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Student Artwork Guide

Untitled 28

Name Class Date

Paul Jackson Pollock, Untitled 28. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Paul Jackson Pollock topimpressionists.com/en/artists/paul-jackson-pollock/
Artist’s dates
1912 – 1956
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Notable_elements
Bird-like creature, prominent eye, dense patterns, textured surface
Style
Stylized, unsettling
Subject
Bird-like creature

In context

Untitled 28 — Paul Jackson Pollock

When might this have been painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 44 at death.

Shaded: the lifetime of Paul Jackson Pollock (1912–1956) every dated painting, decade by decade

First works: up to 1941 Main working years: 1941–1948 Late works: from 1948

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/paul-jackson-pollock-untitled-28-8EWJZG-en/

Colours

Measured from the image

    Main colour

    Gray #8b6a63

    Catalogued palette

    • #8B6A63
    • #381918
    • #67332F
    • #B1AAA1

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Paul Jackson Pollock over the last twelve months — 69 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 19.1%
    2. 2 France 8.2%
    3. 3 United States of America 7.4%
    4. 4 Germany 7.1%
    5. 5 Japan 5.8%
    6. 6 Spain 5.6%
    7. 7 Italy 5.3%
    8. 8 Brazil 3.2%
    9. 9 Singapore 2.7%
    10. 10 Mexico 2.6%
    11. · 59 other countries 33.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Paul Jackson Pollock

    1. 1 Number 1, 1949, 1950 35.5%
    2. 2 Autumn Rhythm. Number 30, 1950 7.0%
    3. 3 One. Number 31, 1950 5.7%
    4. 4 Convergence 5.1%
    5. 5 Number 5, 1948 3.1%
    6. 6 Number 1A 2.2%
    7. 7 White Light, 1954 2.2%
    8. 8 Number 5, 1948 2.0%
    9. 9 Number 10, 1949 1.7%
    10. 10 Number 3, 1948 1.6%
    11. 11 Number 1, 1948 1.2%
    12. 12 Number 6, 1949 1.2%
    13. 13 Number 3, 1949 1.2%
    14. 14 Number 8 1.0%
    15. 15 Number 2, 1951 0.9%
    16. 16 Saint 0.8%
    17. 17 Cathedral 0.8%
    18. 18 The She Wolf, 1943 0.7%
    19. 19 Lavender Mist_Number 1 0.7%
    20. — Untitled 28 this painting 0.0%

    Together these works take 74.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 176 works by this artist, of which 126 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Untitled 28 — Paul Jackson Pollock

    A Visceral Encounter: Decoding Jackson Pollock’s “Untitled 28”

    This intensely compelling work by Jackson Pollock, known simply as “Untitled 28,” offers a raw and unsettling glimpse into the artist's exploration of form and emotion. Far removed from his iconic drip paintings, this piece reveals a different facet of Pollock’s artistic prowess – one rooted in dense application and expressive line work.

    Subject & Style: A Fragmented Avian Presence

    The artwork presents a highly stylized, almost violently rendered depiction of what appears to be a bird-like creature. It's not a naturalistic portrayal; rather, it’s a fragmented vision, focusing intensely on the head and upper body. The style leans heavily towards Expressionism and hints at Surrealist tendencies, prioritizing emotional impact over precise representation. The cropping is tight, creating a claustrophobic effect that draws the viewer into an intimate – and somewhat disturbing – encounter with the subject.

    Technique & Materiality: The Power of Red Chalk

    Pollock employs red chalk or pastel in a remarkably physical manner. The surface is built up through dense, layered application, showcasing visible strokes and deliberate smudging. This technique isn’t about delicate rendering; it's about texture, depth, and the sheer energy of creation. There’s little concern for traditional perspective, instead relying on overlapping forms and intricate patterns to suggest volume and presence. The pressure applied during execution is palpable, lending a sense of urgency and unrestrained emotion to the work.

    Historical Context: A Divergence from Drip Painting

    While Pollock is universally celebrated for his revolutionary drip paintings (developed fully between 1947-1950), “Untitled 28” likely predates this period or represents a deliberate departure. His early work often involved more traditional methods, and this piece demonstrates a mastery of drawing and tonal variation that underpins his later innovations. It’s important to remember Pollock's artistic journey was one of constant experimentation; he wasn’t confined to a single style. His later “black pourings” also demonstrate a shift in color palette and mood, suggesting a willingness to explore darker emotional territories – a sensibility present here as well.

    Symbolism & Interpretation: Ambiguity and Emotional Resonance

    The symbolism within "Untitled 28" remains deliberately ambiguous. The bird-like form could represent numerous concepts:

    Transformation

    ,

    Mortality

    ,

    A tormented psyche

    , or even a primal, instinctual force. The prominent and unsettlingly detailed eye draws the viewer in, creating a sense of being observed – perhaps judged. The intense red hue further amplifies the emotional weight, evoking feelings of passion, danger, or even aggression.

    Emotional Impact & Aesthetic Appeal

    “Untitled 28” is not an easy piece to look at. It’s unsettling, provocative, and demands attention. Its power lies in its ability to evoke a visceral response – a feeling of unease mixed with fascination. For collectors and interior designers, this artwork offers a bold statement piece that transcends conventional aesthetics. Its dramatic color palette and dynamic composition would lend themselves well to modern or minimalist spaces, adding a layer of intellectual depth and emotional complexity. It’s a work that invites contemplation and rewards repeated viewing, revealing new nuances with each encounter.

    Artist and museum

    Artist

    Paul Jackson Pollock

    Born in Cody, United States of America

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery, reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    Though initially met with mixed reviews—some critics dismissed his work as chaotic or lacking skill—Pollock’s reputation grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring legacy for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled 28

    topimpressionists.com/en/art/download/paul-jackson-pollock-untitled-28-8EWJZG-en/

    Cite this artwork

    MLA
    Pollock, Paul Jackson. Untitled 28. n.d., https://topimpressionists.com/en/art/paul-jackson-pollock-untitled-28-8EWJZG-en/
    APA
    Pollock, Paul Jackson (n.d.). Untitled 28 [Painting]. https://topimpressionists.com/en/art/paul-jackson-pollock-untitled-28-8EWJZG-en/
    Chicago
    Paul Jackson Pollock. Untitled 28. n.d. https://topimpressionists.com/en/art/paul-jackson-pollock-untitled-28-8EWJZG-en/
    Harvard
    Pollock, Paul Jackson (n.d.) Untitled 28. Available at: https://topimpressionists.com/en/art/paul-jackson-pollock-untitled-28-8EWJZG-en/

    Look closely

    Untitled 28 — Paul Jackson Pollock

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: abstract, bird form, red color. Do you agree? What would you add, or take away?
    5. Look back at Number 1, 1949 (1950), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Untitled 28 — Paul Jackson Pollock

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary medium used in Jackson Pollock's 'Untitled 28'?

      • A Oil paint
      • B Watercolor
      • C Red chalk or pastel
    2. 2. The description of 'Untitled 28' highlights a strong sense of what atmosphere?

      • A Peaceful and serene
      • B Claustrophobic and ominous
      • C Bright and cheerful
    3. 3. Which artistic movements are most closely associated with the style of 'Untitled 28'?

      • A Renaissance and Baroque
      • B Impressionism and Post-Impressionism
      • C Surrealism, Expressionism, Abstract Expressionism
    4. 4. The artwork is described as having a tightly cropped composition. What does this emphasize?

      • A A broad landscape view
      • B Intricate details of the subject's head and upper body
      • C A sense of spaciousness
    5. 5. What is a potential symbolic interpretation suggested for the bird-like form in 'Untitled 28'?

      • A Freedom and flight
      • B Transformation, mortality, or a tormented soul
      • C Prosperity and good fortune

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3C · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    How can I view "Untitled 28" by Paul Jackson Pollock as a slideshow?

    A slideshow is available: the Diaporama page of "Untitled 28" by Paul Jackson Pollock.

    What color saturation does "Untitled 28" by Paul Jackson Pollock have?

    "Untitled 28" by Paul Jackson Pollock is recorded with a subtle color saturation.

    What style does "Untitled 28" belong to?

    "Untitled 28" is a work of Abstract Expressionism. The movement indicates the artistic tradition the work is part of.