his prominence in this genre.

    Legacy and Lasting Influence

    Tragically, Narashige Koide’s life was cut short by illness in 1931 at the age of just 43. Despite his relatively brief career, he left an indelible mark on Japanese art history. He played a crucial role in establishing Hanshinkan Modernism as a significant force and paved the way for future generations of artists to explore Western styles while remaining rooted in their own cultural heritage.

    Koide’s work continues to resonate today, captivating viewers with its blend of technical skill, emotional depth, and innovative spirit. His paintings are held in prestigious collections such as the National Museum of Modern Art, Tokyo, and the Ohara Museum of Art, ensuring that his legacy will endure for years to come. He remains a testament to the power of artistic vision and the enduring quest to forge a uniquely modern Japanese aesthetic.

    Notable Works

    N’s Family (1919), Ohara Art Museum, National Important Cultural Property

    Boy with a Lamp (1923), National Museum of Modern Art, Tokyo, Japan

    Nude with White Cloth (1929), National Museum of Modern Art, Tokyo, Japan

    Nude on a Bed (1930), Ohara Museum of Art, Tokyo, Japan

    Museum

    Artizon Museum

    On show in Tokyo, Japan

    A Living Dialogue Between Eras

    In the vibrant, pulsing heart of Tokyo, where the relentless energy of the twenty-first century meets a profound respect for heritage, stands the Artizon Museum. This is not merely a repository of beautiful objects, but a living dialogue between eras. Born from the visionary ambition of Ishibashi Shojiro in 1952, what was once known as the Bridgestone Museum of Art has undergone a breathtaking metamorphosis. The museum’s relocation in 2020 to the Nagasaka Kyobashi Building was far more than a change of physical coordinates; it was a deliberate architectural and spiritual affirmation of modernity. The building itself serves as a sleek, contemporary vessel, designed to offer an inspiring sanctuary where the echoes of artistic tradition converge with the forward momentum of a global metropolis.

    To step inside the Artizon is to enter a realm where light and color perform a timeless dance. The museum’s core strength lies in its magnificent holdings of Impressionist and Post-Impressionist masterpieces, a collection that captures the very moment Western art broke free from the constraints of tradition. One cannot help but feel a sense of profound tranquility when standing before the luminous canvases of

    Claude Monet

    , where sunlit water lilies drift across tranquil ponds, inviting the viewer into an immersive experience of pure observation. This emotional resonance deepens as one encounters the raw, vibrant intensity of

    Vincent van Gogh’s

    brushstrokes, which explode with a passion that remains as captivating today as it was in the nineteenth century. Alongside these titans, the museum traces the evolution of modernism through the works of

    Edgar Degas, Paul Cézanne, and Pablo Picasso

    , offering a narrative arc that celebrates the courage to innovate and the beauty of dismantling established forms.

    A Synthesis of East and West

    What truly distinguishes the Artizon Museum, however, is its masterful ability to bridge the divide between East and West. It is a rare and precious space where Western Impressionism and Japanese tradition are presented with equal reverence, fostering a unique cross-cultural understanding. This synthesis is perhaps most beautifully embodied in the works of

    Ishii Hakutei

    , a pivotal figure who masterfully blended the delicate techniques of

    Nihonga

    painting with emerging Western influences. His landscapes and portraits serve as a window into a period of intense cultural exchange, where meticulous Japanese detail meets a new, expressive fluidity. This global perspective is further enriched by an unexpected encounter with Ancient Greek ceramics, providing a historical counterpoint that reminds us of the enduring power of human creativity across millennia.

    Beyond the gallery walls, the Artizon Museum functions as a vital hub for the preservation and study of our collective artistic soul. Through the Ishibashi Foundation Art Research Center in Machida, the museum engages in the meticulous science of conservation, ensuring that every pigment and fragile fiber is safeguarded for future generations. For the art lover, the collector, or the interior designer seeking inspiration, the museum offers more than just a viewing experience; it offers a journey through the evolution of human thought. It is a destination where the shimmering light of the past illuminates the creative horizons of the future, making it an essential pilgrimage for anyone moved by the transformative power of art.

    Where to read more

    • The artist Narashige Koide topimpressionists.com/en/artists/narashige-koide/
    • The museum Artizon Museum topimpressionists.com/en/museums/artizon-museum-tokyo/
    • Similar works More works to compare topimpressionists.com/en/art/similar/narashige-koide-reclining-nude-D4BBU7-en/

    Find this online

    QR code linking to the download page for Reclining Nude

    topimpressionists.com/en/art/download/narashige-koide-reclining-nude-D4BBU7-en/

    Cite this artwork

    MLA
    Koide, Narashige. Reclining Nude. 1931, Artizon Museum. https://topimpressionists.com/en/art/narashige-koide-reclining-nude-D4BBU7-en/
    APA
    Koide, Narashige (1931). Reclining Nude [Painting]. Artizon Museum. https://topimpressionists.com/en/art/narashige-koide-reclining-nude-D4BBU7-en/
    Chicago
    Narashige Koide. Reclining Nude. 1931. Artizon Museum. https://topimpressionists.com/en/art/narashige-koide-reclining-nude-D4BBU7-en/
    Harvard
    Koide, Narashige (1931) Reclining Nude. Artizon Museum. Available at: https://topimpressionists.com/en/art/narashige-koide-reclining-nude-D4BBU7-en/

    Look closely

    Reclining Nude — Narashige Koide

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Still Life with Vegetables (1925), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Narashige Koide was about 44 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What are the dimensions of the original "Reclining Nude" by Narashige Koide?

    "Reclining Nude" measures 729 x 500 cm in its original form. Original dimensions are a useful reference when choosing a reproduction size.

    What is the creation date of "Reclining Nude" by Narashige Koide?

    "Reclining Nude" by Narashige Koide was created in 1931.

    How do I discover artworks close to "Reclining Nude" by Narashige Koide?

    Works similar to "Reclining Nude" are listed on the artwork's Similars page.