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Student Artwork Guide

Self-Portrait with a Hat

Name Class Date

Narashige Koide, Self-Portrait with a Hat (1924), Artizon Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Narashige Koide topimpressionists.com/en/artists/narashige-koide/
Artist’s dates
1887 – 1931
Painted
1924
Medium
Oil On Canvas
Original size
913 x 1260 cm
Held at
Artizon Museum topimpressionists.com/en/museums/artizon-museum-tokyo/
Artistic style
Modern Japanese Painting
Subject or theme
Self-portraiture

In context

Self-Portrait with a Hat — Narashige Koide

How big is it?

The original measures 913 × 1260 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 44 at death.

Painted when the artist was 37. The artist lived to 44. 1 of the 5 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Narashige Koide (1887–1931) ▲ this work, 1924 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/narashige-koide-self-portrait-with-a-hat-D485N8-en/

Colours

Measured from the image

    Main colour

    Celadon #c0b9b2

    Catalogued palette

    • #C0B9B2
    • #1C201A
    • #818278
    • #50503F

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Celadon
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Narashige Koide over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 Romania 80.0%
    2. 2 China 20.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Narashige Koide

    1. 1 Portrait of Mrs. N, 1918 60.0%
    2. 2 Vegetables on the Table, 1927 40.0%
    3. — Self-Portrait with a Hat, 1924 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 6 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Self-Portrait with a Hat — Narashige Koide

    A Moment of Transformation: Narashige Koide's Self-Portrait with a Hat

    To stand before Narashige Koide’s Self-Portrait with a Hat is to encounter not merely an image, but a profound turning point in the trajectory of modern Japanese art. Painted in 1924, this monumental work captures the artist at a critical juncture—a man shedding old habits and embracing a Westernized modernity while simultaneously grappling with the seismic shock of personal and societal upheaval. The very air around the figure seems charged with intellectual striving; he is presented in his suit, holding a hat as if it were an emblem of a role just adopted or one about to be discarded. It speaks volumes about the restless spirit of an artist determined to redefine Japanese aesthetics for a new century.

    The Crucible of Change: Historical Context and Symbolism

    Koide’s life leading up to this canvas was marked by intense cultural collision. His sojourn in France, followed by his return to Osaka, signaled a conscious adoption of Western routines—the bread and coffee replacing older customs. This painting is steeped in that tension between heritage and the foreign influence. More dramatically, the shadow of the Great Kanto Earthquake looms large; surviving such a catastrophic collapse must have been an overwhelming experience, forcing a sudden, brutal clarity upon his artistic vision. The meticulous arrangement within the portrait—the carefully placed chairs, the scattered potted plants, the visible bottles—suggests an attempt to impose order and structure onto a world that had violently dissolved around him. The hat itself becomes a potent symbol: is it protection from the elements, or perhaps the covering of an old self?

    Mastery in Composition and Technique

    The sheer scale of this piece, measuring 913 x 1260 cm, commands attention, demanding that any viewer approach it with reverence. Koide’s technique here showcases a remarkable synthesis. While rooted in the discipline of Japanese painting traditions, his handling of form, light, and shadow clearly absorbs Western academic influences, particularly visible in the rendering of the suit and the architectural elements. The composition is rich, almost encyclopedic, filled with carefully curated details—the book held near his hand, the placement of the various botanical specimens—that anchor the central figure. These decorative elements are not mere filler; they function as visual anchors that ground the narrative weight of the self-portrait.

    An Invitation to Contemplation for the Modern Collector

    For the discerning collector or designer seeking a piece with deep intellectual resonance, Self-Portrait with a Hat offers more than just decorative grandeur. It is an artifact of resilience. Reproducing this work allows one to bring into a contemporary space not only Koide’s masterful brushwork but also the enduring narrative of reinvention. Imagine this monumental presence in a grand hall or library; it becomes a focal point that sparks conversation, inviting viewers to contemplate their own personal turning points and the delicate balance between tradition and necessary evolution.

    Artist and museum

    Artist

    Narashige Koide

    Born in Japan

    A Pioneer of Modern Japanese Painting: The Life and Art of Narashige Koide

    Narashige Koide, born in Osaka in 1887, emerged as a pivotal figure in the evolution of early 20th-century Japanese art. His brief but intensely productive career bridged the traditions of Nihonga – traditional Japanese painting – with the burgeoning influence of Western artistic styles, particularly in portraiture and the daring exploration of the nude form. Koide’s story is one of a restless innovator, constantly seeking to define a uniquely Japanese modernism, grappling with both aesthetic heritage and the allure of European avant-garde movements.

    From his youth, an inclination towards art was evident, leading him to study Nihonga during his elementary and middle school years. However, Koide harbored a deep fascination with Western painting techniques, a desire that initially led to rejection from the Western Arts department of the Tokyo School of Fine Art in 1907. Accepted into the Nihonga program instead, he continued to pursue oil painting independently, recognizing its potential for expressing modern sensibilities. This duality – a grounding in Japanese artistic principles coupled with an ambition to master Western methods – would become a defining characteristic of his oeuvre.

    The Rise of Hanshinkan Modernism and Early Success

    After graduating from the Tokyo School of Fine Art in 1914, Koide returned to Osaka, immersing himself in the artistic ferment of the Kansai region. This period saw the emergence of what would become known as Hanshinkan Modernism – a movement characterized by its embrace of Western styles while retaining a distinctly Japanese aesthetic sensibility. Koide quickly became a leading voice within this burgeoning scene. His breakthrough came with “N’s Family” (1919), a yōga-style portrait that garnered significant attention and ultimately won the prestigious Chōgyū Prize at the Sixth Nikakai Exhibition. This work, now recognized as an Important Cultural Property of Japan, showcased Koide's ability to synthesize Western compositional techniques with Japanese themes and emotional depth.

    The success of “N’s Family” propelled Koide into the spotlight, securing commissions and allowing him further artistic exploration. His subsequent works, such as "Boy with a Lamp" (1923), displayed a growing mastery of light and shadow, influenced by Impressionism and Post-Impressionism, yet imbued with a uniquely Japanese sensitivity to form and atmosphere. He wasn’t merely imitating Western styles; he was adapting them, filtering them through his own cultural lens.

    Experimentation and the Pursuit of Form

    Koide's artistic curiosity extended beyond traditional painting mediums. He experimented with various techniques, including painting on glass, demonstrating a willingness to push boundaries and challenge conventional norms. A trip to France from 1921-1922 further broadened his horizons, exposing him to the latest developments in European art. Upon his return, he established an atelier in Osaka in 1924, fostering a creative environment that attracted other artists and contributed to the vibrant artistic community of the region.

    However, it was in his later years, particularly after moving to Ashiya in 1926, that Koide truly distinguished himself. He became renowned for his depictions of the female nude – a subject considered daringly modern for its time in Japan. Paintings like “Nude with White Cloth” (1929) and “Nude on a Bed” (1930) were not simply exercises in anatomical study; they were explorations of form, light, and emotion, imbued with a subtle sensuality that set them apart from their Western counterparts. He earned the nickname "Rafu no Narashige" – Narashige of the Nudes – reflecting his prominence in this genre.

    Legacy and Lasting Influence

    Tragically, Narashige Koide’s life was cut short by illness in 1931 at the age of just 43. Despite his relatively brief career, he left an indelible mark on Japanese art history. He played a crucial role in establishing Hanshinkan Modernism as a significant force and paved the way for future generations of artists to explore Western styles while remaining rooted in their own cultural heritage.

    Koide’s work continues to resonate today, captivating viewers with its blend of technical skill, emotional depth, and innovative spirit. His paintings are held in prestigious collections such as the National Museum of Modern Art, Tokyo, and the Ohara Museum of Art, ensuring that his legacy will endure for years to come. He remains a testament to the power of artistic vision and the enduring quest to forge a uniquely modern Japanese aesthetic.

    Notable Works

    N’s Family (1919), Ohara Art Museum, National Important Cultural Property

    Boy with a Lamp (1923), National Museum of Modern Art, Tokyo, Japan

    Nude with White Cloth (1929), National Museum of Modern Art, Tokyo, Japan

    Nude on a Bed (1930), Ohara Museum of Art, Tokyo, Japan

    Museum

    Artizon Museum

    On show in Tokyo, Japan

    A Living Dialogue Between Eras

    In the vibrant, pulsing heart of Tokyo, where the relentless energy of the twenty-first century meets a profound respect for heritage, stands the Artizon Museum. This is not merely a repository of beautiful objects, but a living dialogue between eras. Born from the visionary ambition of Ishibashi Shojiro in 1952, what was once known as the Bridgestone Museum of Art has undergone a breathtaking metamorphosis. The museum’s relocation in 2020 to the Nagasaka Kyobashi Building was far more than a change of physical coordinates; it was a deliberate architectural and spiritual affirmation of modernity. The building itself serves as a sleek, contemporary vessel, designed to offer an inspiring sanctuary where the echoes of artistic tradition converge with the forward momentum of a global metropolis.

    To step inside the Artizon is to enter a realm where light and color perform a timeless dance. The museum’s core strength lies in its magnificent holdings of Impressionist and Post-Impressionist masterpieces, a collection that captures the very moment Western art broke free from the constraints of tradition. One cannot help but feel a sense of profound tranquility when standing before the luminous canvases of

    Claude Monet

    , where sunlit water lilies drift across tranquil ponds, inviting the viewer into an immersive experience of pure observation. This emotional resonance deepens as one encounters the raw, vibrant intensity of

    Vincent van Gogh’s

    brushstrokes, which explode with a passion that remains as captivating today as it was in the nineteenth century. Alongside these titans, the museum traces the evolution of modernism through the works of

    Edgar Degas, Paul Cézanne, and Pablo Picasso

    , offering a narrative arc that celebrates the courage to innovate and the beauty of dismantling established forms.

    A Synthesis of East and West

    What truly distinguishes the Artizon Museum, however, is its masterful ability to bridge the divide between East and West. It is a rare and precious space where Western Impressionism and Japanese tradition are presented with equal reverence, fostering a unique cross-cultural understanding. This synthesis is perhaps most beautifully embodied in the works of

    Ishii Hakutei

    , a pivotal figure who masterfully blended the delicate techniques of

    Nihonga

    painting with emerging Western influences. His landscapes and portraits serve as a window into a period of intense cultural exchange, where meticulous Japanese detail meets a new, expressive fluidity. This global perspective is further enriched by an unexpected encounter with Ancient Greek ceramics, providing a historical counterpoint that reminds us of the enduring power of human creativity across millennia.

    Beyond the gallery walls, the Artizon Museum functions as a vital hub for the preservation and study of our collective artistic soul. Through the Ishibashi Foundation Art Research Center in Machida, the museum engages in the meticulous science of conservation, ensuring that every pigment and fragile fiber is safeguarded for future generations. For the art lover, the collector, or the interior designer seeking inspiration, the museum offers more than just a viewing experience; it offers a journey through the evolution of human thought. It is a destination where the shimmering light of the past illuminates the creative horizons of the future, making it an essential pilgrimage for anyone moved by the transformative power of art.

    Where to read more

    Find this online

    QR code linking to the download page for Self-Portrait with a Hat

    topimpressionists.com/en/art/download/narashige-koide-self-portrait-with-a-hat-D485N8-en/

    Cite this artwork

    MLA
    Koide, Narashige. Self-Portrait with a Hat. 1924, Artizon Museum. https://topimpressionists.com/en/art/narashige-koide-self-portrait-with-a-hat-D485N8-en/
    APA
    Koide, Narashige (1924). Self-Portrait with a Hat [Painting]. Artizon Museum. https://topimpressionists.com/en/art/narashige-koide-self-portrait-with-a-hat-D485N8-en/
    Chicago
    Narashige Koide. Self-Portrait with a Hat. 1924. Artizon Museum. https://topimpressionists.com/en/art/narashige-koide-self-portrait-with-a-hat-D485N8-en/
    Harvard
    Koide, Narashige (1924) Self-Portrait with a Hat. Artizon Museum. Available at: https://topimpressionists.com/en/art/narashige-koide-self-portrait-with-a-hat-D485N8-en/

    Look closely

    Self-Portrait with a Hat — Narashige Koide

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: self-portrait, western style, suit. Do you agree? What would you add, or take away?
    4. Look back at Still Life with Vegetables (1925), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Narashige Koide was about 37 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Self-Portrait with a Hat — Narashige Koide

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What significant life event is noted to have been a turning point for Narashige Koide before painting this work?

      • A Returning from France after six months
      • B His initial studies in Nihonga
      • C The Great Kanto Earthquake
    2. 2. What style of painting did Narashige Koide's work help bridge between?

      • A Renaissance and Baroque
      • B Nihonga and Western artistic styles
      • C Impressionism and Post-Impressionism
    3. 3. According to the description, what item is the man in the painting holding in his hand on the left side?

      • A A bottle
      • B A hat
      • C A book
    4. 4. In what year was 'Self-Portrait with a Hat' painted?

      • A 1921
      • B 1887
      • C 1924
    5. 5. The painting depicts the artist adopting new habits influenced by which culture?

      • A Chinese culture
      • B Western mode
      • C Local Osaka traditions

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2A · 3B · 4B · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What luminance does "Self-Portrait with a Hat" by Narashige Koide have?

    The luminance recorded for "Self-Portrait with a Hat" by Narashige Koide is soft shadow.

    What size should I print "Self-Portrait with a Hat" for my room?

    In a living room, "Self-Portrait with a Hat" is suggested at a large print size.

    How do I discover artworks close to "Self-Portrait with a Hat" by Narashige Koide?

    The Similars page of "Self-Portrait with a Hat" by Narashige Koide presents related artworks.