Paper

Student Artwork Guide

Pickler

Name Class Date

Norman Hepple, Pickler (1952), Ebbw Vale Works Archival Trust. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Norman Hepple topimpressionists.com/en/artists/norman-hepple/
Artist’s dates
1908 – 1994
Painted
1952
Original size
76 x 63 cm
Held at
Ebbw Vale Works Archival Trust topimpressionists.com/en/museums/ebbw-vale-works-archival-trust-ebbw-vale/

In context

Pickler — Norman Hepple

How big is it?

The original measures 76 × 63 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 86 at death.

Painted when the artist was 44. The artist lived to 86. 3 of the 8 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Norman Hepple (1908–1994) ▲ this work, 1952 every dated painting, decade by decade

First works: up to 1944 Main working years: 1944–1952 Late works: from 1952

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/norman-hepple-pickler-AQV74D-en/

Colours

Measured from the image

    Main colour

    Gray #938865

    Catalogued palette

    • #938865
    • #3B3021
    • #CCC496
    • #68593E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Norman Hepple over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by Norman Hepple

    1. 1 Humphrey Cripps (b.1915), Fellow (1979), 1893 25.0%
    2. 2 Mrs Betty Wake Cuthbert (1904–2005), 1944 25.0%
    3. 3 Hot Strip Mill, 1952 12.5%
    4. 4 Sir Charles Tennyson, 1954 12.5%
    5. 5 Lord Inman 12.5%
    6. 6 Mr A. W. Paramore 12.5%
    7. — Pickler, 1952 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 22 works by this artist, of which 6 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Norman Hepple

    Norman Hepple: A Portrait Painter of Distinction

    Norman Hepple (1908–1994) was an English portrait painter, engraver and sculptor whose meticulous attention to detail and unwavering dedication to capturing the essence of his subjects cemented his place as one of Britain’s most respected artists. Born in London, he descended from a lineage of artistic talent—his father, Robert Watkin Hepple, was also a painter, and his uncle, Wilson Hepple, specialized in Northumberland animal painting—establishing an early appreciation for visual art within his family. This formative influence steered him toward Goldsmiths College of Art before progressing to the Royal Academy Schools where he secured a prestigious scholarship focused on engraving, honing skills that would serve as foundational to his artistic practice.

    Early Career & Artistic Influences: Hepple’s initial explorations encompassed illustration, notably for Mary Webb's novels, demonstrating an early aptitude for storytelling through visual mediums. Simultaneously, he absorbed the stylistic precepts of prominent artists like Sir Walter Russell at the Royal Academy Schools, shaping his artistic vision and establishing a commitment to realism.

    World War II Service & Artistic Engagement: Recognizing the importance of civic duty during the Second World War, Hepple joined the Auxiliary Fire Service which swiftly transitioned into the National Fire Service (NFS). This involvement wasn’t merely practical; it fostered collaborative artistic endeavors with fellow artists—the Firemen Artists' Committee—resulting in exhibitions that toured America and showcasing his ability to blend artistic creativity with social responsibility.

    Royal Society Membership & Patronage: His election into the Royal Society of Portrait Painters in 1948 marked a pivotal moment, affording him access to influential circles and bolstering his reputation as a master craftsman. Serving as president from 1979 to 1983 solidified his leadership role within the artistic community and underscored his commitment to upholding standards of excellence.

    Academic Recognition & Artistic Legacy: Hepple’s ascension to Associate Membership at the Royal Academy in 1954 followed by Full Academician status in 1961 acknowledged his enduring contribution to British art history. His meticulous technique—characterized by painstaking observation and masterful rendering—became synonymous with portraiture, influencing generations of artists who sought to emulate his precision and sensitivity.

    Notable Commissions & Artistic Achievements

    Hepple’s artistic career blossomed during the postwar era, culminating in several significant commissions that showcased his versatility and elevated his stature within the art world. Among these were portraits of Queen Elizabeth II on three occasions—in 1965 for the Royal Marines, in 1978 for Jersey, and again in 1978 for HMS Dolphin—each capturing her regal presence with remarkable accuracy. Furthermore, he undertook commissions depicting Prince Charles, Prince Philip, and the Queen Mother, meticulously documenting their likenesses and conveying their personalities through nuanced artistic expression. His portrait of Queen Elizabeth II was adapted for use on banknotes issued in Jersey, a testament to his enduring influence on British culture.

    Queen Elizabeth II Portraits: Hepple’s depictions of the Queen were lauded for their elegance and psychological depth, reflecting his ability to convey not only physical appearance but also inner character.

    Royal Family Portraits: His portraits of Prince Charles, Prince Philip and The Queen Mother captured the dignity and grace of these prominent figures, establishing him as a leading portraitist of his time.

    Technique & Artistic Style

    Hepple’s artistic style was defined by unwavering commitment to realism—a hallmark that distinguished him from many contemporaries. He meticulously studied his subjects, employing painstaking observation and mastering techniques of engraving and painting to achieve unparalleled levels of detail and accuracy. His canvases often featured muted palettes and subtle tonal gradations, reflecting a profound understanding of light and shadow—elements he skillfully manipulated to imbue his portraits with atmosphere and emotion. This dedication to craftsmanship ensured that Hepple’s artwork retained an enduring quality, transcending stylistic trends and securing its place as timeless masterpieces.

    Later Life & Artistic Recognition

    Despite facing challenges posed by advancing age and diminishing eyesight, Hepple continued to pursue artistic endeavors until his passing in 1994. His final project—a portrait of MacDonald Critchley CBE—demonstrated his unwavering passion for art and reaffirmed his mastery of the craft. The artwork was exhibited at the Royal Academy and celebrated as a testament to his enduring legacy as one of Britain’s most distinguished portrait painters, securing his place in art history.

    Museum

    Ebbw Vale Works Archival Trust

    On show in Ebbw Vale, United Kingdom

    About Ebbw Vale Works Archival Trust

    Discover the rich industrial heritage of Ebbw Vale at this unique museum and archival center. Dedicated to preserving and showcasing the history of the region’s once-thriving steel, iron, and coal industries, the Ebbw Vale Works Archival Trust offers a fascinating glimpse into the lives of those who shaped South Wales.

    Specializations & Collection Highlights

    Industrial History:

    The museum’s core focus is on documenting and interpreting the industrial past of Ebbw Vale, from its origins in the late 18th century to the closure of the steelworks in 2002.

    Extensive Archive:

    Explore a vast collection of historical documents, including company records, maps, plans, and personal correspondence. These materials provide invaluable insights into the workings of the industries and the lives of the workers.

    Photographic Collection:

    A remarkable archive of vintage photographs captures the evolution of the steelworks, the surrounding landscape, and the communities that depended on them.

    Artefacts & Memorabilia:

    Discover a diverse range of artefacts related to the industries, including tools, equipment, personal items, and commemorative objects.

    History & Significance

    The Ebbw Vale Steelworks, developed from 1790, grew to become one of the largest steel mills in Europe. The museum chronicles this remarkable journey, highlighting its impact on the local economy and society. It also explores the challenges faced by the industries during periods of economic change and decline.

    What Makes it Unique

    National Importance:

    The collection is recognized as being of national significance, representing a vital record of Wales’s industrial past.

    Free Admission:

    Access to the museum and archive is free of charge, making it accessible to all.

    Community Focus:

    The Trust actively engages with the local community, promoting research, education, and a deeper understanding of the region’s heritage.

    Visiting Information

    The Ebbw Vale Works Archival Trust provides a unique opportunity to step back in time and experience the sights, sounds, and stories of Wales' industrial heartland. It is an essential destination for anyone interested in history, industry, or the cultural heritage of South Wales.

    Where to read more

    Find this online

    QR code linking to the download page for Pickler

    topimpressionists.com/en/art/download/norman-hepple-pickler-AQV74D-en/

    Cite this artwork

    MLA
    Hepple, Norman. Pickler. 1952, Ebbw Vale Works Archival Trust. https://topimpressionists.com/en/art/norman-hepple-pickler-AQV74D-en/
    APA
    Hepple, Norman (1952). Pickler [Painting]. Ebbw Vale Works Archival Trust. https://topimpressionists.com/en/art/norman-hepple-pickler-AQV74D-en/
    Chicago
    Norman Hepple. Pickler. 1952. Ebbw Vale Works Archival Trust. https://topimpressionists.com/en/art/norman-hepple-pickler-AQV74D-en/
    Harvard
    Hepple, Norman (1952) Pickler. Ebbw Vale Works Archival Trust. Available at: https://topimpressionists.com/en/art/norman-hepple-pickler-AQV74D-en/

    Look closely

    Pickler — Norman Hepple

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Sir Alan Cook (1922–2004), Master (1983–1993) (1991), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Norman Hepple was about 44 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How much light do the colors of "Pickler" appear to reflect?

    The luminance recorded for "Pickler" by Norman Hepple is soft shadow.

    What color leads the composition of "Pickler" by Norman Hepple?

    The color that stands out most in "Pickler" is gray (#938865). The dominant color is useful when matching an artwork to an interior.

    Can "Pickler" by Norman Hepple, held at the Ebbw Vale Works Archival Trust, be legally reproduced?

    The copyright status of "Pickler" by Norman Hepple is clear: the work is still protected by copyright. Its presence at the Ebbw Vale Works Archival Trust does not change that status.