Paper

Student Artwork Guide

Compassion Sphere

Name Class Date

ólafur elíasson, Compassion Sphere (2011), UCCA Center for Contemporary Art. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
ólafur elíasson topimpressionists.com/en/artists/olafur-eliasson/
Artist’s dates
1967 – ?
Painted
2011
Original size
175 x 168 cm
Held at
UCCA Center for Contemporary Art topimpressionists.com/en/museums/ucca-center-for-contemporary-art-beijing/

In context

Compassion Sphere — ólafur elíasson

How big is it?

The original measures 175 × 168 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Shaded: the lifetime of ólafur elíasson (1967–?) ▲ this work, 2011

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/olafur-eliasson-compassion-sphere-D4J2EN-en/

Colours

Measured from the image

    Main colour

    Espresso #585954

    Catalogued palette

    • #585954
    • #38352E
    • #CDDCDB
    • #191A18
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    ólafur elíasson

    Born in Copenhagen, Denmark

    Ólafur Elíasson: A Biography

    Early Life and Education

    Born in Copenhagen, Denmark in 1967 to Icelandic parents, Elías Hjörleifsson and Ingibjörg Olafsdottir.

    Spent formative years navigating dual cultural identities – Danish and Icelandic.

    Showed early artistic promise with his first solo exhibition at age 15.

    Studied at the Royal Danish Academy of Fine Arts from 1989 to 1995, a period crucial for developing his conceptual approach.

    Artistic Development and Influences

    Elíasson’s work evolved from early landscape drawings to large-scale installations exploring perception, light, and natural phenomena.

    Influenced by phenomenology and Gestalt psychology, focusing on how viewers experience space and reality.

    Collaboration with architect Einar Thorsteinn significantly impacted his geometric works and spatial designs.

    Inspired by artists like Robert Irwin and James Turrell who also manipulate perception through light and space.

    Key Themes and Artistic Style

    Central themes include the relationship between humans and nature, artificial versus natural environments, and the subjective experience of reality.

    His style is characterized by large-scale installations that often incorporate elemental materials like light, water, air temperature, and mirrors.

    Immersive experiences are a hallmark of his work, inviting viewers to actively participate in and question their surroundings.

    Frequently blends art with scientific inquiry, exploring concepts from physics, optics, and meteorology.

    Major Achievements and Notable Works

    Represented Denmark at the 50th Venice Biennale in 2003, gaining international recognition.

    “The Weather Project” (2003) at Tate Modern’s Turbine Hall – a monumental installation creating an artificial sun and sky, becoming one of his most iconic works.

    Designed the Serpentine Gallery Pavilion in 2007, showcasing innovative architectural design.

    Created “New York City Waterfalls” (2008), transforming Manhattan’s waterfront with cascading waterfalls.

    Co-founded Studio Other Spaces with Sebastian Behmann, expanding his practice into architecture and urban interventions.

    Designed the Harpa Concert Hall in Reykjavik, Iceland – a stunning architectural landmark.

    Historical Significance and Legacy

    Elíasson is considered one of the most influential contemporary artists working today.

    His work challenges traditional notions of art by blurring boundaries between disciplines—art, science, architecture, and environmentalism.

    He has sparked important conversations about climate change, sustainability, and our relationship with the natural world.

    Continues to push the boundaries of artistic practice through innovative installations, architectural projects, and public interventions.

    Currently a professor at the Berlin University of the Arts, nurturing future generations of artists and thinkers.

    Museum

    UCCA Center for Contemporary Art

    On show in Beijing, People's Republic of China

    A Beacon of Contemporary Vision: The Soul of UCCA

    Nestled within the industrial heartbeat of Beijing’s vibrant 798 Art District, the

    UCCA Center for Contemporary Art

    stands as much more than a mere repository for modern works; it is a living testament to China’s evolving artistic spirit and its increasingly confident engagement with the global landscape. Founded in 2007 by the visionary Belgian collector Guy Ullens and his wife Myriam Ullens, alongside the esteemed veteran artist Fei Dawei, UCCA has ascended from a modest gallery to become one of the most influential cultural institutions in Asia. It serves as a vital bridge between the local and the international, acting as a beacon that illuminates the path for contemporary creativity while fostering a profound dialogue between tradition and transformation.

    The very architecture of the museum whispers stories of resilience and reinvention. Occupying a former factory building dating back to 1957, the space is etched with the industrial legacy of China's mid-century past. Here, raw concrete and exposed steel beams remain visible, serving as poignant reminders of an era defined by utilitarian functionality. Yet, through the masterful interventions of renowned architects such as

    Tod Williams Kollagron Bryd Associates

    and

    Selldorf Architects

    , this rugged foundation has been reimagined into a sleek, sophisticated environment. The seamless intertwining of original industrial elements with contemporary design creates a spatial tension that mirrors UCCA’s own mission: to honor China's historical heritage while fearlessly embracing a dynamic, modern future.

    A Kaleidoscope of Expression and Engagement

    What truly distinguishes UCCA from the traditional museum experience is its refusal to be anchored by a fixed, static collection. Instead, the institution thrives on a pulse of constant motion, presenting a rotating series of exhibitions that challenge the boundaries of perception. Visitors are invited into a world where painting, sculpture, installation, and digital art coalesce to provoke thought and ignite conversation. These exhibitions often tackle the pressing social and political complexities of contemporary China, offering a platform for emerging Chinese artists to stand alongside internationally acclaimed figures. The result is an immersive journey through a cultural tapestry that is as complex as it is beautiful, where works of art are not merely observed but actively experienced.

    Beyond the visual spectacle, UCCA serves as a vital hub for intellectual and community engagement. The museum’s commitment to education extends far beyond its walls, offering intimate artist talks that provide glimpses into the creative psyche, and performances that push the limits of conventional expression. Through workshops, lectures, and collaborative projects, UCCA cultivates a sense of belonging, inviting audiences of all backgrounds to participate in the ongoing narrative of contemporary art. This dedication to fostering a deep, personal connection with art ensures that every visit is an opportunity for growth, making UCCA an indispensable destination for collectors seeking inspiration, designers searching for new aesthetic frontiers, and art lovers eager to witness the pulse of global innovation.

    Where to read more

    Find this online

    QR code linking to the download page for Compassion Sphere

    topimpressionists.com/en/art/download/olafur-eliasson-compassion-sphere-D4J2EN-en/

    Cite this artwork

    MLA
    elíasson, ólafur. Compassion Sphere. 2011, UCCA Center for Contemporary Art. https://topimpressionists.com/en/art/olafur-eliasson-compassion-sphere-D4J2EN-en/
    APA
    elíasson, ólafur (2011). Compassion Sphere [Painting]. UCCA Center for Contemporary Art. https://topimpressionists.com/en/art/olafur-eliasson-compassion-sphere-D4J2EN-en/
    Chicago
    ólafur elíasson. Compassion Sphere. 2011. UCCA Center for Contemporary Art. https://topimpressionists.com/en/art/olafur-eliasson-compassion-sphere-D4J2EN-en/
    Harvard
    elíasson, ólafur (2011) Compassion Sphere. UCCA Center for Contemporary Art. Available at: https://topimpressionists.com/en/art/olafur-eliasson-compassion-sphere-D4J2EN-en/

    Look closely

    Compassion Sphere — ólafur elíasson

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at The presence of absence pavilion, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. ólafur elíasson was about 44 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.