Paper

Student Artwork Guide

Marisma

Name Class Date

Peder Severin Kroyer, Marisma. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Peder Severin Kroyer topimpressionists.com/en/artists/peder-severin-kroyer/
Artist’s dates
1851 – 1909
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Marisma — Peder Severin Kroyer

When might this have been painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 58 at death.

Shaded: the lifetime of Peder Severin Kroyer (1851–1909) every dated painting, decade by decade

First works: up to 1883 Main working years: 1883–1894 Late works: from 1894

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/peder-severin-kroyer-marisma-8EWSS4-en/

Colours

Measured from the image

    Main colour

    Plum #c5d3f3

    Catalogued palette

    • #C5D3F3
    • #43312C
    • #685444
    • #A2B6DF

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Plum
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Peder Severin Kroyer over the last twelve months — 9 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 66.7%
    2. 2 Spain 7.8%
    3. 3 United States of America 7.8%
    4. 4 Réunion 5.9%
    5. 5 Japan 3.9%
    6. 6 Australia 2.0%
    7. 7 Germany 2.0%
    8. 8 France 2.0%
    9. 9 Malaysia 2.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Peder Severin Kroyer

    1. 1 Summer Day at the South Beach of Skagen 17.5%
    2. 2 Hip, Hip, Hurrah! 7.0%
    3. 3 Fishing Boats, 1884 5.3%
    4. 4 Marie in the Garden, 1895 5.3%
    5. 5 In the Store During a Pause from Fishing, 1882 5.3%
    6. 6 Hip, Hip, Hurrah!, 1888 3.5%
    7. 7 Interior with the Artist's Wife, 1889 3.5%
    8. 8 Tarde de verano en Skagen 3.5%
    9. 9 Almuerzo con pintores de Skagen 3.5%
    10. 10 Björnstjerne Björnson 3.5%
    11. 11 Mar en Skagen 3.5%
    12. 12 Portrait of the Hirschsprung Family, 1881 1.8%
    13. 13 Fishermen Hauling the Net on Skagen's North Beach, 1883 1.8%
    14. 14 Portrait of the Artist's Wife Marie, 1889 1.8%
    15. 15 Summer Night on the South Beach at Skagen, 1893 1.8%
    16. 16 Italian Village Hatters, 1880 1.8%
    17. 17 A White Boat at the Shoreline, Late Summer Evening, 1895 1.8%
    18. 18 Mujeres y pescadores de Hornbaek3, 1875 1.8%
    19. 19 Portrait Of A Gentleman 1.8%
    20. — Marisma this painting 0.0%

    Together these works take 75.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 98 works by this artist, of which 33 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Peder Severin Kroyer

    Born in Stavanger, Norway

    A Life Painted in Light: The World of Peder Severin Krøyer

    Peder Severin Krøyer, a name perhaps less instantly recognizable than some of his Impressionist contemporaries, nevertheless occupies a pivotal position within Scandinavian art. Born in 1851 in Stavanger, Norway, Krøyer’s early life was marked by an unusual upbringing; raised not by his biological mother but by her sister and brother-in-law, the Danish zoologist Henrik Nikolai Krøyer, he found himself transplanted to Copenhagen and immersed in a world of scientific inquiry alongside artistic cultivation. This unique foundation – a blend of observation, precision, and aesthetic sensibility – would profoundly shape his approach to painting. While details of his earliest years remain somewhat elusive, it’s clear that an aptitude for art was nurtured from a young age, leading to enrollment at the Royal Danish Academy of Art at just fourteen. He quickly distinguished himself, demonstrating a natural talent that promised a successful career.

    From Realism to the Shifting Sands of Impressionism

    Krøyer’s artistic journey began firmly rooted in realism, particularly portraiture – a genre highly esteemed and financially viable during his formative years. He excelled at capturing likenesses, securing commissions that established him as a sought-after artist within Danish society. However, the winds of change were blowing across Europe, carrying with them the revolutionary ideas of Impressionism. Krøyer was not immune to their allure. Several trips to Paris exposed him to the groundbreaking work of Monet, Renoir, Degas, and others, artists who dared to abandon traditional techniques in favor of capturing fleeting moments of light and atmosphere. He absorbed these influences, gradually incorporating them into his own style. This wasn’t a wholesale adoption, however; Krøyer didn't simply replicate Impressionism. Instead, he synthesized it with his existing realist training, creating a distinctive aesthetic that balanced meticulous observation with an evocative sense of mood and transience.

    Skagen: A Colony of Light and Inspiration

    The turning point in Krøyer’s career – and arguably the period for which he is most celebrated – came with his discovery of Skagen, a remote fishing village on the northern tip of Denmark. He first arrived there in 1882, drawn by the dramatic coastal landscapes and the unique quality of light that bathed the region. Skagen quickly became more than just a location; it was an artistic haven, attracting a vibrant colony of painters, writers, and intellectuals. Krøyer became central to this community, forging close friendships with artists like Michael and Anna Ancher, and writer Holger Drachmann. He married Marie Triepcke in 1889, who herself was a talented painter and frequent subject in his work. It was at Skagen that Krøyer truly found his voice, producing some of his most iconic paintings – scenes of beach life, fishermen at work, and intimate portraits of his fellow artists. Summer Evening on Skagen’s Southern Beach, perhaps his most famous work, exemplifies this period; it's a masterful depiction of light, atmosphere, and the camaraderie of the artistic circle. The painting is not merely a representation of a scene but an evocation of a feeling – a sense of peace, belonging, and the ephemeral beauty of summer.

    Later Years and Enduring Legacy

    The final years of Krøyer’s life were marked by personal tragedy and declining health. His marriage to Marie deteriorated, culminating in divorce in 1905. Simultaneously, he began to suffer from failing eyesight, a devastating blow for any artist but particularly poignant for one so dedicated to capturing the nuances of light. Despite these challenges, Krøyer continued to paint, demonstrating remarkable resilience and determination. He adapted his technique to accommodate his diminishing vision, even joking that losing an eye had somehow improved the sight in his remaining one. He died in 1909 at Skagen, leaving behind a rich artistic legacy. While he may not have achieved the same international renown as some of his Impressionist peers, Peder Severin Krøyer remains a towering figure in Scandinavian art. His paintings offer a unique window into a specific time and place – the vibrant artistic community of Skagen and the serene beauty of the Danish coastline. He masterfully blended realism with impressionistic techniques, creating works that are both visually stunning and emotionally resonant. His contribution lies not only in his technical skill but also in his ability to capture the essence of a particular way of life, preserving it for generations to come.

    Museums and Collections

    The Hirschsprung Collection (Copenhagen): Holds a significant number of Krøyer’s works, reflecting the long-standing patronage of Heinrich Hirschsprung.

    Skagens Museum: Boasts the world's largest collection of paintings by Peder Severin Krøyer, offering an unparalleled insight into his artistic development and connection to Skagen.

    National Gallery of Denmark (Copenhagen): Features selected works representing Krøyer’s contribution to Danish art history.

    Where to read more

    Find this online

    QR code linking to the download page for Marisma

    topimpressionists.com/en/art/download/peder-severin-kroyer-marisma-8EWSS4-en/

    Cite this artwork

    MLA
    Kroyer, Peder Severin. Marisma. n.d., https://topimpressionists.com/en/art/peder-severin-kroyer-marisma-8EWSS4-en/
    APA
    Kroyer, Peder Severin (n.d.). Marisma [Painting]. https://topimpressionists.com/en/art/peder-severin-kroyer-marisma-8EWSS4-en/
    Chicago
    Peder Severin Kroyer. Marisma. n.d. https://topimpressionists.com/en/art/peder-severin-kroyer-marisma-8EWSS4-en/
    Harvard
    Kroyer, Peder Severin (n.d.) Marisma. Available at: https://topimpressionists.com/en/art/peder-severin-kroyer-marisma-8EWSS4-en/

    Look closely

    Marisma — Peder Severin Kroyer

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: landscape, sunset, norway. Do you agree? What would you add, or take away?
    5. Look back at Portrait of the Hirschsprung Family (1881), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is there a slideshow for "Marisma" by Peder Severin Kroyer?

    The diaporama of "Marisma" can be watched on the artwork's Diaporama page.

    Is "Marisma" by Peder Severin Kroyer a bright or a dark artwork?

    The perceived brightness of "Marisma" by Peder Severin Kroyer is bright. It can be matched to the light of the intended space.

    Can I preview "Marisma" by Peder Severin Kroyer before ordering?

    The Preview page of "Marisma" lets you preview the artwork before ordering.