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Student Artwork Guide

Large Bouquet in a Japanese Vase

Name Class Date

Odilon Redon, Large Bouquet in a Japanese Vase (1916), MOMA - Museum of Modern Art. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Odilon Redon topimpressionists.com/en/artists/odilon-redon/
Artist’s dates
1840 – 1916
Painted
1916
Movement
Symbolism Pictures where objects stand for ideas — a flower or a door meaning something beyond itself.
Held at
MOMA - Museum of Modern Art topimpressionists.com/en/museums/moma-museum-of-modern-art-new-york-city/
Influences
Japanese art
Notable elements
Vibrant colors, lines
Style
Symbolism
Subject
Floral arrangement

In context

Large Bouquet in a Japanese Vase — Odilon Redon

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 76 at death.

Painted when the artist was 76. The artist lived to 76. 314 of the 317 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Odilon Redon (1840–1916) ▲ this work, 1916 every dated painting, decade by decade

First works: up to 1892 Main working years: 1892–1908 Late works: from 1908

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/odilon-redon-large-bouquet-in-a-japanese-vase-8EWMM4-en/

Colours

Measured from the image

    Main colour

    Espresso #423426

    Catalogued palette

    • #423426
    • #925A33
    • #D1C17E
    • #686799

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Odilon Redon over the last twelve months — 38 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 62.3%
    2. 2 United States of America 13.3%
    3. 3 Hong Kong 3.7%
    4. 4 France 3.5%
    5. 5 Singapore 3.4%
    6. 6 Spain 2.0%
    7. 7 Romania 1.2%
    8. 8 Argentina 1.1%
    9. 9 Italy 1.1%
    10. 10 United Kingdom 0.6%
    11. · 28 other countries 7.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Odilon Redon

    1. 1 The Cyclops, 1914 2.4%
    2. 2 Yellow Tree, 1900 1.4%
    3. 3 White Vase with Flowers, 1916 1.4%
    4. 4 The Black Pegasus 1.3%
    5. 5 Ophelia, 1903 1.1%
    6. 6 Woman in Red 1.1%
    7. 7 Roger and Angelica, 1909 1.0%
    8. 8 Oriental Woman, 1897 1.0%
    9. 9 Cactus Man, 1882 0.9%
    10. 10 Flower Clouds, 1903 0.9%
    11. 11 Peyrelebade Landscape, 1868 0.9%
    12. 12 Centaurs, 1910 0.9%
    13. 13 untitled (190) 0.9%
    14. 14 Beatrice, 1905 0.8%
    15. 15 Mystical Conversation, 1896 0.8%
    16. 16 The Window, 1907 0.8%
    17. 17 Wild Flowers in a Vase 0.8%
    18. 18 Young Girl in a Blue Bonnet 0.8%
    19. 19 La Barque Mystique 0.8%
    20. 209 Large Bouquet in a Japanese Vase, 1916 this painting 0.1%

    Together these works take 20.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 720 works by this artist, of which 350 were looked at at least once. This painting ranks 209 of them, with 0.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Large Bouquet in a Japanese Vase — Odilon Redon

    A Dreamscape in Bloom: Exploring Odilon Redon’s “Large Bouquet in a Japanese Vase”

    Odilon Redon's "Large Bouquet in a Japanese Vase," created in 1916, isn’t merely a depiction of flowers; it’s an invitation into the artist’s intensely personal and profoundly symbolic world. Born Bertrand-Jean Redon in Bordeaux, France, in 1840, Redon initially pursued architecture before discovering his true vocation – translating the landscapes of the imagination onto paper. This particular work exemplifies his signature style within the Symbolist movement: a deliberate departure from straightforward representation, favoring instead the evocation of mood and emotion through carefully constructed forms and suggestive color palettes. The drawing’s power lies in its ability to transport us beyond the tangible, hinting at hidden narratives and psychological depths.

    The Language of Form and Color

    Redon's technique is immediately striking. He employs a delicate, almost hesitant line – a characteristic born from his early training in etching and lithography – to build the composition. The flowers themselves aren’t rendered with photographic precision; instead, they are fragmented, stylized, and imbued with an ethereal quality. Notice how the forms seem to dissolve at the edges, creating a sense of movement and suggesting a fleeting moment captured on paper. The color palette is equally deliberate. Vibrant blues – deep indigoes and ceruleans – dominate, juxtaposed against warmer yellows and reds, creating a visual tension that mirrors the emotional complexity within the piece. The use of light is masterful; it doesn’t illuminate but rather subtly defines shapes, adding to the drawing's dreamlike atmosphere.

    Line Work: Redon’s signature fragmented lines create an impression of movement and instability.

    Color Harmony: The interplay of cool blues and warm yellows evokes a sense of mystery and introspection.

    Light & Shadow: Subtle shading suggests depth without resorting to realistic rendering.

    Japanese Influence and Symbolic Resonance

    The inclusion of a Japanese vase is crucial to understanding the work’s significance. Redon, like many European artists of his time, was deeply fascinated by Eastern aesthetics – particularly Japanese woodblock prints and ceramics. The vase itself acts as a portal, connecting the Western viewer to an entirely different cultural perspective. It's not simply a container for flowers; it represents harmony, balance, and a connection to nature—themes central to Japanese art philosophy. Furthermore, the arrangement of the flowers within the vase can be interpreted symbolically. Each bloom carries its own weight of meaning – perhaps representing fleeting beauty, transient joy, or even mortality. The specific colors and forms contribute to this layered symbolism.

    A Window into Redon’s Inner World

    "Large Bouquet in a Japanese Vase" is more than just a beautiful drawing; it's a window into the artist’s psyche. Redon was known for his exploration of dreams, myths, and the subconscious – themes that resonate powerfully within this work. The ambiguity of the forms, the evocative colors, and the subtle suggestion of narrative invite viewers to project their own emotions and interpretations onto the scene. Currently housed at the Museum of Modern Art in New York City, this piece continues to captivate audiences with its haunting beauty and profound emotional depth. A high-quality reproduction from WahooArt.com allows you to bring this enigmatic masterpiece into your home, offering a constant source of contemplation and artistic inspiration.

    Artist and museum

    Artist

    Odilon Redon

    Born in Bordeaux, France

    A World Beyond the Visible: The Enigmatic Art of Odilon Redon

    Odilon Redon, born Bertrand-Jean Redon in 1840 in Bordeaux, France, was an artist perpetually drawn to translate the unseen realms of imagination and dream into tangible form. His artistic journey began not with grand ambition but with quiet observation; at just ten years old he won a drawing prize—a foreshadowing of the visual sensitivity that would define his life’s work. Though initially steered towards architecture by familial expectations, Redon's true calling lay elsewhere, illuminated by instruction from Jean-Léon Gérôme and, crucially, Rodolphe Bresdin, who guided him in the intricate arts of etching and lithography. These techniques became foundational to his early explorations, allowing him to delve into a world of shadowy figures and ambiguous forms that would soon captivate those seeking an alternative to academic realism. The interruption of the Franco-Prussian War saw Redon briefly serving in the military, but it was upon his return to Paris that his artistic vision truly began to coalesce.

    The Birth of Symbolism: ‘Noirs’ and Early Visions

    Redon's early career was marked by a deliberate withdrawal from prevailing artistic trends. He didn’t seek to replicate the visible world, but rather to evoke its hidden currents—the anxieties, desires, and spiritual longings that lay beneath the surface of everyday life. This led to his famed series of “noirs,” monochromatic works executed in charcoal and lithography. These weren't merely studies in darkness; they were explorations of the subconscious, populated by strange creatures, disembodied eyes, and haunting figures emerging from swirling mists. The influence of writers like Edgar Allan Poe and Charles Baudelaire is palpable here—a shared fascination with the macabre, the mysterious, and the power of suggestion. These works weren't immediately embraced; Redon remained largely unknown for years. However, a pivotal moment arrived in 1884 with Joris-Karl Huysmans’ novel À rebours (Against Nature), where the decadent aristocrat Des Esseintes championed Redon’s drawings, instantly elevating his status within avant-garde circles. This recognition opened doors and allowed Redon to further develop his unique artistic language. He described his work as ambiguous and undefinable, stating they should “place us, as does music, in the ambiguous realm of the undetermined.”

    A Palette Awakens: From Monochrome to Vibrant Expression

    While the “noirs” established Redon as a significant force in Symbolism, his art underwent a remarkable transformation in the 1890s. He began to embrace color—first pastels, then oils—infusing his compositions with a newfound vibrancy and luminosity. This shift wasn’t merely technical; it reflected an evolving emotional landscape within the artist himself. The earlier works often carried a sense of melancholy and isolation, but the later paintings reveal a growing interest in mythology, Buddhism, and Japanese art – Japonism was a significant influence. Works like The Death of the Buddha (1899) demonstrate this fascination with Eastern spirituality, while pieces commissioned by Baron Robert de Domecy for his château showcase Redon’s ability to blend decorative elements with symbolic imagery. The portraits of Baroness de Domecy and her daughter Jeanne are particularly striking examples of this period, capturing not just physical likeness but also a sense of inner life and psychological depth. Redon explored his internal feelings and psyche through his art, aiming to “place the visible at the service of the invisible.”

    Legacy and Influence: A Precursor to Surrealism

    Odilon Redon’s impact on the art world extends far beyond his own lifetime. He was awarded the Legion of Honor in 1903, and his work gained wider recognition with exhibitions at the New York Armory Show in 1913. However, it wasn't until after his death in 1916 that his true significance became fully apparent. Redon’s exploration of dreams, the subconscious, and irrationality paved the way for Surrealism, inspiring artists like Marcel Duchamp and Max Ernst to delve into similar territories. His emphasis on subjective experience and emotional expression also resonated with Expressionist painters. He wasn't simply depicting what he saw; he was visualizing what he felt, a principle that continues to inspire artists today. Redon’s legacy is one of artistic courage, a willingness to embrace the ambiguous, and a profound belief in the power of art to reveal the hidden dimensions of human experience. His drawings defied classification, ushering in a unique type of fantastic imagery born of sickness and delirium, yet always imbued with a haunting beauty.

    Key Characteristics & Themes

    Symbolism: Redon is considered a central figure in the Symbolist movement, prioritizing emotional and spiritual expression over realistic representation.

    Dreamlike Imagery: His works are often characterized by fantastical creatures, ambiguous landscapes, and scenes that evoke the atmosphere of dreams.

    Exploration of the Subconscious: Redon delved into themes of anxiety, desire, and the hidden depths of the human psyche.

    Influence of Literature & Mythology: He drew inspiration from writers like Poe and Baudelaire, as well as Eastern religions and mythology.

    Technical Innovation: Redon’s mastery of lithography and his innovative use of color in pastels and oils were crucial to his artistic vision.

    Museum

    MOMA - Museum of Modern Art

    On show in New York City, United States of America

    A Sanctuary of Modernity: Exploring the Soul of MoMA

    Nestled within the vibrant pulse of Midtown Manhattan, the Museum of Modern Art (MoMA) stands as far more than a mere repository for artistic treasures; it’s a living testament to the relentless spirit of innovation and the enduring power of human expression. Established in 1929 by visionary philanthropists, MoMA emerged from the shadows of the Great Depression not merely as an institution, but as a defiant declaration: a dedicated space consecrated solely to embracing the radical, the challenging, and profoundly influential works destined to shape the future of art. From its humble beginnings within the Heckscher Building, it has blossomed into an architectural marvel and a globally recognized landmark, inviting visitors on a profound journey through over a century of artistic evolution – a continuous narrative woven from groundbreaking movements and individual genius.

    A Tapestry of Artistic Innovation

    At the heart of MoMA’s breathtaking collection lies a carefully curated panorama spanning the late 19th century to the present day. Iconic works resonate across generations, each piece a window into a specific moment in art history. Vincent van Gogh's Starry Night, with its turbulent brushstrokes and swirling vortex of emotion, embodies the raw intensity of Expressionism. The canvas seems to breathe, capturing not just a night sky but the artist’s profound inner turmoil. Pablo Picasso’s Les Demoiselles d’Avignon shattered artistic conventions, laying the foundation for Cubism and forever altering our perception of representation. Its fragmented forms and jarring perspectives challenged traditional notions of beauty and perspective, ushering in an era of unprecedented experimentation. And Andy Warhol’s iconic silkscreen prints – particularly Campbell Soup Cans – capture the electric energy of postwar America with their bold colors and playful engagement with popular culture. These seemingly mundane objects, elevated to the realm of art, became symbols of consumerism and mass production, reflecting a rapidly changing society.

    Beyond these monumental figures, MoMA boasts an astonishing breadth: from the delicate brushstrokes of early Impressionists like Monet, whose Water Lilies evoke a serene contemplation of nature, to the abstract explorations of Kandinsky, who pioneered non-representational art; the pioneering photography of Alfred Stieglitz, documenting the dawn of modern photography; and the architectural designs that have shaped our world. Each gallery unfolds as a new chapter in this ongoing story, revealing the diverse voices and perspectives that have defined modern artistic expression.

    A Space Designed for Contemplation

    The transformation of MoMA in 2004, spearheaded by Japanese architect Yoshio Taniguchi, was more than just a renovation; it was a reimagining of the museum’s very soul. Taniguchi's design prioritized natural light, creating an atmosphere of luminous serenity that profoundly enhances the impact of the artwork. The atrium, bathed in sunlight streaming through expansive windows, serves as a central gathering area – a space designed for quiet contemplation and a deeper engagement with the art on display. This deliberate architectural choice reflects MoMA’s commitment to fostering a holistic experience, recognizing that the environment itself can contribute significantly to our understanding and appreciation of artistic expression. The careful consideration given to light, space, and flow creates an immersive setting where visitors are invited to lose themselves in the world of modern art.

    Shaping Art Historical Narratives Through Landmark Exhibitions

    MoMA’s legacy extends far beyond its permanent collection; it has consistently been a catalyst for groundbreaking exhibitions that have fundamentally reshaped public perception and redefined art historical narratives. Alfred H. Barr Jr.’s “Cubism and Abstract Art” (1936) stands as a watershed moment, introducing audiences to Picasso, Braque, Kandinsky, and Mondrian – artists who dared to transcend representational limitations and explore uncharted territories of expression. This exhibition wasn’t simply an exposition; it was a bold assertion that art could move beyond mere imitation and delve into the realm of pure feeling and form. Later exhibitions have continued this legacy, tackling contemporary issues with remarkable insight and fostering critical dialogue about our world – from explorations of Surrealism to the rise of Pop Art and Minimalism. The museum’s curatorial team has consistently demonstrated a willingness to challenge conventional wisdom and present new perspectives on art history.

    A Museum for Our Time

    Today, MoMA remains deeply engaged with pressing social issues through exhibitions that address climate change, identity, and justice. It champions artistic innovation and fosters dialogue globally, recognizing the vital role of art in shaping a more equitable and sustainable future. The museum’s commitment to inclusivity is evident not only in its collection but also in its programming, which actively seeks to amplify diverse voices and perspectives. Furthermore, MoMA's dedication extends beyond the purely aesthetic; it embraces a responsibility to engage with the complexities of our time, using art as a tool for critical reflection and social change. The museum’s ongoing efforts to connect with contemporary concerns underscore its role as a vital cultural institution in the 21st century.

    Where to read more

    Find this online

    QR code linking to the download page for Large Bouquet in a Japanese Vase

    topimpressionists.com/en/art/download/odilon-redon-large-bouquet-in-a-japanese-vase-8EWMM4-en/

    Cite this artwork

    MLA
    Redon, Odilon. Large Bouquet in a Japanese Vase. 1916, MOMA - Museum of Modern Art. https://topimpressionists.com/en/art/odilon-redon-large-bouquet-in-a-japanese-vase-8EWMM4-en/
    APA
    Redon, Odilon (1916). Large Bouquet in a Japanese Vase [Painting]. MOMA - Museum of Modern Art. https://topimpressionists.com/en/art/odilon-redon-large-bouquet-in-a-japanese-vase-8EWMM4-en/
    Chicago
    Odilon Redon. Large Bouquet in a Japanese Vase. 1916. MOMA - Museum of Modern Art. https://topimpressionists.com/en/art/odilon-redon-large-bouquet-in-a-japanese-vase-8EWMM4-en/
    Harvard
    Redon, Odilon (1916) Large Bouquet in a Japanese Vase. MOMA - Museum of Modern Art. Available at: https://topimpressionists.com/en/art/odilon-redon-large-bouquet-in-a-japanese-vase-8EWMM4-en/

    Look closely

    Large Bouquet in a Japanese Vase — Odilon Redon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: flowers, bouquet, vase. Do you agree? What would you add, or take away?
    4. Look back at The Death of Ophelia (1905), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Symbolism: Pictures where objects stand for ideas — a flower or a door meaning something beyond itself. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Large Bouquet in a Japanese Vase — Odilon Redon

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Odilon Redon primarily associated with?

      • A Impressionism
      • B Symbolism
      • C Realism
    2. 2. The painting 'Large Bouquet in a Japanese Vase' prominently features which element reflecting Redon’s interests?

      • A A detailed landscape scene
      • B A Japanese vase and its associated aesthetic
      • C A portrait of a noble family
    3. 3. What is the primary effect Redon aims to achieve through his use of vibrant colors in this artwork?

      • A To accurately depict the natural hues of flowers
      • B To evoke emotions and ideas rather than represent reality
      • C To create a realistic representation of botanical specimens
    4. 4. In what year was 'Large Bouquet in a Japanese Vase' created?

      • A 1860
      • B 1916
      • C 1940
    5. 5. Where is 'Large Bouquet in a Japanese Vase' currently housed?

      • A The Louvre Museum, Paris
      • B The Metropolitan Museum of Art, New York City
      • C The Museum of Modern Art, New York City

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3A · 4A · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    When was "Large Bouquet in a Japanese Vase" created, and to which movement does it belong?

    "Large Bouquet in a Japanese Vase" was created in 1916 as a work of the Symbolism movement. Date and movement anchor the artwork in art history.

    What print size of "Large Bouquet in a Japanese Vase" by Odilon Redon fits the recommended room?

    For a living room, the recommended print size of "Large Bouquet in a Japanese Vase" by Odilon Redon is large.

    What are the medium and date of "Large Bouquet in a Japanese Vase" by Odilon Redon?

    "Large Bouquet in a Japanese Vase" was made in 1916, in acrylic on canvas.