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Student Artwork Guide

Confidence

Name Class Date

Pierre-Auguste Renoir, Confidence (1897). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Pierre-Auguste Renoir topimpressionists.com/en/artists/pierre-auguste-renoir/
Artist’s dates
1841 – 1919
Painted
1897
Medium
Oil On Canvas
Original size
41 x 33 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
19th Century
Artistic style
Soft brushstrokes, vivid colors
Influences
Rubens, Watteau
Notable elements
Intimate portraiture
Subject or theme
Human interaction

In context

Confidence — Pierre-Auguste Renoir

How big is it?

The original measures 41 × 33 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 78 at death.

Painted when the artist was 56. The artist lived to 78. 784 of the 1184 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Pierre-Auguste Renoir (1841–1919) ▲ this work, 1897 every dated painting, decade by decade

First works: up to 1879 Main working years: 1879–1903 Late works: from 1903

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/pierre-auguste-renoir-confidence-8EWPR2-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #cca693

    Catalogued palette

    • #CCA693
    • #AD7F69
    • #42191A
    • #7B4132

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Pierre-Auguste Renoir over the last twelve months — 90 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 48.3%
    2. 2 United States of America 9.4%
    3. 3 Singapore 8.9%
    4. 4 Hong Kong 8.7%
    5. 5 France 6.2%
    6. 6 Spain 3.0%
    7. 7 Italy 2.0%
    8. 8 Brazil 1.2%
    9. 9 Germany 1.0%
    10. 10 Romania 0.9%
    11. · 80 other countries 10.4%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Pierre-Auguste Renoir

    1. 1 Luncheon of the Boating Party 4.1%
    2. 2 The Great Bathers (The Nymphs), 1919 3.3%
    3. 3 Dance at the Moulin de la Galette, 1876 2.0%
    4. 4 Two Sisters (also known as On the Terrace), 1881 1.8%
    5. 5 La Grenouillere, 1869 1.7%
    6. 6 After the Bath, 1888 1.6%
    7. 7 A Bouquet of Roses, 1879 0.9%
    8. 8 Dance at Bougival, 1883 0.8%
    9. 9 Young Girls at the Piano, 1892 0.7%
    10. 10 Umbrellas, 1886 0.7%
    11. 11 A Road in Louveciennes, 1870 0.6%
    12. 12 Cagnes Landscape with Woman and Child, 1910 0.4%
    13. 13 Children by the Sea in Guernsey, 1883 0.4%
    14. 14 Young Woman Sewing, 1879 0.4%
    15. 15 The Seine at Asnieres (also known as The Skiff), 1879 0.3%
    16. 16 Madame Georges Charpentier and her Children, 1878 0.3%
    17. 17 The Sunny Street, 1900 0.3%
    18. 18 A Box in the Theater des Varietes, 1898 0.3%
    19. 19 Seascape, 1879 0.3%
    20. — Confidence, 1897 this painting 0.0%

    Together these works take 20.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 1803 works by this artist, of which 1491 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Confidence — Pierre-Auguste Renoir

    A Moment of Shared Quietude: Unpacking Renoir’s “Confidence”

    Pierre-Auguste Renoir's "Confidence," painted in 1897, isn’t merely a portrait; it’s a carefully constructed tableau of intimacy and unspoken connection. Measuring just 41 x 33 centimeters, this diminutive canvas belies the profound emotional depth it conveys. The painting immediately draws the viewer into a private moment between a man and woman, their faces almost touching in a gesture that speaks volumes without uttering a word. It’s a scene brimming with quiet comfort—a snapshot of companionship captured with Renoir's signature Impressionistic grace.

    At first glance, the composition appears deceptively simple: two figures standing close within an indeterminate indoor setting. However, closer observation reveals a masterful orchestration of light, color, and subtle details. The man, distinguished by his beard and mustache, leans slightly towards the woman, while she returns the gesture with a gentle incline of her head. Both are adorned in ties—a detail that subtly elevates the scene beyond a casual encounter, hinting at a shared social context or perhaps even a romantic connection. The background, rendered in muted browns and creams, provides a soft, diffused light, further emphasizing the figures’ closeness and creating an atmosphere of warmth and serenity.

    The Language of Impressionism: Brushstrokes and Light

    Renoir's skill as an Impressionist is immediately apparent. He abandons traditional academic techniques in favor of loose, broken brushstrokes that capture the fleeting effects of light and color. The paint isn’t blended smoothly; instead, it’s applied with a visible energy, creating a shimmering surface that seems to vibrate with life. This technique perfectly embodies the Impressionist desire to depict not just what is seen, but how it feels – the warmth of sunlight on skin, the play of light and shadow, the ephemeral quality of a moment in time.

    Notice particularly how Renoir uses color to create depth and mood. The warm tones—russets, creams, and browns—evoke a sense of domesticity and comfort, while subtle highlights suggest the presence of diffused light filtering through a window. The careful placement of these colors guides the viewer’s eye across the canvas, drawing attention to the faces of the figures and reinforcing their connection.

    A Window into the 19th Century: Modernity and Intimacy

    "Confidence" reflects the broader artistic shifts occurring in France during the late 19th century. The Impressionist movement, spearheaded by artists like Renoir, Monet, and Degas, rejected the rigid conventions of academic art and embraced a more modern approach to painting. They sought to capture everyday life—not grand historical events or mythological scenes—but rather the intimate moments and emotions experienced by ordinary people.

    This focus on contemporary life is particularly evident in "Confidence." The painting’s depiction of a couple sharing a quiet moment speaks to the changing social dynamics of the time, as women gained greater independence and leisure. Furthermore, Renoir's intimate portrayal of human connection aligns with a broader trend in 19th-century art—a renewed interest in the study of the human body and its emotional expression. The nude, once primarily depicted in mythological or religious contexts, began to appear more frequently in portraits and genre scenes, often emphasizing beauty and sensuality.

    Beyond the Canvas: Symbolism and Legacy

    The title itself, “Confidence,” is intriguing. It suggests a sense of trust, security, and mutual understanding between the two figures. While the scene doesn’t explicitly depict any particular action or event, it powerfully conveys an underlying feeling of contentment and connection. The simple act of facing each other, with their faces almost touching, speaks to a deeper level of intimacy—a shared gaze that transcends words.

    Renoir's "Confidence" stands as a testament to his artistic genius and his ability to capture the essence of human emotion. It’s a painting that invites contemplation and offers a glimpse into a fleeting moment of quiet beauty, a timeless reminder of the power of connection and shared intimacy. For those seeking a piece of Impressionist charm, a high-quality reproduction of “Confidence” brings this intimate scene directly into your home.

    Artist and museum

    Artist

    Pierre-Auguste Renoir

    Born in Limoges, France

    A Childhood of Porcelain and Light

    In the provincial streets of Limoges, France, a young boy named Pierre-Auguste Renoir began his life immersed in the delicate precision of craftsmanship. His father was a tailor, and the family eventually moved to Paris in 1845, seeking better prospects in the bustling capital. At thirteen, necessity led him into an apprenticeship as a porcelain painter, a role that demanded a keen eye for detail and a steady hand. This early work with ceramics instilled in him a lasting appreciation for color and texture. While his days were spent decorating fine china, his spirit often wandered toward the galleries of the Louvre. There, he studied the techniques of the Old Masters, absorbing the way they handled light and form.

    The path from decorative art to the canvas was paved by a desire for something more expressive than mere reproduction. After leaving the porcelain factory, he sought formal training at the studio of Charles Gleyre. It was within this creative circle that he met fellow students such as Claude Monet, Alfred Sisley, and Frédéric Bazille. These friendships formed the bedrock of a new way of seeing. They shared a common goal to move away from the rigid rules of academic painting, preferring instead to capture the fleeting atmosphere of a moment. His early successes, like Lise with a Parasol in 1867, began to show this emerging interest in the natural world and the soft glow of outdoor light.

    The Pulse of Parisian Life

    As the years progressed, Renoir became a central figure in the movement known as Impressionism. He participated in the first exhibition of this group in 1874, displaying six paintings that challenged the traditional art establishment. His work during this period focused on the joy found in everyday social gatherings and the lively energy of the city. In works such as Dance at Le Moulin de la Galette, he used broken brushstrokes to mimic the way sunlight filters through leaves, creating a sense of movement and warmth. He did not seek grand historical narratives; rather, he looked for beauty in the simple pleasure of a summer afternoon or a group of friends enjoying a meal.

    The subject matter of his canvases often celebrated the human form and the softness of skin. He had a particular talent for portraying feminine beauty, drawing inspiration from the sensual lines of Peter Paul Rubens and Jean-Antoine Watteau. His paintings, such as Luncheon of the Boating Party, captured the conviviality of life on the Seine, with figures bathed in a natural, luminous glow. This period of his life was defined by an embrace of the ephemeral, focusing on how light dances across fabric and settles upon a garden landscape.

    A Shift Toward Form and Final Years

    In the 1890s, Renoir’s approach to the canvas underwent a significant change. Following travels to Italy, where he studied the works of Raphael and Titian, he began to move away from the loose, blurry edges of his youth. He sought a more structured and classical method, emphasizing volume, contour, and clear lines. This transition toward a more disciplined technique is evident in his later works, such as The Great Bathers, which possess a sculptural quality. Despite the physical struggle of rheumatoid arthritis, which eventually forced him to paint with a brush attached to his hand, his dedication to his vision never wavered.

    He eventually settled in Cagnes-sur-Mer, France, at the Domaine des Collettes, a place filled with olive groves and orange trees that provided fresh inspiration. In these later years, his palette remained warm, even as his style became more formal. He continued to produce portraits, landscapes, and still lifes until his death in 1919. His legacy remains tied to his ability to find divinity in the mundane, leaving behind a body of work that continues to reflect the warmth and light of the human experience.

    Where to read more

    Find this online

    QR code linking to the download page for Confidence

    topimpressionists.com/en/art/download/pierre-auguste-renoir-confidence-8EWPR2-en/

    Cite this artwork

    MLA
    Renoir, Pierre-Auguste. Confidence. 1897, https://topimpressionists.com/en/art/pierre-auguste-renoir-confidence-8EWPR2-en/
    APA
    Renoir, Pierre-Auguste (1897). Confidence [Painting]. https://topimpressionists.com/en/art/pierre-auguste-renoir-confidence-8EWPR2-en/
    Chicago
    Pierre-Auguste Renoir. Confidence. 1897. https://topimpressionists.com/en/art/pierre-auguste-renoir-confidence-8EWPR2-en/
    Harvard
    Renoir, Pierre-Auguste (1897) Confidence. Available at: https://topimpressionists.com/en/art/pierre-auguste-renoir-confidence-8EWPR2-en/

    Look closely

    Confidence — Pierre-Auguste Renoir

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portraiture, intimacy, companionship. Do you agree? What would you add, or take away?
    4. Look back at The Great Bathers (The Nymphs) (1919), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Confidence — Pierre-Auguste Renoir

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is most closely associated with Pierre-Auguste Renoir’s ‘Confidence’?

      • A Cubism
      • B Impressionism
      • C Surrealism
    2. 2. What is the primary subject matter depicted in ‘Confidence’?

      • A A bustling Parisian street scene
      • B A portrait of a young woman
      • C An intimate moment between a man and a woman
    3. 3. Which element is most prominent in Renoir’s use of color in ‘Confidence’?

      • A Dark, somber tones
      • B Vibrant, warm colors
      • C Monochromatic shades
    4. 4. The painting depicts a couple standing close together. What is suggested by the man’s lowered head and the woman's slightly parted lips?

      • A A scene of casual conversation
      • B An expression of intense joy
      • C A moment of quiet contemplation
    5. 5. In what year was ‘Confidence’ painted?

      • A 1867
      • B 1897
      • C 1919

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2C · 3B · 4A · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Is "Confidence" one of Pierre-Auguste Renoir's most popular works?

    "Confidence" by Pierre-Auguste Renoir has a recognized popularity level. This classification reflects how widely the work is recognized.

    How does the subject of "Confidence" relate to Pierre-Auguste Renoir's usual themes?

    Pierre-Auguste Renoir's recurring themes include rubens & watteau, realist styles, manet’s modernity, impressionist focus, capturing fleeting moments, sensuality & beauty, human connection, domestic intimacy; "Confidence" focuses on portraiture, intimacy, companionship, tie, indoor scene, soft light, renoir, impressionism.

    How strong is the contrast in "Confidence" by Pierre-Auguste Renoir?

    The contrast level of "Confidence" by Pierre-Auguste Renoir is statement.