Paper

Student Artwork Guide

The Four Seasons, Spring

Name Class Date

Paul Cézanne, The Four Seasons, Spring (1861). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Paul Cézanne topimpressionists.com/en/artists/paul-cezanne/
Artist’s dates
1839 – 1906
Painted
1861
Medium
Oil On Canvas
Movement
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Artistic style
Impressionism
Influences
Impressionism, Realism
Notable elements
Woman in red, vases
Subject or theme
Spring ritual

In context

The Four Seasons, Spring — Paul Cézanne

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 67 at death.

Painted when the artist was 22. The artist lived to 67. 2 of the 679 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Paul Cézanne (1839–1906) ▲ this work, 1861 every dated painting, decade by decade

First works: up to 1875 Main working years: 1875–1894 Late works: from 1894

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/paul-cezanne-the-four-seasons-spring-8EWP55-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #212216

    Catalogued palette

    • #212216
    • #BA1D0C
    • #B37931
    • #593718

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Paul Cézanne over the last twelve months — 71 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.7%
    2. 2 United States of America 9.9%
    3. 3 Hong Kong 8.6%
    4. 4 Singapore 7.9%
    5. 5 France 5.2%
    6. 6 Italy 2.6%
    7. 7 Spain 2.5%
    8. 8 Germany 1.4%
    9. 9 Romania 1.3%
    10. 10 Brazil 1.3%
    11. · 61 other countries 8.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Paul Cézanne

    1. 1 The Card Players, 1893 2.7%
    2. 2 Large Bathers (Philadelphia), 1905 2.0%
    3. 3 The Card Players, 1892 1.8%
    4. 4 Basket of Apples, 1895 1.5%
    5. 5 Mont Sainte-Victoire (Courtauld), 1887 1.5%
    6. 6 The bay from l'estaque, 1886 1.3%
    7. 7 Cardplayers, 1893 1.2%
    8. 8 Curtain, Jug and Fruit, 1894 0.8%
    9. 9 The Lac d'Annecy, 1896 0.8%
    10. 10 Landscape with Viaduct - Mont Sainte-Victoire, 1885 0.7%
    11. 11 Mont Sainte-Victoire (Barnes), 1892 0.7%
    12. 12 The Kitchen Table, 1888 0.7%
    13. 13 Chateau Noir, 1904 0.6%
    14. 14 View of L'Estaque and Chateaux d'If, 1885 0.6%
    15. 15 Still life with apples,c.1890, eremitaget 0.6%
    16. 16 Mountains in Provence, 1890 0.6%
    17. 17 The House of Pere Lacroix in Auvers, 1873 0.6%
    18. 18 The Eternal Woman, 1877 0.5%
    19. 19 Mont Sainte-Victoire (Metropolitan), 1885 0.5%
    20. — The Four Seasons, Spring, 1861 this painting 0.0%

    Together these works take 19.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 998 works by this artist, of which 768 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    The Four Seasons, Spring — Paul Cézanne

    A Dream of Spring: Unpacking Cézanne’s ‘The Four Seasons, Spring’

    Paul Cézanne's “The Four Seasons, Spring,” painted in 1861, isn’t merely a depiction of a pastoral scene; it’s an immersion into the artist’s intensely personal vision of nature and the human experience. This work, part of a quartet exploring the seasons, stands apart from its companions with a captivating blend of Romanticism and nascent Modernism—a foreshadowing of the radical shifts to come in 20th-century art. The painting immediately draws the eye with its vibrant palette – a symphony of greens, reds, and blues that evoke the burgeoning life of springtime. Yet, it’s not simply a celebration of color; Cézanne employs it strategically, layering hues to create an illusion of depth and movement, hinting at the dynamism beneath the tranquil surface.

    At the heart of the composition stands a woman, draped in a flowing crimson gown, her arms raised as if caught in a moment of ecstatic dance. Her posture suggests both vulnerability and strength, inviting the viewer to contemplate her role within this carefully constructed world. The placement of two vases, stacked one atop the other, adds an intriguing element of formal structure to the scene – a deliberate counterpoint to the organic forms surrounding them. These aren’t merely decorative objects; they act as anchors, grounding the composition and subtly directing the eye through the painting.

    Romanticism Revisited: Cézanne's Influences

    Cézanne’s work is deeply rooted in Romanticism, a movement that prioritized emotion and imagination over strict realism. The dreamy quality of “The Four Seasons, Spring,” with its soft lighting and evocative atmosphere, reflects this influence. However, unlike the often-melancholic themes of Romanticism, Cézanne imbues his painting with an underlying sense of vitality and optimism. He’s not simply depicting a scene; he's capturing a feeling—the joyous exuberance of renewal.

    It’s crucial to note that Cézanne was simultaneously engaged with the burgeoning Impressionist movement, yet he deliberately pushed beyond its purely optical concerns. While Impressionists sought to capture fleeting moments of light and color, Cézanne focused on the underlying structure of objects—the geometric forms that define their essence. This is evident in his use of broken brushstrokes and flattened planes of color, creating a sense of solidity and permanence within the painting. He was bridging the gap between the ephemeral and the enduring, a hallmark of his unique style.

    Symbolism and the Dance of Life

    The woman’s gesture—arms raised in an apparent dance or ritual—is laden with symbolic meaning. Some art historians interpret this as a representation of fertility and rebirth, aligning with the theme of spring. The red dress itself is often associated with passion, vitality, and the life force – further reinforcing this interpretation. The stacked vases could symbolize abundance and prosperity, mirroring the flourishing growth of nature during this season.

    Furthermore, consider the background—the grassy expanse and distant landscape. These elements aren’t merely decorative; they contribute to the painting's overall sense of depth and perspective. Cézanne meticulously studied the effects of light and shadow, employing a technique known as “alla prima” – working directly onto the canvas without underdrawing – to achieve this remarkable realism. The composition feels both intimate and expansive, drawing the viewer into a world where art and nature converge.

    A Legacy Forged in Innovation

    Initially, Cézanne’s work was met with skepticism and criticism, dismissed by some as overly unconventional. However, his influence on subsequent generations of artists—including Picasso and Matisse—is undeniable. He paved the way for Cubism and other radical movements that challenged traditional notions of representation. “The Four Seasons, Spring” stands as a testament to Cézanne’s revolutionary vision – a painting that continues to captivate viewers with its beauty, complexity, and profound emotional resonance. Reproductions offer an accessible gateway to experiencing this pivotal work of art, allowing us to appreciate the genius of Paul Cézanne in our own homes.

    Artist and museum

    Artist

    Paul Cézanne

    Born in Aix-en-Provence, France

    The Architect of Form

    Paul Cézanne was born in Aix-en-Provence, France, into a family with deep roots in the local banking industry. His father, Louis-Auguste Cézanne, helped found the Banque Cézanne et Cabassol, providing a level of financial stability that many of his contemporaries lacked. This security allowed Paul to move away from the legal studies his father had planned for him. Though he initially studied law at the University of Aix-en-Provence, he abandoned those studies in 1860 to focus entirely on painting. His early years were spent in the company of friends like Émile Zola, and together they shared a childhood of swimming and fishing along the banks of the Arc River.

    The early works of Cézanne often carried the weight of Romanticism, utilizing dark palettes and heavy, expressive brushwork. He was influenced by the dramatic tonal contrasts found in the tradition of Eugène Delacroix. However, his approach began to shift as he moved toward Paris. He sought a way to move beyond the fleeting light captured by the Impressionists. Instead of merely recording a passing moment, he wanted to find the permanent structure within nature. He looked at a mountain or a piece of fruit and saw the underlying geometry—the cones, spheres, and cylinders that form the bones of the world.

    A New Way of Seeing

    Cézanne developed a technique characterized by small, repetitive, and constructive brushstrokes. He layered these patches of color to build up volume and texture, creating a sense of solidity. This method allowed him to explore spatial relationships without relying on traditional single-point perspective. In many of his compositions, objects appear independent within the space, often presented from multiple viewpoints at once. This rejection of classical perspective rules helped create a new pictorial language.

    His subject matter was deeply tied to his surroundings in Provence. The Mont Sainte-Victoire became a recurring presence in his work, appearing in approximately eighty different paintings and watercolors over many years. He also found profound meaning in the simplest objects. His still lifes, featuring items like apples, jars, and cups, were not mere decorations but intense studies of light, shadow, and mass. Through these works, he demonstrated how color modulation could define shape without the need for traditional shading.

    The Bathers (Les Grandes Baigneuses)

    Mont Sainte-Victoire series

    Still Life with Apples and a Pot of Primroses

    Portrait of Émile Zola

    The Card Players

    A Lasting Influence

    By the time of his death in 1906, Cézanne had fundamentally altered the direction of modern painting. His emphasis on geometric form and multiple perspectives provided a foundation for the Cubist movement. Artists such as Pablo Picasso and Georges Braque drew heavily from his analytical approach to nature. His use of bold, non-naturalistic color also left an impression on the Fauvists, including Henri Matisse. He moved art away from the imitation of reality toward a construction of visual experience based on perception and structure.

    Where to read more

    Find this online

    QR code linking to the download page for The Four Seasons, Spring

    topimpressionists.com/en/art/download/paul-cezanne-the-four-seasons-spring-8EWP55-en/

    Cite this artwork

    MLA
    Cézanne, Paul. The Four Seasons, Spring. 1861, https://topimpressionists.com/en/art/paul-cezanne-the-four-seasons-spring-8EWP55-en/
    APA
    Cézanne, Paul (1861). The Four Seasons, Spring [Painting]. https://topimpressionists.com/en/art/paul-cezanne-the-four-seasons-spring-8EWP55-en/
    Chicago
    Paul Cézanne. The Four Seasons, Spring. 1861. https://topimpressionists.com/en/art/paul-cezanne-the-four-seasons-spring-8EWP55-en/
    Harvard
    Cézanne, Paul (1861) The Four Seasons, Spring. Available at: https://topimpressionists.com/en/art/paul-cezanne-the-four-seasons-spring-8EWP55-en/

    Look closely

    The Four Seasons, Spring — Paul Cézanne

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: woman, dance, ritual. Do you agree? What would you add, or take away?
    4. Look back at The Card Players (1893), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The Four Seasons, Spring — Paul Cézanne

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary artistic movement associated with Paul Cézanne’s ‘The Four Seasons, Spring’?

      • A Impressionism
      • B Romanticism
      • C Cubism
    2. 2. In the painting 'The Four Seasons, Spring', what is the woman primarily depicted as doing?

      • A Reading a book
      • B Dancing or performing a ritual
      • C Preparing food
    3. 3. What significant event occurred in 1895 that helped to elevate Cézanne’s work into wider recognition?

      • A The opening of a major retrospective exhibition by Ambroise Vollard
      • B A royal commission for a mural in the Louvre
      • C The publication of a critical analysis by Henri Matisse
    4. 4. Which of the following best describes the use of color and brushstrokes in ‘The Four Seasons, Spring’?

      • A Precise lines and muted tones
      • B Loose, flowing brushstrokes and vibrant colors
      • C Detailed realism with a limited palette
    5. 5. Considering the historical context of Cézanne’s work, which art movements did he draw inspiration from?

      • A Only Impressionism
      • B Impressionism and Realism
      • C Cubism and Surrealism

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3A · 4A · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What are the author and date of "The Four Seasons, Spring"?

    The author of "The Four Seasons, Spring" is Paul Cézanne, and the work is dated 1861.

    What atmosphere would a reproduction of "The Four Seasons, Spring" by Paul Cézanne bring to a room?

    With its romantic mood, "The Four Seasons, Spring" is suggested for a living room.

    How popular is "The Four Seasons, Spring" within Romanticism?

    "The Four Seasons, Spring" is recorded as iconic among the Romanticism works in the catalog.