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Student Artwork Guide

Summer

Name Class Date

Oene Romkes De Jongh, Summer. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Oene Romkes De Jongh topimpressionists.com/en/artists/oene-romkes-de-jongh/
Artist’s dates
1812 – 1896
Movement
Dutch Golden Age Seventeenth-century Dutch painting of everyday rooms, seas and citizens, bought by merchants rather than kings.

In context

Summer — Oene Romkes De Jongh

When might this have been painted?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 84 at death.

Shaded: the lifetime of Oene Romkes De Jongh (1812–1896) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/oene-romkes-de-jongh-summer-9FTJ2U-en/

Colours

Measured from the image

    Main colour

    Putty #e7d9ca

    Catalogued palette

    • #E7D9CA
    • #493216
    • #856235
    • #BBA07E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Oene Romkes De Jongh over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 87.5%1,400 visits
    2. 2 Hong Kong 6.2%100 visits
    3. 3 United States of America 6.2%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 14 most looked-at works by Oene Romkes De Jongh

    1. 1 Numerous Townsfolk In A City In Winter 23.1%600 visits
    2. 2 A Townview In Winter With Figures Conversing 11.5%300 visits
    3. 3 Summer this painting 11.5%300 visits
    4. 4 Waterpalace With Strolling Figures 7.7%200 visits
    5. 5 An Amsterdam Canal With The Mozes And Aaron Church Beyond 7.7%200 visits
    6. 6 Vue D'amsterdam En Hiver 7.7%200 visits
    7. 7 A View Of The Brouwersgracht In Amsterdam On A Winter Day 3.8%100 visits
    8. 8 Skaters On A Canal In A Dutch Town 3.8%100 visits
    9. 9 Figures In A Sunlit Street 3.8%100 visits
    10. 10 A View Of Utrecht 3.8%100 visits
    11. 11 Winter Scene In Amsterdam With Zuide Kirk In The Distance 3.8%100 visits
    12. 12 A Snow Covered Dutch Town 3.8%100 visits
    13. 13 A View of the Zuiderspui with the Drommedaris 3.8%100 visits
    14. 14 Houses Along A Treelined Path 3.8%100 visits

    Together these works take 99.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 47 works by this artist, of which 14 were looked at at least once. This painting ranks 3 of them, with 11.5% of that attention (300 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Oene Romkes De Jongh

    Born in Netherlands

    The Frozen Echoes of Amsterdam: The Life and Art of Oene Romkes De Jongh

    In the quiet, frost-touched corners of nineteenth-century Dutch art, few names evoke the nostalgic chill of a winter evening quite like Oene Romkes De Jongly. Born in 1812 in the picturesque village of Makkum, Friesland, De Jongh would eventually become a master of atmosphere, a painter who did not merely depict landscapes but captured the very soul of a bygone era. While much of his personal history remains shrouded in the soft mists of time, his artistic legacy is vividly preserved through his evocative cityscapes, which serve as windows into the frozen heart of Amsterdam during the Romantic period.

    De Jongh’s journey from the Frisian countryside to the bustling urban centers of the Netherlands was marked by a profound engagement with the evolving styles of his contemporaries. His formative years in Haarlem provided him with a rigorous foundation, most notably under the tutelage of Anton Mauve. As a prominent figure of the Hague School, Mauve’s dedication to realism and the subtle interplay of light and shadow left an indelible mark on De Jong and instilled in him a meticulous approach to color blending. This training allowed De Jongh to move beyond simple topographical recording, enabling him to infuse his canvases with a palpable sense of melancholy and quietude.

    A Master of Light and Winter Atmosphere

    The true brilliance of De Jongh’s oeuvre lies in his ability to transform the mundane reality of a frozen canal into a stage for poetic reflection. He was deeply influenced by the works of Cornelis Springer and Adrianus Eversen, whose detailed architectural renderings and atmospheric depth helped shape his distinctive vision. Through their influence, De Jongh mastered the art of the "winter cityscape," a genre where he excelled by focusing on the following elements:

    The delicate, silvery light of overcast winter skies that softens the edges of the city.

    The warm, inviting glow of lamplight reflecting off icy surfaces and snow-covered cobblestones.

    The lively yet tranquil movement of daily life, from skaters gliding across frozen canals to bustling marketplaces.

    A profound sense of nostalgia, capturing the architectural grandeur of Amsterdam before the era of modern industrial change.

    His paintings, such as the celebrated View Of The Zuiderkerk or his depictions of the Munttoren, are characterized by a remarkable attention to detail. Every crack in the ice and every shadow cast by a historic building is rendered with a precision that speaks to his disciplined technique. Yet, beneath this technical mastery lies a romantic heart; his work often feels like a dreamlike recollection of a peaceful, slower-paced world.

    Legacy and Historical Significance

    Though De Jongh may not have sought the international fame of some of his more flamboyant contemporaries, his contribution to the Dutch Romantic tradition is significant. He occupied a unique space in art history, bridging the gap between the meticulous realism of the earlier masters and the atmospheric, tonal explorations of the Hague School. His ability to document the Zuiderzee harbors and the winding canals of Amsterdam provides historians with a visual treasury of nineteenth-century Dutch life.

    Today, his works remain cherished by collectors and museums alike, serving as enduring reminders of the beauty found in stillness. To look upon a De Jongh painting is to experience more than just a landscape; it is to feel the crispness of the winter air and to hear the distant, muffled sounds of a city at rest. His art remains a testament to the power of observation and the ability of a single brushstroke to preserve the fleeting magic of a frozen moment in time.

    Where to read more

    Find this online

    QR code linking to the download page for Summer

    topimpressionists.com/en/art/download/oene-romkes-de-jongh-summer-9FTJ2U-en/

    Cite this artwork

    MLA
    Jongh, Oene Romkes De. Summer. n.d., https://topimpressionists.com/en/art/oene-romkes-de-jongh-summer-9FTJ2U-en/
    APA
    Jongh, Oene Romkes De (n.d.). Summer [Painting]. https://topimpressionists.com/en/art/oene-romkes-de-jongh-summer-9FTJ2U-en/
    Chicago
    Oene Romkes De Jongh. Summer. n.d. https://topimpressionists.com/en/art/oene-romkes-de-jongh-summer-9FTJ2U-en/
    Harvard
    Jongh, Oene Romkes De (n.d.) Summer. Available at: https://topimpressionists.com/en/art/oene-romkes-de-jongh-summer-9FTJ2U-en/

    Look closely

    Summer — Oene Romkes De Jongh

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 3 — do you agree?)
    4. Our catalogue files this work under: dutch landscape, canal scene, rural life. Do you agree? What would you add, or take away?
    5. Look back at A View of the Zuiderspui with the Drommedaris, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where does "Summer" sit within Oene Romkes De Jongh's body of work?

    "Summer" shares with Oene Romkes De Jongh's other works its Dutch Golden Age style and the recorded themes: dutch realism, golden age landscapes, atmospheric perspective, rural dutch life, domesticity, traditional values, winter cityscapes, serene scenes.

    How do contrast and harmony combine in "Summer"?

    The color composition of "Summer" by Oene Romkes De Jongh combines a statement contrast with a unified palette harmony.

    What explains the copyright situation of "Summer" by Oene Romkes De Jongh?

    "Summer" by Oene Romkes De Jongh is in the public domain - its copyright has expired. Copyright terms are measured from the artist's death, and Oene Romkes De Jongh died in 1896.