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Student Artwork Guide

Giant Pumpkins

Name Class Date

Nicolas Tarkhoff, Giant Pumpkins (1905). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Nicolas Tarkhoff topimpressionists.com/en/artists/nicolas-tarkhoff/
Artist’s dates
1871 – 1930
Painted
1905
Original size
73 x 93 cm
Movement
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.

In context

Giant Pumpkins — Nicolas Tarkhoff

How big is it?

The original measures 73 × 93 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 59 at death.

Painted when the artist was 34. The artist lived to 59. 4 of the 25 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Nicolas Tarkhoff (1871–1930) ▲ this work, 1905 every dated painting, decade by decade

First works: up to 1905 Main working years: 1905–1907 Late works: from 1907

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/nicolas-tarkhoff-giant-pumpkins-AQTJFB-en/

Colours

Measured from the image

    Main colour

    Putty #dfcfaa

    Catalogued palette

    • #DFCFAA
    • #716260
    • #D76B43
    • #2B282D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Nicolas Tarkhoff over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 83.3%
    2. 2 Australia 4.2%
    3. 3 Singapore 4.2%
    4. 4 Türkiye 4.2%
    5. 5 United States of America 4.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Nicolas Tarkhoff

    1. 1 Madame Tarkhoff with Her Two Children Jean and Boris, 1907 12.1%
    2. 2 La Place du Maine, Paris 9.1%
    3. 3 Madame Tarkhoff and Her Child, 1906 6.1%
    4. 4 Morning by the Water, 1907 6.1%
    5. 5 Landscape with Garden and People, 1906 6.1%
    6. 6 My Family 6.1%
    7. 7 Faubourg Saint Antoine, 1905 6.1%
    8. 8 Landscape at Sunset 6.1%
    9. 9 Jean, Son of the Artist, Playing with Apples, 1908 3.0%
    10. 10 Giant Pumpkins, 1905 this painting 3.0%
    11. 11 Montparnasse Railway Station with Large Sun, 1905 3.0%
    12. 12 Landscape with Fields under the Sun, 1907 3.0%
    13. 13 The Fields of Orsay, 1907 3.0%
    14. 14 Landscape, 1910 3.0%
    15. 15 Fair, 1905 3.0%
    16. 16 Flowers, Fruit and Vegetables 3.0%
    17. 17 House with Sunflowers, 1907 3.0%
    18. 18 Farm, 1907 3.0%
    19. 19 Market on the Corner of the Faubourg 3.0%
    20. 20 Fiacres Parking 3.0%

    Together these works take 93.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 42 works by this artist, of which 22 were looked at at least once. This painting ranks 10 of them, with 3.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Nicolas Tarkhoff

    Early Life and Artistic Awakening

    Nicolas Alexandrovich Tarkhoff, born in Moscow on January 20, 1871, emerged from a family of prosperous merchants—a background that initially seemed destined for commerce rather than canvas. However, the young Tarkhoff possessed an innate artistic inclination, described as a “fervent desire to be a painter.” Tragedy marked his childhood; he lost his mother at age three and his father eight years later, experiences that perhaps fostered a sensitivity reflected in his later work. Despite this early loss, his passion for art persisted, though it faced initial resistance from his family who favored more conventional paths. He briefly fulfilled military obligations before finding employment with the Brest-Litovsk Railways—a period of deferment before fully embracing his artistic calling. In 1894, he bravely attempted entry into the School of Painting, Sculpture and Architecture in Moscow, but was rejected due to what was perceived as a “revolutionary temperament.” This rejection didn’t deter him; instead, it propelled him towards Konstantin Korovin's studio in 1897, where he found mentorship within Moscow’s vibrant artistic circles.

    Parisian Influences and the Embrace of Post-Impressionism

    The late 1890s witnessed a pivotal shift as Tarkhoff journeyed to Paris, a city already pulsating with avant-garde energy. He initially settled in Munich before permanently relocating to the French capital in November 1898. Paris offered not just a change of scenery but an immersion into a world brimming with artistic innovation. Though he enrolled at the Académie Julian under Jean-Paul Laurens, his independent spirit soon led him away from strict academic constraints. He also studied with Luc-Olivier Merson, yet it was the works of Van Gogh, Gauguin, and Cézanne that truly ignited his artistic evolution. These masters revealed “hidden talents” and charted a new course for Tarkhoff’s style—one characterized by expressive brushstrokes, bold color palettes, and an exploration of subjective experience. He quickly absorbed the lessons of Impressionism but moved beyond its purely optical concerns, embracing a more emotionally charged approach that would define his Post-Impressionist identity.

    Themes and Techniques: Capturing Light and Emotion

    Tarkhoff’s oeuvre is remarkably diverse, encompassing landscapes, genre scenes, still lifes, and portraits. However, certain themes consistently emerge—the bustling life of Paris, the tranquility of rural settings, and intimate moments of family connection. His Parisian paintings capture the energy of boulevards, carnivals, and racing cabs, while his later works reflect a settled life in Orsay, where he resided with his family from 1911. He masterfully employed oil paint to convey not just visual reality but also atmosphere and feeling. Textured brushwork became a hallmark of his style, creating surfaces that shimmered with light and movement. He wasn’t merely depicting scenes; he was translating emotions onto canvas. His use of color was equally significant—vibrant hues were often juxtaposed to create dynamic contrasts and evoke specific moods. Works like “Goats in the Sunshine” exemplify this approach, showcasing a rural idyll bathed in warm light and imbued with a sense of peacefulness. “My Family,” painted during his Russian Post-Impressionist period, reveals a heartwarming tenderness through its expressive style and careful attention to detail.

    Recognition and Legacy

    Nicolas Tarkhoff achieved considerable recognition during his lifetime, participating in numerous exhibitions across Europe. His work resonated with audiences who appreciated his unique blend of Impressionistic techniques and Post-Impressionist sensibilities. He exhibited at La Libre Esthétique in Paris, showcasing pieces like “Un Jour de neige” and “Notre-Dame,” alongside other prominent artists. Although not as widely celebrated as some of his contemporaries, Tarkhoff’s paintings continue to captivate viewers with their evocative power and emotional depth. His work is represented in various collections, including the Musée du Petit Palais, ensuring that his artistic vision endures for future generations. He stands as a testament to the enduring appeal of Post-Impressionism—a style that prioritized subjective experience and paved the way for modern art movements. His ability to capture serene moments and natural beauty through a unique artistic lens solidifies his place within the rich tapestry of early 20th-century Expressionism, offering a compelling glimpse into the heart and soul of an artist deeply connected to both the world around him and the emotions within.

    Where to read more

    Find this online

    QR code linking to the download page for Giant Pumpkins

    topimpressionists.com/en/art/download/nicolas-tarkhoff-giant-pumpkins-AQTJFB-en/

    Cite this artwork

    MLA
    Tarkhoff, Nicolas. Giant Pumpkins. 1905, https://topimpressionists.com/en/art/nicolas-tarkhoff-giant-pumpkins-AQTJFB-en/
    APA
    Tarkhoff, Nicolas (1905). Giant Pumpkins [Painting]. https://topimpressionists.com/en/art/nicolas-tarkhoff-giant-pumpkins-AQTJFB-en/
    Chicago
    Nicolas Tarkhoff. Giant Pumpkins. 1905. https://topimpressionists.com/en/art/nicolas-tarkhoff-giant-pumpkins-AQTJFB-en/
    Harvard
    Tarkhoff, Nicolas (1905) Giant Pumpkins. Available at: https://topimpressionists.com/en/art/nicolas-tarkhoff-giant-pumpkins-AQTJFB-en/

    Look closely

    Giant Pumpkins — Nicolas Tarkhoff

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: autumn harvest, pumpkins still life, vibrant colors. Do you agree? What would you add, or take away?
    4. Look back at My Family, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How does "Giant Pumpkins" fit into Nicolas Tarkhoff's themes and style?

    "Giant Pumpkins" belongs to Nicolas Tarkhoff's Post-Impressionism work, whose recorded themes include van gogh's expressive style, harvest symbolism, abundance, rural french life depicted, tarkhoff's signature color", part of a nature series, simple beauty, seasonal themes.

    Which palette and lead color define "Giant Pumpkins"?

    "Giant Pumpkins" is defined by a dark palette led by putty (#dfcfaa).

    Is "Giant Pumpkins" typical of what Nicolas Tarkhoff usually created?

    "Giant Pumpkins" depicts autumn harvest, pumpkins still life, vibrant colors, organic forms, texture rich art, post-impressionism, fall landscape, while Nicolas Tarkhoff's recorded themes are van gogh's expressive style, harvest symbolism, abundance, rural french life depicted, tarkhoff's signature color", part of a nature series, simple beauty, seasonal themes. Comparing the two shows how the work relates to the artist's usual subjects.