Paper

Student Artwork Guide

Colonel North

Name Class Date

Philip William May, Colonel North. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Philip William May topimpressionists.com/en/artists/philip-william-may/
Artist’s dates
1884 – 1903

In context

Colonel North — Philip William May

When might this have been painted?

  1. 1880
  2. 1890
  3. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 19 at death.

Shaded: the lifetime of Philip William May (1884–1903) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Alfred Chantrey Corbould topimpressionists.com/en/art/philip-william-may-alfred-chantrey-corbould-9EDHJR-en/
  • Segrave topimpressionists.com/en/art/philip-william-may-segrave-9EDHK3-en/
  • Melton Prior topimpressionists.com/en/art/philip-william-may-melton-prior-9EDHJV-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/philip-william-may-colonel-north-9EDHJU-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #aca39f

    Catalogued palette

    • #ACA39F
    • #1D2B45
    • #CEC4BF
    • #5F6375

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Philip William May over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 United States of America 60.0%
    2. 2 China 40.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by Philip William May

    1. 1 Rickety, Rackety Crew 16.7%
    2. 2 The Rival Mephistopheles 16.7%
    3. 3 Mrs Jones 16.7%
    4. 4 Pen, Brush And Pencil On Paper 16.7%
    5. 5 Rehearsing The Fishing Ballet 16.7%
    6. 6 Punch 16.7%
    7. — Colonel North this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 16 works by this artist, of which 6 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Philip William May

    Born in Leeds, United Kingdom

    The Line of a Legend: The Life and Legacy of Phil May

    In the bustling, soot-stained streets of Victorian London, where the fog clung to the Thames and social hierarchies were as rigid as iron, one man possessed the singular ability to distill the chaos of urban life into a few masterful strokes. Philip William May, known more affectionately to the public as Phil May, was not merely an illustrator; he was a visual chronicler of an era in transition. Born in 1864 in Wortley, near Leeds, May’s journey from the industrial heart of Yorkshire to the pinnacle of British satire is a testament to the power of a refined eye and an economical hand. His early life, though marked by the loss of his father when he was only nine, was nurtured by a family lineage that valued the draughtsman's craft, providing him with the foundational tools to eventually reshape the landscape of modern cartooning.

    May’s artistic evolution was deeply rooted in his formal training at the Leeds Art School. It was here that he moved beyond simple imitation, absorbing the burgeoning influences of Impressionism and Post-Impressionism. This exposure to new ways of perceiving light, texture, and atmosphere would later infuse his work with a depth that transcended mere caricature. While many of his contemporaries focused on heavy, cluttered Victorian ornamentation, May began to experiment with a vigorous economy of line. He learned the art of what he left out as much as what he put in, developing a technique where a single, confident stroke could convey the weary slouch of a London laborer or the haughty tilt of a socialite's chin.

    A Master of Satire and the Punch Era

    The true zenith of May’s career arrived through his prolific association with Punch magazine, the definitive voice of British humor during the late nineteenth century. Within the pages of this legendary publication, May became a household name. He possessed an uncanny ability to navigate the complexities of social and political commentary, using wit rather than malice to critique the absurdities of his age. His illustrations were not merely drawings; they were character studies that captured the very essence of the Cockney spirit and the shifting class dynamics of London. Through his work, the ephemeral moments of street life—the banter in a pub, the bustle of a market, the quiet melancholy of a rainy afternoon—were immortalized.

    His technical prowess was most evident in his ability to blend different mediums to evoke emotion. While he is celebrated for his sharp, satirical cartoons, his more contemplative works, such as his pastel sketches and watercolors, reveal a much softer, more sensitive artist. In pieces like “Study Of Russian Village Women,” one can observe a profound mastery of layered textures and muted palettes. By utilizing subtle blues, greens, and earthy tones, he could create a sense of atmosphere that felt both intimate and expansive. This duality—the ability to be both a biting satirist and a tender observer of human vulnerability—is what truly set him apart from the illustrators of his time.

    The Enduring Impact of a Visionary

    Tragically, the light of May’s career was extinguished far too soon. His death in 1903 at the age of thirty-nine left the art world in mourning and left many wondering what further revolutions his pen might have sparked. Yet, his historical significance cannot be overstated. Phil May acted as a vital bridge between the ornate, detailed illustration styles of the mid-Victorian period and the streamlined, modern cartooning that would define the twentieth century. He stripped away the unnecessary, proving that simplicity is often the highest form of sophistication.

    Today, his legacy lives on in every artist who seeks to capture a complex truth with minimal means. His work remains a window into a vanished world, offering a poignant look at the faces and feelings of a London that was rapidly disappearing under the weight of modernity. To study May is to witness the birth of a modern visual language, a language built on the foundation of empathy, humor, and an unerringly precise line.

    Where to read more

    • The artist Philip William May topimpressionists.com/en/artists/philip-william-may/
    • Similar works More works to compare topimpressionists.com/en/art/similar/philip-william-may-colonel-north-9EDHJU-en/

    Find this online

    QR code linking to the download page for Colonel North

    topimpressionists.com/en/art/download/philip-william-may-colonel-north-9EDHJU-en/

    Cite this artwork

    MLA
    May, Philip William. Colonel North. n.d., https://topimpressionists.com/en/art/philip-william-may-colonel-north-9EDHJU-en/
    APA
    May, Philip William (n.d.). Colonel North [Painting]. https://topimpressionists.com/en/art/philip-william-may-colonel-north-9EDHJU-en/
    Chicago
    Philip William May. Colonel North. n.d. https://topimpressionists.com/en/art/philip-william-may-colonel-north-9EDHJU-en/
    Harvard
    May, Philip William (n.d.) Colonel North. Available at: https://topimpressionists.com/en/art/philip-william-may-colonel-north-9EDHJU-en/

    Look closely

    Colonel North — Philip William May

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: warriors. Do you agree? What would you add, or take away?
    4. Look back at Alfred Chantrey Corbould, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How can I view "Colonel North" by Philip William May as a slideshow?

    The diaporama of "Colonel North" can be watched on the artwork's Diaporama page.

    Is "Colonel North" by Philip William May a portrait, landscape or square composition?

    "Colonel North" by Philip William May has a tall format. The format describes the proportions of the composition.

    Who created "Colonel North"?

    "Colonel North" is attributed to Philip William May.