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Student Artwork Guide

Untitled (

Name Class Date

Omar El-Nagdi, Untitled (, Barjeel Art Foundation. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Omar El-Nagdi topimpressionists.com/en/artists/omar-el-nagdi/
Artist’s dates
1931 – 2019
Medium
Ink
Original size
119 x 119 cm
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Period
Modern
Held at
Barjeel Art Foundation topimpressionists.com/en/museums/barjeel-art-foundation-sharjah/
Artistic style
Minimalist Abstraction
Notable elements or techniques
Fluid lines, layering, high contrast
Subject or theme
Stylized black feathers

In context

Untitled ( — Omar El-Nagdi

How big is it?

The original measures 119 × 119 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000
  9. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 88 at death.

Shaded: the lifetime of Omar El-Nagdi (1931–2019) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Colours

Measured from the image

    Main colour

    Phthalo Green #2e2f2c

    Catalogued palette

    • #2E2F2C
    • #D8CDB2
    • #676358
    • #A99E89

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Omar El-Nagdi

    Born in Cairo, Egypt

    Frank Auerbach: A Life Painted in Thick Emotion

    Born in Berlin in 1931, Frank Auerbach’s life was profoundly shaped by the tumultuous events of the 20th century. His early years were marked by upheaval – his Jewish parents fled Nazi Germany when he was just a boy, seeking refuge in England. This experience, coupled with the loss of his family during World War II, instilled within him a deep sense of melancholy and a profound connection to the human condition, themes that would become central to his intensely personal and emotionally charged paintings.

    Auerbach’s artistic journey began at St Martin's School of Art in London, where he was mentored by David Bomberg. This early influence proved crucial, shaping his approach to color and composition. However, Auerbach quickly developed a distinctive style that diverged from traditional academic painting. He eschewed meticulous detail and polished surfaces, instead favoring thick, impastoed layers of paint applied with a palette knife – a technique that lent his work a raw, almost sculptural quality. His subjects were largely drawn from the lives around him: his wife Julia, his model Juliet Yardley Mills ('J.Y.M.'), and his close friend Estella West ('E.O.W.')—figures rendered in muted tones and imbued with an aura of quiet contemplation.

    Auerbach’s work is often described as “School of London” art, a loosely defined group of British painters who emerged in the post-war era. This movement was characterized by its rejection of abstract expressionism and its focus on subjective experience and emotional intensity. Auerbach's paintings are not merely representations of his subjects; they are expressions of feeling—a visceral outpouring of grief, loneliness, and a yearning for connection. Critics initially struggled to categorize his work, with some dismissing it as “sculpture” due to the sheer physicality of the paint application, while others recognized its profound painterly qualities.

    The Language of Thick Paint

    Auerbach’s technique is arguably his most defining characteristic. He built up layers of paint—often several inches thick—using a palette knife and other tools, creating surfaces that are both tactile and visually arresting. This impastoed style wasn't simply about adding texture; it was a deliberate attempt to convey emotion directly onto the canvas. The physicality of the paint itself becomes an integral part of the narrative, mirroring the intensity of his inner world.

    His color palette is deliberately restrained—primarily consisting of dark blues, greens, and browns, punctuated by occasional flashes of red or yellow. These muted tones contribute to the paintings’ somber mood, while also creating a remarkable sense of depth and luminosity. Auerbach rarely used brushes; instead, he favored tools that allowed him to manipulate the paint in a more direct and expressive manner. This hands-on approach resulted in a unique visual language—one that is both deeply personal and universally resonant.

    Key Works and Recognition

    Among Auerbach’s most celebrated works are “Mornington Crescent – Summer Morning” (1954), a poignant depiction of his neighborhood, and the series of portraits featuring Julia, J.Y.M., and E.O.W. These paintings offer intimate glimpses into the lives of these figures, capturing their quiet dignity and vulnerability. His 1978 retrospective at the Hayward Gallery in London cemented his place as one of Britain’s most important post-war painters.

    He received an Arts Council retrospective in 1978 and had solo exhibitions at the British Pavilion in the 1986 Venice Biennale, and at the Rijksmuseum Vincent Van Gogh, Amsterdam, 1989. His work has been exhibited extensively throughout Europe and America.

    Legacy and Influence

    Frank Auerbach’s legacy extends far beyond his individual paintings. He demonstrated that painting could be a profoundly emotional experience—a means of confronting difficult truths and expressing the complexities of human existence. His distinctive technique, characterized by its thick paint application and muted color palette, has influenced generations of artists.

    His work continues to resonate with viewers today, offering a powerful reminder of the enduring power of art to connect us to our shared humanity. Auerbach’s paintings are not simply beautiful objects; they are windows into a soul—a testament to the transformative potential of artistic expression.

    Museum

    Barjeel Art Foundation

    On show in Sharjah, United Arab Emirates

    A Beacon of Arab Modernity: Exploring the Barjeel Art Foundation

    Introduction

    The Genesis of a Collection

    The Sharjah Art Museum: An Architectural Harmony

    Notable Exhibitions and Artistic Dialogue

    Beyond Display: Catalyzing Cultural Exchange

    Introduction

    Nestled within the vibrant cultural landscape of Sharjah, United Arab Emirates, the Barjeel Art Foundation stands as a testament to the power of vision and dedication in preserving and promoting the rich tapestry of modern and contemporary art from across the Arab world. Founded in 2010 by Emirati commentator Sultan Sooud Al Qassemi, this wasn’t merely an institution born from academic research; it began as a passionate personal collection—a gathering of works that spoke to a profound belief in showcasing artistic expression rooted in Arab identity. This initial impulse blossomed into a non-profit organization now boasting over 1,000 artworks, offering an unparalleled window into the diverse cultural perspectives and artistic movements that have shaped the region. The foundation’s mission transcends simple curation; it strives to foster critical thinking about art within the Arab context and beyond, actively shaping its future through collaborative projects and educational initiatives.

    The Genesis of a Collection

    The story of Barjeel is one of organic growth—a remarkable evolution from humble beginnings to international recognition. Initially exhibiting in an arts space within Sharjah’s Al Qasba district, the foundation quickly gained prominence through thoughtfully curated exhibitions and strategic collaborations with institutions like the Museum of Contemporary Art Chicago. This early success underscored a growing need for a dedicated space—a permanent home where these vital works could be studied, appreciated, and shared with a wider audience. That milestone was reached in May 2018 with the opening of a wing within Sharjah Art Museum—a move that solidified Barjeel’s position as a cornerstone of artistic and cultural life in the UAE. The collection itself is characterized by its breadth and diversity, embracing modernist paintings and sculptures alongside abstract art from the 1950s through the 1980s—a period of intense experimentation and innovation within an Arab context. Artists like Saloua Raouda Choucair, Kadhim Hayder, and Dia Azzawi are prominently featured, embodying both technical mastery and profound cultural resonance.

    The Sharjah Art Museum: An Architectural Harmony

    The Sharjah Art Museum serves as the ideal backdrop for Barjeel’s collection—a landmark architectural structure designed to maximize the impact of artistic display. Its soaring ceilings and expansive windows bathe the artworks in natural light, creating an immersive experience for visitors eager to engage with art in all its forms. Beyond the dedicated Barjeel wing, guests are invited to explore other exhibitions within the museum, fostering a holistic understanding of artistic expression across cultures and eras. The building’s design prioritizes functionality alongside aesthetic beauty, reflecting Sharjah's commitment to cultural enrichment and intellectual curiosity.

    Notable Exhibitions and Artistic Dialogue

    Barjeel’s influence extends far beyond its physical space—actively cultivating relationships with museums worldwide—from Egypt and the UK to the United States, Kuwait, Singapore, Iran, and beyond—bringing the richness and diversity of Arab artistic expression to international audiences. Strategic collaborations like “Taking Shape: Abstraction From The Arab World” have facilitated dialogue between artists and scholars alike, challenging perceptions and fostering a deeper appreciation for artistic innovation. Furthermore, Barjeel’s dedication to promoting political works by Arab artists has sparked important conversations about history, identity, and the challenges facing the region—demonstrating that art can serve as a powerful tool for social commentary.

    Beyond Display: Catalyzing Cultural Exchange

    What truly distinguishes Barjeel Art Foundation is its unwavering commitment to fostering cultural exchange—a place where the stories of Arab artists are heard, celebrated, and understood by audiences around the world. Through educational programs like “Barjeel Global Fellowship” with the Museum of Contemporary Art in Chicago and forums such as “Abstraction Unframed,” Barjeel continues to champion artistic dialogue and broaden horizons—solidifying its role as a catalyst for creativity and intellectual engagement within the global art community.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled (

    topimpressionists.com/en/art/download/omar-el-nagdi-untitled-D4GJES-en/

    Cite this artwork

    MLA
    El-Nagdi, Omar. Untitled (. n.d., Barjeel Art Foundation. https://topimpressionists.com/en/art/omar-el-nagdi-untitled-D4GJES-en/
    APA
    El-Nagdi, Omar (n.d.). Untitled ( [Painting]. Barjeel Art Foundation. https://topimpressionists.com/en/art/omar-el-nagdi-untitled-D4GJES-en/
    Chicago
    Omar El-Nagdi. Untitled (. n.d. Barjeel Art Foundation. https://topimpressionists.com/en/art/omar-el-nagdi-untitled-D4GJES-en/
    Harvard
    El-Nagdi, Omar (n.d.) Untitled (. Barjeel Art Foundation. Available at: https://topimpressionists.com/en/art/omar-el-nagdi-untitled-D4GJES-en/

    Look closely

    Untitled ( — Omar El-Nagdi

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: black feathers, white background, black and white. Do you agree? What would you add, or take away?
    4. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?
    5. Themes that come back through the work of Omar El-Nagdi: abstract expressionism influence, minimalist aesthetic, geometric abstraction. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Untitled (" by Omar El-Nagdi in the public domain?

    Regarding copyright, "Untitled (" is still protected by copyright.

    Is a download available for "Untitled ("?

    The image of "Untitled (" by Omar El-Nagdi can be downloaded from the artwork's Download page: a high-resolution digital image download.

    What subjects appear in "Untitled (" by Omar El-Nagdi?

    The subjects of "Untitled (" are black feathers, white background, black and white, organic shapes, curved lines.