Paper
Name Class Date

Raphael Bordallo Pinheiro, Pattern panel with butterflies (1905), National Azulejo Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Raphael Bordallo Pinheiro topimpressionists.com/en/artists/raphael-bordallo-pinheiro/
Artist’s dates
1846 – 1905
Painted
1905
Medium
Ceramic
Original size
88 x 50 cm
Movement
Art Nouveau Flowing, plant-like curves running through everything from paintings to lamps and doorways.
Period
19th Century
Held at
National Azulejo Museum topimpressionists.com/en/museums/national-azulejo-museum-lisbon/
Artistic style
Decorative arts, Folk art
Influences
Bernard Palissy, Manueline art, Arab art
Notable elements
Symmetrical grid, stylized butterflies
Subject or theme
Nature, metamorphosis, and abundance

In context

Pattern panel with butterflies — Raphael Bordallo Pinheiro

How big is it?

The original measures 88 × 50 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 59 at death.

Painted when the artist was 59. The artist lived to 59. 1 of the 2 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Raphael Bordallo Pinheiro (1846–1905) ▲ this work, 1905 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/raphael-bordallo-pinheiro-pattern-panel-with-butterflies-D7426Q-en/

Colours

Measured from the image

    Main colour

    Driftwood #bd925f

    Catalogued palette

    • #BD925F
    • #FBFAF8
    • #878880
    • #6F5942

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    The 1 most looked-at works by Raphael Bordallo Pinheiro

    1. 1 Pattern panel with butterflies, 1905 this painting 100.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 2 works by this artist, of which 1 were looked at at least once. This painting ranks 1 of them, with 100.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Pattern panel with butterflies — Raphael Bordallo Pinheiro

    A Symphony of Ceramic Grace

    In the delicate dance of nature captured within the Pattern Panel with Butterflies, we encounter a masterpiece that transcends mere decoration to become a window into the soul of Portuguese artistry. Created in 1905 by the legendary Raphael Bordallo Pinheiro, this exquisite ceramic work presents a rhythmic grid of twenty-five individual tiles, each acting as a miniature stage for a silent, beautiful drama. The composition is a masterclass in structured elegance, where stylized butterflies flutter amidst a sea of lush foliage and golden wheat stalks. There is a profound sense of order found in the symmetrical arrangement, yet within each tile, a spirited vitality breathes through the hand-painted details. For the discerning collector or interior designer, this piece offers a captivating focal point that marries the disciplined geometry of classical design with the organic, flowing whimsy of the natural world.

    The aesthetic language of this panel is deeply rooted in the late 19 and early 20th-century transition between traditional folk motifs and the burgeoning Art Nouveau movement. Bordallo Pinheiro, a polymath of the Portuguese art scene, utilized his expertise in ceramics to weave together various international influences—from the French revivalist traditions of Bernard Palissy to the intricate patterns of 16th-century Manueline art. The color palette is a warm, inviting embrace of earthy tones; rich ochres, deep terracottas, and muted greens create a nostalgic atmosphere, while subtle accents of blue and brown provide much-needed depth. This harmonious blend of colors evokes a sense of timelessness, making the panel an ideal selection for spaces that seek to evoke warmth, heritage, and a sophisticated connection to the earth.

    Beyond its visual splendor, the panel is steeped in profound symbolism that resonates with the human experience. The butterfly, a central motif, serves as a universal emblem of metamorphosis, hope, and the ephemeral beauty of life. When paired with the sturdy, grounded imagery of wheat stalks and foliage, the artwork creates a poignant dialogue between transformation and stability, between the fleeting moment and the enduring cycle of growth. This symbolic depth provides an emotional resonance that elevates the piece from a decorative object to a contemplative work of art. To possess a reproduction of this panel is to invite a narrative of resilience and beauty into one's home, offering a constant reminder of the grace found in change.

    Technically, the work stands as a testament to the illustrious ceramic tradition of Caldas da Rainha. The smooth, lustrous surface of the tiles suggests the meticulous application of glazes, where layers of pigment were carefully manipulated to define the delicate wings of the butterflies and the textured veins of the leaves. This hand-painted technique ensures that even in a reproduction, the essence of the artist's touch remains palpable. For those looking to curate an environment filled with historical significance and artistic prestige, this pattern panel offers an unparalleled opportunity to celebrate the legacy of one of Portugal's most influential creative minds.

    Artist and museum

    Artist

    Raphael Bordallo Pinheiro

    Born in Caldas da Rainha, Portugal

    early life and career

    rafael bordalo pinheiro, a renowned portuguese artist, was born on march 21, 1846, in caldas da rainha, portugal. he was the son of manuel maria bordalo pinheiro, a painter, and donna maria augusta do ó carvalho prostes. rafael's early life was marked by his fascination with art, which led him to become a disciple of his father.

    artistic contributions

    rafael bordallo pinheiro is celebrated for his multifaceted artistic endeavors, including:

    illustrations and caricatures: published in humoristic magazines like a berlinda and o calcanhar de aquiles, showcasing his sarcastic humor with a political or social message.

    zé povinho (1875): creation of the cartoon character, an everyman symbolizing the portuguese farming poor, and eventually, the unofficial personification of portugal.

    ceramics designs: founding a ceramics factory in caldas da rainha in 1885, producing technically and artistically exceptional pieces, such as painted tiles (azulejos), panels, pots, table centerpieces, vase busts, fountain basins, pitchers, plates, perfume bottles, vases, and gigantic animals.

    notable works and legacy

    some of rafael bordallo pinheiro's notable works include:

    no lazareto de lisboa (1881): an illustrated reportage considered an early example of autobiographical comics.

    the fábrica de faianças das caldas da rainha: a ceramics factory that still operates, a testament to his artistic and technical prowess.

    importantly, the rafael bordallo pinheiro museum in lisbon is dedicated to his life and works, ensuring his legacy endures.

    external links for further exploration

    rafael bordallo pinheiro's artist page on AllPaintingsStore

    rafael bordallo pinheiro's biography on wikipedia

    conclusion

    raphael bordallo pinheiro, a trailblazer in portuguese art, left an indelible mark through his innovative style, multifaceted artistic endeavors, and enduring legacy. his contributions to ceramics, illustration, and comics continue to inspire artists and art enthusiasts alike. rafael bordalo pinheiro (1846-1905) will forever be remembered as a luminary in the world of art.

    Museum

    National Azulejo Museum

    On show in Lisbon, Portugal

    A Kaleidoscope of Portugal: Unveiling the National Museum of the Azulejo

    Nestled within the serene and hallowed confines of the former Convent of Madre Deus in Lisbon, the National Museum of the Azulejo is far more than a mere repository for ceramic fragments; it is a vibrant, breathing chronicle of the Portuguese soul. To step through its doors is to enter a world where history, faith, and artistry are inextricably fused into the very fabric of daily life. Founded in 1965, this extraordinary institution offers an immersive journey into the heart of a nation’s identity, expressed through the mesmerizing medium of the

    azulejo

    . The museum itself is a masterpiece of architectural evolution, a magnificent structure spanning from the 16th to the 18th centuries that reflects Portugal’s dramatic historical transformations. Originally constructed as a convent dedicated to Our Lady of Mercy by Queen D. Leonor in 1509, the building serves as a grand, living canvas for the very art it seeks to protect.

    The museum’s core fascination lies in its unparalleled collection of tin-glazed ceramic tiles, which serve as visual narratives meticulously crafted to depict everything from sacred religious scenes to the sweeping maritime adventures of the Age of Discovery. These are not merely decorative elements but windows into a lost era. As visitors wander through the chronological odyssey of the permanent exhibition, they witness the evolution of technique—from the foundational preparation of clay and firing processes to the sophisticated application of glazes that define the Portuguese aesthetic. The early collections reveal a profound religious devotion, with scenes from the Bible and depictions of saints rendered in rich, evocative blues, greens, and yellows. However, as the centuries progress, the tiles shift toward secular grandeur, showcasing portraits of royalty, historical milestones like the reconstruction following the 1755 Lisbon earthquake, and even the intimate details of everyday life, illustrating how this art form permeated both grand palaces and humble dwellings alike.

    Architectural Harmony and the Spirit of Resilience

    The experience of the museum is profoundly deepened by its architectural setting, where the Mannerist and Baroque styles provide a breathtaking backdrop for the ceramic treasures. The original 16th-century cloister, adorned with tiles depicting the life of St. Francis of Assisi, offers a moment of quiet contemplation, while the chapel presents an opulent display of Portuguese Baroque splendor. Here, amidst gilded wood and intricate carvings, one finds breathtaking tile panels that function as much like fine art canvases as architectural ornaments. The sacristy, with its complex depictions of biblical allegories, further showcases the sheer versatility of the medium. This seamless integration of historical space and artistic object creates a sensory experience that is rare in the modern museum landscape, making the building itself an inseparable part of the collection.

    Beyond the beauty of the tiles lies a poignant narrative of survival and renewal. A particularly striking dimension of the museum is its documentation of the 1755 Lisbon earthquake. This catastrophic event, which leveled much of the city, became a catalyst for a renewed artistic movement. The intricate tilework that emerged during the rebuilding process served as both a memorial to what was lost and a symbol of the nation's indomitable spirit. For the art lover or interior designer, this history provides a profound context: the

    azulejo

    is an art form born of resilience, capable of transforming tragedy into a celebration of creative rebirth. This theme of continuity is further explored through temporary exhibitions that delve into regional variations and contemporary interpretations, ensuring that the tradition remains a living, breathing dialogue between the past and the present.

    A Treasure Trove for the Discerning Eye

    For collectors and enthusiasts of decorative arts, the National Museum of the Azulejo offers an unparalleled encounter with the masters who shaped Portugal’s visual landscape. The collection boasts works by legendary figures such as

    Maria Keil

    ,

    Leopoldo Neves de Almeida

    , and

    André Gonçalves

    , whose innovative approaches bridged the gap between traditional craftsmanship and modern design sensibilities. To wander through the museum is to encounter a masterclass in color, pattern, and storytelling. Whether it is the striking blue and white compositions that define an era or the contemporary pieces that reflect modern global influences, the museum provides endless inspiration for those who appreciate the intersection of fine art and functional beauty. It remains a singular destination where the history of a nation is etched in glaze, waiting to be rediscovered by every new generation of admirers.

    Where to read more

    Find this online

    QR code linking to the download page for Pattern panel with butterflies

    topimpressionists.com/en/art/download/raphael-bordallo-pinheiro-pattern-panel-with-butterflies-D7426Q-en/

    Cite this artwork

    MLA
    Pinheiro, Raphael Bordallo. Pattern panel with butterflies. 1905, National Azulejo Museum. https://topimpressionists.com/en/art/raphael-bordallo-pinheiro-pattern-panel-with-butterflies-D7426Q-en/
    APA
    Pinheiro, Raphael Bordallo (1905). Pattern panel with butterflies [Painting]. National Azulejo Museum. https://topimpressionists.com/en/art/raphael-bordallo-pinheiro-pattern-panel-with-butterflies-D7426Q-en/
    Chicago
    Raphael Bordallo Pinheiro. Pattern panel with butterflies. 1905. National Azulejo Museum. https://topimpressionists.com/en/art/raphael-bordallo-pinheiro-pattern-panel-with-butterflies-D7426Q-en/
    Harvard
    Pinheiro, Raphael Bordallo (1905) Pattern panel with butterflies. National Azulejo Museum. Available at: https://topimpressionists.com/en/art/raphael-bordallo-pinheiro-pattern-panel-with-butterflies-D7426Q-en/

    Look closely

    Pattern panel with butterflies — Raphael Bordallo Pinheiro

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: butterfly motif, floral design, portuguese art. Do you agree? What would you add, or take away?
    4. Look back at Fan with the portraits of Prince D. Carlos and Princess D. Amélia (1866), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Art Nouveau: Flowing, plant-like curves running through everything from paintings to lamps and doorways. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What luminance does "Pattern panel with butterflies" by Raphael Bordallo Pinheiro have?

    "Pattern panel with butterflies" by Raphael Bordallo Pinheiro has a gentle luminance luminance. Luminance describes how much light the colors appear to reflect.

    What is the dominant hue of "Pattern panel with butterflies" by Raphael Bordallo Pinheiro?

    The dominant hue of "Pattern panel with butterflies" by Raphael Bordallo Pinheiro is ochre to sepia. The hue is the underlying tone of the palette.

    Where in the home does a reproduction of "Pattern panel with butterflies" fit well?

    The recommended space for "Pattern panel with butterflies" by Raphael Bordallo Pinheiro is a restaurant (casual). The suggestion can of course be adapted to your interior.