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Student Artwork Guide

Lézardrieux

Paul Signac, 1925

Name Class Date
Paul Signac, Lézardrieux (1925). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Paul Signac topimpressionists.com/en/artists/paul-signac/
Artist’s dates
1863 – 1935
Painted
1925
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

Copyright This work is in the public domain. Paul Signac died in 1935; copyright lasts 70 years after the artist’s death, so it ended in 2005.

Source: TopImpressionists.com — accessed Oct. 7, 2026

Lézardrieux — Paul Signac Part 1 · The artwork

In context

Lézardrieux — Paul Signac

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 72 at death.

Painted when the artist was 62. The artist lived to 72. 164 of the 186 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Paul Signac (1863–1935) ▲ this work, 1925 every dated painting, decade by decade

First works: up to 1888 Main working years: 1888–1916 Late works: from 1916

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/paul-signac-lezardrieux-D2S7C3-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #c5b59c

    Catalogued palette

    • #C5B59C
    • #7D6F59
    • #D7C9B0
    • #A99980

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Paul Signac over the last twelve months — 25 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 60.3%21,000 visits
    2. 2 United States of America 12.9%4,500 visits
    3. 3 Singapore 4.3%1,500 visits
    4. 4 Germany 4.0%1,400 visits
    5. 5 Hong Kong 3.4%1,200 visits
    6. 6 Romania 3.4%1,200 visits
    7. 7 France 2.9%1,000 visits
    8. 8 Italy 1.1%400 visits
    9. 9 Brazil 0.9%300 visits
    10. 10 United Kingdom 0.9%300 visits
    11. · 15 other countries 5.9%2,000 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Paul Signac

    1. 1 The Pine Tree at St. Tropez, 1909 7.9%3,900 visits
    2. 2 Breakfast (The Dining Room), 1887 4.7%2,300 visits
    3. 3 Notre-Dame-de-la-Garde (La Bonne-Mere), Marseilles, 1906 2.4%1,200 visits
    4. 4 The Lighthouse, Saint-Tropez, 1895 2.4%1,200 visits
    5. 5 The Jetty, Cassis, Opus 198, 1889 2.2%1,100 visits
    6. 6 Venice, The Pink Cloud, 1909, 1909 2.0%1,000 visits
    7. 7 Two Cypresses, Mistral, Opus 241, 1893 1.8%900 visits
    8. 8 The Papal Palace, Avignon, 1909, 1900 1.6%800 visits
    9. 9 The Port at Sunset, Saint-Tropez, Opus 236, 1892 1.6%800 visits
    10. 10 Capo de Noli, 1898 1.6%800 visits
    11. 11 Seaside (also known as Le sentier de la douane, Saint-Tropez), 1905 1.6%800 visits
    12. 12 The Town Beach, Collioure, Opus 165, 1887 1.4%700 visits
    13. 13 The Bonaventure Pine, 1893 1.2%600 visits
    14. 14 Venice, The Pink Cloud, 1909 1.2%600 visits
    15. 15 Boulevard de Clichy 1886, 1886 1.0%500 visits
    16. 16 Plane Trees, Place des Lices, Saint-Tropez, Opus 242, 1893 1.0%500 visits
    17. 17 Sisteron, 1902 1.0%500 visits
    18. 18 Grand Canal, Venice, 1905 1.0%500 visits
    19. 19 Riverbank, Les Andelys, 1886 1.0%500 visits
    20. 126 Lézardrieux, 1925 this painting 0.2%100 visits

    Together these works take 38.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 328 works by this artist, of which 189 were looked at at least once. This painting ranks 126 of them, with 0.2% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Source: TopImpressionists.com — accessed Oct. 7, 2026

    Lézardrieux — Paul Signac Part 2 · In context

    Artist and museum

    Artist

    Paul Signac

    Born in Paris, France

    The Harmonious Vision of Paul Signac

    Paul Victor Jules Signac, born in Paris in 1863, emerged as a pivotal figure in the evolution of modern art, inextricably linked to the birth and development of Neo-Impressionism. Initially drawn to architecture, a youthful encounter with Claude Monet’s exhibition ignited within him an enduring passion for painting, setting him on a path that would redefine color theory and artistic expression. Signac wasn't merely a painter; he was a dedicated explorer of light, color, and the very science underpinning visual perception. His early works, though demonstrating Impressionistic leanings, quickly evolved under the profound influence of Georges Seurat, forging a partnership that birthed Pointillism – a technique characterized by the meticulous application of tiny, distinct dots of pure color intended to blend optically in the viewer’s eye. This wasn't simply about aesthetics; it was an attempt to systematize painting, grounding it in scientific principles and challenging conventional artistic norms.

    A Dialogue with Seurat and the Birth of Neo-Impressionism

    The meeting between Signac and Seurat in 1884 proved transformative for both artists. They shared a fascination with Eugène Delacroix’s writings on color theory, particularly his exploration of complementary contrasts and the emotional impact of hue. Together, they embarked on a rigorous investigation into these principles, translating them into a revolutionary painting technique. Signac wholeheartedly embraced Seurat's vision, abandoning the fleeting brushstrokes of Impressionism for the precise, calculated application of points of color. Boulevard de Clichy (1886) stands as an early testament to this new approach, showcasing Signac’s meticulous style and his commitment to capturing the vibrancy of urban life through a scientific lens. However, their collaboration wasn't merely technical; it was intellectual, fueled by a shared desire to elevate painting to the level of a rigorous science. Signac became a devoted advocate for Seurat’s ideas, tirelessly promoting Neo-Impressionism and defending its principles against criticism. The tragic early death of Seurat in 1891 left Signac as the principal champion of their shared artistic vision, a role he embraced with unwavering dedication.

    Coastal Reveries and Artistic Independence

    Following Seurat’s passing, Signac's artistic journey took on a new dimension, deeply influenced by his profound love for sailing and the allure of the Mediterranean coast. He discovered Saint-Tropez in 1892, establishing a home there that became a haven for artists and a source of endless inspiration. The shimmering waters, sun-drenched harbors, and picturesque coastal towns provided an ideal setting to explore the interplay of light and color. The Red Buoy, Saint-Tropez (1895) exemplifies this period, showcasing his mastery of Pointillism in capturing the vibrant hues and dynamic energy of the sea. His technique evolved, becoming more fluid and expressive while retaining its scientific foundation. He began to experiment with larger brushstrokes and a broader palette, moving beyond strict adherence to Seurat’s precise dotting method. Signac's travels extended beyond France, encompassing Italy, Holland, and even Constantinople, each journey enriching his artistic vocabulary and broadening his perspective.

    A Patron of the Avant-Garde and Lasting Legacy

    Beyond his own artistic pursuits, Signac played a crucial role in fostering the development of modern art through his leadership within the Société des Artistes Indépendants. As president from 1908 until his death in 1935, he championed artistic freedom and provided a platform for emerging talents, including Henri Matisse, André Derain, and other pioneers of Fauvism and Cubism. He was among the first to recognize and support their groundbreaking work, exhibiting controversial pieces that challenged conventional aesthetic norms. Signac’s commitment to inclusivity and his willingness to embrace innovation helped shape the trajectory of 20th-century art. His theoretical writings, notably From Eugène Delacroix to Neo-Impressionism (1899), further solidified his position as a leading intellectual figure in the art world. Paul Signac’s legacy extends far beyond his captivating paintings; he was a visionary artist, a dedicated theorist, and a generous patron who profoundly influenced the course of modern art, leaving an indelible mark on generations of artists to come.

    Key Dates & Achievements

    1863: Born in Paris, France.

    1884: Co-founded the Société des Artistes Indépendants with Georges Seurat.

    1886: Painted Boulevard de Clichy, a key example of early Pointillism.

    1895: Created The Red Buoy, Saint-Tropez, showcasing his mastery of coastal scenes.

    1899: Published From Eugène Delacroix to Neo-Impressionism, a seminal work on color theory.

    1908 – 1935: Served as President of the Société des Artistes Indépendants, championing avant-garde artists.

    1935: Passed away in Paris at the age of 72, leaving behind a rich artistic legacy.

    Where to read more

    Find this online

    QR code linking to the download page for Lézardrieux

    topimpressionists.com/en/art/download/paul-signac-lezardrieux-D2S7C3-en/

    Cite this artwork

    MLA
    Signac, Paul. Lézardrieux. 1925, https://topimpressionists.com/en/art/paul-signac-lezardrieux-D2S7C3-en/
    APA
    Signac, Paul (1925). Lézardrieux [Painting]. https://topimpressionists.com/en/art/paul-signac-lezardrieux-D2S7C3-en/
    Chicago
    Paul Signac. Lézardrieux. 1925. https://topimpressionists.com/en/art/paul-signac-lezardrieux-D2S7C3-en/
    Harvard
    Signac, Paul (1925) Lézardrieux. Available at: https://topimpressionists.com/en/art/paul-signac-lezardrieux-D2S7C3-en/

    Source: TopImpressionists.com — accessed Oct. 7, 2026

    Lézardrieux — Paul Signac Part 3 · Artist and museum

    Look closely

    Lézardrieux — Paul Signac

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: coastal scene, harbor landscape, sailboats. Do you agree? What would you add, or take away?
    4. Look back at The Pine Tree at St. Tropez (1909), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Source: TopImpressionists.com — accessed Oct. 7, 2026

    Lézardrieux — Paul Signac Part 4 · Look closely

    Questions & Answers

    Which palette and lead color define "Lézardrieux"?

    "Lézardrieux" by Paul Signac uses a neutrals palette, with rosy brown (#c5b59c) as the dominant color.

    Can I see "Lézardrieux" by Paul Signac on my own wall before buying?

    "Lézardrieux" by Paul Signac can be previewed on your own wall with the artwork's AR Preview page, using augmented reality on a compatible device.

    Is "Lézardrieux" by Paul Signac a portrait, landscape or square composition?

    The format of "Lézardrieux" is landscape. This is useful when planning where a reproduction will be placed.