Paper

Student Artwork Guide

Markandeya

Name Class Date

Ravi Varma Lithographic Press, Markandeya (1920), The Raja Ravi Varma Heritage Foundation. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ravi Varma Lithographic Press topimpressionists.com/en/artists/ravi-varma-lithographic-press/
Artist’s dates
1894 – 1980
Painted
1920
Held at
The Raja Ravi Varma Heritage Foundation topimpressionists.com/en/museums/the-raja-ravi-varma-heritage-foundation-bangalore/

In context

Markandeya — Ravi Varma Lithographic Press

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 86 at death.

Painted when the artist was 26. The artist lived to 86. 0 of the 1 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Ravi Varma Lithographic Press (1894–1980) ▲ this work, 1920 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/ravi-varma-lithographic-press-markandeya-D4ALHZ-en/

Colours

Measured from the image

    Main colour

    Driftwood #9b886a

    Catalogued palette

    • #9B886A
    • #4E3E29
    • #C9AC83
    • #776242

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ravi Varma Lithographic Press over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 1 most looked-at works by Ravi Varma Lithographic Press

    1. 1 Markandeya, 1920 this painting 100.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 5 works by this artist, of which 1 were looked at at least once. This painting ranks 1 of them, with 100.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Ravi Varma Lithographic Press

    Born in Malavli, India

    Ravi Varma Lithographic Press: A Legacy of Accessible Art

    Early Life and Founding

    The Ravi Varma Lithographic Press was established in 1894 in Malavli, India. While not an artist per se, the press played a pivotal role in disseminating the art of Raja Ravi Varma, one of India’s most celebrated painters. The founding of the press marked a significant turning point in Indian art history, driven by the desire to make fine art accessible to a broader population.

    The Significance of the Press

    Prior to the press, access to Raja Ravi Varma’s paintings was limited primarily to royalty and the wealthy elite. The Ravi Varma Lithographic Press revolutionized this by mass-producing high-quality lithographs – prints created using a chemical process – of his iconic works. This innovative approach dramatically lowered the cost of art ownership, effectively democratizing it and bringing it within reach of common people across India.

    Artistic Development & Techniques

    The press didn’t create original artwork; its expertise lay in the meticulous reproduction of Raja Ravi Varma's paintings. The lithographic process involved transferring an image onto a stone or metal plate, treating it to accept ink only where the image was desired, and then printing multiple copies. This required skilled technicians and careful attention to detail to maintain the quality and vibrancy of the original artwork.

    Notable Works Produced

    Markandeya: A striking example showcasing the press’s ability to faithfully reproduce Varma's complex compositions.

    Mohini or the Temptress: One of the most recognizable lithographs, depicting a captivating scene from Hindu mythology (35 x 50 cm).

    A Tamil Lady: A beautiful portrait demonstrating Varma’s skill in capturing realistic human features and traditional attire (48 x 32 cm).

    Influences & Artistic Style

    The press was directly influenced by Raja Ravi Varma's artistic vision. Varma himself blended European academic art techniques – particularly in realism and perspective – with traditional Indian iconography and themes. The lithographs faithfully reflected this unique style, making it widely available.

    Major Achievements & Historical Significance

    The Ravi Varma Lithographic Press operated successfully until 1980, leaving an indelible mark on Indian culture. Its achievements include:

    Democratization of Art: Making fine art accessible to the masses for the first time.

    Popularization of Hindu Mythology: Bringing stories and images from epics like the Ramayana and Mahabharata into countless homes.

    Shaping Artistic Tastes: Influencing generations of artists and shaping public perception of Indian art.

    The press’s legacy continues to inspire, demonstrating the power of technology to bridge cultural divides and make art a universal experience.

    Museum

    The Raja Ravi Varma Heritage Foundation

    On show in Bangalore, India

    A Living Bridge Between East and West

    In the vibrant heart of Bangalore, where the rapid pulse of modern India intersects with the profound echoes of a majestic past, lies a sanctuary dedicated to one of the most transformative figures in the history of Indian art. The

    Raja Ravi Varma Heritage Foundation

    serves far more than a mere repository for canvases; it is a living bridge connecting the classical traditions of the East with the burgeoning realism of the West. To step into the world curated by this foundation is to enter a realm where the divine and the earthly coalesce, mirroring the very brushstrokes of the legendary Raja himself. For the discerning collector or the lover of fine aesthetics, the foundation offers an intimate encounter with a visual language that redefined Indian identity during the late nineteenth century, offering a window into a period of immense cultural metamorphosis.

    The collection highlights are nothing short of breathtaking, characterized by a profound mastery of light, shadow, and human emotion. The works housed within this heritage framework celebrate a seamless fusion of European academic realism with deeply rooted Indian mythological themes. One cannot help but be captivated by the way the textures of heavy silk, the shimmer of intricate gold ornaments, and the soft, luminous glow of skin are rendered with such startling precision that they seem to breathe upon the canvas. These paintings do not merely depict gods and goddesses in a distant, ethereal sense; rather, they humanize them, bringing the epic, sweeping tales of the

    Mahabharata

    and

    Ramayana

    into a tangible, relatable reality.

    A Legacy of Preservation and Cultural Identity

    What makes this foundation truly unique is its unwavering commitment to both preservation and the democratization of art. While many institutions focus solely on the static display of artifacts, the Raja Ravi Varma Heritage Foundation breathes life into the legacy through scholarly pursuits and the promotion of the artist's multifaceted impact on Indian print culture. The foundation acts as a guardian of a visual revolution, ensuring that the techniques and stories that once flowed through lithographic presses are understood in their full historical context. It is a place where history is not merely studied but felt, making it an essential destination for those who seek to understand the very soul of Indian modernism.

    As visitors navigate the curated narratives presented by the foundation, they encounter a seamless blend of historical significance and aesthetic splendor. The exhibitions often delve into the nuances of the artist's life, exploring how his royal lineage and exposure to global art movements shaped his unique perspective. This dedication to storytelling ensures that every visitor leaves with a profound appreciation for the delicate balance between tradition and innovation. Whether one is an academic researcher, a passionate art enthusiast, or a connoisseur of fine decor, the foundation offers a transformative journey through a golden age of Indian creativity, where every frame tells a story of a nation finding its modern image.

    Where to read more

    Find this online

    QR code linking to the download page for Markandeya

    topimpressionists.com/en/art/download/ravi-varma-lithographic-press-markandeya-D4ALHZ-en/

    Cite this artwork

    MLA
    Press, Ravi Varma Lithographic. Markandeya. 1920, The Raja Ravi Varma Heritage Foundation. https://topimpressionists.com/en/art/ravi-varma-lithographic-press-markandeya-D4ALHZ-en/
    APA
    Press, Ravi Varma Lithographic (1920). Markandeya [Painting]. The Raja Ravi Varma Heritage Foundation. https://topimpressionists.com/en/art/ravi-varma-lithographic-press-markandeya-D4ALHZ-en/
    Chicago
    Ravi Varma Lithographic Press. Markandeya. 1920. The Raja Ravi Varma Heritage Foundation. https://topimpressionists.com/en/art/ravi-varma-lithographic-press-markandeya-D4ALHZ-en/
    Harvard
    Press, Ravi Varma Lithographic (1920) Markandeya. The Raja Ravi Varma Heritage Foundation. Available at: https://topimpressionists.com/en/art/ravi-varma-lithographic-press-markandeya-D4ALHZ-en/

    Look closely

    Markandeya — Ravi Varma Lithographic Press

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Yashoda Krishna (1890), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Ravi Varma Lithographic Press was about 26 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can "Markandeya" by Ravi Varma Lithographic Press, held at The Raja Ravi Varma Heritage Foundation, be legally reproduced?

    The original "Markandeya" is at The Raja Ravi Varma Heritage Foundation, and the work is still protected by copyright.

    Is "Markandeya" by Ravi Varma Lithographic Press kept in the artist's home country?

    Yes - the artwork is kept in the artist's home country. The birth country of Ravi Varma Lithographic Press is India, and the museum holding the original of "Markandeya" is in India.

    In what year was "Markandeya" by Ravi Varma Lithographic Press created?

    The creation of "Markandeya" by Ravi Varma Lithographic Press is dated 1920.