Paper

Student Artwork Guide

Mrs Shakespeare

Name Class Date

Philippe Mercier, Mrs Shakespeare (1739), The Hepworth Wakefield. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Philippe Mercier topimpressionists.com/en/artists/philippe-mercier/
Artist’s dates
1689 – 1760
Painted
1739
Original size
131 x 101 cm
Held at
The Hepworth Wakefield topimpressionists.com/en/museums/the-hepworth-wakefield-wakefield/

In context

Mrs Shakespeare — Philippe Mercier

How big is it?

The original measures 131 × 101 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1680
  2. 1690
  3. 1700
  4. 1710
  5. 1720
  6. 1730
  7. 1740
  8. 1750
  9. 1760

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 71 at death.

Painted when the artist was 50. The artist lived to 71. 13 of the 34 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Philippe Mercier (1689–1760) ▲ this work, 1739 every dated painting, decade by decade

First works: up to 1734 Main working years: 1734–1750 Late works: from 1750

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/philippe-mercier-mrs-shakespeare-AQVFGP-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #282b24

    Catalogued palette

    • #282B24
    • #545857
    • #7B7E82
    • #BDB3B2

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Philippe Mercier over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 81.8%
    2. 2 United States of America 18.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 12 most looked-at works by Philippe Mercier

    1. 1 Philip, Richard and Joanna Hollingsworth 16.7%
    2. 2 John Brewster Darley, 1744 8.3%
    3. 3 Mr Dawson, 1740 8.3%
    4. 4 Young Woman with Verbena (Earth) 8.3%
    5. 5 Young Woman with a Bird 8.3%
    6. 6 Two Young Women 8.3%
    7. 7 Princess Caroline Elizabeth (1713–1757), 1728 8.3%
    8. 8 Dr Alexander Russell of Braidshaw, 1730 8.3%
    9. 9 School for Girls, 1738 8.3%
    10. 10 School for girls 8.3%
    11. 11 L'ESCAMOTEUR 8.3%
    12. — Mrs Shakespeare, 1739 this painting 0.0%

    Together these works take 99.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 57 works by this artist, of which 11 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Mrs Shakespeare — Philippe Mercier

    The Mrs Shakespeare painting, created by the skilled artist Philippe Mercier in 1739, is a captivating piece that showcases the elegance and refinement of the 18th century. This stunning oil on canvas portrait measures 131 x 101 cm and is currently housed at the The Hepworth Wakefield museum in West Yorkshire, UK.

    Artist Background

    Philippe Mercier was a French painter known for his unique style, which blended French Rococo with English portraiture. His works often depicted scenes from everyday life, such as portraits of fashionable ladies and gentlemen or genre scenes set in domestic interiors. The Mrs Shakespeare painting is a quintessential example of Mercier's mastery in capturing the essence and beauty of his subjects.

    Painting Description

    The portrait features a woman in a pink dress with white lace trim, sitting on a chair and holding a red umbrella. The background includes a piano, which adds an element of sophistication to the scene. The artist's use of light and shadow adds depth to the portrait, emphasizing the subject's serene expression as she gazes into the distance. Every brushstroke reveals Mercier's skill in capturing not only physical likeness but also inner emotions.

    The painting is a beautiful representation of 18th-century fashion trends and societal norms.

    The use of oil on canvas creates a sense of warmth and texture, drawing the viewer into the scene.

    The Mrs Shakespeare portrait is a significant piece in the history of art, showcasing Mercier's contribution to the development of English portraiture.

    Handmade oil painting reproductions of the Mrs Shakespeare painting are available at https://AllPaintingsStore.com, allowing art lovers to own a piece of history. For more information on Philippe Mercier and his works, visit /art/list/?Filter=philippe+mercier,philippe,mercier.

    The Mrs Shakespeare painting is a must-see for anyone interested in 18th-century art and history. Its beauty and significance make it a timeless piece that continues to captivate audiences today.

    Artist and museum

    Artist

    Philippe Mercier

    A Brushstroke of Elegance: The Life and Art of Philippe Mercier

    Philippe Mercier, a name perhaps less instantly recognizable than some of his Rococo contemporaries, nevertheless occupies a significant niche in the annals of 18th-century portraiture. Born in Berlin in 1689, Mercier’s artistic journey was one that spanned continents and courts, ultimately leaving an indelible mark on the visual culture of Britain. While details surrounding his early life remain somewhat elusive, it is known he received initial training within the French artistic milieu – a crucial foundation for the style he would later refine and popularize. His formative years were steeped in the prevailing aesthetic of grace, refinement, and aristocratic sensibility that characterized the Rococo movement. Mercier wasn’t merely a painter; he was a chronicler of an era, capturing not just likenesses but also the very spirit of a privileged society on the cusp of change.

    From Dresden to London: A Rising Star

    Mercier's career began to flourish in Dresden, where he served as a court painter. However, it was his relocation to London around 1740 that truly cemented his reputation. He quickly established himself as a sought-after portraitist, attracting the attention of Frederick, Prince of Wales – heir apparent to the British throne. This patronage proved pivotal. Mercier became the official artist for the Prince and his family, a position he held with distinction for over a decade. The sheer volume of work commissioned by the royal household speaks volumes about the trust and admiration they placed in his abilities. He wasn’t simply documenting faces; he was constructing an image of princely virtue and domestic harmony, carefully curated for public consumption. This period saw Mercier at the height of his powers, producing some of his most iconic works that defined the aesthetic of the British aristocracy during the mid-18th century.

    The Charm of Domesticity: Defining a Rococo Style

    Mercier’s artistic style is quintessentially Rococo – characterized by its lightness, elegance, and playful use of color. However, he infused this with a distinctly English sensibility. Unlike the often-opulent and overtly theatrical depictions found in French court painting, Mercier favored scenes that were more intimate and relatable. His portraits frequently depict family groups engaged in everyday activities: playing music, sharing a meal, or simply enjoying each other’s company. These weren't grand statements of power; they were carefully constructed narratives of familial affection and refined leisure. The emphasis on domesticity, coupled with his masterful use of pastel shades and delicate brushwork, created an aesthetic that resonated deeply with the British public. He possessed a remarkable ability to capture not just physical resemblance but also the personality and emotional nuances of his sitters. His works exude a warmth and charm that continues to captivate viewers today.

    Influences and Legacy: A Bridge Between Cultures

    Mercier’s artistic influences were diverse, drawing from both French and English traditions. He clearly absorbed the techniques of artists like François Boucher and Jean-Antoine Watteau – masters of Rococo elegance. However, he also demonstrated a keen understanding of English portraiture conventions, particularly the work of Anthony van Dyck and Godfrey Kneller. This synthesis of styles allowed him to create a unique aesthetic that appealed to both aristocratic patrons and a wider audience. His influence extended beyond portraiture, impacting the broader decorative arts of the period. The lightheartedness and elegance of his paintings found echoes in furniture design, textiles, and even garden landscaping. While his popularity waned somewhat after the death of Frederick, Prince of Wales in 1751, Mercier’s legacy endures as a key figure in shaping the visual identity of 18th-century Britain. He left behind a rich body of work that continues to offer valuable insights into the lives and values of the aristocracy during this fascinating period.

    Major Achievements & Historical Significance

    Establishing himself as the premier portraitist of Frederick, Prince of Wales: This patronage provided Mercier with unparalleled access to the British royal family and allowed him to create a lasting visual record of their lives.

    Popularizing a distinctly English Rococo style: He adapted French artistic conventions to suit British tastes, emphasizing domesticity and intimacy in his portraits.

    Capturing the spirit of an era: His paintings offer valuable insights into the social customs, values, and aspirations of the 18th-century aristocracy.

    Influencing broader decorative arts trends: The elegance and lightheartedness of his work found echoes in furniture design, textiles, and garden landscaping.

    Mercier’s historical significance lies not just in his technical skill but also in his ability to capture a specific moment in time. He wasn't simply painting portraits; he was constructing an image of aristocratic life that reflected the values and aspirations of a privileged society. His works remain a testament to the enduring power of art to shape our understanding of the past, offering a glimpse into a world of elegance, refinement, and domestic charm.

    Museum

    The Hepworth Wakefield

    On show in Wakefield, United Kingdom

    The Hepworth Wakefield: A Sanctuary of Sculpture and Light

    Located on the south side of the River Calder in Wakefield, West Yorkshire, The Hepworth Wakefield is more than just a gallery; it’s an architectural statement and a testament to Barbara Hepworth's legacy—a celebration of British modernist art that continues to inspire visitors today. Opened in 2011 by David Chipperfield Architects, this building embodies the spirit of its namesake: simplicity, elegance, and a profound connection with the surrounding landscape.

    Architectural Marvel:

    Designed by David Chipperfield, the gallery’s ten trapezoidal blocks are clad in pigmented concrete—a groundbreaking material choice that reflects Wakefield's industrial heritage while embracing a strikingly modern aesthetic.

    Hepworth Legacy:

    The collection houses over 400 sculptures and drawings by Barbara Hepworth, showcasing her pioneering approach to form, space, and material – from early figurative works to increasingly abstract explorations of the human figure.

    Diverse Artistic Voices:

    Beyond Hepworth’s contributions, The Hepworth Wakefield champions a rich tapestry of British modern and contemporary artists including Henry Moore, Helen Chadwick, and David Hockney, fostering dialogue between masters and emerging talent.

    A History Rooted in Tradition

    The gallery's origins lie in Wakefield Art Gallery, established in 1923 as a local cultural institution—a space dedicated to nurturing artistic appreciation within the community. However, it was the ambitious vision to create a purpose-built venue worthy of honoring Hepworth’s influence and furthering British sculpture that propelled its transformation into The Hepworth Wakefield.

    Early Years:

    Wakefield Art Gallery initially focused on displaying works by European masters alongside regional artists.

    The Prize Initiative:

    Launched in 2015, the Hepworth Prize for Sculpture provides a crucial platform for supporting emerging sculptural talent and bolstering British artistic innovation.

    Recognition & Awards:

    The gallery’s architectural brilliance was acknowledged with the UK's Museum of the Year Award in 2017—a testament to its commitment to excellence and engagement with visitors.

    Exploring Contemporary Art Through Sculpture

    The Hepworth Wakefield distinguishes itself through its unwavering dedication to showcasing contemporary art, particularly sculpture. Its curators strive to present exhibitions that challenge perceptions and ignite intellectual curiosity – fostering a deeper understanding of artistic expression and its role in shaping our cultural landscape.

    Recent Exhibitions:

    Highlights include retrospectives dedicated to artists like Helen Chadwick, offering fresh perspectives on groundbreaking work, and explorations of diverse artistic mediums.

    Community Engagement:

    Workshops, educational programs, and events extend The Hepworth Wakefield’s reach beyond its galleries—connecting with local audiences and promoting artistic literacy.

    A Unique Destination:

    Combining architectural grandeur with a vibrant artistic program, The Hepworth Wakefield provides an immersive experience for art lovers seeking inspiration and fostering appreciation for British heritage.

    Beyond Walls: A Celebration of Sculpture’s Influence

    The Hepworth Wakefield's ethos transcends mere display; it embodies a belief in sculpture’s ability to communicate emotion, provoke thought, and enrich our understanding of the world around us. Its commitment to supporting emerging artists ensures that British sculpture continues to evolve—inspiring future generations of creatives and enriching cultural discourse.

    The Tim Sayer Bequest:

    The gallery acquired Hepworth’s Sculpture with Colour (Oval Form) Pale Blue and Red (1943)—a monumental artwork previously sold at auction—thanks to a generous bequest from Tim Sayer, bolstering its collection of celebrated British artists.

    Ongoing Research & Collaboration:

    Partnerships with institutions like the Art Fund underscore The Hepworth Wakefield’s dedication to advancing artistic scholarship and fostering dialogue between art and society.

    Where to read more

    • The artist Philippe Mercier topimpressionists.com/en/artists/philippe-mercier/
    • The museum The Hepworth Wakefield topimpressionists.com/en/museums/the-hepworth-wakefield-wakefield/
    • Similar works More works to compare topimpressionists.com/en/art/similar/philippe-mercier-mrs-shakespeare-AQVFGP-en/

    Find this online

    QR code linking to the download page for Mrs Shakespeare

    topimpressionists.com/en/art/download/philippe-mercier-mrs-shakespeare-AQVFGP-en/

    Cite this artwork

    MLA
    Mercier, Philippe. Mrs Shakespeare. 1739, The Hepworth Wakefield. https://topimpressionists.com/en/art/philippe-mercier-mrs-shakespeare-AQVFGP-en/
    APA
    Mercier, Philippe (1739). Mrs Shakespeare [Painting]. The Hepworth Wakefield. https://topimpressionists.com/en/art/philippe-mercier-mrs-shakespeare-AQVFGP-en/
    Chicago
    Philippe Mercier. Mrs Shakespeare. 1739. The Hepworth Wakefield. https://topimpressionists.com/en/art/philippe-mercier-mrs-shakespeare-AQVFGP-en/
    Harvard
    Mercier, Philippe (1739) Mrs Shakespeare. The Hepworth Wakefield. Available at: https://topimpressionists.com/en/art/philippe-mercier-mrs-shakespeare-AQVFGP-en/

    Look closely

    Mrs Shakespeare — Philippe Mercier

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at LE JEUNE DEGUSTATEUR, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Philippe Mercier was about 50 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What color saturation does "Mrs Shakespeare" by Philippe Mercier have?

    "Mrs Shakespeare" by Philippe Mercier is recorded with a muted saturation.

    What luminance does "Mrs Shakespeare" by Philippe Mercier have?

    The luminance recorded for "Mrs Shakespeare" by Philippe Mercier is soft shadow.

    How harmonious are the colors of "Mrs Shakespeare" by Philippe Mercier?

    The color harmony of "Mrs Shakespeare" is recorded as discordant palette.