Paper

Student Artwork Guide

The Grid

Name Class Date

Raoul Dufy, The Grid (1930). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Raoul Dufy topimpressionists.com/en/artists/raoul-dufy/
Artist’s dates
1877 – 1953
Painted
1930
Original size
130 x 160 cm
Movement
Naive Art / Primitivism Work by artists without formal training, flat and direct, valued for exactly that freshness.

In context

The Grid — Raoul Dufy

How big is it?

The original measures 130 × 160 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 76 at death.

Painted when the artist was 53. The artist lived to 76. 96 of the 132 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Raoul Dufy (1877–1953) ▲ this work, 1930 every dated painting, decade by decade

First works: up to 1907 Main working years: 1907–1930 Late works: from 1930

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/raoul-dufy-the-grid-8XYTES-en/

Colours

Measured from the image

    Main colour

    Cobalt Violet #484e87

    Catalogued palette

    • #484E87
    • #7C81A2
    • #725D43
    • #282C23

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Cobalt Violet
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Raoul Dufy over the last twelve months — 17 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 53.4%
    2. 2 France 15.1%
    3. 3 Hong Kong 4.8%
    4. 4 United States of America 4.8%
    5. 5 Japan 4.1%
    6. 6 South Korea 3.4%
    7. 7 Spain 2.7%
    8. 8 Singapore 2.1%
    9. 9 Argentina 1.4%
    10. 10 Switzerland 1.4%
    11. · 7 other countries 6.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Raoul Dufy

    1. 1 The winter garden 7.8%
    2. 2 The Red Concert, 1946 5.6%
    3. 3 Flowers (3) 3.9%
    4. 4 Posters at Trouville, 1906 3.3%
    5. 5 Still life, 1928 2.8%
    6. 6 Paris, 1934 2.8%
    7. 7 The Yellow Console with a Violin, 1949 2.2%
    8. 8 Portrait of the Artist's Sister, Suzanne Dufy, 1904 2.2%
    9. 9 Deauville, Drying the Sails 2.2%
    10. 10 The Thoroughbred, 1940 1.7%
    11. 11 La moisson à Langres, 1938 1.7%
    12. 12 The River, 1905 1.7%
    13. 13 Boats at Martigues, 1908 1.7%
    14. 14 The Beach of Sainte-Adresse, 1904 1.7%
    15. 15 The studio on Seguier street, 1909 1.7%
    16. 16 Bouquet of lilies and poppies 1.7%
    17. 17 Theatre in Martigues 2 1.7%
    18. 18 The Woman in Pink, 1908 1.1%
    19. 19 Sailboat at Sainte-Adresse, 1912 1.1%
    20. 40 The Grid, 1930 this painting 0.6%

    Together these works take 49.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 253 works by this artist, of which 93 were looked at at least once. This painting ranks 40 of them, with 0.6% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Raoul Dufy

    Born in Le Havre, France

    A Life Immersed in Color and Light

    Raoul Dufy, born in the port city of Le Havre, Normandy, in 1877, was an artist whose name became synonymous with joy, vibrancy, and a distinctly French joie de vivre. His journey began not amidst palettes and easels, but within the practical world of commerce, working for a coffee-importing company after leaving school at fourteen. Yet, even then, the pull towards artistic expression proved irresistible. Evening classes at Le Havre’s École des Beaux-Arts ignited a passion that would define his life, forging friendships with fellow artists Raimond Lecourt and Othon Friesz – companions who shared a studio in Montmartre and a commitment to exploring new visual languages. These early years were steeped in the influence of Impressionism, particularly the luminous landscapes of Claude Monet and Camille Pissarro, laying the foundation for Dufy’s later mastery of light and color. He received a scholarship to study at the École Nationale supérieure des Beaux-Arts in Paris, further honing his skills and immersing himself in the artistic ferment of the era.

    Embracing Fauvism and Finding His Voice

    The turn of the 20th century found Dufy navigating the evolving landscape of modern art. Initial explorations led him through Cubism, but it was Henri Matisse’s groundbreaking Luxe, Calme et Volupté at the 1905 Salon des Indépendants that proved truly transformative. The sheer audacity of color and expressive freedom unleashed by Matisse and his fellow “Fauves” – the wild beasts – resonated deeply with Dufy, propelling him towards a style characterized by bold hues and liberated brushwork. However, Dufy didn’t simply mimic; he absorbed the energy of Fauvism and distilled it into something uniquely his own. He moved away from strict adherence to the movement's tenets, developing a more decorative and fluid approach. This period saw him experimenting with various mediums – illustration, textile design for Paul Poiret, even ceramics – demonstrating a remarkable versatility that extended beyond the confines of traditional painting. His designs weren’t merely applied ornamentation; they were integral expressions of his artistic vision, bringing color and dynamism to everyday objects.

    A Stenographic Style: Capturing Modern Life

    By the 1920s, Dufy had fully blossomed into a master of what became known as his “stenographic” style. This technique involved rapidly applying thin washes of color over skeletal structures, creating an impression of movement and spontaneity. It was a method perfectly suited to capturing the energy of modern life – yachting regattas, bustling city scenes, elegant social gatherings on the French Riviera. Dufy wasn’t interested in meticulous detail; he sought to convey atmosphere, emotion, and the fleeting beauty of a moment. His paintings became celebrations of leisure, pleasure, and the vibrant pulse of contemporary society. He painted orchestras, racecourses, and seascapes with an effervescent quality that captured the spirit of the Jazz Age. This period also saw him undertaking large-scale commissions, including the monumental La Fée Electricité for the 1937 Exposition Internationale in Paris – a vast work celebrating electricity’s impact on modern life, executed with remarkable speed and ingenuity using a new quick-drying medium.

    Legacy and Enduring Appeal

    Despite facing health challenges later in life due to rheumatoid arthritis, Dufy continued to paint with unwavering dedication until his death in 1953. His work can be found in prestigious collections worldwide, including the Museum Royal Collection in the United Kingdom, a testament to his enduring artistic significance. Dufy’s influence extends beyond painting; his designs continue to inspire textile and decorative arts. He left behind an impressive body of work – thousands of paintings, watercolors, drawings, prints, and applied art pieces – that collectively represent a celebration of life, color, and the beauty of the everyday. Raoul Dufy wasn’t merely a painter; he was a chronicler of his time, capturing the spirit of an era with a unique blend of Fauvist energy, decorative flair, and a distinctly optimistic vision. His art remains profoundly relevant today, offering a vibrant escape and a reminder to embrace the joie de vivre that permeated his life and work.

    Key Characteristics of Dufy’s Art

    Vibrant Color Palette: Dufy was renowned for his use of bright, saturated colors, often applied in thin washes.

    Dynamic Composition: His paintings frequently feature energetic compositions that convey a sense of movement and spontaneity.

    Decorative Style: A strong decorative element is present throughout his work, influenced by his designs for textiles and ceramics.

    Celebration of Modern Life: Dufy’s art often depicts scenes of leisure, social gatherings, and the pleasures of contemporary society.

    Stenographic Technique: His signature style involved rapidly applying thin washes of color over skeletal structures.

    Where to read more

    • The artist Raoul Dufy topimpressionists.com/en/artists/raoul-dufy/
    • Similar works More works to compare topimpressionists.com/en/art/similar/raoul-dufy-the-grid-8XYTES-en/

    Find this online

    QR code linking to the download page for The Grid

    topimpressionists.com/en/art/download/raoul-dufy-the-grid-8XYTES-en/

    Cite this artwork

    MLA
    Dufy, Raoul. The Grid. 1930, https://topimpressionists.com/en/art/raoul-dufy-the-grid-8XYTES-en/
    APA
    Dufy, Raoul (1930). The Grid [Painting]. https://topimpressionists.com/en/art/raoul-dufy-the-grid-8XYTES-en/
    Chicago
    Raoul Dufy. The Grid. 1930. https://topimpressionists.com/en/art/raoul-dufy-the-grid-8XYTES-en/
    Harvard
    Dufy, Raoul (1930) The Grid. Available at: https://topimpressionists.com/en/art/raoul-dufy-the-grid-8XYTES-en/

    Look closely

    The Grid — Raoul Dufy

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: gates. Do you agree? What would you add, or take away?
    4. Look back at The Red Concert (1946), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Naive Art / Primitivism: Work by artists without formal training, flat and direct, valued for exactly that freshness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Does "The Grid" by Raoul Dufy use strong contrasts or soft harmonies?

    In "The Grid", a gentle contrast is paired with a balanced harmony harmony.

    Is "The Grid" more bright or more dark overall?

    "The Grid" by Raoul Dufy is recorded as shadow, with a soft shadow luminance.

    Where can I find statistics about "The Grid" by Raoul Dufy?

    Statistics about "The Grid" by Raoul Dufy are on the artwork's Stats page: monthly visits of the artwork, visits of the artist's works, and country and language breakdowns of recent visitors.