Paper

Student Artwork Guide

(Edith Roosevelt)

Name Class Date

Philip Alexius De László, (Edith Roosevelt) (1908), Sagamore Hill National Historic Site. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Philip Alexius De László topimpressionists.com/en/artists/philip-alexius-de-laszlo/
Artist’s dates
1869 – 1937
Painted
1908
Medium
Oil On Canvas
Movement
Portrait Realism
Period
19th Century
Held at
Sagamore Hill National Historic Site topimpressionists.com/en/museums/sagamore-hill-national-historic-site-oyster-bay/
Artistic style
Realism
Notable elements
Blue bow tie, hair in a bun
Subject or theme
Portrait of Edith Roosevelt

In context

(Edith Roosevelt) — Philip Alexius De László

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 68 at death.

Painted when the artist was 39. The artist lived to 68. 26 of the 87 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Philip Alexius De László (1869–1937) ▲ this work, 1908 every dated painting, decade by decade

First works: up to 1904 Main working years: 1904–1919 Late works: from 1919

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/philip-alexius-de-laszlo-edith-roosevelt-D7GFPK-en/

Colours

Measured from the image

    Main colour

    Espresso #534732

    Catalogued palette

    • #534732
    • #998B70
    • #7F6844
    • #C5C3B4

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Philip Alexius De László over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 52.8%
    2. 2 United Kingdom 22.2%
    3. 3 United States of America 19.4%
    4. 4 Spain 2.8%
    5. 5 Singapore 2.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Philip Alexius De László

    1. 1 Queen Elizabeth The Queen Mother,when Duchess of York, 1925 12.8%
    2. 2 Lt-Col. Risaldar Jagat Singh and Risaidar Man Singh, 1916 10.3%
    3. 3 (Edith Roosevelt), 1908 this painting 7.7%
    4. 4 'The Last Days at Chequers' Lord and Lady Lee of Farenam in the Hawtrey Room, 1920 5.1%
    5. 5 Cardinal Mariano Rampolla, 1900 5.1%
    6. 6 Sr Ernest Cassel, 1900 5.1%
    7. 7 Female Nude, 1891 5.1%
    8. 8 Pauline Morton Sabin, 1926 2.6%
    9. 9 (Kermit Roosevelt), 1917 2.6%
    10. 10 His Holiness Pope Leo XIII, 1900 2.6%
    11. 11 George Nathaniel, Earl Curzon of Kedleston, 1913 2.6%
    12. 12 Jan Kubelik, 1903 2.6%
    13. 13 Marguerite Alexandrine, duchesse du Gramont, née de Rothschild, 1902 2.6%
    14. 14 The Hofbräuhaus, 1892 2.6%
    15. 15 General Arthur Görgey, 1901 2.6%
    16. 16 An Indian Prince, 1906 2.6%
    17. 17 The Son of the Artist, 1917 2.6%
    18. 18 George VI, when Duke of York, 1931 2.6%
    19. 19 H.R.H. Princess Andrew of Greece, née Princess Alice of Battenberg, 1907 2.6%
    20. 20 Winifred, Duchess of Portland, 1912 2.6%

    Together these works take 85.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 90 works by this artist, of which 26 were looked at at least once. This painting ranks 3 of them, with 7.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    (Edith Roosevelt) — Philip Alexius De László

    This portrait of Edith Roosevelt was painted by Philip A. de Laszlo in Washington D.C. in 1908. De Laszlo had been introduced to Theodore and Edith Roosevelt by TR

    Artist and museum

    Artist

    Philip Alexius De László

    Philip Alexius de László: Life and Legacy

    Early Life and Education

    Philip Alexius de László, born Fülöp Laub on April 30, 1869, in Budapest, Hungary, rose from humble beginnings to become a celebrated portrait painter of European royalty and aristocracy. His parents, Adolf and Johanna Laub, were a tailor and seamstress respectively, of Jewish origin. He initially apprenticed as a photographer while pursuing his artistic studies. He gained admission to the National Academy of Art in Budapest, studying under Bertalan Székely and Károly Lotz. Further studies in Munich and Paris broadened his artistic horizons.

    Artistic Development and Influences

    De László’s early work demonstrated a keen eye for detail and a developing mastery of realism. His influences included the academic traditions he learned at the Academy, as well as the prevailing trends in portraiture during the late 19th and early 20th centuries. He quickly distinguished himself with his ability to capture not only physical likeness but also the personality and social standing of his sitters. A pivotal moment came in 1900 when his portrait of Pope Leo XIII earned him a Grand Gold Medal at the Paris International Exhibition, establishing his international reputation.

    Career and Major Achievements

    Following his success in Paris, de László moved to Vienna in 1903 and then settled in London in 1907, where he remained for the rest of his life. He became a highly sought-after portraitist among the European elite. His clientele included monarchs, nobles, industrialists, scientists, and prominent figures from various fields.

    Notable Sitters: Sir Alfred East, Winifred Cavendish-Bentinck (Duchess of Portland), Lady Louise Mountbatten (Queen of Sweden), Vita Sackville-West, Pope Leo XIII, Augusta Victoria (German Empress), Princess Alice of Battenberg, and many others.

    Honors & Recognition: Invested as a Member of the Royal Victorian Order (MVO) by Edward VII in 1909. Ennobled by King Franz Joseph I of Hungary in 1912, adopting the name “de László de Lombos.”

    Personal Life and Challenges

    In 1900, de László married Lucy Madeleine Guinness, a member of the prominent banking family. They had six children and seventeen grandchildren. He converted to Anglicanism upon his marriage after an earlier interest in Catholicism. Despite his British citizenship and established life in England, he faced internment during World War I (1917-1918) due to suspicions surrounding his Austrian connections, a period of significant hardship.

    Artistic Style and Themes

    De László’s style is characterized by its realism, meticulous detail, and vibrant color palette. He was adept at capturing the textures of fabrics, jewelry, and skin tones. His portraits often convey a sense of elegance, sophistication, and social status. While primarily known for portraiture, he also created landscapes and genre scenes.

    Historical Significance and Legacy

    Philip de László’s work provides valuable insights into the lives and appearances of European high society during the late 19th and early 20th centuries. His portraits serve as historical documents, capturing a specific era and its social dynamics. Although sometimes criticized for being primarily a society portraitist, his technical skill and ability to capture character are undeniable. His oeuvre comprises nearly 4,000 works, including drawings, and a catalogue raisonné is currently in progress. He died on November 22, 1937, in London, leaving behind a lasting legacy as one of the foremost portrait painters of his time.

    Museum

    Sagamore Hill National Historic Site

    On show in Oyster Bay, United States of America

    A Sanctuary of Statesmanship: Exploring Sagamore Hill

    Sagamore Hill National Historic Site isn’t merely a house; it's an immersive chronicle of American leadership, a tangible link to the formative years of one of America’s most consequential presidents. Nestled within 83 acres of breathtaking Long Island scenery – a tapestry of rolling lawns, whispering pines, and glimpses of the Atlantic – this Shingle Style mansion stands as a testament to Theodore Roosevelt's restless spirit and profound impact on the nation. More than just a residence, Sagamore Hill embodies a complex narrative: a personal haven, a diplomatic stage, and ultimately, a window into the soul of a man who shaped the 20th century. The site’s strategic location, deliberately chosen for its blend of seclusion and accessibility, speaks volumes about Roosevelt's desire to be both a prominent figure in national affairs and a deeply rooted citizen of his community.

    The architecture itself is a key element of Sagamore Hill’s story. Designed by the renowned firm Lamb & Rich, the house exemplifies the Shingle Style – an American adaptation of the Queen Anne style that prioritized harmony with its surroundings. Completed in 1885, the asymmetrical facade, clad in clapboard shingles, immediately evokes a sense of understated elegance and connection to the natural world. Roosevelt’s deliberate choice of this architectural style wasn't arbitrary; it reflected his belief that true leadership required both strength and humility – a balance mirrored in the house’s design. The expansive windows, flooding the interior with light, create an atmosphere of openness and invite contemplation, while the meticulously landscaped grounds reinforce the feeling of being nestled within a vibrant ecosystem. The building's longevity is remarkable, a testament to the skill of its original builders and the enduring appeal of this understated yet elegant design.

    A Collector’s Chronicle: Treasures Within

    Stepping inside Sagamore Hill is akin to entering a carefully curated autobiography. The North Room, perhaps the most iconic space within the house, immediately overwhelms with its sheer abundance of artifacts – trophies from Roosevelt's legendary hunting expeditions (a magnificent moose head being particularly striking), gifts bestowed upon him by world leaders during his tenure as President and diplomat, and an astonishing collection of books reflecting his voracious intellect. These weren’t simply possessions; they were tangible reminders of Roosevelt’s relentless pursuit of knowledge, adventure, and influence. Beyond the North Room, visitors can trace Roosevelt's political career through meticulously preserved documents, photographs, and personal correspondence. The Presidential Memorabilia section offers a poignant glimpse into his leadership – from handwritten drafts of legislation to telegrams detailing pivotal moments in history. The collection isn’t merely static; it breathes with the echoes of conversations held, decisions made, and battles fought.

    However, Sagamore Hill’s collection extends beyond the purely political. Edith Roosevelt’s influence is subtly woven throughout the house, evident in her exquisite needlework displayed with pride and the carefully curated floral arrangements that speak to a refined aesthetic sensibility. The family's personal life – the births of three of Theodore and Edith’s five children within these walls – adds an intimate layer to the narrative, revealing a side of Roosevelt often obscured by his public persona. The house is filled with details—a child’s toy tucked away in a corner, a handwritten letter from a loved one—that humanize the president and offer a glimpse into the life of a man who was also a husband, father, and friend.

    A Stage for Diplomacy: Peace Talks and Global Influence

    Sagamore Hill’s significance transcends its role as a private residence. During Theodore Roosevelt's presidency, it served as the Summer White House, hosting countless dignitaries and shaping the course of international relations. Perhaps most famously, it was here that the crucial peace talks leading to the end of the Russo-Japanese War were held in 1905 – an event for which Roosevelt received the Nobel Peace Prize. The very rooms where these negotiations took place resonate with a palpable sense of history, reminding visitors of the profound responsibility and weighty decisions entrusted to this unassuming Long Island estate. The grounds themselves were meticulously landscaped to provide both beauty and security – reflecting Roosevelt’s commitment to both aesthetics and practicality. The strategic location on Long Island provided a discreet yet accessible setting for these diplomatic exchanges, allowing Roosevelt to maintain a semblance of privacy while remaining connected to Washington D.C.

    Echoes of the Past: Architecture and Legacy

    The addition of the North Room in 1905, designed by Lamb & Rich, dramatically expanded Sagamore Hill’s footprint and reflected Roosevelt’s evolving tastes and his dedication to preserving historical artifacts. This extension not only increased the house's square footage but also showcased his expanding collection. The Shingle Style architecture remains remarkably intact, a testament to the skill of the original builders and the enduring appeal of this understated yet elegant design. Beyond its architectural significance, Sagamore Hill represents a crucial chapter in American history – a period defined by progressive reform, conservation efforts, and an expanding role for the United States on the world stage. The site’s designation as a National Historic Site in 1962 ensured its preservation for future generations, safeguarding not only the physical structure of the house but also the rich legacy embodied within its walls. Today, Sagamore Hill continues to inspire reflection on leadership, diplomacy, and the enduring power of the American spirit.

    Where to read more

    Find this online

    QR code linking to the download page for (Edith Roosevelt)

    topimpressionists.com/en/art/download/philip-alexius-de-laszlo-edith-roosevelt-D7GFPK-en/

    Cite this artwork

    MLA
    László, Philip Alexius De. (Edith Roosevelt). 1908, Sagamore Hill National Historic Site. https://topimpressionists.com/en/art/philip-alexius-de-laszlo-edith-roosevelt-D7GFPK-en/
    APA
    László, Philip Alexius De (1908). (Edith Roosevelt) [Painting]. Sagamore Hill National Historic Site. https://topimpressionists.com/en/art/philip-alexius-de-laszlo-edith-roosevelt-D7GFPK-en/
    Chicago
    Philip Alexius De László. (Edith Roosevelt). 1908. Sagamore Hill National Historic Site. https://topimpressionists.com/en/art/philip-alexius-de-laszlo-edith-roosevelt-D7GFPK-en/
    Harvard
    László, Philip Alexius De (1908) (Edith Roosevelt). Sagamore Hill National Historic Site. Available at: https://topimpressionists.com/en/art/philip-alexius-de-laszlo-edith-roosevelt-D7GFPK-en/

    Look closely

    (Edith Roosevelt) — Philip Alexius De László

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: edith roosevelt, portrait, royalty. Do you agree? What would you add, or take away?
    4. Look back at Pauline Morton Sabin (1926), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Philip Alexius De László was about 39 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "(Edith Roosevelt)" free of copyright?

    Regarding copyright, "(Edith Roosevelt)" is in the public domain - its copyright has expired.

    What mood and emotion does "(Edith Roosevelt)" by Philip Alexius De László express?

    The recorded mood of "(Edith Roosevelt)" by Philip Alexius De László is classic, and its emotional tone is reflective.

    Toward which tone does "(Edith Roosevelt)" lean?

    The dominant hue of "(Edith Roosevelt)" by Philip Alexius De László is ochre to sepia. The hue is the underlying tone of the palette.