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Student Artwork Guide

Yellow Tree

Name Class Date

Odilon Redon, Yellow Tree (1900), Musée d'Orsay. Public domain.

The facts

Artist
Odilon Redon topimpressionists.com/en/artists/odilon-redon/
Artist’s dates
1840 – 1916
Painted
1900
Medium
Acrylic On Canvas
Movement
Symbolism Pictures where objects stand for ideas — a flower or a door meaning something beyond itself.
Held at
Musée d'Orsay topimpressionists.com/en/museums/musee-d-orsay-paris/
Artistic style
Impressionistic & Romantic
Influences
Paul Gauguin
Notable elements or techniques
Loose brushstrokes; Vibrant colors
Subject or theme
Landscape; Nature’s beauty

In context

Yellow Tree — Odilon Redon

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Shaded: the lifetime of Odilon Redon (1840–1916) ▲ this work, 1900

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/odilon-redon-yellow-tree-8EWMTW-en/

Colours

Measured from the image

    Main colour

    Coral #e7bc46

    Catalogued palette

    • #E7BC46
    • #A87746
    • #DBB872
    • #CA9946
    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Coral
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Vivid Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Yellow Tree — Odilon Redon

    Yellow Tree: A Vision of Dreamlike Tranquility

    Odilon Redon’s “Yellow Tree,” completed in 1900, stands as a quintessential embodiment of Symbolism—a movement that sought to transcend mere representation and delve into the realm of psychological and spiritual significance. Housed at the Musée d'Orsay in Paris, this oil on canvas painting isn’t merely a depiction of foliage; it’s an invitation to contemplate beauty itself, filtered through the lens of subconscious emotion.

    Composition & Elements: The artwork presents a meticulously crafted landscape dominated by warm golden hues. A large tree with intricate branches reaching upwards into a hazy, luminous sky commands attention. Beneath this majestic form lies an abundance of foliage – leaves, flowers, and delicate blossoms – creating a palpable sense of overflowing vitality and serenity. Lines are fluid and organic, suggesting movement and growth, while shapes predominantly rounded and flowing contribute to the painting’s ethereal quality.

    Style & Technique: Impressionistic influences mingle with Romantic sensibilities, prioritizing atmosphere and emotion over precise detail. Redon employed loose, expressive brushstrokes—characteristic of oil paint—allowing colors to blend seamlessly and shimmer. The artist skillfully captured light and color, prioritizing sensory experience above accurate depiction. Texture appears soft and layered, enhancing the painting’s immersive quality.

    Historical Context: Emerging in response to Naturalism's obsession with observable reality, Symbolism rejected literal representation in favor of symbolic imagery designed to evoke deeper feelings and ideas. Redon’s work reflects this ethos, mirroring the broader artistic currents of his time—particularly the influence of Paul Gauguin’s bold color palettes and Synthetist style.

    Symbolism & Interpretation: The tree itself serves as a potent symbol of resilience, growth, and connection to nature. Its yellow leaves – bathed in luminous light – evoke feelings of optimism and spiritual awakening. The birds perched amongst the branches represent freedom and aspiration, furthering the painting’s overarching theme of transcendence.

    Legacy & Viewing Experience: “Yellow Tree” exemplifies Redon's mastery of conveying emotion through visual language. For those seeking to appreciate the profound beauty of Symbolist art, a reproduction at the Musée d'Orsay offers an unparalleled opportunity to immerse oneself in this timeless masterpiece. Further exploration into Redon’s oeuvre—particularly "Portrait of Paul Gauguin" and “Self Portrait”—provides invaluable insight into his artistic vision.

    Artist and museum

    Artist

    Odilon Redon

    Born in Bordeaux, France

    A World Beyond the Visible: The Enigmatic Art of Odilon Redon

    Odilon Redon, born Bertrand-Jean Redon in 1840 in Bordeaux, France, was an artist perpetually drawn to translate the unseen realms of imagination and dream into tangible form. His artistic journey began not with grand ambition but with quiet observation; at just ten years old he won a drawing prize—a foreshadowing of the visual sensitivity that would define his life’s work. Though initially steered towards architecture by familial expectations, Redon's true calling lay elsewhere, illuminated by instruction from Jean-Léon Gérôme and, crucially, Rodolphe Bresdin, who guided him in the intricate arts of etching and lithography. These techniques became foundational to his early explorations, allowing him to delve into a world of shadowy figures and ambiguous forms that would soon captivate those seeking an alternative to academic realism. The interruption of the Franco-Prussian War saw Redon briefly serving in the military, but it was upon his return to Paris that his artistic vision truly began to coalesce.

    The Birth of Symbolism: ‘Noirs’ and Early Visions

    Redon's early career was marked by a deliberate withdrawal from prevailing artistic trends. He didn’t seek to replicate the visible world, but rather to evoke its hidden currents—the anxieties, desires, and spiritual longings that lay beneath the surface of everyday life. This led to his famed series of “noirs,” monochromatic works executed in charcoal and lithography. These weren't merely studies in darkness; they were explorations of the subconscious, populated by strange creatures, disembodied eyes, and haunting figures emerging from swirling mists. The influence of writers like Edgar Allan Poe and Charles Baudelaire is palpable here—a shared fascination with the macabre, the mysterious, and the power of suggestion. These works weren't immediately embraced; Redon remained largely unknown for years. However, a pivotal moment arrived in 1884 with Joris-Karl Huysmans’ novel À rebours (Against Nature), where the decadent aristocrat Des Esseintes championed Redon’s drawings, instantly elevating his status within avant-garde circles. This recognition opened doors and allowed Redon to further develop his unique artistic language. He described his work as ambiguous and undefinable, stating they should “place us, as does music, in the ambiguous realm of the undetermined.”

    A Palette Awakens: From Monochrome to Vibrant Expression

    While the “noirs” established Redon as a significant force in Symbolism, his art underwent a remarkable transformation in the 1890s. He began to embrace color—first pastels, then oils—infusing his compositions with a newfound vibrancy and luminosity. This shift wasn’t merely technical; it reflected an evolving emotional landscape within the artist himself. The earlier works often carried a sense of melancholy and isolation, but the later paintings reveal a growing interest in mythology, Buddhism, and Japanese art – Japonism was a significant influence. Works like The Death of the Buddha (1899) demonstrate this fascination with Eastern spirituality, while pieces commissioned by Baron Robert de Domecy for his château showcase Redon’s ability to blend decorative elements with symbolic imagery. The portraits of Baroness de Domecy and her daughter Jeanne are particularly striking examples of this period, capturing not just physical likeness but also a sense of inner life and psychological depth. Redon explored his internal feelings and psyche through his art, aiming to “place the visible at the service of the invisible.”

    Legacy and Influence: A Precursor to Surrealism

    Odilon Redon’s impact on the art world extends far beyond his own lifetime. He was awarded the Legion of Honor in 1903, and his work gained wider recognition with exhibitions at the New York Armory Show in 1913. However, it wasn't until after his death in 1916 that his true significance became fully apparent. Redon’s exploration of dreams, the subconscious, and irrationality paved the way for Surrealism, inspiring artists like Marcel Duchamp and Max Ernst to delve into similar territories. His emphasis on subjective experience and emotional expression also resonated with Expressionist painters. He wasn't simply depicting what he saw; he was visualizing what he felt, a principle that continues to inspire artists today. Redon’s legacy is one of artistic courage, a willingness to embrace the ambiguous, and a profound belief in the power of art to reveal the hidden dimensions of human experience. His drawings defied classification, ushering in a unique type of fantastic imagery born of sickness and delirium, yet always imbued with a haunting beauty.

    Key Characteristics & Themes

    Symbolism: Redon is considered a central figure in the Symbolist movement, prioritizing emotional and spiritual expression over realistic representation.

    Dreamlike Imagery: His works are often characterized by fantastical creatures, ambiguous landscapes, and scenes that evoke the atmosphere of dreams.

    Exploration of the Subconscious: Redon delved into themes of anxiety, desire, and the hidden depths of the human psyche.

    Influence of Literature & Mythology: He drew inspiration from writers like Poe and Baudelaire, as well as Eastern religions and mythology.

    Technical Innovation: Redon’s mastery of lithography and his innovative use of color in pastels and oils were crucial to his artistic vision.

    Museum

    Musée d'Orsay

    On show in Paris, France

    A Sanctuary of Light: Unveiling the Musée d'Orsay

    Nestled along the banks of the Seine in the heart of Paris, the Musée d’Orsay is far more than a mere repository for historical artifacts; it is an immersive journey through time and artistic revolution. To step inside is to enter a breathtaking Beaux-Arts railway station, once the Gare d’Orsay, which was nearly lost to the wrecking ball but was instead reborn as a luminous home for some of the world's most cherished masterpieces. The very air within these walls seems to hum with a unique energy, where the ghostly echoes of steam engines mingle with the vibrant, sun-drenched hues of Monet’s water lilies and the emotionally charged, swirling skies of Van Gogh. It stands as a profound testament to serendipity—a fortunate collision between preservation and passion that reminds every visitor that beauty can be found in the most unexpected transformations.

    The heart of the museum beats with an astonishing collection primarily dedicated to the revolutionary Impressionist movement, a period that fundamentally altered the course of human perception. Within its galleries, one encounters masters such as Claude Monet, Edgar Degas, Pierre-Auguste Renoir, and Mary Cassatt, artists who dared to challenge academic conventions by prioritizing atmosphere and fleeting emotion over meticulous, photographic detail. One might find themselves lost in the shimmering light of a summer afternoon captured by Monet, or perhaps captivated by the rhythmic, almost uneasy grace of Degas' dancers frozen in mid-movement. Yet, the museum’s brilliance extends far beyond Impressionism into the bold explorations of Post-Impressionism. The geometric investigations of Paul Cézanne and the visceral, expressive brushstrokes of Vincent van Gogh provide a powerful counterpoint to the delicate textures of Manet’s provocative Parisian scenes and the intimate, poignant domesticity found in the works of Berthe Morisot.

    Architectural Grandeur and the Art of Space

    Integral to the Musée d'Orsay’s unique appeal is its magnificent architectural identity, a stunning example of Beaux-Arts design by Charles Garnier, the visionary behind the Paris Opera. The building itself serves as the museum's first great work of art. As visitors wander through the vast, glass-covered concourses, they are greeted by soaring ceilings and intricate ironwork that speak to the grandeur of the industrial age. The museum has masterfully integrated these historic elements with modern gallery spaces, creating a harmonious dialogue between the past and the present. The grand hall, which once served as a bustling railway terminal, now acts as a majestic entrance that immediately immerses the observer in a bygone era. Even the original ticket windows have been ingeniously repurposed as display cases, offering a tangible, tactile connection to the station's rich history as a gateway to the world.

    For the discerning collector or interior designer, the Musée d'Orsay offers an unparalleled wealth of aesthetic inspiration. The museum’s collection provides a masterclass in color palettes and compositional techniques that remain timelessly sophisticated. One can draw from the delicate pastel hues favored by the Impressionists to create serene, airy environments, or look to the bold, expressive textures of Post-Impressionism to add depth and drama to a space. The interplay of light and shadow within the galleries, combined with the rich, historical textures of the station's original design, offers a potent source of creative ideas for those seeking to infuse their interiors with a sense of history and elegance.

    A Living Legacy of Curated Discovery

    The Musée d'Orsay thrives through its commitment to storytelling, constantly evolving through carefully curated exhibitions that delve into the intimate lives and creative processes of artistic giants. Recent notable exhibitions have offered profound glimpses into the human element behind the canvas, such as “Van Gogh in Auvers-sur-Oise,” which captured the raw intensity of the artist’s final months, or “Monet: The Artist's Garden,” which unveiled his lifelong, obsessive fascination with the natural world. By contextualizing these masterpieces within their historical and social landscapes, the museum provides extensive interpretive layers—through detailed wall texts and immersive displays—that illuminate the cultural shifts of 19th-century France.

    Ultimately, the museum is a place where history is not just studied but felt. Whether one is exploring the dramatic Romanticism of Delacroix’s hunts or the quiet realism of Courbet’s landscapes, the Musée d'Orsay remains a vital, breathing entity. It continues to serve as a bridge between the industrial triumphs of the late 19th century and the modern era, inviting every visitor to witness the moment when art broke free from tradition to capture the true essence of light, movement, and the human soul.

    Where to read more

    Find this online

    QR code linking to the download page for Yellow Tree

    topimpressionists.com/en/art/download/odilon-redon-yellow-tree-8EWMTW-en/

    Cite this artwork

    MLA
    Redon, Odilon. Yellow Tree. 1900, Musée d'Orsay. https://topimpressionists.com/en/art/odilon-redon-yellow-tree-8EWMTW-en/
    APA
    Redon, Odilon (1900). Yellow Tree [Painting]. Musée d'Orsay. https://topimpressionists.com/en/art/odilon-redon-yellow-tree-8EWMTW-en/
    Chicago
    Odilon Redon. Yellow Tree. 1900. Musée d'Orsay. https://topimpressionists.com/en/art/odilon-redon-yellow-tree-8EWMTW-en/
    Harvard
    Redon, Odilon (1900) Yellow Tree. Musée d'Orsay. Available at: https://topimpressionists.com/en/art/odilon-redon-yellow-tree-8EWMTW-en/

    Look closely

    Yellow Tree — Odilon Redon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: vibrant colors, dreamlike landscape, botanical art. Do you agree? What would you add, or take away?
    4. Look back at Young Girl in a Blue Bonnet, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Symbolism: Pictures where objects stand for ideas — a flower or a door meaning something beyond itself. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Yellow Tree — Odilon Redon

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Odilon Redon associated with?

      • A Realism
      • B Impressionism
      • C Symbolism
    2. 2. Where is "Yellow Tree" currently housed?

      • A Louvre Museum
      • B Musée d'Orsay
      • C Centre Pompidou
    3. 3. What stylistic influence can be observed in Redon’s work due to his collaboration with Paul Gauguin?

      • A Emphasis on detailed realism
      • B Bold use of color and Synthetist style
      • C Preference for monochromatic palettes
    4. 4. The painting utilizes a technique characterized by loose, expressive brushstrokes primarily focused on capturing:

      • A Precise anatomical accuracy
      • B Detailed depiction of textures and surfaces
      • C Strict adherence to linear perspective
    5. 5. What is the predominant mood conveyed by "Yellow Tree", according to its description?

      • A Melancholy and despair
      • B Energetic dynamism and excitement
      • C Peaceful serenity and ethereal beauty

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3B · 4B · 5C