Paper

Student Artwork Guide

Tables IV

Name Class Date

Panayiotis Tetsis, Tables IV (1985). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Panayiotis Tetsis topimpressionists.com/en/artists/panayiotis-tetsis/
Artist’s dates
1925 – 2016
Painted
1985
Movement
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.

In context

Tables IV — Panayiotis Tetsis

When was this painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 91 at death.

Painted when the artist was 60. The artist lived to 91. 13 of the 18 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Panayiotis Tetsis (1925–2016) ▲ this work, 1985 every dated painting, decade by decade

First works: up to 1957 Main working years: 1957–1985 Late works: from 1985

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • Portrait of A.G, 1954 topimpressionists.com/en/art/panayiotis-tetsis-portrait-of-a-g-8XYPMD-en/
  • Garden, 1972 topimpressionists.com/en/art/panayiotis-tetsis-garden-8XYPML-en/
  • Still Life topimpressionists.com/en/art/panayiotis-tetsis-still-life-8XYPNC-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/panayiotis-tetsis-tables-iv-8XYPMS-en/

Colours

Measured from the image

    Main colour

    Sap Green #7b7234

    Catalogued palette

    • #7B7234
    • #DADAD8
    • #88909F
    • #D3BE26

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Sap Green
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Panayiotis Tetsis over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 66.7%
    2. 2 Israel 13.3%
    3. 3 United States of America 13.3%
    4. 4 Brazil 6.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 11 most looked-at works by Panayiotis Tetsis

    1. 1 Still life named : The afternoon sun 18.8%
    2. 2 Landscape of Stage Ardittos 18.8%
    3. 3 The butcher shop, 1956 12.5%
    4. 4 Still Life 12.5%
    5. 5 Tables XII, 1988 6.2%
    6. 6 Street market, 1982 6.2%
    7. 7 Composition with girl and still life 6.2%
    8. 8 Still Life 6.2%
    9. 9 Houses 6.2%
    10. 10 Landscape 6.2%
    11. — Tables IV, 1985 this painting 0.0%

    Together these works take 99.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 39 works by this artist, of which 10 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Panayiotis Tetsis

    Born in Hydra, Greece

    Panayiotis Tetsis: Echoes of the Aegean

    Panayiotis Tetsis (1925-2016) remains a pivotal figure in Greek modern art, largely defined by his evocative and deeply personal seascapes. Born on the enchanting island of Hydra in 1925, his life was inextricably linked to its rugged beauty and timeless rhythms. Initially moving to Piraeus with his family in 1937, Tetsis’s early years were shaped by the vibrant energy of a bustling port city before he returned to his beloved Hydra, establishing it as both his home and his primary artistic inspiration. His work isn't merely depictions of landscapes; they are imbued with a profound sense of memory, emotion, and an intimate understanding of the Aegean Sea’s shifting moods – from serene dawn light to tempestuous storms. Tetsis’s legacy lies not just in his technical skill but in his ability to translate the soul of Hydra onto canvas, capturing its essence for generations to come.

    The Armos Group and Early Influences

    Tetsis's artistic journey gained momentum in 1949 with his participation in the formation of the “Armos” art group – a collective that included prominent figures like Nikos Hadjikyriakos-Ghikas, Yannis Moralis, and Nikos Nikolaou. This association was crucial, providing a platform for experimentation and pushing against the prevailing artistic norms of the time. The Armos group represented a significant shift in Greek art, embracing a more direct and expressive approach, often reflecting social and political themes. However, Tetsis’s individual style quickly distinguished itself within this collective. Early influences were notably shaped by Claus Frieslander, who provided him with foundational instruction in 1940, followed by the mentorship of Dimitris Pikionis and Nikos Chatzikyriakos-Ghikas – artists whose emphasis on capturing the essence of everyday life profoundly impacted Tetsis’s work. His studies at the School of Fine Arts in Paris during 1953-1956 further broadened his artistic horizons, introducing him to the techniques of copperplate engraving under E. Goerg.

    A Painter of Memory and Light

    Tetsis's distinctive style is characterized by a remarkable ability to evoke atmosphere and emotion through color and brushwork. He rarely painted en plein air, preferring instead to rely on memory and observation, transforming his recollections into vibrant canvases. As he himself famously stated, “If I take a long voyage at sea, I get bored, and I don’t agree with Cavafy that headed for Ithaca we ought to hope that the voyage lasts as long as possible.” This approach allowed him to distill the essence of a scene, prioritizing feeling over strict representation. His palette is often dominated by rich, elegiac tones – deep blues, greens, and ochres – creating a sense of melancholy and timelessness. His compositions are meticulously balanced, employing clear lines and precise details, yet retaining an underlying spontaneity that reflects the unpredictable nature of the sea. The influence of Post-Impressionism is undeniable, particularly in his use of color to convey mood and emotion, but Tetsis developed a uniquely personal voice within this tradition.

    Key Works and Lasting Significance

    Throughout his prolific career, Tetsis produced a substantial body of work, including iconic paintings like “Street Market” (1979-1982), which captures the lively bustle of daily life in a Greek village, and "The Butcher Shop" (1980). His series depicting Hydra’s landscapes – from the rugged coastline to the tranquil harbors – are perhaps his most celebrated achievements. Works such as “Sifnos I” (1971-1972) and “Cape Skylaion II” (2011-2014) exemplify his mastery of capturing light and atmosphere, conveying a deep connection to the island’s natural beauty. In 1983, he presented "Street Market" at the National Gallery, followed by a retrospective exhibition in 1999. Tetsis's work continues to resonate with viewers today, not only for its aesthetic qualities but also for its poignant reflection on memory, identity, and the enduring allure of the Greek islands. He remains an important voice in Greek art history, his paintings serving as windows into a world of beauty, tranquility, and profound emotional depth.

    Further Exploration

    Wikipedia Entry: https://en.wikipedia.org/wiki/Panayiotis_Tetsis

    National Gallery of Greece: https://www.nationalgallery.gr/en/artist/tetsis-panayiotis/

    AskART Profile: https://www.askart.com/artist/Panayiotis_Tetsis/11074703/Panayiotis_Tetsis.aspx

    Where to read more

    • The artist Panayiotis Tetsis topimpressionists.com/en/artists/panayiotis-tetsis/
    • Similar works More works to compare topimpressionists.com/en/art/similar/panayiotis-tetsis-tables-iv-8XYPMS-en/

    Find this online

    QR code linking to the download page for Tables IV

    topimpressionists.com/en/art/download/panayiotis-tetsis-tables-iv-8XYPMS-en/

    Cite this artwork

    MLA
    Tetsis, Panayiotis. Tables IV. 1985, https://topimpressionists.com/en/art/panayiotis-tetsis-tables-iv-8XYPMS-en/
    APA
    Tetsis, Panayiotis (1985). Tables IV [Painting]. https://topimpressionists.com/en/art/panayiotis-tetsis-tables-iv-8XYPMS-en/
    Chicago
    Panayiotis Tetsis. Tables IV. 1985. https://topimpressionists.com/en/art/panayiotis-tetsis-tables-iv-8XYPMS-en/
    Harvard
    Tetsis, Panayiotis (1985) Tables IV. Available at: https://topimpressionists.com/en/art/panayiotis-tetsis-tables-iv-8XYPMS-en/

    Look closely

    Tables IV — Panayiotis Tetsis

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Portrait of A.G (1954), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Where can you see that in this work?
    5. Panayiotis Tetsis was about 60 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    When was "Tables IV" created, and to which movement does it belong?

    "Tables IV" was created in 1985 as a work of the Post-Impressionism movement. Date and movement anchor the artwork in art history.

    What other names is Panayiotis Tetsis known by?

    Panayiotis Tetsis is also known as Tetsis Panayiotis.

    Is "Tables IV" by Panayiotis Tetsis a bright or a dark artwork?

    In terms of perceived brightness, "Tables IV" by Panayiotis Tetsis is brilliant.