Paper

Student Artwork Guide

Self-Portrait

Name Class Date

Pablo Picasso, Self-Portrait (1906). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Pablo Picasso topimpressionists.com/en/artists/pablo-picasso/
Artist’s dates
1881 – 1973
Painted
1906
Medium
Oil On Canvas
Movement
Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.
Period
Modern
Influences
Fauvism, Cubism
Style
Cubist
Subject
Man's face

In context

Self-Portrait — Pablo Picasso

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 25. The artist lived to 92. 244 of the 1098 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Pablo Picasso (1881–1973) ▲ this work, 1906

First works: up to 1906 Main working years: 1906–1939 Late works: from 1939

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/pablo-picasso-self-portrait-8XYNUM-en/

Colours

Measured from the image

    Main colour

    Driftwood #a2855e

    Catalogued palette

    • #A2855E
    • #2C2719
    • #C7BC97
    • #894D18
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Pablo Picasso over the last twelve months — 106 countries in all.

    The ten leading countries

    1. 1 China 38.7%
    2. 2 United States of America 6.7%
    3. 3 France 4.2%
    4. 4 Italy 4.2%
    5. 5 Germany 3.9%
    6. 6 Spain 3.5%
    7. 7 Brazil 2.4%
    8. 8 Japan 2.3%
    9. 9 India 2.1%
    10. 10 Singapore 1.8%
    11. · 96 other countries 30.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Pablo Picasso

    1. 1 Guernica, 1937 11.7%
    2. 2 Three Musicians, 1921 10.1%
    3. 3 The Young Ladies of Avignon, 1907 3.6%
    4. 4 Portrait of Ambroise Vollard, 1910 2.6%
    5. 5 A boy with pipe, 1905 1.7%
    6. 6 Two women running on the beach (The race), 1922 1.0%
    7. 7 Women of Algiers (Version O), 1955 0.7%
    8. 8 Saltimbanques (The Family of Saltimbanques), 1905 0.6%
    9. 9 Sabartes, 1901 0.6%
    10. 10 La Vie (Life), 1903 0.5%
    11. 11 Guitar player, 1910 0.5%
    12. 12 Self-Portrait, 1906 this painting 0.5%
    13. 13 Acrobat and young harlequin, 1905 0.5%
    14. 14 Woman with book, 1932 0.4%
    15. 15 Woman standing in a garden 0.4%
    16. 16 Mother and child (Marie-Therese and Maya), 1938 0.4%
    17. 17 Bull (plate X), 1946 0.4%
    18. 18 Celestina, 1904 0.3%
    19. 19 Femme assise aux bras croises 0.3%
    20. 20 Mediterranean Landscape, 1952 0.3%

    Together these works take 37.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 2304 works by this artist, of which 1340 were looked at at least once. This painting ranks 12 of them, with 0.5% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Self-Portrait — Pablo Picasso

    A Window into Picasso’s Soul: The 1906 Self-Portrait

    Pablo Picasso's *Self-Portrait* of 1906 is far more than a likeness; it’s a visceral expression of an artist on the cusp of revolutionizing modern art. Painted during a pivotal year, this work encapsulates the anxieties and burgeoning stylistic explorations that would define his career. The painting presents a close-up view of Picasso, approximately 25 years old, against a strikingly vibrant green background – a color choice deliberately unsettling and far removed from traditional portraiture. His gaze is direct, almost confrontational, yet carries an undercurrent of vulnerability. This isn’t a celebration of self; it's an investigation of self.

    The Dawn of Expressionism & Artistic Influences

    Created during the transitional period between Picasso’s Rose and early Cubist phases, this *Self-Portrait* is deeply rooted in the emerging principles of Expressionism. While not fully embracing the movement's later intensity, it foreshadows its core tenets: a distortion of form to convey inner emotional states rather than objective reality. The influence of Post-Impressionists like Van Gogh and Gauguin is palpable – particularly in the bold color choices and the emphasis on subjective experience. However, Picasso wasn’t simply mimicking; he was synthesizing these influences with his own unique vision. The year 1906 also saw significant exposure to Iberian sculpture during a trip to Spain, which would soon profoundly impact his stylistic development towards geometric simplification.

    Technique and Symbolism: A Fractured Identity

    Picasso’s technique in this work is characterized by broad brushstrokes and a deliberate roughness of texture. The paint application isn't blended smoothly; instead, it retains a sense of immediacy and energy. This contributes to the painting’s overall feeling of unrest. The stark contrast between the pale tones of Picasso’s face and shirt against the intense green background creates visual tension. While seemingly simple in composition, subtle symbolism is present. The slightly furrowed brow and wide eyes suggest an internal struggle – a questioning of identity and purpose. Some art historians interpret the green as representing envy or illness, reflecting anxieties about his artistic path and personal life. It’s important to note that Picasso was deeply concerned with portraying not just what he saw, but how he felt while seeing it.

    Legacy & Emotional Resonance

    The impact of this *Self-Portrait* extends far beyond its aesthetic qualities. It represents a crucial step in Picasso’s artistic journey – a moment where he began to dismantle traditional representational conventions and forge his own path towards Cubism. It's a powerful reminder that art can be a vehicle for self-discovery, vulnerability, and emotional honesty. For collectors and interior designers, this piece—or a high-quality reproduction—offers a compelling focal point, adding depth and intellectual weight to any space. Its bold color palette and expressive energy make it suitable for both modern and eclectic interiors, sparking conversation and inviting contemplation. The enduring appeal of Picasso’s Self-Portrait lies in its ability to connect with viewers on a deeply human level – reminding us that even the most revolutionary artists are, at their core, individuals grappling with universal questions of identity and existence.

    Artist and museum

    Artist

    Pablo Picasso

    Born in Malaga, Spain

    The Enduring Legacy of Pablo Picasso

    Pablo Ruiz y Picasso, a name synonymous with artistic revolution, was born in Málaga, Spain, on October 25, 1881. His very existence seemed destined for creative expression; legend has it his first uttered words were “piz, piz,” an attempt to say ‘pencil’. This early inclination was nurtured by his father, José Ruiz y Blasco, a painter and art teacher who provided young Pablo with foundational training. However, the student quickly surpassed the instructor, demonstrating a remarkable aptitude for naturalistic depiction that hinted at the prodigious talent within. The family’s subsequent moves – first to A Coruña, then Barcelona – were punctuated by personal tragedy, notably the loss of Picasso's sister, experiences which would subtly infuse his later work with themes of melancholy and mortality. Even during formal studies at the School of Fine Arts in Barcelona and a brief stint at the Royal Academy of San Fernando in Madrid, Picasso chafed against rigid academic constraints, preferring instead to immerse himself in the works of masters like Velázquez and Goya, forging his own path toward artistic innovation.

    From Melancholy Blues to Rose-Tinted Hues

    The early years of the 20th century witnessed the emergence of two distinct periods in Picasso’s oeuvre: the Blue Period (roughly 1901-1904) and the Rose Period (1904-1906). The Blue Period, born from personal hardship and a keen awareness of social suffering, is characterized by paintings steeped in somber shades of blue and blue-green. These works are populated by marginalized figures – beggars, the blind, prostitutes – rendered with a haunting empathy that speaks to themes of isolation and despair. La Vie (1903) and The Old Guitarist (1903-1904) stand as poignant examples of this emotionally charged phase. A shift in Picasso’s personal life, coupled with a move to Paris, heralded the arrival of the Rose Period. The palette warmed considerably, embracing pinks, oranges, and reds, reflecting a more optimistic outlook. This period saw a fascination with circus performers – harlequins, acrobats, and family troupes – figures who embodied both fragility and resilience. Family of Saltimbanques (1905) beautifully encapsulates this transition, hinting at the stylistic explorations that lay ahead.

    The Shattering of Perspective: Cubism and Beyond

    The year 1907 marked a pivotal moment in art history with the creation of Les Demoiselles d'Avignon. Influenced by Iberian sculpture and African masks, this groundbreaking painting shattered traditional notions of perspective and representation. It was a radical departure, a deliberate rejection of centuries-old conventions that paved the way for Cubism. Working in close collaboration with Georges Braque, Picasso co-founded this revolutionary movement, fundamentally altering how artists perceived and depicted reality. Analytical Cubism (1909-1912) involved the fragmentation of objects into geometric shapes, rendered in muted colors, as if dissecting form itself. This evolved into Synthetic Cubism (1912-1919), which incorporated collage elements – newspaper clippings, fabric scraps – adding texture and new layers of visual complexity. Picasso wasn’t content to simply represent the world; he sought to deconstruct it and reconstruct it on his own terms.

    A Restless Experimenter: Neoclassicism, Surrealism, and War

    The 1920s saw Picasso briefly explore Neoclassical styles, creating monumental figures that echoed classical forms while retaining a distinctly modern sensibility. Simultaneously, he engaged with the burgeoning Surrealist movement, though never fully aligning himself with its principles. His work during this period blended earlier stylistic influences with surreal imagery and distorted perspectives, demonstrating his relentless experimentation. The horrors of the Spanish Civil War profoundly impacted Picasso, culminating in the creation of Guernica (1937), a visceral and emotionally devastating response to the bombing of Guernica. This monumental work became an enduring symbol of the atrocities of war, solidifying Picasso’s role as not just an artist but also a powerful voice for peace and social justice. Throughout the 1950s and 60s, he continued to push boundaries, exploring ceramics, sculpture, and printmaking with unwavering curiosity and skill. His marriage to Jacqueline Roque in 1961 brought a new dimension to his personal life and artistic expression.

    An Immeasurable Impact

    Pablo Picasso died on April 8, 1973, in Mougins, France, leaving behind an astonishing body of work – estimated at over 50,000 pieces – that continues to captivate and inspire. His artistic development was shaped by a diverse range of influences, from Spanish masters like Velázquez and Goya to Iberian sculpture, African art, and the vibrant color palettes of Henri Matisse. His impact on 20th-century art is immeasurable. He co-founded Cubism, pioneered collage and constructed sculpture, and consistently challenged artistic conventions. Picasso’s relentless experimentation redefined modern art, leaving an indelible mark on generations of artists and solidifying his position as one of the most important and influential figures in history. His legacy extends beyond the canvas, resonating in countless aspects of contemporary culture and reminding us of the transformative power of artistic vision.

    Where to read more

    Find this online

    QR code linking to the download page for Self-Portrait

    topimpressionists.com/en/art/download/pablo-picasso-self-portrait-8XYNUM-en/

    Cite this artwork

    MLA
    Picasso, Pablo. Self-Portrait. 1906, https://topimpressionists.com/en/art/pablo-picasso-self-portrait-8XYNUM-en/
    APA
    Picasso, Pablo (1906). Self-Portrait [Painting]. https://topimpressionists.com/en/art/pablo-picasso-self-portrait-8XYNUM-en/
    Chicago
    Pablo Picasso. Self-Portrait. 1906. https://topimpressionists.com/en/art/pablo-picasso-self-portrait-8XYNUM-en/
    Harvard
    Picasso, Pablo (1906) Self-Portrait. Available at: https://topimpressionists.com/en/art/pablo-picasso-self-portrait-8XYNUM-en/

    Look closely

    Self-Portrait — Pablo Picasso

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, cubism, expressionism. Do you agree? What would you add, or take away?
    5. Look back at Guernica (1937), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Self-Portrait — Pablo Picasso

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. To which artistic movement is Pablo Picasso's 'Self-Portrait' (1906) most closely associated?

      • A Impressionism
      • B Expressionism
      • C Surrealism
    2. 2. What is a defining characteristic of the style prominently displayed in this 'Self-Portrait'?

      • A Realistic representation
      • B Precise detail and symmetry
      • C Fragmented forms and distorted features
    3. 3. The background color in Picasso’s ‘Self-Portrait’ is described as what?

      • A Blue
      • B Red
      • C Green
    4. 4. Which artistic movement significantly influenced Picasso's work around the time of this self-portrait, paving the way for his later innovations?

      • A Renaissance
      • B Fauvism
      • C Baroque
    5. 5. What is a key element used by Picasso to convey emotion in this self-portrait?

      • A Soft, blended colors
      • B Exaggerated facial expressions
      • C Precise anatomical accuracy

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2C · 3C · 4B · 5B

    Questions & Answers

    At what age did Pablo Picasso make "Self-Portrait"?

    Pablo Picasso was 25 years old when creating "Self-Portrait" in 1906. The age is computed from the artist's birth year, 1881.

    Who created "Self-Portrait"?

    The artist behind "Self-Portrait" is Pablo Picasso. The work is catalogued under Pablo Picasso's name.

    In what year was "Self-Portrait" by Pablo Picasso created?

    The creation of "Self-Portrait" by Pablo Picasso is dated 1906.

    What is "Self-Portrait" made with?

    "Self-Portrait" is executed in oil on canvas.

    Which reproduction size is suggested for "Self-Portrait" by Pablo Picasso?

    "Self-Portrait" is recommended at a large print size. Other sizes are available with the same proportions.

    Is a high-resolution download of "Self-Portrait" available?

    A digital image of "Self-Portrait" by Pablo Picasso can be purchased on this page: a high-resolution digital image download.

    Who created "Self-Portrait" and what style is it in?

    "Self-Portrait" was created by Pablo Picasso in the Cubism style. Artist and movement identify the work's tradition.