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Student Artwork Guide

Summertime: Number 9A

Name Class Date

Paul Jackson Pollock, Summertime: Number 9A (1948), Tate Modern. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Paul Jackson Pollock topimpressionists.com/en/artists/paul-jackson-pollock/
Artist’s dates
1912 – 1956
Painted
1948
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Held at
Tate Modern topimpressionists.com/en/museums/tate-modern-london/
Artistic style
Action Painting
Influences
Native American art
Notable elements
Drip technique
Subject or theme
Bicycles (abstract)

In context

Summertime: Number 9A — Paul Jackson Pollock

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 44 at death.

Painted when the artist was 36. The artist lived to 44. 33 of the 50 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Paul Jackson Pollock (1912–1956) ▲ this work, 1948 every dated painting, decade by decade

First works: up to 1941 Main working years: 1941–1948 Late works: from 1948

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/paul-jackson-pollock-summertime-number-9a-D3JQZD-en/

Colours

Measured from the image

    Main colour

    Espresso #312937

    Catalogued palette

    • #312937
    • #ABA399
    • #635C5C
    • #8B8377

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Paul Jackson Pollock over the last twelve months — 70 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 18.9%13,200 visits
    2. 2 France 8.1%5,700 visits
    3. 3 United States of America 7.3%5,100 visits
    4. 4 Germany 7.0%4,900 visits
    5. 5 Japan 5.7%4,000 visits
    6. 6 Spain 5.6%3,900 visits
    7. 7 Italy 5.4%3,800 visits
    8. 8 Brazil 3.1%2,200 visits
    9. 9 Singapore 2.7%1,900 visits
    10. 10 Mexico 2.6%1,800 visits
    11. · 60 other countries 33.6%23,500 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Paul Jackson Pollock

    1. 1 Number 1, 1949, 1950 35.4%44,800 visits
    2. 2 Autumn Rhythm. Number 30, 1950 7.0%8,900 visits
    3. 3 One. Number 31, 1950 5.6%7,100 visits
    4. 4 Convergence 5.1%6,400 visits
    5. 5 Number 5, 1948 3.1%3,900 visits
    6. 6 Number 5, 1948 2.5%3,200 visits
    7. 7 Number 1A 2.3%2,900 visits
    8. 8 White Light, 1954 2.1%2,700 visits
    9. 9 Number 10, 1949 1.7%2,100 visits
    10. 10 Number 3, 1948 1.6%2,000 visits
    11. 11 Number 6, 1949 1.3%1,600 visits
    12. 12 Number 1, 1948 1.2%1,500 visits
    13. 13 Number 3, 1949 1.2%1,500 visits
    14. 14 Number 8 0.9%1,200 visits
    15. 15 Number 2, 1951 0.9%1,100 visits
    16. 16 The She Wolf, 1943 0.8%1,000 visits
    17. 17 Saint 0.8%1,000 visits
    18. 18 Cathedral 0.8%1,000 visits
    19. 19 The Deep 0.8%1,000 visits
    20. 41 Summertime: Number 9A, 1948 this painting 0.4%500 visits

    Together these works take 75.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 176 works by this artist, of which 126 were looked at at least once. This painting ranks 41 of them, with 0.4% of that attention (500 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Summertime: Number 9A — Paul Jackson Pollock

    A Dance of Grey and Blue: Unveiling “Summertime: Number 9A”

    Jackson Pollock’s “Summertime: Number 9A,” painted in 1948, isn't merely a canvas splashed with color; it’s an immersive experience, a visceral representation of the artist’s state of mind captured in a whirlwind of dynamic energy. This seminal work from the heart of Abstract Expressionism embodies Pollock’s revolutionary approach to painting – abandoning traditional form and composition for a process-oriented exploration of gesture, movement, and pure feeling. The piece immediately commands attention with its dense field of interwoven lines and shapes, a chaotic yet strangely harmonious tapestry woven from layers of grey, white, blue, and subtle yellows. It's a visual embodiment of the artist’s “drip technique,” where paint is flung, dripped, and splattered onto the canvas laid flat on the floor, allowing gravity and chance to dictate the final arrangement – a deliberate rejection of control in favor of spontaneous expression.

    The Pollock Method: Action Painting Unleashed

    Pollock’s method was radical for its time. He wasn't seeking to depict a recognizable subject; instead, he aimed to translate the energy of his subconscious directly onto the canvas. “Summertime: Number 9A” exemplifies this perfectly. The seemingly random application of paint is, in fact, meticulously considered. Notice how the lines build and recede, creating a sense of depth and movement despite the lack of traditional perspective. The layering of colors – often applied with minimal blending – contributes to the painting’s tactile quality, inviting viewers to reach out and almost feel the texture of the paint itself. The use of enamel paints, combined with oil, created a durable surface capable of withstanding the vigorous application techniques Pollock employed.

    Symbolism in Chaos: Bicycle Dreams and the American Psyche

    While the painting resists straightforward interpretation, whispers suggest that the recurring motif of bicycles – as described in the provided information – might hold symbolic weight. For Pollock, who spent his early years traveling with his father across the vast landscapes of the American West, the bicycle represented freedom, exploration, and a connection to the open road. It’s possible these images were subconsciously embedded within his creative process, manifesting as fleeting shapes amidst the broader abstraction. More broadly, “Summertime: Number 9A” can be seen as a reflection of the anxieties and uncertainties of post-war America – a period marked by rapid social change, technological advancements, and a growing sense of alienation. The painting’s chaotic energy mirrors this feeling of disorientation, while its vibrant colors offer a glimmer of hope amidst the turmoil.

    A Legacy of Innovation: Pollock's Enduring Influence

    “Summertime: Number 9A” stands as a pivotal work in the development of Abstract Expressionism and profoundly influenced generations of artists. Pollock’s rejection of traditional artistic conventions paved the way for new approaches to painting, emphasizing process over product and prioritizing personal expression above all else. His technique—the “drip” method—became instantly recognizable and continues to inspire artists today. Reproductions of this piece offer a tangible connection to this groundbreaking era in art history, allowing viewers to experience Pollock’s revolutionary vision firsthand. It's a powerful reminder that art can be both visually stimulating and emotionally resonant, inviting us to contemplate the complexities of human experience.

    Artist and museum

    Artist

    Paul Jackson Pollock

    Born in Cody, United States of America

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery, reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    Though initially met with mixed reviews—some critics dismissed his work as chaotic or lacking skill—Pollock’s reputation grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring legacy for generations to come.

    Museum

    Tate Modern

    On show in London, United Kingdom

    Tate Modern: A Chronicle of Urban Innovation

    Nestled within the skeletal remains of a colossal Bankside power station, Tate Modern stands as more than just a gallery; it’s a testament to London's relentless reinvention and a vibrant hub for contemporary art. Completed in 2000 after a painstaking fifteen-year transformation, the building itself is an immediate draw – a dramatic juxtaposition of brutalist concrete and shimmering glass that dominates the Southwark skyline. Designed by Herzog & de Meuron, it’s a structure that doesn't simply house art; it becomes part of the artwork, reflecting the city’s dynamic energy and its ongoing dialogue with the past. The power station’s original industrial heart – the Turbine Hall, now a cavernous space capable of hosting monumental installations – remains a powerful reminder of London’s manufacturing heritage, while the surrounding exhibits celebrate the evolution of artistic expression in the 20th and 21st centuries.

    Key Architectural Features:

    The iconic sawtooth roof, a deliberate nod to the power station's original design, is perhaps Tate Modern’s most recognizable element. Its vast expanse provides ample space for large-scale exhibitions and offers breathtaking views of the city.

    The Turbine Hall:

    This immense space serves as a dynamic stage for immersive installations, often pushing the boundaries of artistic convention and challenging viewers' perceptions.

    The Boiler House:

    Originally housing the power station’s boilers, this area now hosts more intimate exhibitions and offers a fascinating glimpse into the building’s transformation.

    A Collection Rooted in Modernism

    Tate Modern’s collection is deliberately focused on international modern and contemporary art created from 1900 onwards, offering a panoramic view of artistic movements and styles that have shaped our world. It's not simply a chronological survey; instead, the gallery prioritizes works that embody innovation, experimentation, and social commentary. You’ll find iconic pieces by Picasso, Matisse, Warhol, Rothko, and countless others – artists whose work continues to resonate with audiences today. The collection isn’t limited to painting and sculpture; it encompasses photography, film, performance art, and digital media, reflecting the evolving nature of artistic practice.

    Picasso's "Les Demoiselles d'Avignon":

    A pivotal work in the development of Cubism, this painting exemplifies Picasso’s radical experimentation with form and perspective.

    Warhol’s “Campbell’s Soup Cans”:

    This seminal Pop Art piece challenged traditional notions of art and elevated everyday objects to the status of high culture.

    Rothko's Color Field Paintings:

    These large-scale canvases evoke a sense of contemplation and spirituality through their immersive use of color.

    Exhibitions That Spark Dialogue

    Tate Modern’s strength lies not just in its permanent collection but also in its consistently thought-provoking temporary exhibitions. The gallery regularly hosts major retrospectives, thematic group shows, and site-specific installations that engage with current social and political issues. These exhibitions often invite dialogue and debate, prompting visitors to consider their own perspectives on the world around them. Recent highlights have included explorations of identity, climate change, and the role of art in society. The gallery’s commitment to showcasing diverse voices and perspectives ensures that there's always something new and exciting to discover.

    Notable Past Exhibitions:**

    Marina Abramović: Artist as Activist

    Ai Weiwei: Made in China

    Jeff Koons: Balloon Dog

    A Space for the Future of Art

    Tate Modern isn’t merely a repository of art; it's an active participant in shaping its future. The gallery invests heavily in research, education, and community engagement, fostering a vibrant ecosystem of artistic creativity. Its ongoing expansion projects – including the planned completion of the Southern Extension – demonstrate a commitment to providing ever-evolving spaces for artists and audiences alike. More than just a museum, Tate Modern is a dynamic cultural landmark that embodies London’s spirit of innovation, resilience, and its unwavering belief in the power of art to transform our understanding of ourselves and the world.

    Where to read more

    Find this online

    QR code linking to the download page for Summertime: Number 9A

    topimpressionists.com/en/art/download/paul-jackson-pollock-summertime-number-9a-D3JQZD-en/

    Cite this artwork

    MLA
    Pollock, Paul Jackson. Summertime: Number 9A. 1948, Tate Modern. https://topimpressionists.com/en/art/paul-jackson-pollock-summertime-number-9a-D3JQZD-en/
    APA
    Pollock, Paul Jackson (1948). Summertime: Number 9A [Painting]. Tate Modern. https://topimpressionists.com/en/art/paul-jackson-pollock-summertime-number-9a-D3JQZD-en/
    Chicago
    Paul Jackson Pollock. Summertime: Number 9A. 1948. Tate Modern. https://topimpressionists.com/en/art/paul-jackson-pollock-summertime-number-9a-D3JQZD-en/
    Harvard
    Pollock, Paul Jackson (1948) Summertime: Number 9A. Tate Modern. Available at: https://topimpressionists.com/en/art/paul-jackson-pollock-summertime-number-9a-D3JQZD-en/

    Look closely

    Summertime: Number 9A — Paul Jackson Pollock

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: drip painting, pollock, bicycles. Do you agree? What would you add, or take away?
    4. Look back at Number 1, 1949 (1950), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Summertime: Number 9A" more bright or more dark overall?

    "Summertime: Number 9A" is bright overall, and its luminance is gentle luminance.

    What color intensity does "Summertime: Number 9A" by Paul Jackson Pollock have?

    The color intensity of "Summertime: Number 9A" is monochromatic. Intensity describes how strong the colors appear.

    Is "Summertime: Number 9A" one of Paul Jackson Pollock's most popular works?

    The popularity level recorded for "Summertime: Number 9A" by Paul Jackson Pollock is iconic.