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Student Artwork Guide

Drawing, Lockdown 1,2,3,4

Name Class Date

pathik sahoo, Drawing, Lockdown 1,2,3,4, Kochi-Muziris Biennale. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
pathik sahoo topimpressionists.com/en/artists/pathik-sahoo/
Original size
27 x 20 cm
Held at
Kochi-Muziris Biennale topimpressionists.com/en/museums/kochi-muziris-biennale-kochi/

In context

Drawing, Lockdown 1,2,3,4 — pathik sahoo

How big is it?

The original measures 27 × 20 cm (height × width), drawn here beside an adult of average height.

Colours

Measured from the image

    Main colour

    Espresso #313233

    Catalogued palette

    • #313233
    • #FDFDFD
    • #6F7073
    • #ACADB0
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    pathik sahoo

    Born in Not Found, India

    Pathik Sahoo: Echoes of Migration in Metal

    Pathik Sahoo, an Indian artist currently based in Kolkata, is a compelling voice within contemporary sculpture and a master of evocative material exploration. His work, often characterized by its raw honesty and poignant symbolism, immediately draws the viewer into narratives of displacement, memory, and the enduring spirit of migration – themes deeply rooted in his personal experience and the broader socio-economic realities of India.

    Sahoo’s artistic journey began with a significant shift from rural life to urban pursuits. Leaving behind his village in search of work, he encountered the fragmented landscape of modern India—a world of industrial detritus, abandoned metal sheets, and the relentless movement of people seeking opportunity. This formative experience became the bedrock for his distinctive style, which is immediately recognizable through its deliberate use of found materials. Rather than pristine marble or polished bronze, Sahoo’s sculptures are built from discarded scraps – corrugated iron, rusted tin, and weathered cement—transforming these overlooked elements into powerful visual statements.

    The Language of Material

    Sahoo's process is deeply tactile and intuitive. He doesn’t begin with a preconceived design but allows the material itself to dictate the form and narrative. The hammered surfaces, the uneven edges, and the inherent imperfections of each piece carry within them the history of their previous life – echoes of factories, construction sites, or simply the passage of time. This layering of meaning is central to his work; it’s not merely about creating an object but about excavating a story from its constituent parts.

    A key element in Sahoo's aesthetic is the etching technique he employs. Using simple tools – often knives or metal stamps – he creates delicate relief images on these metallic surfaces, depicting scenes of movement and transition. These etched figures—often wagons laden with belongings—symbolize the arduous journey of migration, capturing both the hope for a better future and the poignant loss of home. The contrast between the rough texture of the metal and the intricate detail of the etchings creates a compelling visual tension, mirroring the complexities of human experience.

    “Drawing, Lockdown 1-4” and Beyond

    Perhaps Sahoo’s most recognizable series is “Drawing, Lockdown 1-4,” created during the extended periods of confinement brought on by the COVID-19 pandemic. This body of work powerfully documented the anxieties, isolation, and resilience experienced by communities across India. The sculptures, often constructed from repurposed materials found within his immediate environment – cardboard boxes, plastic sheeting, and discarded packaging—became visual metaphors for the restrictions imposed upon daily life. The series demonstrated Sahoo’s ability to transform personal hardship into universal themes of human connection and survival.

    Beyond “Drawing, Lockdown 1-4,” Sahoo continues to explore themes of displacement and memory through a diverse range of projects. His work has been exhibited nationally and internationally, garnering critical acclaim for its originality, emotional depth, and skillful manipulation of materials. Notably, his piece "The Untold Story Etched copper and tin on cement" (featured in an Emami Art exhibition), exemplifies his signature style – the layering of industrial metal with delicate etched imagery to tell stories of migration and resilience.

    Influences and Legacy

    While Sahoo’s work is distinctly rooted in his own experiences, it also resonates with broader artistic traditions. The use of found objects echoes the practices of folk art movements across India, where everyday materials are repurposed to create narratives of community and identity. Furthermore, there's a subtle connection to minimalist sculpture, particularly artists who utilize industrial materials to explore themes of form and space. However, Sahoo’s work transcends these influences, forging its own unique voice through its intensely personal vision.

    Pathik Sahoo is an artist whose work speaks volumes without uttering a single word. Through the careful selection and transformation of discarded materials, he creates sculptures that are both visually arresting and profoundly moving—testaments to the enduring power of memory, migration, and the human spirit. His continued exploration of these themes promises to yield further compelling works for years to come.

    Museum

    Kochi-Muziris Biennale

    On show in Kochi, India

    The Kochi-Muziris Biennale: A Dialogue Between Tradition and Innovation

    Nestled on Kerala’s Arabian Sea coast, the Kochi-Muziris Biennale isn't merely an art exhibition; it’s a carefully orchestrated encounter between centuries of history and a vibrant pulse of contemporary artistic expression. Founded in 2012 by artists Bose Krishnamachari and Riyas Komu, this ambitious project sought to reposition India on the global stage as a locus for creative dialogue—a mission that has been spectacularly fulfilled.

    The Biennale’s genesis lies firmly rooted in Muziris’ legacy. For over 600 years, this ancient port served as a nexus of trade between East and West, fostering an astonishing exchange of ideas, cultures, and commodities. From Roman merchants to Persian emissaries, Chinese sailors to Arab traders—Muziris welcomed travelers from across continents, shaping its identity and enriching its artistic traditions.

    The Biennale’s curators deliberately chose this historical backdrop as inspiration, prompting artists to grapple with themes of globalization, migration, and cultural heritage. Unlike conventional museums that showcase static collections, the Biennale operates as a dynamic constellation of exhibitions—each cycle presenting fresh perspectives on art’s evolving language. Installations sprawl across repurposed warehouses like Aspinwall House and Mattancherry Palace, transforming public spaces into immersive canvases for artistic exploration.

    Notable Exhibitions:

    The Biennale has hosted groundbreaking shows featuring artists from around the globe—spanning sculpture, painting, performance art, film, and digital media.

    Architectural Significance:

    The Biennale’s venues are themselves architectural treasures—reflecting Kerala’s rich heritage and showcasing innovative design approaches.

    Community Engagement:

    Beyond artistic presentations, the Biennale fosters connections between artists and local communities, sparking conversations about social issues and cultural identity.

    Sustainability Initiatives:

    Recognizing its role as a catalyst for change, the Biennale champions environmentally conscious practices—utilizing solar energy and minimizing waste throughout its operations.

    A Celebration of Kerala’s Artistic Spirit:

    The Biennale embodies Kerala's enduring tradition of artistic engagement—drawing inspiration from ancient crafts and fostering creativity within the region.

    The Biennale’s impact extends far beyond the art world, bolstering local tourism and stimulating economic growth in Kochi. It serves as a beacon for cultural innovation—demonstrating that art can illuminate complex narratives and inspire visions of a more inclusive future.

    Exploring Kerala's Artistic Heritage

    Kerala’s artistic traditions are deeply intertwined with its history—particularly Muziris’ role as a crossroads of cultures. From Kathakali performances to intricate wood carvings, Kerala’s art forms reflect the influences of Persia, Arabia, and Europe—a testament to the region’s openness to new ideas.

    The Biennale actively seeks to revive these traditions—supporting artisans and fostering creativity within local communities. Artists draw inspiration from Muziris' legacy—incorporating motifs and techniques that echo its ancient splendor.

    Site-Specific Installations: Transforming Public Spaces

    Unlike traditional museums, the Biennale eschews confined galleries—embracing a decentralized model that utilizes diverse venues throughout Kochi. These installations transform public spaces into immersive canvases for artistic exploration—creating unexpected encounters between art and everyday life.

    Artists collaborate with architects and designers to craft experiences that resonate with their surroundings—blurring boundaries between art and urban environment.

    The Biennale's Commitment to Dialogue

    At its core, the Biennale champions a spirit of intercultural exchange—bringing together artists from across continents. It encourages conversations about social justice, political unrest, and environmental concerns—challenging conventional perspectives and fostering empathy.

    The Biennale’s curators strive to create spaces for dialogue—where artists can share their visions and inspire audiences to contemplate complex issues.

    Where to read more

    • The artist pathik sahoo topimpressionists.com/en/artists/pathik-sahoo/
    • The museum Kochi-Muziris Biennale topimpressionists.com/en/museums/kochi-muziris-biennale-kochi/
    • Similar works More works to compare topimpressionists.com/en/art/similar/pathik-sahoo-drawing-lockdown-1234-D73LFY-en/

    Find this online

    QR code linking to the download page for Drawing, Lockdown 1,2,3,4

    topimpressionists.com/en/art/download/pathik-sahoo-drawing-lockdown-1234-D73LFY-en/

    Cite this artwork

    MLA
    sahoo, pathik. Drawing, Lockdown 1,2,3,4. n.d., Kochi-Muziris Biennale. https://topimpressionists.com/en/art/pathik-sahoo-drawing-lockdown-1234-D73LFY-en/
    APA
    sahoo, pathik (n.d.). Drawing, Lockdown 1,2,3,4 [Painting]. Kochi-Muziris Biennale. https://topimpressionists.com/en/art/pathik-sahoo-drawing-lockdown-1234-D73LFY-en/
    Chicago
    pathik sahoo. Drawing, Lockdown 1,2,3,4. n.d. Kochi-Muziris Biennale. https://topimpressionists.com/en/art/pathik-sahoo-drawing-lockdown-1234-D73LFY-en/
    Harvard
    sahoo, pathik (n.d.) Drawing, Lockdown 1,2,3,4. Kochi-Muziris Biennale. Available at: https://topimpressionists.com/en/art/pathik-sahoo-drawing-lockdown-1234-D73LFY-en/

    Look closely

    Drawing, Lockdown 1,2,3,4 — pathik sahoo

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. What might the artist have wanted you to feel?
    4. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.